murmur in the glade
DESCRIPTION
Florida International University's Fall 2014 BFA Thesis ExhibitionTRANSCRIPT
Fa l l 2 0 1 4 B Fa T h e s i s e x h i B i T i o nF l o r i d a i n T e r n a T i o n a l u n i v e r s i T y
MURMUR IN THE GLADE
AlumniAssociation
The art + art history department at Florida international university is pleased to present M u r M u r i n T h e G l a d e , the Fall 2014 Bachelor of Fine arts Thesis exhibition. This exhibition is the culmination of years of hard work, dedication, and experimentation. it is representative of the level of ambition and the quality of work done within each discipline in the BFa program.
Many of the artists in this exhibition turn their gaze inward to explore themes of family, the self, or the very nature of perception, while others use their personal experiences as a lens through which to view broader sociopolitical concerns. each of these artists has developed a specific line of visual and conceptual inquiry over the course of their studies that will now serve as a springboard for the continued evolution of their creative practices.
Many thanks to Kelley antoniazzi-Taksier for generously donating her time and skills in the design of this catalogue.
d u s T i n l o n d o ninstructor, BFa Thesis iinovember 2014
M u r M u r i n T h e G l a d e | 03
B e a i n T e r n a T i o n a l G a l l e rya T T h e Pa u l l . C e j a s s C h o o l o F a r C h i T e C T u r e
o n d i s P l ay
Wednesday, december 17th, 2014 through Friday, january 9th, 2015
o P e n i n G r e C e P T i o n
Wednesday, december 17th, 2014, 6 to 8 p.m.
MURMUR IN THE GLADE
Florida international university11200 sW 8th street, Miami, Fl 33199
apri l hart ley
juan Paez
nathal ie al fonso
ned Chandler
Chris t ian spencer
Grace Berler
Karen-janine Cohen
Karina rocco
linda hamil ton
lourdes roche
F e a T u r i n G W o r K B y
M u r M u r i n T h e G l a d e | 05
a P r i l h a rT l e ya p r i l h a r t l e y. c o m
sewing is in my blood and it is part of my history.
it not only links me to the women in my family tree,
but it also connects me to people across cultures and
boundaries of time. as i stitch and pull and knot, i am
reminded that i am also stitching myself into a place
within an immeasurable history.
This project utilizes an intuitive process that indulges
my innate desire to turn inward and question everything.
i start with several layers of thick paper that i tear holes
from as if peeling back a shroud or digging into dense
earth. Then i satisfy the urge to mend these holes by
stitching tight concentric lines around and around their
perimeters. These stitches become steps in a journey, a
way for my mind to travel. The geometry and rhythm
of the patterns that underlie all layers provides comfort
in their predictability, like everything is in its place.
The works that develop are like little portals inviting
me to keep on wondering and questioning, seeking out
patterns and order within the uncertainty and mystery
that comes with just being alive.
April Hartley | M u r M u r i n T h e G l a d e | 07
08 | M u r M u r i n T h e G l a d e | April Hartley
UntitledPaper, cotton and metallic thread
10 x 10 inches2014
UntitledPaper, cotton and metallic thread
7 x 7 inches2014
April Hartley | M u r M u r i n T h e G l a d e | 11
12 | M u r M u r i n T h e G l a d e | April Hartley
Untitled Paper and cotton thread
10 x 10 inches2014
j u a n Pa e Zj u a n p a e z . c o m
My paintings give the impression of unremarkable
instances that are nonetheless relatable. like entries in
a diary, these portable pieces visually narrate moments
of contemplation which, at times, end as quickly as they
come. one piece might represent a cursory glance at
a stranger in a waiting room. another might be more
aptly described as a long absent stare through a window
or into the warped reflection in a door knob--the
moment after one comes to from a long stream of an
inward monologue, to focus on the glint of a metallic
surface. half-described forms conceal the subjects,
allowing the viewer to discern, for example, only the
suggestion of a face underneath an ocean of black. The
flow of the paint allows the objects to, at times, dissolve
amid the focus of the moment, as do our thoughts in
the machinery of routine. My paintings deal with gaps
in visual perception, as well as the epiphanic flashes that
grant us respite from daily normalcy.
Juan Paez | M u r M u r i n T h e G l a d e | 15
16 | M u r M u r i n T h e G l a d e | Juan Paez
Waitingacrylic on paper8.3 x 5.9 inches
2014
Readingacrylic on paper8.3 x 5.9 inches
2014
Juan Paez | M u r M u r i n T h e G l a d e | 19
20 | M u r M u r i n T h e G l a d e | Juan Paez
Reminder acrylic on paper8.3 x 5.9 inches
2014
n a T h a l i e a l F o n s o
My work investigates manual labor through an
integration of mark making and cleaning.
For three months, i drew a solid, thick black line
directly on a white wall with charcoal, using the muscle
memory of cleaning. This exhaustive process allowed
me to question the value of labor and evaluate my need
for order and meticulousness.
Scrubbing off the line confronted me not only
with accepting the nature of the materials and the
irremovable memory of them, but also with recognizing
the impossibility of returning to the original appearance
of the surface. The pattern of construction and
destruction has become a constant in my work, helping
me to embrace both approaches as the same process.
Nathalie Alfonso | M u r M u r i n T h e G l a d e | 23
24 | M u r M u r i n T h e G l a d e | Nathalie Alfonso
Hidden Marks of Exhaustionvideo still, 00:08:56
run time 1:36:152014
Hidden Marks of Exhaustionvideo still, 01:25:20
run time 1:36:152014
Nathalie Alfonso | M u r M u r i n T h e G l a d e | 27
Hidden Marks of ExhaustionCharcoal on paper
48 x 36 inches2014
n e d C h a n d l e r
What would happen if we stop, and disregard the
reality we think we know? What would be left except
time itself ?
Within my photographs i manipulate beings, ridding
them of their personal characteristics, leaving only a
blackened form. The physical place is also stripped and
removed, creating vast and vacant spaces.
Ned Chandler | M u r M u r i n T h e G l a d e | 31
32 | M u r M u r i n T h e G l a d e | Ned Chandler
Untitleddigital Print3 x 5 inches
2014
Untitled digital Print3 x 5 inches
2014
Ned Chandler | M u r M u r i n T h e G l a d e | 35
36 | M u r M u r i n T h e G l a d e | Ned Chandler
Untitleddigital Print5 x 7 inches
2014
C h r i s T i a n s P e n C e rh t t p : / / m y w e b . f i u . e d u / c s p e n 0 1 6 /
As a man with Autism, I have difficulty communicating
and expressing myself to others. one of the few ways i
am able to fully express myself is through my drawings
and animations. My work provides a narrative of those
with misunderstood disabilities, especially those that fall
in the autistic spectrum.
There has been a rapid increase in people diagnosed
with Autism in recent years. It now affects two million
people in the u.s. alone. autism is a complicated
disorder that can be difficult to explain to others. Many
even stereotype autism as a form of mental retardation,
which is one of many misconceptions stemming from
popular culture. Through this work, i hope to show
the struggles of having a disability and how people with
Autism are able to “cope with their flaws.”
Christian Spencer | M u r M u r i n T h e G l a d e | 39
40 | M u r M u r i n T h e G l a d e | Christian Spencer
Autism SpeaksGraphite on paper
17 x 75 inches2014
Special Snowflakes (detail)Graphite on paper
31.5 x 75 inches2014
Christian Spencer | M u r M u r i n T h e G l a d e | 43
44 | M u r M u r i n T h e G l a d e | Christian Spencer
Get Well Soon Mrs. Rosensondigital animation still
2014
G r a C e B e r l e rg r a c e b e r l e r . c o m
My work comes from a nostalgia for right now. i use
photography as a way to remain present and continue
to question how i look at things. This work is an honest
and real reflection of this point in my life. It’s about
really feeling my feelings. It’s about nurturing curiosity.
It’s about being here, preserving this.
i like taking pictures of the people and places and
things that i love. Forming emotional attachments with
my pictures is what makes them good to me. i want
viewers to feel something, form their own attachments. i
also want to show off, because I’m a secret exhibitionist.
I don’t know where to draw the line between private and
public. all i know for sure is that i think vulnerability is
beautiful and interesting.
Grace Berler | M u r M u r i n T h e G l a d e | 47
48 | M u r M u r i n T h e G l a d e | Grace Berler
Untitled (Peter) C-Print
10 x 8 inches2014
Untitled (Hole)C-Print
8 x 10 inches2014
Grace Berler | M u r M u r i n T h e G l a d e | 51
52 | M u r M u r i n T h e G l a d e | Grace Berler
Untitled (The Sun) C-Print
8 by 10 inches2014
K a r e n - j a n i n e C o h e n
i document my interaction with animals to explore
how i create my own path through the physical world,
and forge trails through my emotional, spiritual and
dream worlds.
My recent drawings are inspired by the lives of
three black molly fish in their tank. I use my body to
understand their bodies. By literally moving with my
whole body through ink and water on a large piece of
paper i submerse myself in the act of drawing. in other
works i use graphite, charcoal, and various washes that
can be put down and erased, immersing myself in an
exploration of form and movement.
Karen-Janine Cohen | M u r M u r i n T h e G l a d e | 55
56 | M u r M u r i n T h e G l a d e | Karen-Janine Cohen
Immersion 5 Charcoal and graphite on paper
59 1/2 x 59 1/2 inches2014
58 | M u r M u r i n T h e G l a d e | Karen-Janine Cohen
Submersion 2ink on paper
59 1/2 x 108 inches2014
K a r i n a ro C C ok a r i n a r o c c o . c o m
My house always found itself at the center of the
attention and was chosen as the gathering venue for the
whole family and its many stories, dramas, and traditions.
however, we decided to leave the country. eventually, it
seemed like the only interaction resembling those lively
moments occurred exclusively within my immediate
family.
My parents’ house, however, remains the enclave of
family interaction and it becomes progressively a place
of nostalgia as we carry on with our separate lives.
independence has taken a toll in our family traditions.
yet, individuality can still be fostered within a family
core whose bonds remain strong despite the challenges
arising with time.
This body of work is a statement of love, appreciation,
and remembrances. it outlines an introspective journey
about how i perceive my family, and how i see myself
through them. It is within them where I find a sense of
place, a sense of self.
Karina Rocco | M u r M u r i n T h e G l a d e | 61
62 | M u r M u r i n T h e G l a d e | Karina Rocco
Mom and Sisterarchival Pigment Print
16 x 24 inches2014
Pink Ring archival Pigment Print
12 x 12 inches2014
Karina Rocco | M u r M u r i n T h e G l a d e | 65
66 | M u r M u r i n T h e G l a d e | Karina Rocco
Superman archival Pigment Print
12 x 12 inches2014
l i n d a h a M i l T o n
We have our unicorns and mine is the notion of a
post-racial world. We try to fast-forward to this fanciful
utopia, avoiding the prick that would awaken us to
the ugly underbelly of progress. i strive to document
the pressures that identifiers like race and gender have
created within America’s cultural portrait regarding
Black women. i turn the proverbial gun on myself and
my viewers to awaken us from our ignorance. My pieces
are cushions that allow my viewers a sense of comfort
or a moment of apprehension, jarring or soothing,
questioning our affiliation with the positive, negative,
and neutral spaces within this conversation.
Linda Hamilton | M u r M u r i n T h e G l a d e | 69
70 | M u r M u r i n T h e G l a d e | Linda Hamilton
Is You Is Or Is You Ain’tembroidery on vinyl
6 x 6 inches2014
Flawlessarchival Pigment Print
19 x 13 inches2014
Linda Hamilton | M u r M u r i n T h e G l a d e | 73
l o u r d e s ro C h el o u r d e s r o c h e a r t . c o m
i simplify my environment into the experience of
pure color. By digitally abstracting and dissecting my
videos, I reveal the different pigments that make up
color. i create a dancing motion of colors and patterns
that appear and disappear through shades, tints, and
layers of seemingly transparent and opaque pixels.
Lourdes Roche | M u r M u r i n T h e G l a d e | 75
76 | M u r M u r i n T h e G l a d e | Lourdes Roche
Fire and Lights digital video still
Courtesy of the artist2014
Lights 2 digital video still
Courtesy of the artist2014
Lourdes Roche | M u r M u r i n T h e G l a d e | 79
80 | M u r M u r i n T h e G l a d e | Lourdes Roche
Lights in the Sky digital video still
Courtesy of the artist2014
P h o T o G r a P h y
Courtesy of the artists
C a Ta l o G d e s i G n
by Kelley Taksier