· mise-cn-scène. thal of the last, montage. mise-en-scène is often regarded as static, montage...

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Page 1:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 2:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 3:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 4:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 5:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 6:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 7:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 8:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 9:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved
Page 10:  · mise-cn-scène. thal of the last, montage. Mise-en-scène is often regarded as static, montage as dynamic. This is not the case, Becanse we read the shot, we arc actively involved