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    Music of eASTasia

    Instruments and Folk Music

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    JAPAN

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    Japan• Traditional Japanese music is

    basically meditative in character. Itsperformance is hi hly rituali!ed" asmuch in the music itself" as in thecomposure of the musicians #henperformin it. Japanese chamber andsolo music have a slo# meditativepace.

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    Japan• The performance of Japanese music

    has traditionally been of a spiritualcharacter" similarly to martial artsand other forms of art such as thetea ceremony and calli raphy. It isusually about reli ious festivals"#ork" dance" love" and re ionalson s.

    • This is the reason #hy music has

    become hi hly rituali!ed.

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    Instruments of Japan

    $ate ori!ed

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    Gagaku ensemblekabuki

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    %daiko• &'daiko means (lar e drum(" but #ithin

    any roup" it describes the lar est drum in

    an ensemble. &'daiko vary in si!e" thou hthey are often as lar e as ) shaku*+,- cm/ ).- ft0 in diameter. Made from asin le piece of #ood" some 1'daiko come

    from trees that are hundreds of years old.Some 1'daiko are also too di2cult to movedue to their si!e" and thereforepermanently reside inside a temple orshrine

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    %'tsu!umi *left03otsu!umi *4i ht0

    • The tsu!umi is a Japanese drum of $hinese5Indianori in. It consists of a #ooden body shaped likean hour lass" and it is taut" #ith t#o drum heads

    #ith cords that can be s6uee!ed or released toincrease or decrease the tension of the headsrespectively.

    • It has 7 kinds" the o'tsu!umi #hich is placed onthe left thi h" and the kotsu!umi" #hich is placedon the ri ht shoulder.

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    Tsuridaiko '

    • a lar e han in barrel drum

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    TAI3%• 'is a Japanese drum that comes in various

    si!es and is used to play a variety ofmusical enres.

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    3%T%

    • ' A +8 strin !ither.

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    Shamisen• The neck of the shamisen is fretless"

    and is slimmer than that of a uitaror a ban9o.

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    :i#a• 'is a Japanese short'necked fretted lute"

    often used in narrative storytellin . Thebi#a is the chosen instrument of :enten"

    the oddess of music" elo6uence" poetry"and education in Japanese Shinto.

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    Shakuhachi• 'the most famous ;ute made from bamboo. It has

    < or = >n er holes on the front face and athumbhole on the rear face. As #ith otherinstruments above" it #as imported from $hinafor a aku.

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    Nokan• 'a parallel" bamboo ;ute *fue0 is the

    only melodic instrument used in noh. The melody of the ;ute has nospeci>c pitch relationship #ith themelody of the chantin .

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    ?ichiriki• is a double reed Japanese fue *;ute0

    used as one of t#o main melodicinstruments in Japanese a akumusic" the other bein the ry@teki.

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    Sho• is a Japanese free reed musical

    instrument that #as introduced from$hina durin the Nara period.

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    Shinobue• Also called takebue in the conte t of Japanese traditional arts0 is a Japanese transverse ;ute or fue thathas a hi h'pitched sound.

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    4yuteki*i0• Biterally (dra on ;ute( is a Japanese

    transverse fue made of bamboo. It isused in a aku.

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    $?INA

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    $?INA• For several thousand years $hinese

    culture #as dominated by theteachin s of the philosopher$onfucius" he conceived music in thehi hest sense as a means of calminthe passion of dispellin of unrest

    and lust" rather than as a form ofamusement.

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    $?INA• Traditionally the $hinese have

    believed that sound in;uences theharmony of the universe.Si ni>cantly" one of the mostimportant duties of the >rst emperorof each ne# dynasty #as to search

    out and establish that dynastyCsthrou h standard of pitch. A result ofthis philosophical orientation #as

    that the $hinese theoretically

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    CHINESE INSTRUMENTS

    $ate ori!ed

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    DueEin• Moon'shaped lute #ith shorter neck

    and four strin s" played #ith aspectrum" used for accompanyinlocal operas.

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    Pipa• Four'strin ed lute #ith 8- frets and a

    pear'shaped body. This instrumenthas an e tremely #ide dynamicran e and remarkable e pressivepo#er.

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    4?G• T#o'strin ed >ddle and one of the

    most popular $hinese instruments. Itis used as a solo instrument as #ellas in small ensembles or lar eorchestra" and by various ethnic

    roups.

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    yGNBG%•

    Biterally (cloud on s( or (cloud ofon s(" the yunluo is a set of tensmall tuned on s mounted in a#ooden frame. The yunluoHs on sare enerally of e6ual diameter butdi erent thicknesses. The thicker

    on s produce a hi her pitch.

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    Shen• Shen " or $hinese mouth or an"

    looks like a set of panpipes" #ith +7to 8) bamboo pipes. ach pipe is ofdi erent len th #ith a brass reed atthe bottom and a hole that must beblocked in order for the note to

    sound.

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    i!i• i!i is the traditional $hinese ;ute.• The player plays the i!i by blo#in

    across the mouthpiece and producesthe di erent notes by stoppin thesi holes found in the rod.

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    Khen• An ancient $hinese instrument that

    has an arched surface and anelon ated'trape!oid #ith +8 to 7+strin s stretched over individualbrid es. Its playin ran e spansthree to four octaves.

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    Pen lin• These are t#o small bells made of

    hi h'tin bron!e" #ithout internalclappers" and hemispheric orbottomless ourd'like in shape. Theinstrument has a delicate" clarionand melodious tone.

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    3%4 A

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    3orea• 3oreaHs folk music tradition" #ith its

    enerous use of bri ht rhythms andmelodies" o ers a more ener etic and

    capricious contrast to the nationHscollection of classical music #orks.• $hon 'ak means literally (ri ht *or

    correct0 music(" and its tradition includesboth instrumental and vocal music" #hich#ere cultivated mainly by the upper'classliterati of the Joseon society.

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    3orea• 3orean music especially in South

    3orea has a rich vocal tradition" anddiverse instruments and musicforms. Folk son s" reli ious #orks"court music" and shaman rituals alle press the soul of a nation #hose

    history is >lled #ith colorful andfascinatin tales.

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    KORE N INSTRUMENTS

    $ate ori!ed

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    3a ayum• It is a traditional 3orean !ither'like

    strin instrument" #ith +7 strin s"althou h more recently variants havebeen constructed #ith 7+ or morenumbers of strin s.

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    ?ae um• It has a rodlike neck" a hollo#

    #ooden soundbo " t#o silk strin s"and is held vertically on the knee ofthe performer and played #ith a bo#.

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    Piri• Gsed in both the folk and classical

    *court0 music of 3orea. It is made ofbamboo. Its lar e reed andcylindrical bore ives it a soundmello#er than that of many othertypes of oboe.

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    $han o• It is the most #idely used drum used

    in the traditional music of 3orea. It isavailable in most kinds" and consistsof an hour lass'shaped body #itht#o heads made from animal skin.

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    T?ATIS

    ABB