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models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences , John Wiley and Sons, London E = mc 2

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Page 1: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

models

1/22Broadbent Geoffrey (1973).

Design in Architecture: architecture and the human sciences, John Wiley and Sons, London

E = mc2

Page 2: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

what is a model ?● a representation

● an analogy● Spenser● transport systems/blood

2/22

Page 3: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

why model ?

3/22

Page 4: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

4/22

modeldescribes usefulness

theory explains

Page 5: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

what do we model ?

things

processes

stir

add milk

addchocolate

5/22

Page 6: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

characteristicsof models

● not complete 1:1 mapping

● want to focus on certain aspects

● different views of same thing6/22

Page 7: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

types of modelsiconic

analogue

symbolic

Page 8: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

iconic model● ‘look’s like what it represents

● specific relationship to what it represents● e.g. scale – down or up

● can never share all properties

8/22

Page 9: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

9/22

iconic model

Page 10: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

analogue model

● iconic model not convenient

● properties of a different kind● economy - bath

10/22

Page 11: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

analogue model

Page 12: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

12/22

symbolic model● abstract

● uses symbols● words, numbers, variables, graphical

● can handle large complex descriptions

Page 13: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

12/22

symbolic model

E = mc2

y = x2 + 4x + 2words, words, w

ords

[ ( ) ( )]x y Human x Mother y

$$$

Page 14: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

computers usesymbolic models

14/22

must use a formal model

Page 15: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

not always clear

15/22

Page 16: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

variables

16/22

● quantitative - qualitative● temperature - comfort

● evaluation

● prediction

Page 17: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

model building● what has to be modelled

● select kind of model for purpose● decide on components

● test and validate

17/22

Page 18: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

model building

18/22

if modelnot adequatethen results

will not match reality

Page 19: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

model building

19/22

● model must represent all variables● if something missing - distortion

● all variables must be relevant● not just because data available

● be aware of distortions● use of different materials

● be careful of data entered● G I GO

Page 20: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

logic models

20/22

reasoningnot

computation

Page 21: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

logic models● deduction

● (a, a b) (b)

● induction● (a, b) (a b)

● abduction● (b, a b) p(a)

21/22

Page 22: Models 1/22 Broadbent Geoffrey (1973). Design in Architecture: architecture and the human sciences, John Wiley and Sons, London E = mc 2

logic and design

deduction

induction

abduction

22/22

logic design

analysis

learning

synthesis