mmicc 2010 - nus

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Turning Dreams Into Reality

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Page 1: MMICC 2010 - NUS

Turning Dreams Into Reality

Page 2: MMICC 2010 - NUS

AGENDA

Situational Analysis

MULTISENSORYEXPERIENCE

GEOGRAPHICEXPANSION

Issues

Implementation

Financials

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 3: MMICC 2010 - NUS

Valuable Resources

• Creative talents • Strong brand name

Lucrative Target Market

•Affluent & sophisticated individuals

Strong Focused Operations

• 13 Resident, 10 Touring shows• Operating mostly in North America• Partners with Casino Operators

Key Principles • Show before business • Creative challenge and control

Valuable Resources with strong focused operations

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 4: MMICC 2010 - NUS

Expression of Creativity

•Constant idea generation from cells need to materialize into shows

Internal forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 5: MMICC 2010 - NUS

Expression of Creativity

•Constant idea generation from cells need to materialize into shows• Need for new shows

Internal forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 6: MMICC 2010 - NUS

Expression of Creativity

•Constant idea generation from cells need to materialize into shows• Need for new shows

Maintain creative edge •Keep creative core competency•Constantly innovate

Internal forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 7: MMICC 2010 - NUS

Opportunities for Expansion• Reputation for increasing partners revenues•Highly sought after

Internal forces External forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Expression of Creativity

•Constant idea generation from cells need to materialize into shows• Need for new shows

Maintain creative edge •Keep creative core competency•Constantly innovate

Page 8: MMICC 2010 - NUS

Opportunities for Expansion• Reputation for increasing partners revenues•Highly sought after•New partner and market opportunities

External forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Internal forces

Expression of Creativity

•Constant idea generation from cells need to materialize into shows• Need for new shows

Maintain creative edge •Keep creative core competency•Constantly innovate

Page 9: MMICC 2010 - NUS

Opportunities for Expansion• Reputation for increasing partners revenues•Highly sought after•New partner and market opportunities

External forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Internal forces

Expression of Creativity

•Constant idea generation from cells need to materialize into shows• Need for new shows

Maintain creative edge •Keep creative core competency•Constantly innovate

Increasing Competition

•Growing number of similar shows

Page 10: MMICC 2010 - NUS

Opportunities for Expansion• Reputation for increasing partners revenues•Highly sought after•New partner and market opportunities

External forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Internal forces

Expression of Creativity

•Constant idea generation from cells need to materialize into shows• Need for new shows

Maintain creative edge •Keep creative core competency•Constantly innovate

Increasing Competition

•Growing number of similar shows•Need to be at the forefront of innovation

Page 11: MMICC 2010 - NUS

Opportunities for Expansion• Reputation for increasing partners revenues•Highly sought after•New partner and market opportunities

External forces

Need for expansion and maintaining creative edge

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Internal forces

Expression of Creativity

•Constant idea generation from cells need to materialize into shows• Need for new shows

Maintain creative edge •Keep creative core competency•Constantly innovate

Increasing Competition

•Growing number of similar shows•Need to be at the forefront of innovation

Expand globally to capture new markets&

Deliver new forms of creativity

Page 12: MMICC 2010 - NUS

Where we want to beWhere we are

Strong permanent foothold in North America

Strong relationship with MGM

Provide high quality and creative entertainment

Where we want to be

Establish permanent foothold globally

Build equally strong relationship with other

partners

Leader in providing the most creative and

forefront entertainment

Issues and concerns

Enter new markets and deliver creative content

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 13: MMICC 2010 - NUS

Which show type

How to deliver new forms of creativity

Issues

•Brand dilution•Creative control

Concerns

Which markets to enter•Cannibalization•Over-saturation

Who to partner

•Creative Control•Trust•Sustainability• Profitable model with non-casino operator

• Creative talent • Financial and technical capabilities

Issues and Concerns

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 14: MMICC 2010 - NUS

High quality and creative circus entertainment

provider

Provide the cutting edge and most creative circus

entertainment

Where we are Where we want to be

Strong permanent foothold in North America

Establish permanent foothold globally

Strong relationship with MGM

Build equally strong relationship with other

partners

MULTISENSORYEXPERIENCE

GEOGRAPHICEXPANSION

Strategy

Key Principles •Show before business • Creative challenge and control

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 15: MMICC 2010 - NUS

Considerations

Which type of show

Which country to enter

Who to partner with

Global Expansion Considerations

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 16: MMICC 2010 - NUS

BIG TOP RESIDENT ARENA

Allows greater technical development & creativity

Fit with brand image

Maintain creative control

Profits

CRITERION

Resident and Arena shows provide the most viable vehicles of expansion & expression of creativity

30%

30%

15%

15%

Global Expansion

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 17: MMICC 2010 - NUS

NEW YORK

Tourist Arrivals

Reception towards Performing Arts

Ease of Competition

RESIDENT CRITERION

London & Singapore are the most viable cities to expand into

50%

25%

25%

LONDON BERLIN SYDNEY SINGAPORE

Country Selection

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 18: MMICC 2010 - NUS

Why London

•High industry revenues and attendance that are continuously growing•Boost in tourism for 2012 London Olympics

Big Opportunities

•One of the world’s highest international tourism arrivals

Big Markets

Sophisticated Audience•Well established performing arts scene•Large pool of target audience

Establish a permanent foothold in London with a resident show

London

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 19: MMICC 2010 - NUS

How to Enter London

•No casinos•Find a partner with the most fit•Construct a modern theater at West End

Partnership

Society of London Theater (SOLT)

Why SOLT?•Trade association representing owners, producers and managers of London theaters•They have the expertise and fit to direct CdS’s expansion in London

London

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 20: MMICC 2010 - NUS

NEW YORK

Tourist Arrivals

Reception towards Performing Arts

Ease of Competition

RESIDENT CRITERION

London & Singapore are the most viable cities to expand into

50%

25%

25%

LONDON BERLIN SYDNEY SINGAPORE

Global Expansion

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 21: MMICC 2010 - NUS

Why Singapore

•Opening of 2 Integrated Resorts (IR) in Singapore : Resort World & Marina Bay Sands

New Opportunities

•Access to growing Asia market•One of the highest international tourist arrivals globally

New Markets

Low Risk

•Tried and tested casino model•Non-Saturated Market

Extend Partnership with Las Vegas Sands in Macao to theMarina Bay Sands IR

Singapore

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 22: MMICC 2010 - NUS

How to Enter Singapore

•Upcoming casinos and integrated resorts•Implement similar casino-operator contracts

Partnership

Marina Bay Sands

Why Marina Bay Sands?•Exisiting ZAIA show in Macao casino operated by Las Vegas Sands•Both parties benefit as the IR will enjoy increased visitations while CdS will enjoy increased box office takings

Singapore

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 23: MMICC 2010 - NUS

BIG TOP RESIDENT ARENA

Allows greater technical development & creativity

Fit with brand image

Maintain creative control

Profits

CRITERION

Resident and Arena shows provide the most viable vehicles of expansion & expression of creativity

30%

30%

15%

15%

Global Expansion

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 24: MMICC 2010 - NUS

Why Arena

•Highest revenue & growth•Larger audience

Huge Earnings

•Our research partnership into Augmented Reality requires high lead time and costs

Needed to Support Research

Low Lead Time & Cost

•Stage setup can be done in hours•Show runs last for up to a week

Arena

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 25: MMICC 2010 - NUS

Diluting of Brand

Limitation

•Better sight lines•Enhanced lighting and décor•Bigger choreography•Overall an enhanced entertainment experience

Addressing Limitations

Arena

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 26: MMICC 2010 - NUS

Considerations

Which market to enter

Which type of show

Who to partner with

Geographic Expansion

London & Singapore

Resident Shows Arena Shows

Society of London TheaterMarina Bay Sands

Global Expansion

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 27: MMICC 2010 - NUS

MULTISENSORYEXPERIENCE

GEOGRAPHICEXPANSION

Multisensory Experience

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 28: MMICC 2010 - NUS

Sound

Smell Feel

Motion

Sight

MULTISENSORYEXPERIENCE

Multisensory Experience

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 29: MMICC 2010 - NUS

Core Competency

Technological Opportunity

Continuous creative innovation in shows

• Motion capture sensors•Vision tracking camera•3D Modeling•Interactive interface

Create an Augmented Reality

New Interactive Platform

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 30: MMICC 2010 - NUS

Core Competency

Technological Opportunity

Continuous creative innovation in shows

• Motion capture sensors•Vision tracking camera•3D Modeling•Interactive interface

Create an Augmented Reality

RESULTAn interactive semi-virtual performance can be built to appeal

to multiple senses

IMPLICATIONHow to acquire such technology?

New Interactive Platform

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 31: MMICC 2010 - NUS

Cirque du Soleil

•A creative team to design the show

AF+RFID RESEARCH LAB

•Collaboration initiative of the Royal Academy of Art in the Hague & Delft University of Technology

•Worked with world class organizations such as Van Gogh Museum in Holland

•Specialize on Augmented Reality for art and design

•Provide research funds

Sound

Smell Feel

Motion

Sight

MULTISENSORYEXPERIENCE

Technological Partnership

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 32: MMICC 2010 - NUS

Technological Complexity

High Capital Investment

Perceived threat of obsolesce by performers

Limitation

Plan longer lead time to coincide with London Theater construction

Large revenue from increased Arena shows

Include them in the development process &assure them of their required presence in live

shows

Addressing Limitations

Limitations

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 33: MMICC 2010 - NUS

Revenue from Recommendations higher

1621

2554

3331

1621

21092403

0

500

1,000

1,500

2,000

2,500

3,000

3,500

4,000

2009E 2012E 2014E

With Recommendation W/O Recommendation

38.6% higher38.6% higher

5 Yr CAGR +15%

5 Yr CAGR +8%

Revenue

AssumptionsW/O recommendation based on increased focus on Big Top while recommendations includes focus on Arenas and Multi Sensory

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 34: MMICC 2010 - NUS

EBITDA from Recommendations higher

510

936

1273

510614

679

0

200

400

600

800

1000

1200

1400

1600

2009E 2012E 2014E

With Recommendation W/O Recommendation

80% higher80% higher

5 Yr CAGR +20%

5 Yr CAGR +6%

Revenue

AssumptionsW/O recommendation based on increased focus on Big Top while recommendations includes focus on Arenas and Multi Sensory

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 35: MMICC 2010 - NUS

Multi Sensory Approach +ve NPV

FY end 31 YearIn USDm Unit 2008 2009E 2010E 2011E 2012E 2013E 2014EEBITDA 0 0 0 39 78 117NWC 10 10 10 10 10 10Capex 20 20 38.5 15 15 15FCF -30 -30 -49 14 53 92Terminal 261FCF w Terminal -30 -30 -49 14 53 510WACC 12%NPV 368.96

Terminal369 3% 4% 5% 6% 7%

Occupancy 70% 300 300 301 302 30280% 367 368 369 370 37190% 435 436 437 438 43995% 469 470 471 472 473

WACC369 10% 11% 12% 13% 14%

Occupancy 70% 360 329 301 275 25180% 439 402 369 338 31090% 518 475 437 402 36995% 557 512 471 433 399

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 36: MMICC 2010 - NUS

Multi Sensory Approach +ve NPV

FY end 31 YearIn USDm Unit 2008 2009E 2010E 2011E 2012E 2013E 2014EEBITDA 0 0 0 39 78 117NWC 10 10 10 10 10 10Capex 20 20 38.5 15 15 15FCF -30 -30 -49 14 53 92Terminal 261FCF w Terminal -30 -30 -49 14 53 510WACC 12%NPV 368.96

Terminal369 3% 4% 5% 6% 7%

Occupancy 70% 300 300 301 302 30280% 367 368 369 370 37190% 435 436 437 438 43995% 469 470 471 472 473

WACC369 10% 11% 12% 13% 14%

Occupancy 70% 360 329 301 275 25180% 439 402 369 338 31090% 518 475 437 402 36995% 557 512 471 433 399

+NPV 368m Remains positive even when conservative sensitivity scenarios are factored in

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 37: MMICC 2010 - NUS

0

347

985

162

289

Resident Multi SensoryBig Top ArenasMerchandise

Revenue Breakdown

350

12151477

333

289

Resident Multi SensoryBig Top ArenasMerchandise

Revenue

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 38: MMICC 2010 - NUS

0

347

985

162

289

Resident Multi SensoryBig Top ArenasMerchandise

Revenue Breakdown

350

12151477

333

289

Resident Multi SensoryBig Top ArenasMerchandise

Multi Sensory and Arenas will take up a significant portion of Revenue in 2014E

Revenue

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 39: MMICC 2010 - NUS

2009 2010 2011 2012 2013

Leverage existing partnership with Sands

Multi Sensory

Expansion

Shift Touring focus towards Arenas

Begin R&D partnership

Establish relationship with SOLT

Arena

Enter the London market

Create new creative experiences for Singapore and London

2014

Singapore

London

Enter with Multi Sensory

Constantly innovate to achieve breakthrough technologies

BT Big Top will be maintained but slowly phase towards Arenas

Implementation

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 40: MMICC 2010 - NUS

High quality and creative circus entertainment

provider

Provide the cutting edge and most creative circus

entertainment

Where we are Where we want to be

Strong permanent foothold in North America

Establish permanent foothold globally

Strong relationship with MGM

Build equally strong relationship with other

partners

MULTISENSORYEXPERIENCE

GEOGRAPHICEXPANSION

Implementation

Key Principles •Show before business • Creative challenge and control

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 41: MMICC 2010 - NUS

THANK YOU

Page 42: MMICC 2010 - NUS

Financial Assumptions:TouringTOURING

Assumptions Unit RemarksPerformances Week 9Number of weeks a year 36Capacity Occupancy

Breakeven % 65%Average % 85% Assume

CostsProduction USDm 30Equipment and Transport USDm 17Tent USDm 13Per show Operating cost USDm 36.86 0.114Rent for Arena USDm 18

115

Introduction SituationAnalysis

GeographicExpansion

MultisensoryExperience

Financials Implementation

Page 43: MMICC 2010 - NUS

Why do we not implement the new technology in saturated/more mature markets?

• Prevent cannibalisation in existing markets • Existing infrastructure is not made for it – requires

overhaul that requires stopping original shows

Page 44: MMICC 2010 - NUS

Why multi sensory entertainment makes sense?• Aligned with your creative direction: Onedrop

foundation• We live in an experience economy – this is what

your consumers will want • New media is a current trend

Page 45: MMICC 2010 - NUS

In the event that the partnership does not work out

• Other available partners (Eg: institution in Nottingham institution)

• Governmental organisations are interested in such technology – gov support (eg: Singapore)

• Emergence of research labs conducting the relevant research

Page 46: MMICC 2010 - NUS

In the event that the partnership does not work out

• Other available partners (Eg: institution in Nottingham institution)

• Governmental organisations are interested in such technology – gov support (eg: Singapore)

• Emergence of research labs conducting the relevant research

Page 47: MMICC 2010 - NUS

How is it possible in London now? • Other available partners (Eg: institution in

Nottingham institution)• Governmental organisations are interested in such

technology – gov support (eg: Singapore) • Emergence of research labs conducting the

relevant research

Page 48: MMICC 2010 - NUS

Completely phase out big top eventually• Big top restricts creativity• Beyond the normadic roots (known for creativity)

Page 49: MMICC 2010 - NUS

• 35 other big scale shows on the Vegas Strip very competitive

• We have 7 resident shows on in Vegas cannibalisation

• Ex CdS employee Franco Dragone has a similar show just next door (Le Reve- aquatic show)

• Explore new markets that are less competitive