Moloko+ M ag a zine ⁄ iSSUe 10∆ index

ISSUE #10

Billy HayesJorge ChamorroCarlos Alvarez CabreroMelissa MurilloRic StultzShannon RankinTom KitchenYuji YamadaIndjila Samad AliDavid Kassan

Ben AlperDido FontanaEvgeniy Sunik

Frederike WetzelsIan J. Whitmore

LeninbäkValerie PhillipsWinkler+Noah

Stanislav Markov Easy Hey

Tixinda

Moloko+ M ag a zine ⁄ iSSUe 10∆ index

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Index

i l l U S t r ato r S P h oto g r a P h e r S to y M a k e r S

Cover by: Shannon rankin

Type: Pt Sans by Paratype.ru

Moloko+ team: Marina Beloklokova, revaz todua,

evgeny godov, kristina Mettus.

www.moloko-plus.com info@moloko-plus.com

all the works are the property of the respective authors.

inde x Moloko+ M ag a zine ⁄ iSSUe 10

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— Billy hayes

— Jorge Chamorro

— Carlos alvarez Cabrero

— Melissa Murillo

— ric Stultz

— Shannon rankin

— tom kitchen

— yuji yamada

— indjila Samad ali

— david kassan

— Ben alper

— dido Fontana

— evgeniy Sunik

— Frederike Wetzels

— ian J. Whitmore

— leninbäk

— Valerie Phillips

— Winkler+noah

— Stanislav Markov

— easy hey

— tixinda

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexa dV ertiSeMent

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ B illy h ay eS

BillyHayes

i l l U S t r ato r S

Author page: www.flickr.com/photos/billyh

Chicken Billy is an artist and designer Billy Hayes from Fort Worth, Texas, U.S.A.How he makes art: Keep it simple and real while being honest and natural.

his recipe: take hanna Barbera, hulk hogan, James Brown, Fort Worth zoo, B.B. king, hank Williams iii, Jesus Christ, mix until the image is bright like an angel. add a pair of cowboy boots and a pair of jeans, some Mexican beer, your choice and put them all on a surface only using flat vector shapes. Well then... there you have it. tastes like Chicken!

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ B illy h ay eS

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ B illy h ay eS

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ B illy h ay eS

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ B illy h ay eS

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Jorge Ch a Morro

JorgeChamorro

i l l U S t r ato r S

Author page: www.lacascaraamarga.com

“The first time I heard the expression “la cáscara amarga” was in the summer of 2005, I was speaking with my grandmother, who is a right-wing person that goes to church, but she is a gem. She mentioned that old expression referring to left-wing people, the people with a critical thinking about establishment.

in those days i was finishing my first collage series and for me it was the most critical thing i ever saw, so i thought that “la cáscara amarga” could define very well the spirit of those col-lages. also, at that time i was going to begin to work by myself as a freelance graphic designer, after ten years of working for others. and i wanted (and i still want) my professional activity to be coherent with my way of under-standing the world, i didn’t want that the essence of those collages got lost

Moloko+ M ag a zine ⁄ iSSUe 10∆ index

in the daily battle of earning money in this trade so close to devil. although i didn’t look for a name for my new studio, it had to be named somehow, and considering the way i wanted to focus my business on and the way of my personal work, “la cáscara amarga” sounded good to me. now, after all this long story, many times i’ve been asking myself if it could be more simple and logical to call me by my name, but the fact is that “la Cáscara amarga” is what it’s written in my business cards.”

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Jorge Ch a Morro

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Jorge Ch a Morro

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Jorge Ch a Morro Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Jorge Ch a Morro

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ C a rloS a lVa re z C a Brero

CarlosAlvarez Cabrero

i l l U S t r ato r S

Author page: www.alvarezcabreroblog.blogspot.com

Carlos Alvarez Cabrero is a 42-year old illustrator from Oviedo, Spain. He earns a living from his paintings and engravings, which allows him to do the kind of work he wants.

he makes low cost videofilms too, mostly for the fun of it, as it gives no money (but not video art, that he dislikes). a lot of his paintings (drawings etc.) have much to do with his home town and environment and there are often funny or ironic texts in the pictures.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ C a rloS a lVa re z C a Brero

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ C a rloS a lVa re z C a Brero

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Mel iSS a MUrillo

MelissaMurillo

i l l U S t r ato r S

Author page: www.meyoko.com

Melissa Murillo, also known under her alias Meyoko, is an art-ist based in Berlin, Germany. Obsessed with details, ephemera, nature, and dreams, she grew up on a visual diet of the strange trips in her books from amazons. The relationship between man and machine is another obvious fascination as she often juxtaposes organic and mechanical images to form surreal and whimsical narratives. Birds, insects and organisms are also a common theme in her illustrations.Her work has been exhibited in Berlin and featured in fashion and lifestyle magazines in Paris, London, New York, Greece, Rome, New Zealand...

“When i’m drawing, my mind and my soul begin to get lost, totally submerged in the process and before long, hours have gone by unawares. But to me, art, in any form is what gives us a sense of who we are, a peak into our imaginations and the passionate desires that make us individual. it’s almost like a mold; as i pour myself into it what comes out is a solid piece of who i am and the more i develop in this area, the more expressive i become. it is akin to singing from the depths of your soul. it flows in much the same way. i truly believe that when-ever a person is born he’s given the gift of creativity and an artistic ability (or abilities) in which to express themselves in a way that no one else can precisely duplicate”.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Mel iSS a MUrillo

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Mel iSS a MUrillo

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Mel iSS a MUrillo

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Mel iSS a MUrillo

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ r iC S t Ult z

RicStultz

i l l U S t r ato r S

Author page: www.ricstultz.com

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ r iC S t Ult z Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Sh a nnon r a nkin

ShannonRankin

i l l U S t r ato r S

Author page: www.artistshannonrankin.com

Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ Sh a nnon r a nkin

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ toM kitChen

TomKitchen

i l l U S t r ato r S

Author page: www.tomkitchen.webs.com

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ toM kitChen

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ toM kitChen

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ y U J i ya M a da

YujiYamada

i l l U S t r ato r S

Author page: www.yamada.mods.jp

Yuji Yamada was born in 1985 in Kamakura, Japan. He lives and works in Kawasaki city. He wanted to become a web de-signer, so he studied at a professional school in Tokyo after graduating from high school. But very soon he became sick of digital design because all the work was done by PC. So Yuji decided to become a painter or illustrator.

“there is nothing but the reality of battling appearance of athletes. i do cut out such scene, i want to keep drawing a picture of the planar yet realistic. i just like sports. Sports is everything.”

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IndjilaSamad Ali

i l l U S t r ato r S

Author page: indgila-dali.livejournal.com

“My works are the best ones to comment on my personality, though they may not seem explicit from the first glimpse. Everything inside me is reproduced through abstract forms, therefore my works are slightly lacking straighforwardness. Each and every new object I depict helps me to know myself better. The art I am making at the moment is an attempt to better comprehend my personal inner space. Through under-standing the inner space I can better understand the world surrounding me which corresponds with the intention to en-trench into Art most deeply. And the Art, in its turn, is the most primordial thing I’ve got into.”

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexillUS tr ator S ⁄ daV id k a SS a n

DavidKassan

i l l U S t r ato r S

Author page: www.davidkassan.com

“My work is a way of meditation, a way of slowing down time though the careful observation of overlooked slices of my environment inhebited by my acquaintances and their subtle emotions. My paintings try to mimic life in both scale and complexity.

the viewer is given an eye level perspective of the subject. a view that is unbi-ased and in its most raw condition. it is my intent to control the medium of oil paint to the extent that the image stands alone without evidence of the artist. i displace textures from their natural environment by moving them out of the context. By turning an ordinary painting surface into a textured trompe l’oeil documentation of the city or turning the surface into a life sized representation of a figure in space that transmits feeling this technical process allows for the viewer’s experience to be altered.the thoughts behind my chosen subject matter. My effort is to constantly learn to document reality with a naturalistic, representational painting technique which allows for pieces to be inherent contradictions, paintings that are both real and abstract. My influences are the work of life size old master paintings, urban stencil and graffiti street art, Marcel duchamp’s found objects, abstract paintings by robert rauschenberg, and finally the sheer conceptual and execut-ed realism of Caravaggio.

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Ben a lPer

BenAlper

P h oto g r a P h e r S

Author page: www.benalper.com

Ben Alper was born in Westerly, Rhode Island in 1983. He recently moved to Brooklyn, NY after completing his BFA in Photography from the Massachusetts College of Art & Design.

he is a founding member of the exposure Project, a photo collective designed to facilitate and nurture collaboration across the medium. With this group, Ben has helped self-publish four photo books, has put on various group exhibitions and, most recently, co-curated graphic intersections, a collaborative project loosely based on the Surrealist game exquisite Corpse. in addition, Ben’s work has been featured in humble arts Foundation’s group Show, the Photographic resource Center’s northeast exposure online, Wassenaar Magazine and ahorn Magazine.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Ben a lPer Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Ben a lPer

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Ben a lPer

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Ben a lPer Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ d ido Fonta n a

DidoFontana

P h oto g r a P h e r S

Author page: www.didofontana.com

his soul is baroque and his eye is damned and voyeuristic but his style is raw and sexy, fashion and anti-fashion at the same time. But first of all it is direct and pure, without alternations or embellishments. you can have a taste of it in his book just published: 160 color pages, on high quality shining paper, full of references and links, deep and strong and that you can also leaf through only having fun. (dany trentin)

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Born in Italy in the early 70s Dido Fontana grew up surround-ed by his dad’s camera and art works, doing himself art with different media, reading the big giants and looking at every kind of imagery. In this way in his mind increased an extraor-dinary heterogenic plethora of images you now can find in his photos which represent not only a figure and where there’s no message but a world.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ d ido Fonta n a

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ d ido Fonta n a

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ d ido Fonta n a

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ e Vgeniy SUnik

EvgeniySunik

P h oto g r a P h e r S

Author page: www.evgeniysunik.com

Evgeniy Sunik was born in 1985. He currently lives in Ufa, Rus-sia. He believes in reincarnation.

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ e Vgeniy SUnik

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ e Vgeniy SUnik

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ e Vgeniy SUnik

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ e Vgeniy SUnik

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ e Vgeniy SUnik

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Frederike W e t zel S

FrederikeWetzels

P h oto g r a P h e r S

Author page: www.frederikewetzels.de

Frederike Wetzels was born in 1988 in North Germany. She is a student of photography in Dortmund but started to work on this series during her exchange to the University of Plymouth in 2009. 

Since that time she is interested in the idea of photography as a “reality of the second degree”.  its closeness to the real and though the capacity to transform the real into a new layer of narrative fascinates her a lot. thus in her latest ar-chitecture and landscape studies she considers any place a psychologicallycharged space as much as she works with the portrait as philosophical construct too. in this way her recent pictures seek and provoke questions about longing and belonging and the balance between nature and the city.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Frederike W e t zel S

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Frederike W e t zel S

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Frederike W e t zel S

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ ia n J. W hit More

Ian J.Whitmore

P h oto g r a P h e r S

Author page: www.ianwhitmore.com

Ian Whitmore was born and raised in Nebraska. He attended the University of Nebraska at Lincoln and received his BFA in 2003. After a brief break he relocated and earned his MFA at Indiana University–Bloomington in 2007.

he has exhibited work nationally. More recently his work has been seen in the heyhotShot! list of honorable Mentions, the 14th annual Photo-op exhibition at Photographic Center northwest,  texas national 2007, tacoma Contemporary-Woolworth installation Series, and the South Bend regional Museum of art Biennial 24; winning a merit ward for images from his body of work Channels, as well as a curator’s choice in the Chicago art open 2007.he currently teaches part-time in the Photography department at Columbia Col-lege - Chicago while continuing his work as a Photographer and freelancing as an art director.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ ia n J. W hit More

“Nowhere”

nowhere is an ambiguous yet ubiqui-tous space. it exists in our civic decora-tions and our commercial landscape as irresponsible and irrelevant ornamen-tation. We see these scenes every day but rarely acknowledge their functional purpose or aesthetic value.

through these photographs i am seek-ing answers to questions regarding the psychology of our civic landscape. Critically, i want to examine the ironic and garish nature of the spaces that surround us and better understand the attenuated value of such places. By drawing the viewer into the banal i wish to confront the illusion that these environments are important and of interest. this frail illusion is meant to dissolve quickly; unveiling impotence and benign decoration.

those long, promising paths that once led us into the horizon have been cleared, leveled and paved repeatedly. Following the rhythm of progress our civic body ceaselessly expands. the horizon draws near— collapsing in on us—and it is becoming more and more clear that we have arrived nowhere in particular.

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“Channels”

this work is a visual inquiry into the personal spaces where our televisions reside. this point of contact between the viewer and the world has become customary in contemporary culture, facilitating the exchange of information and the satisfaction of certain desires. in recent years we have developed a collective and public eagerness to peer into each others’ lives; we see this in our entertainment, news and the internet.  

if we view these spaces passively and voyeuristically, the way we view the world through the television, certain questions arise. how are we viewing one another and through which lenses? through which lens do we find greater authenticity, honesty and clarity?  this developing dialogue between the perspectives of the viewer, the photog-rapher are intriguing and revealing. as these lenses are realized, and then fold into one another, the viewer can make discoveries of their own—perspectives and criticisms that illuminate truer and more honest forms in these portraits—where the television is not longer the crux of our understanding.

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ ia n J. W hit More

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ leninBä k

Leninbäk

P h oto g r a P h e r S

Author page: www.leninbak.com

LENINBÄK is a photography studio + painting + design + video. Created by a photographer and visual director, and a plastic artist and graphic designer. Originated from the need to in-tegrate everything we do and want to say. The starting point of each work is a concept, aesthetic and theoretical. The form justifies the content and the content justifies the form.

leninbäk is a commercial project with a not-so-classic aesthetic criteria.they love terry richardson, hedi Slimane and Juergen teller. also i-d Mag, Pig and Juxtapoz. But they live in latin america.they do everything: idea, production, photography, design, painting, directing, video and extras.

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ leninBä k Moloko+ M ag a zine ⁄ iSSUe 10∆ index

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Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Va lerie Phill iP S

ValeriePhillips

P h oto g r a P h e r S

Author page: www.valeriephillips.com

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“I met Amber when she was 15. She came to my studio for a casting. She was quiet and feisty at the same time, and kind of bratty and fascinating. I loved her slow-paced, drawn out Ken-tucky sentences, so perfectly out of place in East London. And I really liked how she didn’t seem to give a shit. She was just Amber and that was good enough.

i met her again when she was 18. She was back in london running around being a model. She showed up to meet me one morning looking wrecked and glow-in-the-dark pale. you could just about see through her. She looked like the star of a 70s horror film, harrowed and mesmorisingly beautiful. i walked her to her first casting of the day. on the way she cashed travellers cheques to buy cigarettes, dr. Pepper and a tuna sandwich. at the casting six grown ups sat around a table eating crisps and flicking through amber’s model book, saying nothing to her the entire time.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Va lerie Phill iP S

amber is 19. She used to be a model. earlier in the year she quit to become a surgical technician. on the way to a photo shoot in new york, she changed her mind, cut off her hair and dyed it orange so she didn’t have to be a model anymore. now she lives in kentucky, in the town where she grew up. Surrounded by highways, fast food chains and endless cornfields. her favourite band is the Beatles. if you wanted to know what amber will look like next tuesday, you’d have to fly to kentucky. She might have an-other tatoo, like the giant angel wings she got on her back, a few weeks after i saw her last. She might have shaved

her head, or taken out her cheek piercings, or dyed her hair green, or be wearing a wig or a bikini or a hallow-een costume. you could still recognise her by her sci-fi blue eyes and her endlessly in-quisitive stare. there is a lot of stuff in amber’s head, lots of creative mix and match thoughts bouncing around and into each other. So much so that she runs from elated to sullen and back in short bursts of time. While many peo-ple tend to hide their internal growing pains, amber reflects hers outwardly, so you can always catch a glimpse of chaos and learning and mistake mak-ing and imagination that is amber.always unpredictable and inspiring.”

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Va lerie Phill iP S

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ Va lerie Phill iP S

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ W inkler+noa h

Winkler+Noah

P h oto g r a P h e r S

Author page: www.winkler-noah.it

For Winkler+Noah photography was the most fitting point of arrival for an artistic itinerary that they began instinctively from childhood, exploring all the forms of expression that they encountered — painting, drawing and sculpture — amalgamat-ing them and trying out blends between different media.

this creative need for self-expression matured over the years, first becoming curiosity and then a strong will to create and to photograph. after a professional detour as an illustrator and graphic designer, noah met Winkler and this acted as a detonator, producing a mixture fusing traditional photography with experi-mentation.What their pictures reveal is a sensation of hyper-reality: the protagonists of their portraits appear in a real context, but they stand out from it as if highlight-ed by reality itself. they are stark, intense photos because each single picture encloses an idea and conveys powerful emotions to the observer. the artists deal personally with post-production so that the creative process joins up with

itself like a circle.they have received recognition all over the world and their works are been ex-hibited in new york, london and Milan.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ W inkler+noa h Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ W inkler+noa h

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ W inkler+noa h Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ W inkler+noa h

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ W inkler+noa h

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ W inkler+noa h Moloko+ M ag a zine ⁄ iSSUe 10∆ inde x

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ M a rkoV S ta niSl aV

MarkovStanislav

P h oto g r a P h e r S

Author page: www.flickr.com/photos/garmonique

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ M a rkoV S ta niSl aV Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ M a rkoV S ta niSl aV Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ M a rkoV S ta niSl aV

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexPhotogr a Pher S ⁄ M a rkoV S ta niSl aV

Moloko+ M ag a zine ⁄ iSSUe 10∆ indexa dV ertiSeMent

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ e a S y he y

EasyHey

to y M a k e r S

Author page: www.easyhey.fr

Easy Hey is a 26-year old illustrator and designer. He was born and raised in Rennes in Western France. Growing roughly in the jungle, big fan of Johnny Weissmuller, his work is principal-ly connected with nature. In 2004, with Josh Hayes and Oktus, he founded the DELKOGRAPHIK collective, then in 2007, they created the DELKOGRAPHIK STUDIO (www.delkographik.com) which is a design office, a shop and a gallery. They will cel-ebrate the sixth anniversary of the Label this year.

Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ e a S y he y

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ e a S y he y

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ e a S y he y

toy M a ker S

Easy Hey

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ t ix inda

Tixinda

to y M a k e r S

Author page: www.tixinda.com.mx

tixinda was born since loVe had gone in long-run searches and spiri-tual needs, rescuing ethnic magic and is much more than what it shows at first sight, it is a project that pro-poses to mediate between prehispanic and present cultures to join them in a simple, deep and engaging way. tixinda’s founders, Vanoni y Morbito work together since the beginning of

2006, the year they started tixinda, showing their mixed work in alterna-tive fashion events, toys exhibitions, graphic art, Street art, experimetnal design and Performance Festivals. Bringing out their creations during 2008 in nike events, they contributed into launching a sportswear line. al-though being a recent union formula, the impact of this duo is amazing, they

know how to become visible, heard, and sensed in actual creative scene. the mixed labor compounded from various craftsman from different towns of Mexico, adding their contem-porary sight is a key fact in their origi-nal creations. it shows their symbolic and aesthtic richness. tixinda work as a team assembling a truly creative weave aside the gifted

Chris arenas (store), Monky (web-master), Mann (photography), oscar Briz (shop online) and Pablo arenas (marketing) believing in teamwork and community strength. in tixinda space you’ll find variety of products, unique hand crafted pieces but also magic and funny collectable plush about the first members of tix-indeska community.

Moloko+ M ag a zine ⁄ iSSUe 10∆ index

TIXINDA is a Mexican design brand created by Anabel Vanoni and Eric Morales “Dr. Morbito”, it’s a fusion between design and urban-ethnic art, engaged in recovering our cultural iden-tity valves through the creation of exclusive innovative and ludic products.

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ t ix inda Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ t ix inda

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ t ix inda

Moloko+ M ag a zine ⁄ iSSUe 10∆ indextoy M a ker S ⁄ t ix inda Moloko+ M ag a zine ⁄ iSSUe 10∆ index

Endthanks to everybody for the participation.

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