mitran portfolio pages

1 Mportfolio

MITRAN M KIANDEEMASTERS OF ARCHITECTURE UNIVERSITY OF MELBOURNE

2015

3contentsh t t p : / / i s s u u . c o m / m m m i t r a n

MCurriculum Vitae .5

Selfish Gene 2.0 Tokyo Replay Centre 2015 .6

Studio A Fire University of Melbourne Archives 2014 .12

Studio B Fire Outr Gallery 2014 .16

Studio Air AirNergy for Land Art Generator Initiative 2014 .22

Studio Water Mies van der Rohe inspired Boathouse 2013 .30

Studio Earth Unearthing Gallery 2013 .36

Virtual Environments Lunar Lantern .38

Competition Entry San Francisco Fire Department Headquarters .42

Construction Design McBride Charles Ryan Architects Pentleigh & Essendon Grammar School .45

Applied Construction Hypothetical 52-storey office tower in Melbourne .48

Sketches .50

Internship Projects Visual renderings of KKU Office fitouts within a heritage listed warehouse .52

Studio 25 Reinventing Southland .56

As sudent of architecture, I enjoy working with the

details of an existing space and genuinely care about

the delicate details that influence human living and

appreciation of spaces.

5mitran m kiandeeh t t p : / / i s s u u . c o m / m m m i t r a n

27/ 283 Spring StreetMelbourne 3000 VIC

[email protected]

+61 401 496 556+60 16-832 9968

As sudent of architecture, I enjoy working with the

details of an existing space and genuinely care about

the delicate details that influence human living and

appreciation of spaces.

2015-PRESENTMasters of Architecture, University of Melbourne2012-2014Bachelor of Environments, University of Melbourne |H1 Average JAN-FEB 2014 Winter Exchange Program, Stuttgart Universitt 2010-2011 Huntingtower Highschool, Mount Waverley |98.35 ATAR2005-2009 All Saints Secondary School, Kota Kinabalu, Malaysia | SPM 9As

JAN-FEB 2015Intern at Lawrence Loh Architects, PenangSketch proposal, visual illustration & tender drawing detail production on adaptive reuse projects2013-2014Committee member of Melbourne University Overseas Christian Fellowship Cell Leader in 2013 and Head of Outreach Ministry in 20142014AND Speaker SeriesInviting, publicising and organising professional architects as guess speakers to inspire aspiring architecture studentsDEC 2013 Intern at HJL Architecture, MelbourneMaterial selection and visual rendering with PhotoshopDEC 2012 Hotel Receptionist at The Palace Hotel, Kota KinabaluFront desk services and local enquiries for multi-national guestsJUL 2012 Model maker at F-20 Sdn Bhd, MalaysiaDelicate assembly and application of finishes on laser cut components

2013 & 2014Deans Honours Award for Academic Merit DEC 2014Selected Studio A Exhibition in the new ABP LibraryJUN 2014Selected Axonometric and Detail Drawings for Construction Design Short-listed ExhibitionNOV 2013 Architecture Design Studio Water Selected Works ExhibitionDEC 2012 Selected Virtual Environments Lantern, Melbourne GPO Exhibition

Sketching Hand Models Laser Cutting Card Cutter 3D Printing CNC Routing

Microsoft Office InDesign Photoshop Illustrator Rhinoceros 5.0 Autocad Grasshopper Revit Google Sketchup

programsmanual

awards

experience

profile

education

YEAR: YEAR 1 SEMESTER 1 MASTERSTUTOR: LAURA MARTIRESSITE: SHIBUYA 109PROJECT: GENERATIVE DESIGN FOR TOKYO REPLAY CENTRE THROUGH A METHOD OF SAMPLING URBAN ELEMENTINVOLVEMENT: INVOLVEMENT: MNEMONIC MAPPING , 3D SAMPLE MODELLING, 2D DRAFTING, DESIGN DEVELOPMENT

I N T E R S E C T SELFISH GENE 2 .0 MITRAN KIANDEE 581651 STUDIO C

(INTERSECT) is a contemporary Replay centre located at the heartbeat of the infamous Shibuya 109 pedestrian crossing. This new design hosts the contemporary culture and lifestyle of the metropolitan community in ways that accommodate their current behavioural trends and the existing typology of the urban fabric. Research in Studio Selfish Gene 2.0 reveal that urban growth and technological advancements constantly changes the identity of the city. The only unchanging element of the city is its uninhabited spaces. embodies the paradox of permanent circulation. It is an agglomeration of the urban profiles (circulation, frontages and intersections samples) that generate opportunity spaces that

reflect the trends and behaviour of the city.

The union of these city components create opportunities to host activity spaces. Emerged void spaces are a reflection of the commonality that runs throughout the circulation-scape of Shibuya. Program spaces are not mutually exclusive but instead, have a resemblance in the way they function and engage with visitors. The crossing of circulation paths accentuates the excitement and Interaction that occurs in the public realm. There is a freedom in the expression of pop-culture individuality and subculture belonging.

Overall, the faade of the replay centre frames the expression of the public dependence on Shibuya circulation spaces and how they intersect as a social centre to indulge in selfish interests and fantasy happiness. with

BAR & KITCHEN

VISITOR PACE VISITOR MOVEMENT PUBLIC INTERACTION PROGRAM ENGAGEMENT

VIDEO GAMESVISITOR PACE VISITOR MOVEMENT PUBLIC INTERACTION PROGRAM ENGAGEMENT

ANIME


FILM


MANGA


AUDITORIUM


FASHION


KARAOKE


I N T E R S E C T

URBAN CIRCULATION URBAN CIRCULATIONURBAN FRONTAGE URBAN FRONTAGEI N T E R S E C T I O N I N T E R S E C T I O N

SECTION Y-Y PERSPECTIVE

TYPE A: COREBUILDING CIRCULATION COMPONENTS

TYPE B: ESCALATORS TYPE C: LIGHT WELLS TYPE D: LOOP

40 2 6 8 10m

I N T E R S E C T I O N

LONG SECTION 1:2001.2.3.45.6.73.2442

PAST DESIGN ITERATIONS

CIRCULATION PROGRAM URBAN CIRCULATION VARIATIONSCIRCULATION EXPOSITION

CIRCULATION INTERACTION PRECEDENT STUDY

FINAL SCHEME VERSION 1 CIRCULATION ARTICULATION

FASHION PRECINCT

FASHIONPRECINCT 4F

FASHION PRECINCT 5FMANGA 6F

KARAOKE & AUDITORIUMKARAOKE 11FFILM 12FVIDEO GAMES 13F

GROUND FLOOR PLAN 1:200

1 CIRCULATION2 EXHIBIT SPACE3 TOILETS4 KITCHEN5 BAR6 DISPLAY PANELS7 VENDOR SPACES8 RECEPTION 9 LIGHT WELL

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MANGA & ANIME 7FANIME 8F

KARAOKE & AUDITORIUM 9F

KARAOKE & AUDITORIUM 10F

SPATIAL DISTRIBUTION AXONOMETRIC DIAGRAM

CIRCULATIONBUFFERPROGRAM

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LEVEL 9 FLOOR PLAN 1:200KARAOKE AND AUDITORIUM

1 CIRCULATION2 KARAOKE CAPSULE3 KARAOKE STAGE4 KARAOKE LOOP5 KARAOKE SERVICES6 KARAOKE ENTRY7 TOILETS8 OUTDOOR BREAKOUT SPACE9 AUDITORIUM SEATING10 AUDITORIUM STORAGE11 AUDITORIUM STAGE

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YEAR: YEAR 3 SEMESTER 2 UNDERGRADUATETUTOR: RENE CORTELLINGSITE: 288 ALBERT STREET, BRUNSWICK, MELBOURNE.PROJECT: CONCEPTUAL DESIGN OF A NEW ARCHIVE WITHIN THE URBAN FABRIC OF BRUNSWICK, EMPHASISING ON ARCHITECTURAL PALIMPSESTS AND GRAFFITI INVOLVEMENT: PRECEDENT RESEARCHES, DESIGN DEVELOPMENT, 2D DRAFTING, UNORTHODOX REPRESENTATION

THE UNIVERSITY OF

MELBOURNE ARCHIVES

In a world full of culture, history, treasures, collections and heritage, reality becomes precious to mankind. It is a desire for many to keep items that fascinate, impress, or glorify individuals. It is a desire for some to take up the ownership of organising artefacts. They are called archivists.

The place we live in is truly a mess; much of the things around us are disorganised, misplaced and unidentifiable. The new University of Melbourne Archives aims to serve as a place to synchronise the past for the future; encouraging easy access to its collection and engaging with the existing collective site.

This design proposal for a new University of Melbourne Archive revolves around the idea the of organisation and its underlying harmony. It is derived from the understanding of how an archive works as a treasure chest of a spectrum of diverse items, information and precious pieces. From spatial relations, faade treatment, site context and even interaction with the existing buildings, there is a delicate desire to organise in every detail.

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THE UNIVERSITY OF

MELBOURNE ARCHIVES

Katrina Dean, Head Archivist.

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the organisationthe site the harmony 1:1000 1:1000 1:1000

exhibition gallery interior

archival storage area

reading room

The robust cycle of culture and events shapes the current Brunswick suburbia. Over the years, individuals leave their own imprints on the urban landscape.

This design proposal for a new Outr Gallery appreciates the history and memories of the site. It considers the details, from traditional detailing to spatial circulation. Working with the existing frame of the building, it is an eccentric obsession to keep the highlights and blemishes of the 4 shop houses. As the working grid is contested with the present load bearing walls, it creates intriguing spaces.

The frame becomes the structural

bones which emphasises the linearity of the shop; whereas the raw industrial panels, detailing and finishes play as an accompaniment to these frames.

In essence, the private gallery spaces accentuate the uniqueness of the building frame while double heighted bookshop and reception area highlights the volume and remnants of the shop structure. Finally, caf interlocks the interior edifice with the outdoor extensions.

This project is a marriage of new and old elements, offering a space for new ideas. It encourages creativity for an open and bare space invigorated with new functions.

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YEAR: YEAR 3 SEMESTER 2 UNDERGRADUATETUTOR: ROZ KUNISITE: 369 SYDNEY ROAD, BRUNSWICK, MELBOURNEPROJECT: CONCEPTUAL DESIGN OF A NEW CONTEMPORARY SALES GALLERY WITHIN THE URBAN FABRIC OF BRUNSWICK, EMPHASISING ON ARCHITECTURAL PALIMPSESTS AND GRAFFITI INVOLVEMENT: ADAPTIVE REUSE SITE ANALYSIS, DESIGN DEVELOPMENT, 2D DRAFTING, UNORTHODOX PRESENTATION

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SITE PLAN

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RECEPTION INTERIOR

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RECEPTION INTERIOR INTERIOR HALLWAY

YEAR: YEAR 3 SEMESTER 1 UNDERGRADUATETUTOR: VICTOR BUNSTER & FINNIAN WARRICKGROUP: angin. BINGQIAN YAN, HUILI YEOH, XIAOJUIN LOWSITE: REFSHALEEN, COPENH AGEN, DENMARKINVOLVEMENT: PARAMETRIC SCRIPTING, VISUAL RENDERING, PROTOTYPE FABRICATION, JOURNAL DOCCUMENTATION

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LAGI . 2014

AIRNERGYhuili - mitran - juin - yan

VIEW PLAY LEARN

AIRnergy is a synergetic pedagogy that fosters a dialogue between wind energy generation and the community of Copenhagen and the greater world.

DESIGN CONCEPTAIRnergy emulates the movement of wind through the meticulously structured form that not only captures wind but also generates new spectacles and vantage points along the infamous Kbenhavns Havn and its neighbouring structures. Refshaleen is a rich complex of creative entrepreneurships, warehouses, and cultural and recreational venues. The design site is grounded within a dilapidated reclaimed land. AIRnergy celebrates the weakness of the site with

the potential of harvesting renewable energy through the flow of wind. Alongside the community people of Copenhagen, AIRnergy will propel towards a new era of Carbon Neutral social nomenclature.

DESIGN EXPERIENCEA journey through AIRnergy will break the social stigma against the grim aesthetics and lack of efficiency of renewable energy generators. The division of spatial programs encompasses the intricacy of energy generation, the human context of joyous kinfolk, building activities, education and a display of technology. Through the articulation of different spatial qualities, three main functions will be executed; View, Play, Learn.

Full studio journal available for viewing at

http://issuu.com/mmmitran

CLOSED PANELS

OPENED PANELS

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LAGI . 2014


VIEW PLAY LEARN

view, wind, sun parameters circulation axes

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emergent form & excess surfacingpoints of intersection

FABRICATIONWith the evaluation of the previous physical joint prototypes, a subsequent iteration of a fully parametric joint is scripted, accommodating for the same criteria of material thickness, diameter of axes and diameter of casement. The highlight of this version is the ability for the joints to facilitate horizontal and vertical flexibility whilst still firmly locked within the casement for LED and generator systems.

CONCEPTThe elementary science behind each of these movable flaps involves wind-induced vibration due to the non-linear fluid flow and vortices around a flexible structure. The energy harvest device comprises, in one embodiment

(each the triangular panel), an oscillating flap, a piezoelectric bender (transducer) and an energy convertor that converts the vibration of the oscillating element into direct current.

The piezoelectric sheet benders are attached to the panel and are connected via a hinge that allows for rotation along the vertical axis. In wind conditions, the rotation of the flap about the bearing joint creates a modal flutter response and hence a vibration that is picked up by the piezoelectric benders connected to an energy convertor (full rectifier bridge) concealed within the joints between each triangular panel. The energy collected from the panels is stored in a generator and capacitor, during

the night, the energy stored will be able to power the organic LED light panels attached to the joints between the triangle panels. The lights emitted from the panels sever a signpost even to distant urban dwellers of the real-time energy production on site.

Full studio journal available for viewing athttp://issuu.com/mmmitran

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LAGI . 2014


VIEW PLAY LEARN

panel piezoelectric system joint epicentre

wind sensitive-panels motion sensors energy conversion & transmission

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LAGI . 2014


VIEW PLAY LEARN

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PROCESS DIAGRAMS

YEAR: YEAR 2 SEMESTER 2 UNDERGRADUATETUTOR: NAFISEH HAMIDISITE: STUDLEY PARK ALONG YARRA RIVERPROJECT: INDIVIDUAL. LEARNING FROM THE MASTERSINVOLVEMENT: HAND TRACING, DESIGN ANALYSIS, DIAGRAMATIC DOCCUMENTATION, DIGITAL DESIGN, VISUAL RENDERINGS

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SIMPLICITYThe overall form is preserved as a basic linear cuboid which allows for a continuous unobstructed circulation around and within the building. The repetitive culture of building elements such as glass, steel frames and flooring are results of a modular design, allowing prefabrication, quick assembly, and easy repairs.

SKELETAL STRUCTUREThe structural U beam UB 254x102x28 and UB 305x127x48 are exposed as an icon of strength and ownership onto the landscape without overpowering the tones of nature.

OPEN PLANInternal partitions only present in service spaces to generate a pure visual connectivity throughout the building. The little concealment of spaces infers a natural order of hierarchy through accessibility.

ILLUSIVE INTERIORInterior finishes are dynamic in shape to emulate the hill slope and river stream landscape. Small elements like ceiling, bar tops, partition walls and the operable faade emphasise the buildings potential to be exploited as an accommodation for rustication, decay, and various imperfections that will portray an on-going heritage.

The proposed Studley Park Boathouse employs concepts of hierarchy and structure from Mies van der Rohe to innovate a modernist building which precedes from a culture of respect towards construction and nature.

AXIAL PRIVACY

SITE RESPONSE

STUDLEY PARK

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PROCESS DIAGRAMS

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GUIDED CIRCULATION Users are subtly pushed towards the north and southern ends of the building when they intend to traverse from one space to another. Although an open plan, users will recognise future directions due to the accessibility and visual permeability of each space.

MODERN MATERIALS A domestic idea of weathering and allowing nature to take its course becomes central in the design. Corten cladding, unpolished steel, wired mesh fences, rammed earths are among the selected materials that are readily available, prefabricated and inexpensive. Many resemble structural steel that is consistent in modern designs by Mies.

HARMONY WITH LANDSCAPEDissimilar from Farnsworth house, the south faade of this Boathouse is embedded into the ground for an intimate connection with the natural environment.

BARREN TEMPLATEThe purity of form accentuates the value of interior spaces and formulates an ordered interaction between users and the place.

FOCAL POINT

CIRCULATION

ORDER

FUNCTIONALITY

HIERARCHY HIERARCHY NATIONALGALERIE

MASSING MASSING FARNSWORTH

STRUCTURE STRUCTURE FARNSWORTH

PLAN TO SECTION PLAN TO SECTION NATIONALGALERIE

CIRCULATION CIRCULATION CROWN HALL

UNIT TO WHOLE UNIT TO WHOLE NATIONALGALERIE

CONCEPT DIAGRAMS

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STUDLEY PARK

EST. 2013

SYMMETRY SYMMETRY NATIONALGALERIE

AXIS AXIS CROWN HALL

BUBBLE DIAGRAM BUBBLE DIAGRAM NATIONALGALERIE

PARTI PARTI CROWN HALL

ADDITIVE AND SUBTRACTIVE ADDITIVE AND SUBTRACTIVE FARNSWORTH

NATURAL LIGHT NATURAL LIGHT NATIONALGALERIE

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PROJECT TITLE : STUDLEY PARK BOATHOUSEAREA : 351m2FUNCTION : FAMILY RECREATIONAL AREA, RESTAURANT, CAFEARCHITECT : MITRAN M KIANDEE 581651CLIENT : ABPL ARCHITECTURAL DESIGN STUDIO: WATERLOCATION : KEW, VICTORIACONCEPT : BOATHOUSE INSPIRED BY PRINCIPAL DESIGN CONCEPTS OF MIES VAN DER ROHE

A MAIN ENTRANCEB RESTAURANTC ROOF GARDEND CAFEE HALLWAY TO BOAT HIRE

GROUND FLOOR SPACES

1 BOAT HIRE2 TOILETS3 OFFICE4 CIRCULATION STAIRS5 KIOSK6 CAFE7 CAFE BAR8 OPEN SPACE9 MAIN ENTRANCE

LEVEL 1 SPACES

1 KITCHEN2 RESTAURANT BAR3 RESTAURANT4 CIRCULATION STAIRS5 OPEN SPACE6 EXCLUSIVE DINING7 UPPER ENTRANCE

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unearthing galleryh e r r i n g i s l a n d c u l t u ra l m u s e u m

YEAR: YEAR 2 SEMESTER 1 UNDERGRADUATETUTOR: SARAH KAHNSITE: HERRING ISLAND ENVIRONMENTAL SCULPTURE PARK, YARRA BOULEVARD, MELBOURNEPROJECT: DESIGNING WITH THE LANDSCAPE WITH AN UNDERSTANDING OF THE HISTORICAL CONTEXT, GEOLOGICAL TYPOLOGY AND HUMAN ACTIVITYINVOLVEMENT: PRAGMATIC COMPOSITION, HISTORICAL AND CULTURAL REFERENCES, MONUMENTAL DESIGN, DIGITAL DRAFTING, MODEL FABRICATION

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Unearthing Gallery is an audacious monument emerged from the long-standing conflict between Australian Aboriginals and White Settlers. The symbolic counter-position of the firm, grounded indigenous monolith and loose, lightweight timber rafted shelter creates a dialogue between the convoluted history and the current reconciliatory community.

A GRAND ENTRYB ABORIGINAL MUSEUMC OFFICED WHITE GALLERYE RECEPTION

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CONCEPT DIAGRAM

I. LINEAR JOURNEY

III. FUNCTION RESPONSE; VOLUME AND SPATIALITY

III. SITING RESPONSE; VIEWS AND TOPOGRAPHY

SERVICESABORIGINAL MUSEUMGARDENSETTLER MUSEUMTHEATRE

ABORIGINAL MUSEUM

SETTLER MUSEUM

RECEPTION 1OFFICE 2

PUBLIC BATHROOM 3UNEARTHING PRE-COLONIAL INDIGENOUS PLACE 4

UNEARTHING COLONISATION 5UNEARTHING DISPLACEMENT: RECONCILIATION GARDEN 6

UNEARTHING CONTEMPORARY CULTURE: THEATRE 7BACKSTAGE 8

STORAGE 9 SERVICE LIFT 10

FLOOR PLAN

LONG SECTION

SHORT SECTION

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virtual environmentsl u n a r i n s p i r e d w e a r a b l e l a n t e r n

Craters are created on the surface of the moon by asteroids, comets and other cosmic rocks upon collision. The moon has no atmosphere that protects the surface from foreign matter and thus encourages an irregular, unappealing and rough exterior. Craters will vary in shape and sizes as velocity, materiality and surrounding environment changes.

This design concept provokes the focus of the plasticine form. The final model adapts an organic shape that moulds with the body of its user, acting as a physical representation of the inner spirituality.

The final artefact is a product of the compilation of ideas flowing from the

original ideation. Although multiple alterations are implemented within the aesthetic form, the revolutionary creation has evolved tremendously in terms of performance and core ideas.

Full design journal available for viewing athttp://issuu.com/mmmitran

YEAR: YEAR 1 SEMESTER 2 UNDERGRADUATETUTOR: JESSICA-LEE CHIDESTERPROJECT: INDIVIDUAL. DIGITAL ARTEFACT. INVOLVEMENT: DIGITAL DESIGN, CONCEPTUAL DESIGN, ABSTRACT REDUCTION, PROTOTYPE TESTING


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Simplification Tension Transformation

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Spore of craters

multi-scaled

Mysterious - Supernatural

Pencil outlines raw ideas, Rhino modelling shapes practical thinking, plasticine moulding crafts fluid forms. The easy access to all three design platforms represents an unending struggle to balance aesthetics and concept. Frequent adjustments are made in order to acquire features that extend from the surface entropy and cultural qualities as shown in the abstract figure on right.

Full design journal available for viewing athttp://issuu.com/mmmitran


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CONCEPT SKETCHES41

counter destructionsan fransisco fire department headquarters

YEAR: YEAR 2. INDEPENDENT COMPETITION ENTRYGROUP: ROVI LAU, SHAUN LEE, JASLYN LEE, AUDREY ONGSITE: SAN FRANSISCOINVOLVEMENT: VISUAL RENDERING, PHOTOSHOP POST-PROCESSING.

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The design concept based on the tragedy of 1906 is derived from the desperate and creative measures taken by the fire fighters to contain the fires in the absence of conventional means of putting out fires. Prioritising the preservation of life, they resorted to the destruction of the city in an attempt to save it. Even though most of the city was still lost, the efforts taken to save it were commendable and the city has since been rebuilt bigger and better than before. The building form serves to emulate the efforts taken to resist the total destruction of the city, essentially fighting fire with fire, which later allowed for the healing of the urban fabric and development of the departments proficiency in protecting

the city. The view of the building from the bridge evokes memories of the events of 1906 against the background of the city it is now, while the monumental front of the building seen from within the city gives its inhabitants a sense of comfort knowing they are well protected from the repetition of history. The integration of the headquarters into the city skyline gives the users of the building a sense of belonging in the society of which they play such an integral role, both in the past and the present.

SCALE 1:5000

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FiretrucksBoats

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CONCEPT DIAGRAM

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YEAR: YEAR 3 SEMESTER 1 UNDERGRADUATETUTOR: LISA BRENNANGROUP: AUDREY ONGINVOLVEMENT: UNDERSTANDING OF CONSTRUCTION METHODS AND DRAWING DOCCUMENTATION, INDIVIDUAL AXONOMETRIC SECTION AND DETAILS, COLLABORATIVE 1:20 CONSTRUCTION MODEL,

construction design

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1:20 Construction Model of a 8x9m cut-out from McBride Charles Ryan Architects Pentleigh & Essendon Boys Grammar School design.

In partnership with Audrey Ong, this model details the construction assembly of components and reasons design decisions based on the architects intent, building function, environmental sustainable design concepts and construction assemblage.

construction design

applied construction

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hand sketches

LAYOUT REVIEW OPTION ID-2 Ground Floor

proposed KKU corporate offices @ wisma uab. lebuh china. pulau pinang ground floor plan

main entrance52

YEAR: 2015PROJECT ARCHITECT: MOHD SAFUAN AZMAN AT LAWRENCE LOH ARCHITECTSSITE: AN ABANDONED COLONIAL WAREHOUSE IN THE CITY OF PENANGINVOLVEMENT: MATERIAL FINISHES SELECTION, SKETCHUP 3D MODELLING, VISUAL RENDERING, PHOTOSHOP POST-PROCESSING.

internship workKKU office fitout

LAYOUT REVIEW OPTION ID-2 Ground Floor

proposed KKU corporate offices @ wisma uab. lebuh china. pulau pinang

office workstations

gallery of transitions

internal verandah

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LAYOUT REVIEW OPTION ID-2 First Floor

proposed KKU corporate offices @ wisma uab. lebuh china. pulau pinang first floor plan

outdoor chillout area54

YEAR: 2015PROJECT ARCHITECT: MOHD SAFUAN AZMAN AT LAWRENCE LOH ARCHITECTSSITE: AN ABANDONED 18TH CENTURY COLONIAL WAREHOUSE IN THE CITY OF GEORGETOWN, PENANGINVOLVEMENT: MATERIAL FINISHES SELECTION, SKETCHUP 3D MODELLING, VISUAL RENDERING, PHOTOSHOP POST-PROCESSING.

internship workKKU office fitout

LAYOUT REVIEW OPTION ID-2 First Floor

proposed KKU corporate offices @ wisma uab. lebuh china. pulau pinang

toilet finishes

think city workstations

think city workzone

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CITY OF KINGSTON ANALYSIS 1:10 000

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SOUTHLAND WESTFIELDREINVENTED

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In this ongoing studio, Reinventing Southland, the current Southland shopping mall typology is challenged how it can be reconfigured architecturally, spatially, and in relation to its context through various kinds of formal interventions. This is done through the introduction of in doing so public programs within it and connected to it.

Southland is considered in relation to the wider context of Cheltenham a traditional suburban retail centre nearby which is undergoing urban

change. The current design adopts an appropriation of local suburban trends in the use of space and home ideals of comfort and shared spaces.

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cookinginstitute

exposeoriginal building

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entry to mainretail

food supplyfrom plantation

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urban parklandnapean highway express

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carworkshop

urban parklandurban parklandvehicle &

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meat marketvegetable market

local craft market

gourmet food stalls

shopfront shopfront shopfront shopfront shopfront

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SECTION 1:500 REINVENTED

shared backyard

carparkworkshopretailbus terminalretailretail

retailfresh market

retailretailgarden

gardengarden

cooking institutepoultry poultry poultry poultry poultry poultry poultry

shared backyard

shared backyard

shared backyardgardenfarm

gardenfarm

gardenfarm

gardengardenfarm

gardenfarm

gardenfarm

garden

ROOFGARDENNAPEAN HIGHWAYREVIVAL CONCEPTORIGINAL SOUTHLANDREVIVAL APPROACH

SECTION1:500

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YEAR: YEAR 1 SEMESTER 2 MASTERSTUTOR: PROF. PAUL WALKERSITE: SOUTHLAND SHOPPING MALL, MELBOURNE.PROJECT: CONCEPTUAL DESIGN OF A PUBLIC PERIMETER AND A PRODUCTIVE ROOF GARDENINVOLVEMENT: PRECEDENT STUDY, DESIGN DEVELOPMENT, 3D MODELLING AND VISUALISATION

At Westfield, we hold the vision to continually need to adapt and always serve customers first. Westfield is determined to not only deliver world leading retail and luxury brands, but also would like to collaborate with local entrepreneurs to offer fresh, organic daily produce to the much deserved community of Kingston.

This project is a hopeful representation of the vast opportunities unoccupied roof spaces and unamusing carpark amenities have to host productivity and support a socio-cultural presence.

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YEAR: YEAR 1 SEMESTER 2 MASTERSTUTOR: PROF. PAUL WALKERSITE: SOUTHLAND SHOPPING MALL, MELBOURNE.PROJECT: CONCEPTUAL DESIGN OF A PUBLIC PERIMETER AND A PRODUCTIVE ROOF GARDENINVOLVEMENT: PRECEDENT STUDY, DESIGN DEVELOPMENT, 3D MODELLING AND VISUALISATION

At Westfield, we hold the vision to continually need to adapt and always serve customers first. Westfield is determined to not only deliver world leading retail and luxury brands, but also would like to collaborate with local entrepreneurs to offer fresh, organic daily produce to the much deserved community of Kingston.

This project is a hopeful representation of the vast opportunities unoccupied roof spaces and unamusing carpark amenities have to host productivity and support a socio-cultural presence.

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66Mportfolio

MITRAN M KIANDEEMASTERS OF ARCHITECTURE

UNIVERSITY OF MELBOURNE 2015

mitran portfolio pages

Documents

selected studio

studio b

sudent of architecture

hjl architecture

presentmasters of architecture

s s u u

kiandeeh t t p

studio water mies