morelli epigram

8/13/2019 Morelli Epigram

1/44


2/44

!"#$ &'()

#)*)!$'+,


3/44


4/44

-)..),'/$'* )!'0#"1 ', $-) #+1", 2+#.3

+1 $-) 4)0',,',0/ $+ $-) ),3 +& $-)#)!54.'*", "0)

!"#$%&' )* )'$%""+

67 ,'-./ +/01$+23+'/." %2+4$.-

$89 :9;9?@ ?A 0:99B 9C:DE >@ =89 #?ED@ E>F>9G EGH= I9 J>9K9L>@ =89 FD:C9: 8>H=?:>;DF ;?@=9M= >@ K8>;8 -9FF9@>H=>;


5/44

`UU "#$%&'( )* )(%#+

791+'- 81+2+'/%* B+"+'0 1'/0'" 1%/0'$ .+&+"+0 C%1 #9+3 .;29& ?'0* 1'/0'" 1%/0'$ .+&+"+0 A9%+ #9+3 .29& ?'0*

:%1 1%2+3 5'$0+1. !"%$+.A9% 9$=%> D.9$.0+. 5+0.9/. 8.-/+' 1%2+3>&%&%3 D%-2%03.3%=90 .+&% -%$%3';&* 09=+4+3 '-/% 7'91./.- '20+&%0A9%

.=&'91+3*

$8>H ED@ .G;>GH /;>?S DH E?H= .G;>GH *?:@9F>GH /;>?.?@CNI9D:LS

DC:99S KDH =89 J9:O I9H= ?A DFF E9@ 0@D9GHY I9C?==9@ H?@S D JDF>D@=C9@=F9ED@

D= #?E97 " H?@ ?A .?@CNI9D:LS 89 D@L K>H9S K8?H9 "@9 A?:E DF?@9ED=;89L

KDH D9L>F9S ;?@HGF D@L ;9@H?: 8>H I:DJ9:OS KDH D9L>F9S ;?@HGF DE?@C D@L ;9@H?:

O?G7 -9 >= KDH K8? ;DD *?:H>;DS D@L *>HDG@DS"F9:>D =??S D ;>=O7 $? =89 >@ AD;= /DE@>GEP 89 ?J9:;DE9 0?LL9HH9H ?A DFF =8929D=89: 89 CDJ9 L9H9:J9LFO D .G;D@>D@ FD@L D@L I:?GC8=

=9E@C=?@T R=:D@H7 2D:E>@C=?@T

$89


6/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `UV

D@L E>::?:>@C 567'UX76_a IO D ;8>DH=>; :9ND::D@C9E9@= ?A >=H =89E9H

RH99 ;8D:= I9F?KT7 .>@9 V 9FDI?:D=9H =89 ?+$393%0E9@=>?@9L D= =89 9@L

?A UP D@L a >FFGH=:D=9H =89 19$090?A =89 L9;9DH9LS K8>;8 >@ =89 %"'4+9-

?A 4D:ID=GHY H?@ .G;>GH >EE9L>D=9FO RD@L F?C>;DFFOT A?FF?K9L =89 @DE9D@L ; ?A =89 L9;9DH9L7

567'UX 567'U]

6_U\ ?+$393%0 R4T 6_U\ @DE9 D@L ; R"T U\ ?+$393%0 R4TV_a\ @DE9S ;S 19$090 R"T V\ ?+$393%0 R4T a\ 19$090R"T

$89 >@J9:H>?@ ?A =89 F?C>;DF H9fG9@;9g@DE9S 19$090S ?+$393%0g>@ 567

'U X >H :9c9;=9L >@ 4D:ID=GHY %"'4+9- =? D;8>9J9 D@ 9J9@ E?:9 D:=AGF

H=:G;=G:97 $89 .%-9".3+' ;?@=>@G9H >@ =89 FDH= =K? F>@9HY D;;?G@= ?A =89

$%0 4%03.% ?A =89 L9;9DH9L7 '@ 567 'UX =89 H=:G;=G:9 ?A F>@9 ` RC%1 1%2+3

5'$0+1. !"%$+.A9% 9$=%T >H I>=9S F>@B9L IO D ;?@cG@;=>?@ K8>;8 :H =89

@DE9 ?A =89 ;?@fG9:9L >HFD@L R5'$0+1.T K>=8 >=H ED>@ =?K@ R!"%$+.A9%T >@

=89 H9;?@L 8DFA ?A =89 F>@9P =89 J9:I 1%2+3 ADFFH >@ =89 ":H= 8DFA7 '@ 567

'U]S IO ;?@=:DH=S F>@9 ` IG>FLH =? ;GEGFD=>J9 9AA9;= =8:?GC8 D@ DHO@L9=>;

=:>;?F?@ RD.9$.0+. 5+0.9/. 8.-/+'TS K>=8 =89 @DE9 ?A =89 ;?@fG9:9L FD@L

R8.-/+'T @C D@L 9EI:D;>@C =89 =?K@H 9@GE9:D=9L >@

8 " 8 FA A 8 F> ] 8 I + > F L > 8 L 8 >


7/44

`Ua "#$%&'( )* )(%#+

D:>H=?;:D=>; #?ED@ AG@9:DF76W$89E9H D:9 ?:CD@>e9L >@ L>AA9:9@= G@>=H

>FFGH=:D=>@C >@ L9=D>F =89


8/44


9/44


10/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `U]

&:?E =89 :>H>@C ?A =89 HG@ DI?J9 =89 ED:H89H ?A 1D9?=>H ;?E9H @? ?@9K8?H9 L99LH ;?GFL IDFD@;9 8>H7 R=:D@H7 2D:E>@C=?@T

)@@7 E.$*UV_a (7URk A:7 aa7V_a *?G:=@9O k *>;7,%2*A:7 b 9C7

k /9@7J2+03*6W^7VaP H99 DFH? .D;=7O+?* 6/03*676^766T\8+ #.0 %/&' 2".4.0 1.%"%039- .01%/&%$% 19+A9.- %03> )+ 0'"+ 1.%"+ -.M+-. 2'$3. 2.3%3*

'A >= >H :>C8= A?: D@O?@9 =? C? G< >@=? =89 :9C>?@H ?A 89DJ9@YH LK9FF9:HS A?:E9 DF?@9 89DJ9@YH C:9D= CD=9 F>9H ?@C=?@T

$89:9 D:9 ED@O @ :9H=?:>@C D@L >@=9:@C =89H9 =9M=H7 6b

$89 9C:DEED=>; @D=G:9 ?A D= F9DH= E.$*6X_UW (7U;D@ 8D:LFO I9 fG9HN

=>?@9L\ >=H"

:H= H9@=9@;9S C+1 %03 +""% 0+390S A?FF?K9L IO D :9FD=>J9 ;FDGH9S>H E?L9FF9L ?@ ;F>;8QH ?A #?ED@ AG@9:D:O 9C:DES D@L >= L9:DIF9 >@!G9@;9 ?@ FD=9: >@H;:>?@DF


11/44

`U^ "#$%&'( )* )(%#+

#.13+0 $%&&%$% '2+0 2$%3+9-E9D@H ?@9 =8>@C A?: =89 ;?G@=:OED@ R1+?+0Tg>797S

=8D= 89 KDH G@DIF9 Z=? :9@L9: A?: /;>?YH @H D :9;?EJO H=D=9H RV^7`V7^TS /;>? ?:L9:9L =8D= 89 H8?GFL I9 IG:>9L =89:9

/% #9/90 0+=+ +/ +/4$.3. 2.3$+. !%$%37 " I:9D;8 I9=K99@ >@L>J>LGDF D@L 8>H

@D=>?@ 8DL ?;;G::9LP =89 1'/0%/090 ?A =89 #?ED@ ?GH

=?KD:L ;>=>e9@H D@L 9@9E>9H DF>B9 RD@L ;?@=:D:O =? 9GF?C>H=>; =:DL>=>?@

I?=8 #?ED@ D@L 0:99BT7Ua

'@ /BG=H;8YH ?@>?@S )@@7 E.$* U6_a (7UKDH E?L9FF9L ?@ "F;D9GH

?A 19HH9@9 6 0! Rk !FX7`6^T7U` 'A =8>H >H ;?::9;=S )@@>GH =:D@HA?:EH

=89 I?EIDH=>; R;iT 9GF?CO ?A =89 H=>FF F>J>@C !8>F>< >@=? D

AG@9:D:O 9C:DE =8D= L9>"9H =89 L9DL /;>?P !8>F>


12/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `UX

:D@9D@ R. 0'"% %M'$+%/3% 092$. ).%'3+0 2."9&%0T7Ub28>F9 )@@>GH H=D=9H /;>?YH

HG?:>=O >@ D J9:O #?ED@ KDOgIO ;?EH?@ ?A #.13.R/%-' %03 A9+

#.13+0 .%A9+2%$.$% A9%.3\ H99 =89 DFE?H= ;?@=9E


13/44

`VW "#$%&'( )* )(%#+

IO =89 HDE9 DG=8?:S A:?E =89 ?L I9=K99@ =89 0:D;;8> D@L /GFFD7VV

'@ =89 0:99B D@L #?ED@ E>F>9GS 9C:DEED=>; 9GF?C>9H ?A


14/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `V6

=8>H >H >@ B99@C K>=8 =89 AD;= =8D= =89 ;?G@C H;8?FD:H ?A =89 FD=9 ":H= ;9@=G:O "737S IG= DFH? :9GH9L

>@ 57J7VX"= =89 HDE9 =>E9S >= 9M8>I>=H D L9C:99 ?A #?ED@N-9FF9@>H=>;

:9"@9E9@=\ /%A9% +/93+"+0 A9.A9.->H D@ D:=AGF =:D@HFD=>?@ ?A =89 E?H= A:9N

fG9@= 9=89= >@ 5J@S=8D= GH9L A?: ZC??L HFDJ9H[ >@ =89 0:99B E>F>9GS

7aW '=H H=OF9S E?:9?J9:S 9E;D=9L K?:L ?:L9:S D@L;?EI>@9H A?:EGFD9 =O;DF ?A =89 #?ED@ AG@9:D:O =:DL>=>?@ RC+1 0+390T

K>=8 AD>@= 9;8?9H ?A D C:D@L9: F>=9:D:O =:DL>=>?@S O9= >@ =89 ED@@9: ?A

=89 0%$-' C9-+"+07 $89 L>E>@G=>J9 1'"9-%"". =?@9H L?K@ =89 8O;

9;N=:DC>; @C RH99 )@@7!//*VaV /B7 $%4/+ * * * 1'"9-/.-T7 '@ DFFS K9

"@L D H9@H9 ?A L9;?:GE E>M9L K>=8 D ;9:=D>@ >:?@OS D@L D @9K =DH=9

A?: HFD@C7a6/>E>FD:FOS =89 ?=89: 9F9C>D; A:DCE9@=H A:?E I??B UU R`^6_a

1D:MT D:9 H=:?@CFO >@!G9@;9L IO !FDG=>@9 H=OF97aU '= ;D@@?= I9 L9=9:N

E>@9L K89=89: DFF A:DCE9@=H I9F?@C =? 9C:DEH ?: =? F?@C9: 9F9C>9H7

#?ED@ ;GF=G:DF QF>=9H DFH? 9ME9@=9L K>=8 @9K 9C:DEED=>; =O@!G9@;9 ?A ;?@=9E


15/44

`VU "#$%&'( )* )(%#+

HGIc9;= ED==9: D@L H=OF9 HGCC9H=H =8D= D ;GFD: ADH8>?@ A?: DED=?:O

9C:DE =??B 8?FL D= #?E9 D= =89 9@L ?A =89 H9;?@L ?: =89 I9C>@@>@C

?A =89 ":H= ;9@=G:O 47*7

$89 I9H= B@?K@ ?A =89 =8:99


16/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `VV

@=9:E9L>D:>9H A?: =89 HE>FD:FOS =89


17/44

`Va "#$%&'( )* )(%#+

>H D@ D:=AGF =:D@HFD=>?@ ?A *DFF>ED;8GH a 0! Rk!F6U7]V k a6 !A7T\

" "#$ %%"%% #

'= >H IG= =89 8DFA ?A EO H?GF =8D= H=>FF I:9D=89HS D@L A?: =89 ?=89: 8DFA 'B@?K @?= >A >= I9 .?J9 ?: 39D=8 =8D= 8D=8 H9>e9L ?@ >=S ?@FO >= >H C?@97 'H>= ?AA DCD>@ =? ?@9 ?A =89 FDLHi "@L O9= ' =?FL =89E ?A=9@S Z#9;9>J9 @?=SO9 O?G@C E9@S =89 :G@DKDO7[ /99B A?: >= D= qqS A?: ' B@?K >= >H H?E9K89:9=89:9 =8D= =89 CDFF?KHNI>:LS =89 F?J9NF?:@S >H F?>=9:>@C7 R=:D@H7 !D=?@T

*?E=8 *DFF>ED;8GH D@L 8>H ;?@=9E


18/44


19/44

`Vb "#$%&'( )* )(%#+

K?:FLFO :9"@9E9@= ;?EI>@9L K>=8 I?@LH ?A F?J9 D@L DAA9;=>?@ H9= >@

D HEDFF H?;>DF C:?G=8 =89 ;?D:H9@9HH ?A =89 +/?%/903+7

)C:DEH D@L /94.% D:9 D !9M>IF9 F>=9:D:O >@H=:GE9@= =? 9ML9DFH D@L =? HB9=;8 =89 DHH?;>D=9L &T-+G-'/&%7b]$? D;8>9J9 =8>H 9AA9;=S

*D=GFFGH L>H@ 8>H H8?:=


20/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `V]

>@ H?E9 E9=:>;DF A9D=G:9HS E?:9 H>E>FD: =? $89?C@>HY =8D@ =? -9FN

F9@>H=>; 9C:DEED=>; 9F9C>D;H7bX"I?J9 DFFS H?E9 >E


21/44

`V^ "#$%&'( )* )(%#+

D@?=89: EDc?: >@!G9@;97 '@ >=H 9:?=>; =>9HS H9?@ D@L H? ?@T7]a

]T '@ DLL>=>?@ =? 9:?=>; =?;HS K9 "@L >@ =89 7+=%$?=89: =:DL>=>?@DF9C:DEED=>; E?=>AH\]` AG@9:D:O =89E9H R11* Xb D@L 6W6P H99 DFH? b`

D@L b^P @?= ;?>@;>L9@=DFFOS HG;8 =?;H D:9 DIH9@= >@ =89


22/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `VX

^T 29 :9=G:@ =? =89 :?F9 ?A =89 #?ED@


23/44

`aW "#$%&'( )* )(%#+

; 9C:DE7^6$89 >@@?JD=>J9 FD@CGDC9 "=H =89 @9K *D=GFFD@

E??LS K8>;8 >H L?E>@D=9L IO D ADH;>@D=>@C ;?FF>H>?@ I9=K99@ >L9DFH D@L

8D:L :9DF>=OS :9"@9E9@= D@L :?GC8@9HHS F?ODF=O D@L >@"L9F>=O7

XT 28D= =89@ ?A =89


24/44

,#&-+./+0 &1+2%") +- /,& %()"- 3(%#' `a6

;?J9:S >@ =89 0:99B E>F>9GS D K>L9: :D@C9 ?A 9C:DEED=>; A?:EHi '=

K?GFL I9 D E>H=DB9 =? HG


25/44

"lllb 111111 I 11.1-\ ,\ l ' t t \111111 ({)(:1{\t'tt\ [ ill


26/44

M. 1 )97. Onomala allolna: .: .:_111 (,'nll lt , SiiiiAI1111111riiI111J./wn 11t'lafih1'111bei AallimachoJ. Stuttgart.. 2001. Gruppcn unciDichtn: Zu l'rogr.1111111,rtik 1111d /\dnss.rtt11lwmg lwr l,,rllimachos." A&A 47: 84 116.

Aubrcton, R., with Irigoin, J., and BuOicrr, E, eels. 1994. (;ll'rrfllt': 'lon11' 11Anthologie Palatine, livre XII. Paris.Austin, C. 2002. "Posiclippus and the Mysteries ... of the Text." Pp. 7 I


27/44

"IHI'I llu I 111111) "' So l11ol.ll ,uul l'owl ," 1:/'h Ill ,'1'10 Ill. :./()()I. " l'osidippns' ' l'p '17ti f) I 111 11 '' ' ' l:i IIIIL\I" s, 1:. l\.11"1111.11tt Sd1i1t 1111g tlr1 '"'"''"lto1 1111 , 1/tnltlllwBoas, M. 1905. De h{ngltlllllllrtln .\111111111111'11 . l'r111 /11111. ( ,'11/lul rk 1/t.I:.'"""'it/11111'lmdilione.Hodel , J. :. 00 I. /.i'llln/11' LondonHoedekl'r, D. and Sidt'l, I). 700 I lilt 'Vt'lt' S111111111tln. ( .i Ill .

,q() 111111 ,11 H:tu \l'i 1\ llllllltlt:l{ \I 'll\ ' ,r ll


28/44

II1111H 1.. R F I 177') h. lnnlrrln rdnll/11 fttWitllllllll IIIf\.Hntllt'l, I ll:l ir1 1). S('dlcy,

eel. 2003. The Cambridge Companion to (:rref... and Roman l'/ulo.1ophy . Cambridgt.Bruss, J. S. 2002 3. "A Program Poem of J\.lraeus of Messene: Epigram 16 G-P

(= A.P. 7.429)." CJ 98.2: I 61 80.. 2004. "Lessons from Ceos: Wriuen and Spoken Word in Callimachus." Pp. 49 69

in M. A. Harder, R. F. Regtuit, and G. C. Wakker, eels. Callimachus f. Leuven.. 2005a. "Famous Last Words: Aeneid 5.870 71 and the Hellenistic Cenotaphic

Epigramme." La.tomus 64: 325-35.. 2005b. Hidden Presences: Monuments, Gravesites, and Corpses in Greek Funerary Epigram.Leuven.

. forthcoming. "Ecphrasis in Fits and Starts: Down to 300 B.C." In M. Baumbach ,A. Petrovic, and I. Petrovic , eels. Archaic and Classical Greek Epigram.Buchner, see FPL.Buclclensiek, F. 1999. Die Theorie des Clucks in Aristoteles' Eudemischer Ethik. Gottingen.Buclzisz, A. 1988. Epigrammat Laciriski w Potsce w Pierwszej Polowie XVI Weiku. Lublin.Buecheler, see CLE.Buettner, R. 1893 [repr. 1970]. Porcius Licinus und der literarische Kreis des Q. LutatiusCatulus. Leipzig [Hildesheim].Bi.ihler, K. 1934. Sprachtheorie. Die DarstellungifUnktion der Sprache. Stuttgart.Bulloch, A. W 1970. ' ' l\ Callimachean Refinement to the Greek Hexameter." CQ. 64:

258 68.Burckhardt, J. 1958. The Civilization of the Renaissance in Itary. trans. S. G. C. Middle-

more. 2 vols. New York.Burnikel, W 1980. Untersuchungen zur Struktur des Witzepigramms bei Lukillios und Martial.Wiesbaden.

Bury,]. B. 1900. "Notes on the Vll book of the Greek Anthology. (Eel. Stadnni.iller)." CR14: 148 53.Burzacchini, G. 1986. "Meleagrea." SOL 3: 573 86.

. 1997. "Sui 'canone' delle poetesse (Antip. Thess. AP IX 26 [=XIX G.-P.])."Eikasmos 8: 125- 34.Burzachechi, M. 1962. "Oggetti parlanti nelle epigrafi greche." Epigraphica 24: 3 5'1.Busch, S. 2002. "Lautes und leises Lesen in der Antike." RhM 145: I 45.Bussman, H. 1990. Lexi.kon der Sprachwissenschqfl. Stuttgart.Cairns, F. 1972. Generic Composition in Greek and Roman Poetry. Edinburgh.

. 1998. ''l\sclepiades and the Hetairai." Eikasmos 9: 165 93.Cale, L. 2004. ''l\ Visual Interface for the Act of Reading." Pp. 97 118 in E. Shafltr

and A. Brady, eds. IMJ[jgang Iser: The Act of Reading and Ajler. Comf;arotive CritimlStudies 1.1 - 2.Ca inescu, M. 1993. "Orality and Literacy: Some Historical Paradoxes of' Reading."Yale Journal of Criticism 6: I 74- 90.Camerarius, J. I 551. Libellus scolasticus utilis et valde honu.. Bas('l.Cameron , A. 1993. The Greek Antlzologyfiom A1eleagtr to 1'/rmurlt . (hl iu d.. 1995. Callimachus and is Critic.\. P1 inceton.Campbell, D. A. 1982 93. Greek /.y1ir. '> vols. Cambridgl'Capasso, M. 2003. l ritomo di Comrlw (,'al/o. fwfnto dt ()n1t 1/nim Nnlimu;ut (11/t/1 duf'"Con un contributo di Paolo Rarliriollr .Carilli, M. 1975. "Le cli C.11tdl11 1 11pigr.1111111.1 g 11'1t 1 ' 1\\/ ' ' '1 :. .'> ''I,Carncy, E. D. I "l l n \l 'otl dl i)vtto)

D. Lanza, eels. Lo spazio letterario delta Grecia antica, vol. 1.3, La produ 111111 ,. la t lltOltdel testa. I Greci e Roma. Rome.

Cazzaniga, I. 1970. "Critica testuale eel esegesi a Nosside A. ? \ ' l l 7 111 ," l'p431- 45.

Celtis, K. 1963 [1881]. Funf Bucher Epigramme. eel. Karl ll ;utli ldl 1[Berlin].

Chamard, H. 1939 -40. Histoire de la Pliiade. 4 vols. Paris.Chamberlain, C. 1984. " From 'Haunts' to 'Character': The Mcani11g nl I rlo" 'l 11111

Its Relation to Ethics." Helios ll: 97 l 08.Chamoux, F. 2001. "Les epigrammes clans Pausanias." Pp. 79 91 in D. l\.111upll1 1 i11l

M. Pierart, eels. Editer, traduire, commenter Pausanias en l'an 2000. Gl'nl'v;,Chartier, R. , and Cavallo, G. 1999. Die Welt des Lesens. Van der Sclujjlmllt 11111 1/t/d ., htullFrankfurt a. M.

Chesterfield, P. D. S., Earl of. 1932. Letters. ed. B. Dobree. 6 vols. LondonChiesara, M. L. 200 l. Aristocles of Messene: Testimonia and Fragmmls. OxlmtlChirico, M. L. 1981. "Antipatro Siclonio interpretr di An acrtonlc." I ol \ ' :1,

43 57.Christ, G. 1941. Sinwnidesstudien. Freiburg.Christ, W. 1896. Pindari carmina cum deperditorumfragmenlit selerti.t. Lcip1i g.Cichorius, C. 1922. "Ri:imisrhes a us der grirrhisrhen Anthologic." l'p 'J'l l ' I / : 111

C. Cichorius. Romische Studien: 1/istorisches Ef;igraphitrhe.t l.tlnat,t;t'ldtulttluhn 11111 ,.;,Jahrhunderten Rams. Leipzig.

Citroni, M. 1995. Poesia e lellori in Roma antica. Rome .. 2003a. "I ranoni eli autori antichi: alle origini del corH't'llo clr cl.1s'"" l'p .I 22 in Culture ewofJee e tmdizione latina (Alii del Cotwt.ww inlnnn_ionalt it ltult , l.u itf,i/,del Friuli, {j 17 nmrmbre 2001). Triestr.

. 2003 1>. " Mal/.ialt, Plinio it giovant c il pmbknra tlc-ll ' illclcnll.l d1 gl'lll' ll'dell 'cpigrarmna latino ." Pp. 7 2 1 in E lkrtini , eel. ll :unnnlr 'h111111 .1),1/a (.'mtr '. ( ;moa .

C111i , 11} 71 J. " lrni1.11.ioni da Salli1 inl\.lclc-agm." , 1/1 ' l 'l 7: 'l:l:l :rlCL11 l. ,,J 11)


29/44


30/44

r I)(, l l l l l l ,l f H l i A I I I \ '

1 1.1'11.11, 11 ,, t cl l'l711 h rlll\\111\//ltli Nomr \.1111i .lfu tl d1 \lw ,,., 1 t l l l \1 ' t '' IIIJ 1111 d1 1.1 lt lt'il I I ll.dt' '' I 1


31/44

Flow< 'l, 11. I. l'l'lh . , 1111'1 '1/0I Jllr11A1 nml 1111/111111/11 mr'l l 111 Nom1111 Orlillll '. ( hlonl.li> l< ), 11. 'd. lloflunr 11)'11111 to /)mll'lfl. "111111\lntwll, Ciunmmtlll)\ 1111tl flllfi/JII'IIl'l'/ \\11/yl. l'rinccton.lilcy, J M. 1991. lmmanmt Art: From Stlllrlurt to Mraning in raditional Oral Epir. Bloom-ing ton.lhn l, i\. :.1003. "From Letters to Literature: Reading the 'Song Culture' of Classical; rt'("CC." Pp. I5 3 7 in H. Yu nis, ed. WiiUen Texts and the Rise qf Literate Culture in1lnrierzt Greece. Cambridge.

J(>rd, PJ. 1982. George Buchanan: Prince qf Poets. Aberdeen.lbrstcr, E. M. 1961. Pharos and Pharillon. New York.Fortenbaugh, W. W. 1994. "Theophrastus, the Characters, and Rhetoric." Pp. 15-35in W. Fortenbaugh and D. C. Mirhady, eds. Peripatetic Rhetoric After Aristotle. NewBrunswick, NJ.. 1996. 'fuistotle's Accounts of Persuasion through Character." Pp. 14 7 68 inC. L. Johnstone, ed. Theory, Context: Issues in Greek Rhetoric and Oratory. Albany.

Fortenbaugh, W. W., and Schi.itrumpf, E., eds. 2000. Demetrius qf Phalerum: Text, Transla-tion and Discussion. New Brunswick.Fortuna, S. 1993. "So focle, Sositeo, il dramma satiresco." Aevum(ant) 6: 237-49.H:>wler, A. 1982. Kinds qf Literature: An Introduction to the Theory qf Genres and Modes.

Cambridge, Mass.. 2003. "The Formation of Genres in the Renaissance and After." New LiteraryIIistory 34: 185 200.Fowler, B. H. 1983. "The Centaur's Smile: Pindar and the Archaic Aesthetic." Pp.159 70 in W. G. Moon , ed. Ancient Greek Art and Iconography. Madison.. 1984. "Th e Archaic Aestl1etic." A]P 105: 119 49.. 1989. The Hellenistic Aesthetic. Madison.FPL. Morcl , W. ed. 1927. Fragmenta poetarum Latinorum . Leipzig. Reiss. by K. Buchner,1982; reiss. by J. Blansdorf, 1995.Fraenkel, E. 1955. "Vesper adest." ]RS 45: I 8.. 1960. Elementi plautini in Plauto. 2nd ed. rev. Florence.. 1961. "Two Poems of Catullus." ]RS 51: 46 53.

Franco, C. 1991. "Teocrito di Chio." Athenaeum 69: 445 58.Frankel, H. 1915. De Simmia Rlzodio. Diss. Gi:ittingen.Fraser, P. M. 1972. Ptolemaic Alexandria. 3 vols. Oxford.Frccdberg, D. 1989. The Power qf Images: Studies in the History and Theory qf Response.

Chicago.Fricdlii.nder, P. 1912. ]ohannes von Gaza, Paulus Silentiarius und Prokopios von Gaza: Kunstbe-schreibungen ]ustinianisclzer .its.. I J7'l. illrllt r nlmt 111'111' 11111 111111 g11'rhr. Ronu GallctiB: '1' 7 Hi .

I;"" '" I' I l '>f> Ojwlll 'I I{"""

:) JI\ 111111 101.1{ \I ' l l \ 111111 ICH:R t\1'11\ l,qq


32/44

Gladigow, B. 1985 6. "P riiscnz dl'l Hiltkt Pt olSI' l l / dtt ( :ollt 't ' 1\.ultl>ildtt ' ' ' '" llildttder Goner in dcr griechischcn Religion." l'i.1rlill Nl'ilgum I .1: 11 I :l:l.. 1990. "Epiphanie, Statuelle, Kultbild: GrierhisdH' Cottesvorst 'llungcn im Wcchselvon Kontext und Medium." VISible Religion 7: 98 121.

Glucker,]. 1973. "Dioscorides, AP VII, 411, 2 and Some Related Problems." Emno .171: 84-94.Godwin, J., ed. 1999. Catullus. The Shorter Poems. Warminster.Gold, B. K., ed. 1982. Literary and Artistic Patronage in Ancient Rome. Austin.. 1987. Literary Patronage in Greece and Rome. Chapel Hill.Goldberg, S. M. 1995. Epic in Republican Rome. New York.

. 2005. "The Early Republic: the Beginnings to 90 BC." Pp. 15 30 inS. Harrison ,ed. A Companion to Latin Literature. Oxford.Goldhill, S. 1991 . The Poet's Miice. Cambridge.

. 1994. "The Naive and Knowing Eye: Ecphrasis and the Culture of Viewing inthe Hellenistic World." Pp. 197- 223, 304-9 in S. Goldhill and R. Osborne, eds. Artand Text in Ancient Greek Culture. Cambridge.

. 2000. "Body Politics: Is There a History of Reading?" Pp. 89 120 in T. M.Falkner, N. Felson, and D. Konstan, eds. Contextualising Classics: Ideology, Peiformance,Dialogue. Essays in Honor qf John J Peradotto. Lanham.Gomme, A. W., et al. 1970. A Historical Commentary on Thucydides. vol. 4. Oxford.Gordon, R. 1979. "The Real and th e Imaginary: Production and Religion in the

Graeco-Roman World." Art History 2: 5- 34.Gortan, V. 1972. "Les Epigrammes dejanus Pannonius et le poete Martial." Acta Litteraria Academiae Scientiarum Hungaricae 14: 359- 65.Gow, A. S. F. 1950. Theocritus. 2 vols. Cambridge.1952. Theocritus. 2nd ed. 2 vols. Cambridge.1954. '1\ntipater of Sidon: Notes and Queries." CR 4: I 6.

1958a. The Greek Anthology: Sources and Ascriptions. London.1958b. "Leonidas of Tarentum." CQ_ 8: 11 3 23.1966. '1\ntipater of Thessalonica: Notes and Queries," CR n.s. 16: 5 9.Gow, A. S. F. and Page, D. L. 1965. The Greek Anthology: Hellenistic 2 vols.

Cambridge.. 1968. The Greek Anthology: The Garland qf Philip. 2 vols. Cambridge.Gow, A. S. F. and Schofield, A. F. 1953. Nicander. The Poems and Poetical Fra,,ll/1 '111

Cambridge.Graf, F. 1995. "Ekphrasis: Die Entstehung der Gallung in der Antikc. " Pp. l:l I u 111G. Boehm and H. Pfotenhauer, eds. Beschreibungskunst J..1mslbe1dlleibu11g: 1/..filonr I'OIIder Antike bis 111111 '11)' 111 Nma/\lt/1/u ' 1\11'/1) 1\:1 ' 11ii :tVC'II .Cricssntait; 1


33/44

lollhmlllll\f\ )()()7 lltn11t l.pii.IJili ol 1111 ( :J., u,d \f\t ll11/\ fi/rllaltd Beyond l11 \ B.llllllhdlil, \ l'lllll\ll ,otlld l . l ' tllllllll/11\ I tlr rlll' ,\lilrhn, (.:;podll ulJ.:Il'l'lt, 1111rllhr iuhrtr 'II/IIJ I' of lotuA /ltrltr


34/44

()()I IIIIILIOI:It,\1'11\

1\.c 't klwrkct, t\. l'll)7 " Mouo{cllV t v tctAIIJH:I I lu ltltt 1111d I lu lt1c111g .1111 1'1olc 11t. C'tl1oL "

:)111111 I< ) ,1( ,\1'1 I\'lllll'1 l.l1111.d Rtllt.llit,\II0\1, l'


35/44

A&, l 11: 1:21 11. 1999. Callillwrhu ' JJoo .. qj la tu hi . Oxlmd .

Kerkhon; M. 1973. Zum antikeu lkgrill clt's Katros." ;:,tll.lrhrljljih philo.10filwrhr N1rsclzung 27: 256 74.Kidwell, C. 1989. Marullus: Soldier Poet qf the London.Kierdorf, W. 1980. Laudatio fonebris. Inte1pretationen wzd Untersuchungen zur Entwicklung derromischen Leichenrede. Meisenheim am Glan.Kinneavy, L. L., Eskin, C.R., and Eskin, L.G. 1998. Kairos. " HWR z 4: 836 44.Kinstrand,]. 1976. Bion qf Borysthenes: A Collection qf the Fragments. Uppsala.Kirchhoff, A. 1985. Thukydides und sein Urkundenmaterial. Berlin.Kirstein, R. 2002. Companion pieces in the Hellenistic epigram (Call. 21 and 35 PC;

Theoc. 7 and 15 Gow; Mart. 2.91 and 2.92; Arnmianos AP 11.230 and 11.231).Pp. 113- 35 in M. A. Harder, R. F. Regtuit and G. C. Wakkcr, eds. Hellenistic Epi -grams. Leuven.Kissas, K. 2000. Die attischen Staluen- und Stelenbasen archaischer Z,eit. Bonn.Knauer, 0. 1935. Die Epigramme des Asklepiades von Samos. Wiirzburg.Knox, B. M. W. 1968. Silent Reacting in Antiquity." GRBS 9: 421 - 41.Kohnken, A. 1973. Sch luBpointe und Selbstctistanz bei Kallimachos. Hermes 10 I:

425 41.. 1993. Gattungstypik in kallimacheischen Weihepigrammen. GB Suppl. 5(Festschrifl Waiter Potscher): 119 30.Kolson Hurley, A. 2004. Catullus. London.Korte, A. and Thierfelder, A. 1959. Menandri quae supersunt. vol. 2. Leipzig.Kosmetatou, E. 2004a. "Bilistiche and the Quasi-Institutional Status of PtolemaicRoyal Mistress." APF 50: 18- 36 .. 2004b. Constructing Legitimacy: The Ptolemaic Familiengruppe as a Means

of Self-Definition in Posidippus' Hippika." Pp. 225- 46 in B. Acosta-Hughes, E. Kos-metatou, and M. Baumbach, eds. Labored in Papyrus Leaves: Perspectives on an EpigramCollection Attributed to Posidippus (P.MiL vogl. VIII 309). Washington.. 2004c. "Vision and Visibility: Art Historical Theory Paints a Portrait of NewLeadership in Posidippus' Andriantopoiika." Pp. 187- 211 in B. Acosta-Hughe s,E. Kosmetatou, and M. Baumbach, eds. Labored in Papyrus Leaves: Perspectives on anEpigram Collection Attributed to Posidippus (P.Mil. vogl. VIII 309). Washington.

Krevans, N. 1984. The Poet as Editor: Callimachus, Virgil, Horace, Propertius andthe Development of the Poetic Book. Diss. Princeton.

. 2004. Callimachus and the Pedestrian Muse. Pp. 173 84 in M. A. Harder, R.F. Regtuit and G. C. Wakker, eds. Callimachus Il Leuven.. 2005. The Ectitor's Toolbox: Strategies for Selection and Presentation in tht'Milan Epigram Papyrus. Pp. 81 96 in K. Gutzwiller, ed. The New Posidippus: AHellenistic Poetry Book. Oxford.

Krieger, M. 1995. Das Problem der Ekphrasis: Wort und Bild, Raum und Zcitund da sliterarische Werk." Pp. 41- 57 in G. Boehm and H. Pfotenhauct; eels. Be.rhrl'ibungtku/1.11Kunslbeschreibung: Ekphrasis von der Antike bis zur Gegenwart. Munich.Kris, E., and Kurz, 0. 1934 [repr. 1995]. Die Legende vom Kiimtler: /\' 11 grschirhl/uhnVersuch. Vienna [Frankfurt a. M.].Kroll, W. 1924 [repr. 1964]. Studien zum Verstiindnis der romischen Utrmlw . S1u11g.u1.

Krumeich, R., Pechstein, N., and Seidenstickcr, B., eels. Imm . Oa1 .W'nh11dll' .\illl'll/nd,Darmstadt.

Kruschwitz, P., ed . 2002. Carmina Saturnia etn:E;m/Jhira. /\'111111111111 'fnl 1111rl lwmmm/111 : uden saturnischen Versinschrijien. Stuttgart.Kurke, L. 1991. The Trqffic in Pmi.t': l'indru and lht 1\itln of ,\illw .rt lllll/111' lllt.ll\ 1,. 1993. The Economy ol' flllrlo.l." Pp. I 11 h'l i11 ( :. I o111d I . K11t L< ,,Cultural Poetin in Anlwir (,'uwt : ( .'u/1, lh/llllltr/1111, l'o/1111 1. ( ;lltl. ;_," gnnhll(hf/1 , 111/lw/ogtr. / ,rll ir h.I Assillg, (; I: 177 1 .;:,rn/11'1111' , 1111111'/itllll.l ,fll 1ihn da1 1111d f/11/gf tin T tlllll'h/11111'11

1/1'11 1\r,ltll .. l h I \ . (,f'llllllll/1'/lr llnAr Ill \Ill s. cd. I Rtll.c lkd111l.nt , 11 , l1111mh 'l'm 'rl/11'1111 J 1 11111111111lni11 , 11 . N l'llt'J "( llll''' ll ' '' 1.1111111 .111.11 1/SI'h ltl1 1'1.1 :. Ill,L " 11 . \1 1 111 7 1\111\ll 1111 l.lo \ j 1\ 111 '/ . 11111 ,


36/44

(I( Jll 111111 11 I .1 1 \1'1"llliiiiiH:I AI'Ii\' ,,()1)

J ' 1\llll 1111 \ttlll \IIWIIIg: lst l, l\lllllw


37/44

i11l\J.I)i 1\Jano, Jl.l\J.I',tlu11dloSI1. twulrallLeiden.Navagero, A. 1973. Lusus. ed. A. E. Wilson. Nieuwkoop.Neaves, (Lord) C. 1893. The Greek Anthology. Edinburgh.Neer, R. T. 1995. "The Rhetoric of the Kouros: Body, Metaphor, lcknlng) l'.q"'presented at the annual meeting of the American Philological i\sstll 1111"" l >.u1Diego, 28 December.. 2001. "Framing the Gift: The Politics of the Siphnian TtT 11 I > l1liGIAnt 20: 273- 336.. 2004. "The Athenian Treasury at Delphi and the Material of' l'oltt11 c;ll lnt23: 63 93.Neppi Modona, A. 1933. L'isola di Coo nell'anlichita classica. Rodi.

Neri, C. 1996. Studi S?tlle testinwnian


38/44

'WO II1. ,\1 10' IO :IJ, l'p . 'H)'/ '10 1 111 . Anl.,liillllgllC's,E. 1\.mnutatOII ollld 1\1. lldlllllha


39/44

l'ir< l11 1, .J. I ." ,\/1/il.Quasimodo, S. 1958. Fiore dell'Antologia Palatina. Bologna.

. 1969. Leonida di Taranto. Manduria.Quinn, K 1999. The Catullan Revolution. 3rd ed . London.Rabe, H., ed. 1913. J-lermogenis opera. Leipzig.Rackham, H. 1953. Aristotle. The Athenian Constitution. The Eudemian \Inn . (in l1 1itf 111111Vices. 3rd ed . Cambridge, Mass.Radermacher, L. 1919. "Kavoov." RE 10: cc. 1873- 8.Ractice, G. L. 1965. "Leonida Tarentino, poeta 'ricco'." Maia 17: I 11 r7Ractinger, C. 1895. Meleagros von Gadara: Eine literargeschichtliche Sl.i::.::.t. 1Raimondi, V 1999. Scelte linguistiche e Tonot letterari nell'epigramma lmntfu, ll1

Urbino.- . 2005. "AirtoA.tx:6c; 8ucrepwc; in Posidippo 19 A.- B.: un richia1nn .11 1 7 1 i11E. Greene, eel. Women Poel.l in Ancient Greece and Rome. Norman, Oklahoma .Reed,]. D. 2000. '1\.rsinoe's Adonis and the Poetics o Pto.lem a ir Imperiali sm." /, 1/'h I

130: 319 51.Reecler, R. 1976. "T he Greek Anthology and Its Innuence on Push kin's Por1i1 Styl1 Canadian American Slavic Studies 10: 205 27Rcgcnbog in 'I: I) , l'.q>olll).\

111111 11)1 I) I:)Ruhcmnhn, 111'1 7 (."nnhlldlr' 1111tlantlrtt' 111 rlm1111tm I hu


40/44

hl'hs .tlld i\. R< ngakos, tds. I Cillll/lr/11/1111 /11 IJIII//muw Nhot/111 .1 I ticlt ' ll.Rt'lll>tl,lld, /\. 1\ . I n .nHI R


41/44

Stlllll, n I "\ ( :.lll.lllcl Il l Sllllln , lit Ill IIISIII " Rdi


42/44

(,'1() 111111 I H .I \I 11\

' ll0'1. " l'osulipp11s, l'twl ol 1111 l'tolmllt ' ' l'1 ' 1> '1 ll'l in K ..J.


43/44

/In \m 1\lluhfi/1111. I 1/rllrnlllu 1\11'111' llooA ( 1\lr, d'lluunson, 1). 1: S. l'l5 7. "'I ill' 1..11111 hpl).\1.1111 111 Stoll.iltd. 'I'IIC' Sixlt't'nlh Ct'lllllr}."'I hr l'homt\ I I: li:l 7B., td . 11)()7. Ciiltllltrt: 1i/itrd 11'1/h 11 'fnlulll 1111rl fnlnfnr/11111'1 Cimlllll'flltll) '. ' linonto'linnlinson, (; . 11)1 7. 1/onlevmh 1111d th1' 1 /u/ of thr Nm II.\\1/IIU '. lkrkl'ity.'((,si, R. It1r. Oxfim l.I. "lit 1tHio111 s' lnttn st " ( '() :\ 1 :271\ 'il l 'l\\ t s lt 'llll.lllll \ 1111 l 111()11 \111()/ 11111111111 \111/lflllr'l 1111111111 '1 l ,t' lpll g.\\lwt t r, \ 1 . I I'll Cllilllillllllld lhr /wdll /11111 of lunm/1\wlll' llt lkt t \\\ I' IIJ/' 1 '/ hr' \


44/44

Wilamowitz-Modlendorll; U von. I1 1)7 . Citllunruht 111111111 tlt/ll,t;lllllllllala , lkiln1.1906. Die Textgesdzichte der griechi.1rhm lluAohAn . lhdi,L1913. Sappho und Simonides. Untmurlumgl'll tilll'l gntd11.11ht B

morelli epigram

Documents