Michael Jackson and the Anti-POP ConspiracySPEAKING OUT AGAINST CRIMES AGAINST THE SOUL

IN MASS MEDIA AND POP CULTURE

WORDS FROM THE SOUL

“Like the old Indian proverb says, do not judge a man until you’ve walked 2 moons in his moccasins. Most people don’t know me, that is why they write such things in which most is not true. I cry very, very often because it hurts and I worry about the children, all my children all over the world.”

Michael Jackson

GENERAL PRINCIPLE

• Crimes against humanity, as defined by the Rome Statute of the International Criminal Court Explanatory Memorandum, "are particularly odious offenses in that they constitute a serious attack on human dignity or grave humiliation or a degradation of human beings.“

• They are not isolated or sporadic events, but are part either of a government policy (although the perpetrators need not identify themselves with this policy) or of a wide practice of atrocitiestolerated or condoned by a government or a de facto authority.

EXAMPLES

• Murder; massacres; dehumanization; extermination; human experimentation; extrajudicial punishments; military use of children; kidnappings; slavery; cannibalism, torture; rape; political, racial, or religious persecution; and other inhumane acts reach the threshold of crimes against humanity only if they are part of a widespread or systematic practice.

• Isolated inhumane acts of this nature may instead constitute grave infringements of human rights, or—depending on the circumstances—war crimes, but are not classified as crimes against humanity

ORIGINS

• 1860 the American National Republican Convention included in their electoral platform, on which Abraham Lincoln ran for President, the following statement: "... We brand the recent re-opening of the African slave trade, under the cover of our national flag, aided by perversions of judicial power, as a crime against humanity".

• 1890, George Washington Williams used the phrase to describe the treatment of Africans in the Congo Free State under King Leopold II of Belgium.

• May 24, 1915, the Allies (Britain, France, and the Russian Empire) jointly issued a statement explicitly announcing, for the first time, the commission of a "crime against humanity" in response to the Armenian Genocide and warned of personal responsibility for members of the Ottoman Government and their agents.

LIMITATIONS

• Existing crimes against humanity do not recognize the human rights of the soul, whether in life or in death.

• The soul, in many religious, philosophical, psychological, and mythological traditions, is the incorporeal and, in many conceptions, immortal essence of a living thing.

• The soul, in religion and philosophy, is often considered to be synonymous with the mind or the self.

• In theology, the soul is further defined as that part of the individual which partakes of divinity and often is considered to survive the death of the body.

IMPORTANCE

• People use art to connect with their souls and to heal a sense of loss, grief, isolation, loneliness, fear, despair, anxiety, pain and depression.

• Art heals through a unique process by bringing hidden issues to the surface, and thereby making us conscious of these difficult problems.

• Art can magically help us to stay focused, to experience and to deal with these issues.

• Art heals with its sincerity, power, beauty, vibration, color, tone, dynamic, rhythm, words, interaction and intention.

IMPLICATIONS

• Crimes against the soul can be protected as acts of self-expression

• Crimes against the soul are often antecedents to crimes against humanity

• Crimes against the soul outrank crimes against humanity in scope, effects and duration

• Crimes against the soul are harder to confront than crimes against humanity

PROBLEM DEFINITION

• Crimes against the soul have eternal implications

• Crimes against the soul are manifested in the arts

• Crimes against the soul are not recognized by governments

• Artists are the trusted custodians of the human soul and the primary subject of related crimes and conspiracies

• Crimes against the soul are proliferating under the culture of mass self-deception created by the tabloid media

• Michael Jackson is the leading artist and the chief protagonist for the human rights of the soul

WHY MICHAEL JACKSON?

• Pop culture – and its related art forms - emerged from the resistance of Africans to the unprecedented crimes against humanity practiced in the name of racism, civilization, religion and commerce.

• Pop culture therefore represents the pre-eminent art form to defend the human rights of the soul

• Michael Jackson is the ultimate representation of the power of pop culture to heal the soul

• Michael Jackson was subjected to extraordinary forms of character assassination as a result of his chosen mode of archangelic self-expression

• The Anti-POP System is at the heart of this confrontation

WHY ANTI-POP?

• The word “ANTI-POP” has been coined as a pseudonym for the system of emerging American beliefs and practices associated with centralized control of “mass media”

• The Hollywood System was built by the media industrialists of the 19th and 20th century who subjected ancient principles of art and social engineering to scientific manipulation

• The symbolic culture of Ancient Egypt was of central importance to the organization of this system, especially in the creation of motion pictures and recorded music

• During the Second World War, Hollywood was reinvented to ensure that American values achieved global dominance as part of the “New World Order”

THE CONSPIRACY

• The focus of Anti-POP is to define, merchandise and export the “American Dream” using proprietary mass media tools of motion pictures, recorded sound and event marketing

• This process involves dualistic forces of “creative destruction” that use symbolic violence to ensure that Anti-POP influences decide the winners and losers of the arts community

• The core methodology of Anti-POP is to ensure its own creative dominance over all beliefs, cultures and civilizations through the power of its technical mastery of mass media

THE CONFRONTATION

• Michael Jackson lifted the “veil of illusion” within American culture by serving as a human bridge between the technology of mass communications and the supremacy of the soul dimension as a universal gift of the heavens

• Michael Jackson exceeded all expectations of the American system as a globally influential crossover artist achieving unparalleled standards of pop excellence in multiple genres of music, tv, film, publishing and humanitarianism

• Hollywood has continually reacted to the Michael Jackson effect with a confrontational agenda that tries to ensure the following:

1. Mimickery and/or mockery of his artistic influence2. Corporate sabotage of his financial independence3. Character assassination of his soul power

THE LEGACY

• Michael Jackson suffered greatly – and ultimately died - under the weight of his soul power confrontation with Anti-POP

• Even in death, his belief in the soul and in his artistic vision has reached far beyond the capacity of his Anti-POP protagonists and is now a community asset for all mankind

• The details of his apocalyptic will are contained within his final contract song, THREATENED, from the Invincible Album.

• His confrontation with Hollywood is now being continued by his twin soul, Susan Elsa, under the jurisdiction of the 777 Courts

THE CLAIM

• Michael Jackson represents an exceptional legacy in pop culture because of his unique ability to bridge heaven and earth through the force of his overwhelming presence in the minds of the audience

• This legacy is under continual attack by dominant Anti-POP interests that fundamentally disagree with Michael Jackson’s approach to pop culture

• This sustained attack on Michael’s character – especially in the shadow of his death - is a crime against the soul of humanity and must now be prevented by formal sanctions under civil, criminal and natural law

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