neil gaiman and ancient mythology

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Comparisons of archetypes in the Sandman and various mythologies, in relation to Jung’s theory of the unconscious collective. Marjolein Stevens IB Y1 Psychology

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An exploration of archetypes in terms of ancient mythology and Neil Gaiman's Sandman.

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Page 1: Neil Gaiman and Ancient Mythology

Comparisons of archetypes in the Sandman and various

mythologies, in relation to Jung’s

theory of the unconscious collective.

Marjolein StevensIB Y1 Psychology

Page 2: Neil Gaiman and Ancient Mythology

What is Jung’s theory of the collective unconscious?

Jung’s theory of unconscious collective states that there is “a biologically-based portion of the unconscious which reflects universal themes and ideas, not individual experience. (240)”

So basically, nature over nurture: there’re some ideas we’re just born with, no matter where or when we’re from.

Page 3: Neil Gaiman and Ancient Mythology

What are archetypes?

Archetypes are images of universal meaning.

For example, the cycle of birth and death has been revisited in many religions and philosophies for

many years.

Carl Jung argued that archetypes were not independent inventions, but rather operated

independent of human consciousness, and were in fact an inheritance from the collective unconscious.

Page 4: Neil Gaiman and Ancient Mythology

Desire, despair, destiny, dream, death, delirium, and destruction; also known as The

Endless in Neil Gaiman’s Sandman series.

In the Sandman, the Endless govern the ways of the universe.

Page 5: Neil Gaiman and Ancient Mythology

• Desire has a certain cruel streak and creates attractions.

• Despair is responsible for depression, disease, and particularly enjoys creating self-loathing.

• Destiny is chained to his book from which he reads fate.

The Endless

Page 6: Neil Gaiman and Ancient Mythology

•Dream, or the Sandman himself, controls the world of dreams; both good ones and nightmares. He can give a person dreams, and he can take them away.

•Death is responsible for the trafficking of human souls; she picks them up and takes them to where they belong.

•Delirium is strange and eccentric; her job is to influence that element of craziness in life.

•Destruction’s job is easy: destroy and decay.

Page 7: Neil Gaiman and Ancient Mythology

Greek Mythology• Ares, god of war. Enjoyed violent and

bloody battles. Comparable to Destruction.

• Charon, boatman who rows the dead across the river Styx if they were buried properly. Comparable to Death.

• Eros, god of passionate love (cupid). Comparable to Desire.

Page 8: Neil Gaiman and Ancient Mythology

Norse Mythology

• Hel, daughter of Loki, responsible for disease and famine. Comparable to Despair.

• Loki, famous trickster, cunning and a shape-shifter. Could be compared to Delirium.

Page 9: Neil Gaiman and Ancient Mythology

Other Mythologies• Hindu Mythology: Varuna, a Vedic

god who keeps the cosmos in order and is the embodiment of destiny and truth. Comparable to Destiny.

• Egyptian Mythology: Bes, god who sent sweet dreams and banished nightmares. Comparable to Dream.

Page 10: Neil Gaiman and Ancient Mythology

So how are these archetypes?

There are quite a few basic archetypes that the Endless fit into.

• Death naturally fits into the archetype of the presence of death

• Delirium, Desire, Destruction, and Despair are all tricksters; masters of deception

• The Shadow, the dark unwanted side of our unconscious, is represented by many of the Endless, especially Despair and Destruction

• Death also falls into a certain Mother image, because, despite her occupation, she acts very motherly and cheerful, taking care of her subjects

Page 11: Neil Gaiman and Ancient Mythology

Why do comic book writers transfer ancient

mythology into their comic books?

Comic book writers, such as Neil Gaiman, use archetypes to make their readers feel

more comfortable with the world the writer has created. The mythology behind the

modern tales make them seem more powerful and therefore somewhat invincible.

It also relates to the reader’s “collective unconscious,” and therefore makes the comics applicable to a wider audience.

Page 12: Neil Gaiman and Ancient Mythology

References• Banks, Amanda (1998, January). Folklore and the comic

book. Retrieved November 17, 2008, from Newfolk Web site: http://www.temple.edu/isllc/newfolk/comics1.html

• The Endless. (2008). In Wikipedia [Web]. Wikimedia Foundation, Inc.. Retrieved November 17, 2008, from http://en.wikipedia.org/wiki/The_Endless Glassman

• Gaiman, N. (1993). Sandman: Fables and Reflections. New York, NY: DC Comics.

• Gaiman, N. (1999). Sandman: The Dream Hunters. New York, NY: DC Comics.

• Glassman, W. E., & Hadad, M. (2004). Approaches to Psychology.New York: Open University Press.

• Keenan, S. (2000). Gods, Goddesses, and Monsters: A Book of World Mythology. New York, NY: Scholastic, Inc..