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Page 1: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/more of what you are looking

Page 2: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/

più di quello che stai cercando

more of what you are looking

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dati tecnici / technical data

Page 3: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/

E’ dalla lavorazione dei blocchi di marmo che More trova il suo percorso creativo.La stessa pietra usata normalmente come lastra da pavimento viene utilizzata anche come base sulla quale tagliare i grandi blocchi di marmo.

/ The creative development of the More line began with the quarrying process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut.

Colori / ColoursCouleurs / FarbenColores / Цвета / 颜色

Superfici / SurfacesSurfaces / OberflächenSuperficies / Поверхности / 表面

MORE 60G / MORE ARCH 60T

Formati / SizesFormats / FormateFormatos / Форматы / 规格

60X60/24”X24”

30X60/12”X24”

BT W G N

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Page 4: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60G / MORE ARCH 60T

Creative combinations

Contaminazioni creative

MORE/G_T4 55

Page 5: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60G / MORE ARCH 60T

MORE/G_T6 7

Page 6: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60W LP / MORE ARCH 60WLP

MORE/W

Il prodotto è proposto in due versioni abbinabili tra di loro: la pietra naturale - MORE - e la pietra ritagliata - MORE ARCH -, entrambe con finitura naturale e lappata.

/ The product is available in two versions that can be combined to-gether: natural stone – MORE – and cut stone – MORE ARCH – both with a natural and lapped finish.

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Page 7: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/W

MORE 60W LP / MORE ARCH 60WLP

Creative combinations

Contaminazioni creative

10 11

Page 8: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MK.MORE 30W

MORE 60W LP / MORE ARCH 60WLP

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Page 9: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/B

MORE 60B LP / MORE 36B / MK.MOREARCH 30B

Il progetto si compone di 5 colorazioni sia in tonalità più calde che in tonalità più fredde e di 2 formati modulari tra di loro.

/ The project features 5 different warm and cold colours and 2 modular formats.

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Page 10: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60B LP / MORE 36B

MORE/B

Creative combinations

Contaminazioni creative

16 17

Page 11: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60B LP

LOW RES

MORE 60B LP / MORE 36B / MK.MOREARCH 30B

1918

Page 12: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60N LP

MORE/N

La superficie è interrotta in modo irregolare da righe più o meno profonde e da segni che conferiscono al prodotto un aspetto vissuto e piacevolmente irregolare.

/ The surface features irregular lines of varying depth and marks that give the product a well-worn and pleasin-gly irregular finish.

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Page 13: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60N LP

MORE/N

Creative combinations

Contaminazioni creative

22 23

Page 14: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60G / MORE ARCH 60G

MORE/G

Profondi sono i solchi sulla superficie, a rievocare le lavorazioni come se fosse una pietra naturale estratta e lavorata nelle cave di marmo.

/ Deep grooves on the surface recall the stone cutting process of quarried natural stone.

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Page 15: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60G / MORE ARCH 60G

MORE/G

Creative combinations

Contaminazioni creative

26 27

Page 16: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE 60G / MORE ARCH 60G

MORE 60G / MORE ARCH 60G

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Page 17: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/

MORE T MORE ARCH T MORE B MORE ARCH B

ISO 13006 - G - BIa (E ≤ 0,5%) UNI EN 14411 - G -

Gres porcellanato a massa colorata / Coloured body porcelain tile / Grès cérame teint dans la masse / Eingefärbtes Feinsteinzeug Gres porcelánico coloreado en masa / Керамогранит, окрашенный в массе / 彩胎瓷质砖

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE 60T MORE 36T MK.MORE 30T

MORE 60T LP

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE ARCH 60T MORE ARCH 36T MK.MOREARCH 30T

MORE ARCH 60TLP

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE 60B MORE 36B MK.MORE 30B

MORE 60B LP

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE ARCH 60B MORE ARCH 36B MK.MOREARCH 30B

MORE ARCH 60BLP

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Page 18: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/

MORE W MORE ARCH W MORE G MORE ARCH G

ISO 13006 - G - BIa (E ≤ 0,5%) UNI EN 14411 - G -

Gres porcellanato a massa colorata / Coloured body porcelain tile / Grès cérame teint dans la masse / Eingefärbtes Feinsteinzeug Gres porcelánico coloreado en masa / Керамогранит, окрашенный в массе / 彩胎瓷质砖

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE 60W MORE 36W MK.MORE 30W

MORE 60W LP

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE ARCH 60W MORE ARCH 36W MK.MOREARCH 30W

MORE ARCH 60WLP

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE 60G MORE 36G MK.MORE 30G

MORE 60G LP

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE ARCH 60G MORE ARCH 36G MK.MOREARCH 30G

MORE ARCH 60GLP

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Page 19: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE N MORE ARCH N

MORE/

ISO 13006 - G - BIa (E ≤ 0,5%) UNI EN 14411 - G -

Gres porcellanato a massa colorata / Coloured body porcelain tile / Grès cérame teint dans la masse / Eingefärbtes Feinsteinzeug Gres porcelánico coloreado en masa / Керамогранит, окрашенный в массе / 彩胎瓷质砖

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE 60N MORE 36N MK.MORE 30N

MORE 60N LP

60X6024”X24”

30X6012”X24”

30X3012”X12”

MORE ARCH 60N MORE ARCH 36N MK.MOREARCH 30N

MORE ARCH 60NLP

6X60 2.4”X24”

MORE T MORE BT60T LP

MORE B MORE BT60B LP

MORE W MORE BT60W LP

MORE G MORE BT60G LP

MORE N MORE BT60N LP

6X60 2.4”X24”

MORE T MORE BT60T

MORE B MORE BT60B

MORE W MORE BT60W

MORE G MORE BT60G

MORE N MORE BT60N

Pezzi speciali / Trims / Pièces spéciales / SonderstückePiezas especiales / Специальные элементы / 特制件

MORE R9 A > 0,4 > 0,4 > 0,4 > 0,4 > 36 > 35 2 0.60

MORE ARCH R11 A+B > 0,4 > 0,4 > 0,4 > 0,4 > 36 > 45 3 0.66

ARTICOLO DIN 51130 (R)

DIN 51097 (A+B+C)

BCR REP.CEC 6/81

DM 14/6/89 N.236

PENDULUM TEST BS (INGLESE)

PENDULUM TEST AS/NZS 4856:2004

(AUSTRALIANO)

PENDULUM TEST UNE ENV 12633:2003(SPAGNOLO)

BOT 3000(DCOF)

g.a. g.b. c.a. g.b. average value

34 35

Page 20: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

MORE/CARATTERISTICHE TECNICHE GRES PORCELLANATO / TECHNICAL SPECIFICATIONS PORCELAIN STONEWAREUNI EN 14411 (ISO 13006) - BIa (appendice/appendix G)

CARATTERISTICASpecification

METODO DI PROVATest methods

REQUISITI PREVISTI DALLA NORMARequirements in accordance to the standards

VALORE MEDIO LEONARDOLEONARDO average value

DIMENSIONI E ASPETTODIMENSIONS AND APPEARANCE ISO 10545-2 PROSPETTO G.1

PROSPECT G.1CONFORMECOMPLIANT

ASSORBIMENTO D’ACQUAWATER ABSORPTION ISO 10545-3 ≤ 0,5% ≤ 0,1%

RESISTENZA A FLESSIONEFLEXURAL RESISTANCE

ISO 10545-4

min./МИН 35 N/mm2 > 45 N/mm2

SFORZO DI ROTTURAMODULUS OF RUPTURE

SPESSORE / THICKNESS≥ 7,5 mm: min. 700 N

SPESSORE*THICKNESS*

8,5 mm* 2500 N*

12 mm* 5000 N*

SPESSORE / THICKNESS< 7,5 mm: min. 1300 N

14 mm* 6500 N*

20 mm** 11000 N**

RESISTENZA ALL’ABRASIONE PROFONDADEEP ABRASION RESISTANCE ISO 10545-6 ≤ 175 mm3 < 140 mm3

RESISTENZA ALL’ABRASIONE SUPERFICIALE RESISTANCE TO SURFACE ABRASION ISO 10545-7 CLASSI 0-5

CLASSES 0-5COME INDICATO IN CATALOGOAS INDICATED IN THE CATALOGUE

COEFFICIENTE DILATAZIONE TERMICA LINEARE (α)LINEAR EXPANSION THERMIC COEFFICIENT ISO 10545-8 METODO DISPONIBILE

AVAILABLE ON REQUEST ≤ 7x10-6 °C-1

RESISTENZA AGLI SBALZI TERMICIRESISTANCE TO SUDDEN TEMPERATURE CHANGES ISO 10545-9 METODO DISPONIBILE

AVAILABLE ON REQUESTRESISTERESISTANT

RESISTENZA AL GELOFROST RESISTANCE ISO 10545-12 RICHIESTA

ALWAYS TESTEDRESISTERESISTANT

PRODOTTI CHIMICI AD USO DOMESTICO ED ADDITIVI PER PISCINAHOUSEHOLD CHEMICALS AND SWIMMING POOLWATER CLEANSERS

ISO 10545-13

GLmin. UB

GLmin. UB

ACIDI ED ALCALI A BASSA CONCENTRAZIONEACIDS AND LOW CONCENTRATION ALKALIS

GLDA LA, LB A LCFROM LA, LB TO LC

GLDA LA, LB A LCFROM LA, LB TO LC

ACIDI ED ALCALI AD ALTA CONCENTRAZIONEACIDS AND HIGH CONCENTRATION ALKALIS

METODO DISPONIBILEAVAILABLE ON REQUEST

METODO DISPONIBILEAVAILABLE ON REQUEST

RESISTENZA ALLE MACCHIESTAIN RESISTANCE ISO 10545-14 METODO DISPONIBILE

AVAILABLE ON REQUEST min. 3

STABILITÀ DEI COLORI ALLA LUCECOLOUR STABILITY TO LIGHT DIN 51094

NON DEVONO PRESENTARE APPREZZABILI VARIAZIONI DI COLORETHEY DO NOT HAVE TO SHOW VISIBLE COLOUR ALTERATION

CONFORMECOMPLIANT

* SPESSORI RIFERITI AL FORMATO 20X20 / THICKNESSES REFERRED TO 20X20 SIZE** SPESSORI RIFERITI AL FORMATO 60X60 / THICKNESSES REFERRED TO 60X60 SIZE

MORE/more of what you are looking

COPERTINA / COVERFoto di / Photo by Paolo Crocenzi

leonardoceramica.it

DESIGN & COORDINAMENTOMarketing CC IMOLA

SIMBOLOGIA

Symbols

DESTINAZIONI D’USOSUGGESTED APPLICATIONS

AbitazioniDometisc purpose

Commerciale leggeroTiles for light commercial

EsterniOutdoor floor

STONALIZZAZIONESHADE VARIATION

INDICAZIONI D’USOINDICATIONS FOR USE

BordoEdge

Rettificato monocalibroMonocaliber, rectified

PavimentoFloor tiles

RivestimentoWall tiles

SUPERFICISURFACES

StrutturaStructure

StrutturatoSlat cut

FinituraFinish

NaturaleNatural

LappatoHoned

* Le superfici con finitura lappata lucida e levigata sono consigliate per qualsiasi tipo di rivestimento e per pavimenti residenziali o per superfici calpestabili che non hanno un diretto collegamento con l’esterno o che hanno accessi protetti da appositi stuoini. Come è noto tutte le superfici lucide subiscono con l’uso un naturale processo di opacizzazione. Nel caso dei materiali in gres porcellanato di Imola questo processo è più lento rispetto a qualsiasi altro materiale naturale lavorato a lucido come marmo, pietra, granito. / Surfaces with a honed and polished gloss finish are recommended for any kind of wall tile, residential floor or floors that are not directly connected with the outdoors or whose entrances are protected by mats. As is well known, all gloss surfaces naturally lose their shine over time. With Imola porcelain stoneware this process is slower than other honed natural materials like marble, granite or stone.

Aspetto superficialeSurface look

OpacoMatt

LucidoGlossy

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Page 21: MORE/ · process of marble blocks. We were inspired by the same cut stone that is normally used as floor slabs but also as a base on which large marble blocks are cut. Colori / Colours

leonardoceramica.it

A brand ofCooperativa Ceramica d’Imola S.c.Via V. Veneto, 1340026 Imola (BO) ItaliaTel. +39 0542 601601Fax +39 0542 31749