need you now - lady antebellum digital booklet

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Need You Now - Lady Antebellum Digital Booklet

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1. NEED YOU NOW (SINGLE VErSION) (3:55)WrITTEN BY DAVE HAYWOOD, CHArLES KELLEY,

HILLARY SCOTT AND JOSH KEAR

Picture perfect memories scattered all around the floorReaching for the phone ’cause I can’t fight it anymoreAnd I wonder if I ever cross your mindFor me it happens all the time

ChorusIt’s a quarter after one I’m all alone and I need you nowSaid I wouldn’t call but I’ve lost all control and I need you nowAnd I don’t know how I can do withoutI just need you now

Another shot of whiskey can’t stop looking at the doorWishing you’d come sweeping in the way you did beforeAnd I wonder if I ever cross your mindFor me it happens all the time

Repeat Chorus

I guess I’d rather hurt than feel nothing at all

Repeat Chorus

I just need you now

Oh baby I need you now

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All Rights for Hillary Dawn Songs Controlled and Administered by EMI Foray Music) (SESAC), Year of the Dog Music, a division of Big Yellow Dog, LLC / Darth Buddha Music (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – Piano, SynthCraig Young – BassDave Haywood, Paul Worley – Acoustic GuitarRob McNelley – Electric Guitar, Solo Jason “Slim” Gambill, Paul Worley – Electric Guitar

2. OUR KIND OF LOVE (4:08)WrITTEN BY DAVE HAYWOOD, CHArLES KELLEY,

HILLARY SCOTT AND BUSBEE

You wear a smile like a summer skyJust shining down on me and youI swear your heart is a free birdOn a lazy Sunday afternoonI love the way that you are up for anythingNever worried ’bout what people sayThat’s rightOh that’s rightWhat we got is

ChorusJust like driving on an open highwayNever knowing what we’re gonna findJust like two kids baby always trying to live it up, ohYeah, that’s our kind of loveThat’s our kind of love

Skippin’ rocks and leavin’ footprintsDown there on the riverbankAnd always holding hands never making plansJust livin’ in the moment babeYou get me laughing with those funny facesYou somehow always know just what to sayThat’s rightOh that’s rightWhat we got is

Repeat Chorus

Oh that’s rightBaby you and IWhat we got is

Just like driving on an open highwayNever knowing what we’re gonna findJust like two kids baby always trying to live it up, oh

Repeat Chorus

Oh that’s our kind of love

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All Rights for Hillary Dawn Songs Controlled and Administered by EMI Foray Music) (SESAC), BMG Rights Admin. (US) LLC. (All rights administered by Kobalt Songs Music Publishing) (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – B3busbee – PianoCraig Young – BassRob McNelley, Paul Worley – Electric Guitar, SolosJason “Slim” Gambill – Electric GuitarDave Haywood – Acoustic GuitarStuart Duncan – Fiddle Bruce Bouton – Steel

3. AMErICAN HONEY (3:43)WrITTEN BY SHANE STEVENS, CARY BArLOWE

AND HILLARY LINDSEY

She grew up on the side of the roadWhere the church bells ring and strong love growsShe grew up good, she grew up slowLike American honey

Steady as a preacher, free as a weedCouldn’t wait to get going, but wasn’t quite ready to leaveSo innocent, pure and sweetAmerican honey

ChorusThere’s a wild, wild whisper blowing in the windCalling out my name like a long lost friendOh, I miss those days as the years go byOh, nothing’s sweeter than summertimeAnd American honey

Get caught in the race of this crazy lifeTrying to be everything can make you lose your mindI just want to go back in timeTo American honey

Repeat Chorus

Gone for so long nowI gotta get back to her somehowTo American honey

Repeat Chorus

And American honey

Published by Oona Songs, LLC d/b/a/ Hannah Bea Songs (BMI), Castle Bound Music, Inc. / Bummermen Music (SESAC), Raylene Music (All rights o/b/o Raylene Music administered by BPJ Administration) (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsDavid Huff – Loop ProgramMichael Rojas – SynthCraig Young – BassRob McNelley – Electric Guitar, SoloJason “Slim” Gambill – Electric GuitarDave Haywood – Acoustic Guitar, MandolinStuart Duncan – Fiddle

Strings composed and arranged by Kristin WilkinsonContractor – Karen Winkelmann / www.firststringmusic.comViolin: David Davidson, Karen Winkelmann, Pamela Sixfin, David Angell, Mary Kathryn VanOsdale Viola: Kristin Wilkinson, Monisa Angell, Elizabeth Lamb Cello: Anthony LaMarchina, Sari Reist Copyist: Adrian Rowe

4. HELLO WOrLD (5:24)WrITTEN BY TOM DOUGLAS, TONY LANE AND DAVID LEE

Traffic crawls, cell phone callsTalk radio screams at me through my tinted window I seeA little girl, rust red minivan, she’s got chocolate on her faceGot little hands and she waves at meYeah, she smiles at me

ChorusWell, hello worldHow you beenGood to see you, my old friendSometimes I feel cold as steelBroken like I’m never gonna healAnd I see a light, a little hope in a little girlHello world

Every day I drive by a little white churchIt’s got these little white crossesLike angels in the yardMaybe I should stop on in, say a prayerMaybe talk to God like he is thereOh, I know he’s thereYeah, I know he’s there

Well hello worldHow you beenGood to see you, my old friendSometimes I feel as cold as steelAnd broken like I’m never gonna healAnd I see a light, a little grace, a little faith unfurlsWell hello world

Sometimes I forget what living’s forAnd I hear my life through my front doorAnd I breathe it inOh, I’m home again

And I see my wifeLittle boy and little girlHello worldHello world

Well the empty disappearsI remember why I’m hereJust surrender and believeI fall down on my knees Well hello worldHello worldHello world

Published by Sony / ATV Music Publishing LLC / Tomdouglasmusic (BMI) / Ed and Lucille Songs (ASCAP) (All rights on behalf of Sony / ATV Music Publishing LLC, Tomdouglasmusic and Ed and Lucille Songs administered by Sony / ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203), Universal Music – Careers (BMI). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsDavid Huff – PercussionMichael Rojas – Piano, B3, SynthCraig Young – BassRob McNelley, Jason “Slim” Gambill – Electric GuitarDave Haywood – Acoustic Guitar

Strings composed and arranged by Kristin WilkinsonContractor – Karen Winkelmann / www.firststringmusic.comViolin: David Davidson, Karen Winkelmann, Pamela Sixfin, David Angell, Mary Kathryn VanOsdale Viola: Kristin Wilkinson, Monisa Angell, Elizabeth Lamb Cello: Anthony LaMarchina, Sari Reist Copyist: Adrian Rowe

5. PErFECT DAY (3:20)WrITTEN BY DAVE HAYWOOD, CHArLES KELLEY,

HILLARY SCOTT AND JErRY FLOWErS

Went walking through town just the other dayWith nothing much to doAs the sun came breaking down through the cloudsI’d never seen the sky so blueI saw a Cajun man with a red guitarSinging on the side of the streetI threw a handful of change in his beat-up caseAnd said play me a country beatAnd it sounded like

Met up with some friends outside of townThey were headed towards the lakeI hopped into the back of a jacked up JeepFelt the wind upon my faceWe got to the spot and the sun was hotEverybody was feeling fineSo when we jumped on in for a mid-day swimAnd we lost all track of time

ChorusIt was a perfect dayWhat I’d give if I could find a way to stayLost in this moment nowAin’t worried about tomorrowWhen you’re busy living in a perfect day

As the moon came out and the fire burnedEverybody was singing along To some “Ramblin’ Man”, a little Curtis LoewAnd all them feel good songsWe danced all night without a careNo place we’d rather be’Cause these are the days we’ll talk aboutWhen we lived so wild and free

Repeat Chorus

We were sitting in the sand as he grabbed my handThen he leaned in for a kissI couldn’t help but think with the stars aboveIt don’t get much better than this

It’s a perfect dayWhat I’d give if I could find a way to stayLost in this moment nowAin’t worried about tomorrow When you’re busy livingFeels like dreamingSlowly drifting through this perfect day

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All Rights for Hillary Dawn Songs Controlled and Administered by EMI Foray Music) (SESAC), EMI Blackwood Music Inc. / JFLO Music (All Rights for JFLO Music Controlled and Administered by EMI Blackwood Music Inc.) (BMI). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – Piano, SynthCraig Young – BassRob McNelley, Jason “Slim” Gambill – Electric GuitarDave Haywood – Acoustic Guitar, Electric Guitar, MandolinBruce Bouton – Steel

6. LOVE THIS PAIN (3:02)WrITTEN BY MARV GrEEN AND JASON SELLErS

She’s no good for me, I know that she’s a wildflowerShe’s got a restlessness, a beautiful mess thing about herBut here I am again, calling her backLetting her drive me crazy

ChorusIt’s like I love this pain a little too muchLove my heart all busted upSomething bout her, we just don’t workBut I can’t walk awayIt’s like I love this pain

It’s just an on again and off again situationIt’s a striking match, a tank of gas combinationBut here I am again lighting it upKnowing that she’ll just burn me

Repeat Chorus

It’s like I love this life, where nothing’s right ’less something’s wrongIt’s like I’m just not me if I can’t be a sad sad song

Repeat Chorus

It’s like I love this painIt’s like I love this pain

Published by Warner-Tamerlane Publishing Corp. (BMI), Sony/ATV Music Publishing LLC / Becky’s Boy Music (All rights on behalf of Sony/ATV Music Publishing LLC and Becky’s Boy Music (ASCAP), administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – B3, AccordionCraig Young – BassRob McNelley, Jason “Slim” Gambill, Paul Worley – Electric GuitarDave Haywood – Acoustic Guitar, Electric Guitar, Mandolin

7. WHEN YOU GOT A GOOD THING (4:56)WrITTEN BY DAVE HAYWOOD, CHArLES KELLEY,

HILLARY SCOTT AND rIVErS RUTHErFOrD

Everybody keeps telling me I’m such a lucky manLooking at you standing there I know I amBarefoot beauty with eyes that blueSunshine sure looks good on you, I swear

Oh, I can’t believe I finally found you babyHappy ever after after all this timeOh there’s gonna be some ups and downsBut with you to wrap my arms around I’m fine

ChorusSo baby, hold on tightAnd don’t let goHold on to the love we’re making’Cause baby when the ground starts shakingYou gotta knowWhen you got a good thing

You know you keep on bringing out the best in meAnd I need you now even more than the air I breatheYou can make me laugh when I want to cryThis will last forever, I just knowI know

Repeat Chorus

We got a good thing, baby

So hold on tight babyAnd don’t let goHold on to the love we’re making’Cause baby when the ground starts shakingYou gotta knowOh, you gotta knowOh, you gotta knowYou gotta knowWhen you got a good thing

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All Rights for Hillary Dawn Songs Controlled and Administered by EMI Foray Music) (SESAC), Universal Music Corp. / Macirhyco Music (All rights on behalf of Macirhyco Music controlled and administered by Universal Music Corp.) (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – Piano, SynthCraig Young – BassRob McNelley – Electric Guitar, SoloJason “Slim” Gambill, Paul Worley – Electric GuitarDave Haywood – Acoustic GuitarBruce Bouton – Steel

8. STArS TONIGHT (4:02)WrITTEN BY DAVE HAYWOOD, CHArLES KELLEY, HILLARY SCOTT

AND MONTY POWELL

Girls in their heels and a skinny pair of blue jeansBoys in black pearl buttons looking just like SpringsteenMama says why you wanna play in a silly rock’n’roll bandWell if you stood here mama, I know you’d understand

It’s the lights, it’s the highIt’s the roar of a crowd on a Friday night

Everybody’s screaming out, yeah, yeah, yeahEverybody sing it out, yeah, yeah, yeahGet on your feetIf it feels good, it feels right’Cause we’re all stars tonightSo sing it out, yeah, yeah, yeahHey hey

Let’s get a little rowdy, gonna party all night longAnd boys sway with your girls when we play a little slow songPut your hands in the air, shine a lighter or a cellphoneYou better buy another round we ain’t going home

On the floor, in the standsTonight we’re all in the band

And we’re screaming out, yeah, yeah, yeahEverybody sing it out, yeah, yeah, yeahGet on your feetIf it feels good, it feels right’Cause we’re all stars tonightSo sing it out, yeah, yeah, yeah

Everybody’s screaming out, yeah, yeah, yeahEverybody sing it out, yeah, yeah, yeahEverybody scream it out, yeah, yeah, yeahEverybody sing it now, yeah, yeah, yeahGet on your feetIf it feels good, it feels right’Cause we’re all stars tonightSo sing it out, yeah, yeah, yeahHey hey

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All Rights for Hillary Dawn Songs Controlled and Administered by EMI Foray Music) (SESAC), Universal Tunes, A.D.O. Songs Of Universal, Inc. / Eden Valley Music (All rights on behalf of Eden Valley Music controlled and administered by Universal Tunes, A.D.O. Songs Of Universal, Inc.) (SESAC). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – Piano, B3Craig Young – BassRob McNelley, Paul Worley – Electric GuitarJason “Slim” Gambill – Electric Guitar, SoloDave Haywood – Acoustic Guitar

9. IF I KNEW THEN (4:13)WrITTEN BY CHArLES KELLEY, MONTY POWELL AND ANNA WILSON

The first time that I saw youLooking like you didWe were young, we were restlessJust two clueless kidsBut if I knew then what I know nowI’d fall in love

On a bus in ChicagoThree rows to the leftYou know my heart was racing for youBut we never even metBut if I knew then what I know nowI’d fall in love

Chorus’Cause love only comes once in awhileKnocks on your door and throws you a smileAnd takes every breath, leaves every scarSpeaks to your soul and sings to your heartAnd if I knew then what I know nowI’d fall in love

On a summer night in AugustIn the back seat of my carInstead of trying to get to know youI took it way too farBut if I knew then what I know nowI’d fall in love

Repeat Chorus

Oh I used up a lot of chancesI can’t get them backBut if again it comes callingI’m gonna make it last

Repeat Chorus

Oh if I knew then what I know nowI’d fall in love

Published by Warner-Tamerlane Publishing Corp. / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), Universal Tunes, A.D.O. Songs Of Universal, Inc. / Eden Valley Music (All rights on behalf of Eden Valley Music controlled and administered by Universal Tunes, A.D.O. Songs Of Universal, Inc.) (SESAC), Criterion Music Corp. / Jazz Your Azz Tunes (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsDavid Huff – Loop Program, TambourineMichael Rojas – Piano, SynthCraig Young – BassRob McNelley, Jason “Slim” Gambill – Electric GuitarDave Haywood – Acoustic Guitar

Strings composed and arranged by Kristin WilkinsonContractor – Karen Winkelmann / www.firststringmusic.comViolin: David Davidson, Karen Winkelmann, Pamela Sixfin, David Angell, Mary Kathryn VanOsdale Viola: Kristin Wilkinson, Monisa Angell, Elizabeth Lamb Cello: Anthony LaMarchina, Sari Reist Copyist: Adrian Rowe

10. SOMETHING ’BOUT A WOMAN (3:41)WRITTEN BY DAVE HAYWOOD, CHArLES KELLEY, HILLARY SCOTT

AND CrAIG WISEMAN

Well there’s something ’bout a woman with my t-shirt onHair in her eyes and no makeup onStanding there smiling with my coffee cupYeah there’s something ’bout a woman that’s easy to loveYeah there’s something ’bout a woman that’s a clear blue skyAin’t found nothing better that’ll get you highAll the colors of the sun at the end of the dayYeah there’s something ’bout a woman makes you feel that way

ChorusShe’s like fire on the mountainLike some kind of Heaven that’s pourin’ down on meShe’s a child, she’s a ladyShe’s got everything that I could ever needYeah there’s something ’bout a woman indeed

Yeah there’s something ’bout a woman when she gets fixed upSlips a red dress on and her eyes light upI love to watch her walking from across the roomYeah there’s something ’bout a woman and the way she moves meShe moves me, she moves me

Repeat Chorus

She moves me, she moves meOh she moves me

Repeat Chorus

Yeah there’s something ’bout a woman that makes me stillThere’s something ’bout a woman that always will

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All rights for Hillary Dawn Songs controlled and administered by EMI Foray Music) (SESAC), Big Loud Shirt (admin. by Big Loud Bucks) (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – PianoCraig Young – BassRob McNelley – Electric Guitar, SoloJason “Slim” Gambill, Paul Worley – Electric GuitarDave Haywood – Acoustic GuitarStuart Duncan – Fiddle, MandolinBruce Bouton – Dobro

11. rEADY TO LOVE AGAIN (2:53)WrITTEN BY DAVE HAYWOOD, CHArLES KELLEY, HILLARY SCOTT

AND BUSBEE

Seems I was walking in the wrong directionI barely recognized my own reflection, ohScared of love and scared of life aloneSeems I been playing on the safe side latelyBuilding walls around my heart to save me, ohBut it’s time for me to let it go

ChorusYeah, I’m ready to feel nowNo longer am I ’fraid of the fall downIt must be time to move on nowWithout the fear of how it might endI guess I’m ready to love again

Just when you think that love will never find youYou’ve run away but still it’s right behind you, ohIt’s just something that we can’t control

Repeat Chorus

So come and find meI’ll be waiting up for youI’ll be holding out for you tonight

Repeat Chorus

I’m ready to love again

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All Rights for Hillary Dawn Songs Controlled and Administered by EMI Foray Music) (SESAC), BMG Rights Admin. (US) LLC (All rights administered by Kobalt Songs Music Publishing) (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – PianoCraig Young – BassRob McNelley, Jason “Slim” Gambill – Electric GuitarDave Haywood – Acoustic Guitar

Strings composed and arranged by Kristin WilkinsonContractor – Karen Winkelmann / www.firststringmusic.comViolin: David Davidson, Karen Winkelmann, Pamela Sixfin, David Angell, Mary Kathryn VanOsdale Viola: Kristin Wilkinson, Monisa Angell, Elizabeth Lamb Cello: Anthony LaMarchina, Sari Reist Copyist: Adrian Rowe

12. NEED YOU NOW (VIDEO VErSION) (4:38)WrITTEN BY DAVE HAYWOOD, CHArLES KELLEY,

HILLARY SCOTT AND JOSH KEAR

Picture perfect memories scattered all around the floorReaching for the phone ’cause I can’t fight it any moreAnd I wonder if I ever cross your mindFor me it happens all the time

ChorusIt’s a quarter after one I’m all alone and I need you nowSaid I wouldn’t call but I’ve lost all control and I need you nowAnd I don’t know how I can do withoutI just need you now

Another shot of whiskey can’t stop looking at the doorWishing you’d come sweeping in the way you did beforeAnd I wonder if I ever cross your mindFor me it happens all the time

Repeat Chorus

I guess I’d rather hurt than feel nothing at all

Repeat Chorus

I just need you now

Oh baby I need you now

Published by Warner-Tamerlane Publishing Corp. / DWHaywood Music / RADIOBULLETSPUBLISHING (All rights admin. by Warner-Tamerlane Publishing Corp.) (BMI), EMI Foray Music / Hillary Dawn Songs (All Rights for Hillary Dawn Songs Controlled and Administered by EMI Foray Music) (SESAC), Year of the Dog Music, a division of Big Yellow Dog, LLC / Darth Buddha Music (ASCAP). All Rights Reserved. Used By Permission. International Copyright Secured.

Chad Cromwell – DrumsMichael Rojas – Piano, SynthCraig Young – BassDave Haywood, Paul Worley – Acoustic GuitarRob McNelley – Electric Guitar, Solo Jason “Slim” Gambill, Paul Worley – Electric Guitar

PRODUCED BY PAUL WORLEY WITH LADY ANTEBELLUMRecorded and Mixed by Clarke Schleicher at Warner Studios, Nashville, TNAssisted by Andrew Bazinet, Steven Blackmon and Rich HansonAdditional engineering by Erik Hellerman at Warner Studios and Quad Studios, Nashville, Assisted by Brett Lind and John Napier at SoundcheckMastered by Andrew Mendelson at Georgetown Masters, Nashville, TNAssisted by Shelley Anderson, Daniel Bacigalupi, and Natthaphol AbhigantaphandProduction Assistant: Jeremy WittProduction Coordination by Paige Conners

Photography: Miranda Penn TurinHair & Make-Up: Debbie DoverWardrobe Stylist: Lee Moore Art Direction: Joanna Carter & Jeri HeidenDesign: Ryan Corey, SMOG Design, Inc.Production: Michelle Hall

Management: Borman Entertainment, Santa Monica, CA & Nashville, TNBooking: Creative Artists Agency, Nashville, TN.

THE BAND WOULD LIKE TO THANK: It’s hard to believe almost two years have passed since our first album came out. We have been so overwhelmed by the support and love from everyone since then. Without all of you, this second record would have never been a reality. We are also honored and humbled to have the best behind-the-scenes team who let us focus on making music and performing it every night. Mike Dungan, Steve Hodges, Cindy Mabe, Joanna Carter, Shane Allen, Tom Becci, and everyone at Capitol Records Nashville, EMI Canada, and all the EMI Music family, thank you for letting us record music for a living and share it around the world. Gary Borman, Daniel Miller, John Grady, Donna Jean Kisshauer, Genevieve Jewell, Sandra Westerman, Randy Brown, Andrea Lopez and the Borman Entertainment team, thank you for your passion and dedication. Stan Barnett, John Huie, Rod Essig, Darin Murphy all the agents at CAA Nashville, thank you for making a map for us to follow out on the road. Michelle and Stephanie, thanks for pulling it all together. CAA Los Angeles, Rob Light and Brian Loucks… thank you!! Julie Boos, Mary Ann McCready, Ben Ewen, Emily Walker and every penny pincher at Flood Bumstead McCready & McCarthy. Linda Edell-Howard and Adams & Reese LLP thank you for your legal guidance and friendship. Our producer Paul Worley, engineers Clarke Schleicher, Andrew Bazinett, Erik Hellerman, and all the incredible musicians, Chad Cromwell, David Huff, Michael Rojas, Craig Young, Rob McNelley, Jason “Slim” Gambill, busbee, Bruce Bouton, Stuart Duncan, Kristin Wilkinson and friends, thank you for helping realize our dream with your amazing vision and talent!! Thanks to Paige Conners for keeping everyone together. To the writers and co-writers on this record—Josh Kear, Cary Barlowe, busbee, Tom Douglas, Marv Green, Jerry Flowers, Tony Lane, Hillary Lindsey, David Lee, Monty Powell, Rivers Rutherford, Jason Sellers, Shane Stevens, Anna Wilson and Craig Wiseman—thank you for your music and poetry. Country radio… no one hears our music without you playing it. Thank you for believing in a new band with a really weird name. Your support means everything to us. Our band & crew have let us drag them all over the place and still perform like rock stars every night—Chris Ferrari, Jeff Laughinghouse, Brett “Scoop” Blanden, Jason “Slim” Gambill, Dennis Edwards, Matt Billingslea, Jonathon Long, and Crystal Peppers. Adam Boatman… thank you for capturing our crazy lives and careers on film, and making “Webisode Wednesdays” so much fun. Thank you to each of their families for letting them be away most of the past couple years. Our publicist and friend, Mary Hilliard Harrington and crew… thank you, thank you!! Lang Scott, Craig Dunn, and the Music City Networks team… thanks for keeping LadyAntebellum.com alive and taking care of our faithful fan club members. Also, special thanks to the legion of support from all our friends at CMT, GAC, CMA, ACM, NARAS, and so many more! Thanks to Mocha Club for your vision and inspiration. Special thanks to everyone we’ve toured with the past year—Kenny Chesney, Keith Urban, Miranda Lambert—thanks for making it so much fun. Most importantly… thank you to every Lady A fan who bought this album, our first album, any of our singles or videos. There isn’t anything we love more than making music for you!

DAVE WOULD LIKE TO THANK:

I want to first off say thanks to my two best friends, Hillary and Charles. Who could have thought one little writing session would’ve changed our lives?! You guys are incredible, wonderful

people. I am proud to call you my friends, and it is an honor to work with you and create this music together. I thank God for the opportunities we’ve had thus far, and pray for His continued guidance in our lives. Thank you to my family, Mom and Dad: the two sweetest and most supportive parents in the world; Michael Haywood, Clint & Lisa Wiggins, my grandparents the Haywoods and the Berrys. To Mike Dungan & Capitol Records; Daniel Miller, Gary Borman, John Grady… the coolest producer there is: Paul Worley; Clarke & Andrew; CAA; Josh Kelley; Chris Ferrari, Adam & Ansley Boatman… our studio band for helping us develop our sound: Robby, Slim, Rojas, Cromwell, Craig… and to our guys on the road who keep it a rockin’: Dennis, Matt, Slim, Jono, Adam, Scoop, Jeff, livin’ the dream boys!! And I know there are a lot of friends and family all around who support us: to everyone in Augusta, Atlanta, Nashville, thanks for cheering us on! Special thank you to Bruno Pirecki & Gibson Guitars!!

CHArLES WOULD LIKE TO THANK:

First off, I want to thank my wife, Cassie, for being my best friend and supporting my dream even when it means taking time away from us. I love you so much baby. To all my family (the Kelleys, Bishops, McConnells, Fowlers, Robertsons, McClures and extended) thank you so much for all the support and love over the years. Every one of you has encouraged me in whatever I’ve wanted to do in life and it makes things easy when you know your family is behind you all the way. I said it on the first record and I’ll say it again: Josh if you hadn’t talked me into moving to Nashville I never would’ve ended up in this dream, thank you brother. Thanks Mom for all the encouraging letters you send me from out of nowhere, I love you. Thanks Dad for showing so much pride on your face every time you talk about our band to anyone you know. Everyone at Borman Entertainment, you’ve worked your butts off to help get us here and we know without all of you, everything would fall apart. Gary, you’ve delivered everything you’ve promised, you’re the best at what you do. Daniel, you work way too hard, take a vacation, ha. DJ, I love your no “BS” way of doing things. John “Shady” Grady, thanks for being a musical motivator, you’re one of the rare “music men” in this business. Everyone at Capitol Records, thanks for believing in the music and letting us be ourselves. Mike, you’re a one of a kind. To Stan and everyone at CAA, thanks for helping to put us on the biggest tours of the year since we started this thing, you guys rock. To BJ, Tracy, and everyone at Warner-Chappell, thanks for helping put together the co-writes that have shaped the sound of this record. To all our co-writers, I’ve learned so much from every one of you I’ve sat down with, thanks for helping teach me the art of songwriting along the way. To MHH, Tyne, Dixie, Ann, and the rest of our press team— you have exceeded all my expectations this past year and helped keep the buzz going time and time again. To Julie and our business management team, FBMM, thanks for helping to keep us fed and manage all the stuff I don’t want to think of. To BMI, thanks for believing in me as a writer. I’ll be gunning for that songwriter of the year award til the day I die. To our producer, Paul Worley, I can’t tell you what your friendship means to me. To talk music with you feeds my soul, you’re my brotha’ from another motha’. To Clarke and Andrew, you guys once again have helped us record the kind of record we can be proud of for years to come. To all the players that played on this record, thanks so much for helping to craft these songs and putting your heart and soul into this project each day in the studio. To our road band and team, you guys are the best “road family” anyone could ever have. Our tour manager, Chris, thanks for having a vision for the future. Let’s keep growing and rocking til we can’t rock no more. To Dave and Hillary, I love you guys so much and it feels like we only get stronger as friends the more time passes. Let’s try and continue that trend and who knows where this may take us. —Love, Charles

HILLARY WOULD LIKE TO THANK:

First and foremost I have to thank my Redeemer and Savior Jesus Christ for walking with me though this journey that He’s called me on. To Him be the glory, forever and ever, amen.Rylee Jean, I’m so thankful that God gave me a sister like you… full of joy and laughter and unafraid of everything! I can’t wait to see God’s plan for your life unfold. You teach me something every day! Love you Ry Ry! Mama and Daddy, thank you for living your lives with integrity in and out of the music business… I am honored to be your daughter and have learned so much from both of you. Room, you are the best friend I’ve ever had. You’ve taught me how to be a better friend. Love you! To the rest of my family and friends in South Carolina, Texas, and other places in between, your prayers, support, and love are felt across the miles. Love you all so much. Charles and Dave, thank you for your friendship. You both encourage and inspire me daily. You’re my brothers and I’m so proud of the sweat, tears, fears, and heart we put into this album. Love you very much. Paul Worley, your creative vision and approach to production keeps our creativity flowing to write better songs, and to make better music!! “Let’s play it like it’s already a hit! “ Ha-ha! Love you!!! Gary Borman, Daniel Miller and the team, my appreciation for the hard work and hours spent making the puzzle pieces fit is endless! Capitol Nashville, ALL of you, I know I’m partial but there is not a better staff of hardworking, and FUN people!! I promise my Haiku will be better next year! Ha! Love you all!! Joanna Carter, Lee Moore, Debbie Dover thank you for making me look and feel beautiful on all the many photo shoots, video shoots, award shows and other appearances. I’m so thankful for the friendships I’ve gained with you and love you very much. Julie Boos and all the FBM&M team… THANK YOU for what you do. Y’all make our lives much easier. Everyone at EMI Music Publishing, Gary Overton, Ben Vaughn… thank you for all that you do! Tim Fink and the rest of the SESAC family, you are precious to me!! Thank you for everything. Victoria Shaw, this year has been absolutely mind blowing! Love you and appreciate all the wisdom, laughs, and music!!!! Tom Douglas you are an inspiration. You are anointed in your gift to write a song. Thank you for Hello World, because it has changed mine. Ryan Beuschel, thank you for being my friend, and showing me such a fantastic piece of art… who knew the song that would never get cut, got cut!! Ha! Miranda Lambert, I am so thankful for your friendship and the memories and laughs we’ve had over the past year! I’ve learned so much from you. Your advice and encouragement has done more than you know! You are the purest definition of a true artist. Love you! To the fans: We would not be here without you! You all are beautiful, amazing people who give us a job! I hope you can listen to this album and feel the passion, emotion, and heart we’ve put into it. Look at Need You Now as pages of our diary combined with a love letter to you!! See you on the road!—Hillary

PAUL WOrLEY WOULD LIKE TO THANK:

Lady Aliens, I want to thank you for letting me work with you again. Sophomore albums are challenging, but you guys rose to the occasion with even better songs than before! That’s hard to do when your life is taking off like a rocket ship. You guys deserve to be living the dream. Thanks for keeping it musical!—Love, Pdub

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