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Manual Creativity Going Beyond the Snapshot
Focal Length - Lenses - Composition
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Focal LengthThe distance (mm) between the sensor plane of the camera and the optical center of the lens
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1. Distance to Subject 2. Type of Lens
Depth of Field
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Wide Angle Lenses (16-35mm)
Offers a wide view of a scene
Great in tight spaces
Potential to distort
16-35mm f/2.8
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Normal Fixed Focal Length
Does not zoom
Closer to how the eye sees
35mm or 55 mm
Most have very wide aperture ability
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Variable Aperture Lenses
Nikon 18-55mm f/3.5-5.6
Canon 18-55mm f/3.5-5.6
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Zoom/Telephoto Lenses Variable zoom
Compresses depth of field
Great for sports/landscape
70-200mm f/2.8
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Lester Lefton rocking the 70-200mm f/2.8!
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Fixed Telephoto Lenses Much larger focal length
Ultra compressed depth of field
400, 500, 600mm
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Fisheye LensesExtreme wide angle
Distortion enhances the image
10mm or 14mm
14mm f/2.8
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Picking The Right LensConsider distance to subject
Speed of lens
“Zoom with your feet”
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Composition and Manual Creativity
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THREE TECHNICAL CONSIDERATIONS:
- Aperture- Shutter Speed- ISO
Three Technical Considerations:
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Three Creative Considerations:
- Light- Composition- Moment
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The Decisive Moment - Henri Cartier-Bresson
“The decisive moment is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression.”
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“It is through living that we discover ourselves, at the same time as we discover the world around us”
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Rule of ThirdsSaturday, January 26, 13
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Making Great Pictures
Combine both the technical and the creative
Find photographs that inspire you
Your first 10,000 photos are your worst
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Perspective
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“Personal Vision”
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For Monday: Review pg 42-71 (Light, Color, Meters)
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