ng at hollywood with ed sullivan - michigan state...

1
Pa,e Two Claic:a,o Sunday Tribune ng at Hollywood with Ed Sullivan Bellwether of blood-and-thunder gang pictures is Edward G. Robinson. Tyrone Power will play the role of lesse lames. This is the real lesse James. the notorious outlaw. Joseph Calleia. who thrives on gangster pictures. Humphrey Bogart is happy about the trend of the films. Another of the" m.nac •• :' Jim Cagn.y (on I.ft), in a dramatic role in .•Th. Public Enemy:' DROP INA' KIIFE! CORNS COME BACK BIGGER - UGLIER unless removed Root*and All A KNIFE is always dangerous! n.Using it means the risk of infec- tion. So don't take chances with old- fashioned home paring methods that only affect the surface of a corn leave the root to come back bigger, uglier than ever. Follow the example of mil- lions who depend on the new double- action Blue-Jay method, because they know it is scientific, quick-acting. Blue- Jay relieves pain by removing pressure, then in a few days the corn lifts out root and all (exceptionally stubborn cases may require a second .A lllutr tit Ih'''-lt ",-!Ill ,,,,It·Uk •• m turin and O'»IlIlon. 11 lcofL may Iwru' alt rnc'.l pvfnt (or re"ltwf'd dev ••lupm"nt application). Don't accept unknown substitutes. Be sure with scientific Blue-Jay! Blue-Jay is a tiny medi- cated plaster. Easy to use invisible. 2Se for 6. Same price in Canada. New Era of Gang Pictures Introduces Jesse James By ED SULLIVAN Hollywood, Cal. T HOSE BURSTS of gunfire that you hear on the wind are not the Japanese shell- ing Los Angeles. No, indeed. The revolver shots simply are the punctuation marks to a new era of gangster pictures. The trend is back again to machine guns and murderers and G·men. Warners were first in the field with ••The Amazing Dr. Clltter- house" and ••A Slight Case of Murder," and just issued a third, ••Racket Busters." Columbia has just previewed" I Am the Law." . Universal is readying ••Big Town Czar." Rep u blic has ••Tenth Avenue Kid" packed and loaded in the cans awaiting ship- ment to the cultural centers of the east. Warners have yet an- o the r in preparation, ••They Made Me a Criminal." In consequence of this trend back to ••This Town Ain't Big Enough for the Two of Us" series, the offices of Central Casting, clearing house for Hol- lywood extras, is at present thronged with the worst band of cutthroats this town has ever regarded in the light of day. It is all a matter of makeup, of c 0 urse. The boys standing around Central Casting are not cutthroats. They are good to their mothers and some of them pass the collection plates at their churches every Sunday. How- ever, the extras scent a trend as far as George Washington could throw a silver dollar, and they are dressing as gangsters be- cause that is the present market. Edward G. Robinson, of course, has been the bellwether. No matter how resolutely Rob- inson has attempted to break away from the type of gangster- killer he made famous in " Little Csesar," the studios refuse to let him go straight. Within the last six months Robinson, striv- ing to oe good, has carried a re- volver or machine gun in four pictures - M.·G.·M.'s "The Last Gangster," Columbia's "I Am the Law," and two for Warners, "The Ama z ing Dr. Clltter- house" and Of A Slight Case of Murder," in which his henchmen distributed carcasses 0 nth e lawns of Saratoga. Shortly, of course, there will be a roar of protest. The movies will apologize, tongue in cheek, and put a Maxim silencer on the murder cycle. But that roar of protest will come too late. The gangster pictures under various guises already are on their way to market, and the Will Hays office, as usual, doesn't know a thing about it. Most pretentious of the gang- ster pictures will be the Twen- tieth Century -Fox colo s s a I Of Jesse James," in which Tyrone Power will lend elegance and sex appeal to murder. Just why a studio should take a Tyrone Power and cast him as Jesse James is beyond this reporter's ken. James was a killer more ruthless than Dillinger. The St. Valentine's day massacre in Chi- cago pales into bloody insignif· icance beside the cold· blooded- ness of James. W hen Quantrill's guerrilla command sacked and burned Lawrence, Kas., Jesse James shot down thirty-six of the help- less inhabitants. At Centralia, Mo., on Sept. 27, 1864, his gang held up a train and killed in cold blood thirty-two invalid soldiers en route from St. Joseph to St. Louis for hospitalization. The murderous ferocity of J e sse James has few equals in the police records of this nation. It is to this role that Twen- tieth Century- Fox has intro- duced Tyrone Power. The role necessarily must glorify Jesse James, because it will have to be written for Tyrone's special tal- ents. What emerges on the screen should be a remarkable document, glorifying and exalt- ing murder, with a last-reel con- cession in which James will be killed. I am quite sure that Darryl Zanuck could have found an exciting character for Tyrone Power without fastening on the James boys. The m 0 vie s' fondness for gangster pictures is not to be explained by the bloodthirstiness of the movie magnates. The brothers Warner are mild cltl- zens. So are Louis B. Mayer and Leo Spitz and Adolph Zukor. The directors and the writers are no more ferocious than your Uncle Mike after a few drinks of beer The movie magnates like gangster pictures because they don't cost much and because they are ACTION pictures. The direc- tors like 'em because melodrama is easy to film. The writers like 'em because gangster pictures are easy to write. When in doubt kill off one or two characters. The rise of New York's Dis- trict Attorney Dewey and the publicity about Al Capone's ad- ventures at Alcatraz are respon- sible in large measure for the present machine gun cycle. The movies had worn J. Edgar Hoo- ver and his G-men thin as movie material. Dewey gave them a new approach to the subject of rackets. Stories drifting out of Alca- traz about Cfapone started the " Alcatraz" cycle of pictures, and as usual the peace- loving Warners were first in the field with a cheap little picture that earned tremendous sum s of money. Just as the picture Of AI· A devaatating gun moll is Hedy La- marr, who had a .•clothed role" in .•Algiers:' catraz" hit the exchanges two convicts vanished fro m the island dungeons, and that public- ity swept the picture over the top. Boyer is the French equivalent of Dillinger or Alvin Karpis. The French, however, can even take as trite a subject as a gang- ster and manage a psychoana- lytical approach that makes it palatable. In addition, the girls will tell you they never saw a gangster as attractive as Charles Boyer, and Capt. Dan Gilbert will tell you that he's never seen a gun moll so devastatingly at- tractive as Hedy Lamarr. However, there is one thing to be considered. With machine guns popping at you from the screen, theater managers had better start giving away bullet- proof vests instead of chinaware, because you are in tor a long siege of it. However, while such pictures may damage the morals of the young, it is an ill wind that blows no good. Humphrey Bo- gart, Edward G. Robinson, Brian Donlevy, Eddie Girard, Joseph Calleia, Jim Cagney, and other " menaces" are quite happy about the trend, as it gives them steady employment in roles that are actorproof. " Algiers," which introduced a clothed Hedy Lamarr to the American public, essentially is a gangster picture, and Charles \I oic::eof .I.e ~o,..,ie F 80 Letters published in this department should be written on one side of the paper. If ~ou wish a. personal reply please inclose a stamped, self·addressed envelope. Dear Miss Tln~e: I disagree with both Ed Sullivan and Mrs. Barker. I have heard so much about Rudy Val- entino t hat it was with great joy I went to see his pictures. Now I think he's bet- ter than the Gables and Tay- lors of today. No one made fun of the pictures ex- cept In the love scenes, and then only because they were so dated. Would you please tell me Rudy's height (he looked so short in the picture) and squeeze In a picture of him. without a turban? Thank you. Yours truly, JEANNE CONYBEARE. Editor's note: Honestly, I'm getting to feel like a kitchen device, the way you folks always are havit~g me squeeze some· thing for yo,,! Here's about Rudy: He was born in Oastellaneta, Italy, May 6, 1895. He was 5 feet 11 inches tall, weighed 151, pounds, and had black hair and dark brown eyes. RUDOLPH VALENTINO Rerun of film wins him a new fan. Dear Miss Tlnee : I don't believe In get- ting too enthusiastic over a movie star, although I must admit that, like thousands of other women, I like Robert Taylor and Clark Gable; but I want to sing my praises for two young men who have brought sincerity, enjoyment, and splendid acting to the American screen - John Howard and Don' Ameche. It seems to me that all of Mr. Howard's performances have been perfect, but it took his artistry in "Lost Horizon" and ••Penitentiary" to raise him. to the level he righ t1y deserves. Here is a young actor who combines good looks, a natural- ness that must be the envy of several matinee Idols, with a well understood knowledge of what comprises convincing performances. I don't think that Don Ameche needs much boosting. Obviously thousands of movie fans have already discovered his energy, buoyancy, handsomeness, and the pleasure he gets out of his work. After. seeing his superb characterization of Jack O'Leary In "In Old Chicago "·1 can only agree with others In saying that In Mr. Ameche the movie Industry has found a good actor. Could you possibly give me a short biog- raphy of John Howard, telling me how many pictures he has made? Wishing you continued success and thanking you for your courtesy, I remain, Sincerely, MISS LORRAINE J. GUlDETTI. EditOl J s note.' I'm glad to print your letter and furni8h the biography. Thanks for your kindly wish. John Howard's real name is John Cox. He was born in Cleveland, April 1S, 1913. He's 5 feet 10 inches tall, weigh8 150 pounds, and has blue eue« and brown hair. Educated public schools in East Cleveland and We8tern Reserve unive1'8ity in Oleve land. Dear Mae Tln~e: I have just read D. P. Phillips' letter concerning the current trend toward comedies. I enjoy seeing a good comedy and a good comedienne. If only you knew, D. P., how much harder it Is to make people laugh than It Is to make them cry you would appreciate the sllly antics of Katy Hepburn, Irene Dunne, and Errol Flynn. It just shows you what fine actors they are, because they are able to play both retes convincingly. As for the pictures the Ritz brothers, Burns and Allen, and the Marx brothers star in, why. I would not go to see any of them if some one paid me to. MARGIE ZIELINSKI. Editor'8 note.' Ah! A lady with tdea« of her own! Dear Miss 'l'in~e: Without any question (without any question whatever) ••The Gaiety Girls" at the little Playhouse was the smartest musical film I have ever seen. I did not think you did It justice In your findings. Knowing the traditions of the Gaiety, and that for several generations it has given the world beautiful musical corn- edles, this film was In keeping with the pace the Gaiety has always set. Contrary to the usual correspondent, I do not want to know about the actors nor a photograph printed of one of them, but to ask you to write about Alexander Korda. He has producershlp and good taste. So far I have seen two things he hall done, ••Storm in a Teapot" and" The Gaiety Girls," He Is to be reckoned with and his productions watched for, Will you tell us about him, If he Is a Brltisher, his age approximately, and how long he has been producing? Yours very sincerely. JOHN RUBY. P. S.-I'm sorry I did not begin with ••This is my first letter to you." Editot J 8 note.' Well, you can begin the next one with "Thi8 i8 my 8econd letter to you," "Gaiety Girl8" was a good 8how. Re Mr. Korda: He was born in Turkeye, Hunga1'Y, Sept. 16, 1893. He'8 6 feet tall, weighs 155 pounds, and has brown iuur and blue eye8. Educated Budapest. He's a former European journali8t. Entered pictUt'e8 in 1915. Won't you visit our cor- ner again SfJmeday'! Dear Miss Tln~e: The song" Always and Always" certainly has proved Its worth to the movie Industry. I have heard It In ••Mannequin" (the movie In which it was featured), ••The First Hundred Years," ••Hold That Kiss," and another movie whose name I cannot recall. But then It -is a very pretty song. Thanks for your consideration of this letter and your very delightful column. Sincerely yours, FRENCH HARDESTY. Editor'1I note: It IS pretty! Dear Mae Tinee : Please print the reo spective ages of the ••Dead End" kids. Also please print a picture of Billy Halop. H. E, G. Editor's note.- Pleasesi to please you! Billy Halop wa.~ bOt'n Feb. 11, 1922.. ' Bernard P1msley was born in 1921,; Hun t z Hall was born Aug. 15, 1921; Ga- briel Dell wall !JOl'n Oct. 1" 1921, and Hally Chp.~ ter was b 0 l' n MU1'ch 6, 1921. BILLY HALOP A!tracts attention as one of .. Dead End" boy•• Dear Miss Tln~e: I would like to ask you something, Recently 1 saw .•Crime School." I thought it was swelL Who took the par t of Frankie Warren? M·m-m-m! Is he cute! (I mean hand- some.) How old Is he? Will you try to squeeze In a picture of him in your' Sun- day column? And give a short biography, please. Thanks a lot for your time and trouble. Sincerely, AVANELLE OBERHAUSEN. EditOl J s note.' Only a little time, and ~o trouble, J assure you! Billy Halop played the r6le of Frankip Wa1Ten in "Ct'ime School." He was born in Brook- lyn, Feb. 11, 1922. When be was 5 years old he had a job es a boy tenor on the national radio network8. Educated at the Childt'en's Professiona; soboot and McBut'- ney'.~ School for Boys. He's 5 [eet 9 inchp,~ tall, weighs 11,5 pound.~, and hall blue eue« and brown hair. Hi» hobby is sport«. Dear Miss Ttnee : This Is in regard to the letter written by Carolyn D. Tyler which appeared in your movie column recently, Anyone who can write a letter like that about a picture like ••In Old Chicago" must be sour on the world ... It Js the best picture that has been made up to the present day. The whole world, practically, acclaimed It as a masterpiece, and I heartily agree. The acting, the story. and everything else about the picture was perfect; when you see a picture like that you wonder what the motion picture industry can possibly do to top it. As to the story, it was not supposed to be true. They had to have something to hold historical facts together with, and what else could they have but an interesting story? Certainly it showed the slums and the tilth that existed In them. Theater audio ences gasped at some of the filth that was shown. They didn't know how it was at that time. They see now how the won- derful city of Chicago has arisen from what it was at first. Also she said that the people represented wert>a disgrace to our fall' city, She must not have seen the first part of the picture, where Mrs, O'Leary's husband, when dying, pays a marvelous tribute to Chicago. She must have missed the scenes where Don Ameche as the mayor tells how he will do his part to make this the finest city on the map, Even though the story Is ftctt- tlous. one feels proud that there were people like that, courageous and hopeful, In those days, When a superb picture like ••In Old Chi- cago" is produced no one has any righl to criticize, Sincerely, FRANCES STONE. Editor's '/lote: There have cprtainly been two »cnool« of thou,qh t in reaar« to "Tn Old Chicago." Glad to p1'int your in- tf>1 (' .•till!l u-tter.

Upload: others

Post on 28-Mar-2020

0 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: ng at Hollywood with Ed Sullivan - Michigan State Universityarchive.lib.msu.edu/DMC/tribune/trib09041938/trib09041938002.pdf · ng at Hollywood with Ed Sullivan Bellwether of blood-and-thunder

Pa,e Two Claic:a,o Sunday Tribune

ng at Hollywoodwith Ed Sullivan

Bellwether of blood-and-thunder gang pictures is Edward G. Robinson.

Tyrone Power will play the role oflesse lames.

This is the real lesse James. thenotorious outlaw.

Joseph Calleia. who thrives ongangster pictures.

Humphrey Bogart is happy aboutthe trend of the films.

Another of the" m.nac •• :' Jim Cagn.y (on I.ft), in a dramatic role in.•Th. Public Enemy:'

DROP INA' KIIFE!CORNS COME BACKBIGGER - UGLIER

unless removed Root* and AllA KNIFE is always dangerous!n.Using it means the risk of infec-tion. So don't take chances with old-fashioned home paring methods thatonly affect the surface of a corn leavethe root to come back bigger, uglierthan ever. Follow the example of mil-lions who depend on the new double-action Blue-Jay method, because theyknow it is scientific, quick-acting.Blue- Jay relieves pain by removingpressure, then in a few days the cornlifts out root and all (exceptionallystubborn cases may require a second.A lllutr tit Ih'''-lt ",-!Ill ,,,,It·Uk •• m turin and O'»IlIlon. 11 lcofL may Iwru' alt rnc'.l pvfnt (or re"ltwf'd dev ••lupm"nt

application). Don't accept unknownsubstitutes. Be sure with scientificBlue-Jay! Blue-Jay is a tiny medi-cated plaster. Easy to use invisible.2Se for 6. Same price in Canada.

New Era of Gang PicturesIntroduces Jesse James

By ED SULLIVANHollywood, Cal.

THOSE BURSTS of gunfirethat you hear on the windare not the Japanese shell-

ing Los Angeles. No, indeed.The revolver shots simply arethe punctuation marks to a newera of gangster pictures. Thetrend is back again to machineguns and murderers and G·men.Warners were first in the fieldwith ••The Amazing Dr. Clltter-house" and ••A Slight Case ofMurder," and just issued a third,••Racket Busters." Columbia hasjust previewed" I Am the Law.". Universal is readying ••BigTown Czar." Rep u b l i c has••Tenth Avenue Kid" packed andloaded in the cans awaiting ship-ment to the cultural centers ofthe east. Warners have yet an-o the r in preparation, ••TheyMade Me a Criminal."In consequence of this trend

back to ••This Town Ain't BigEnough for the Two of Us"series, the offices of CentralCasting, clearing house for Hol-lywood extras, is at presentthronged with the worst bandof cutthroats this town has everregarded in the light of day. Itis all a matter of makeup, ofc 0 u r s e. The boys standingaround Central Casting are notcutthroats. They are good totheir mothers and some of thempass the collection plates at theirchurches every Sunday. How-ever, the extras scent a trend asfar as George Washington couldthrow a silver dollar, and theyare dressing as gangsters be-cause that is the present market.Edward G. Robinson, of

course, has been the bellwether.No matter how resolutely Rob-inson has attempted to breakaway from the type of gangster-killer he made famous in " LittleCsesar," the studios refuse to lethim go straight. Within thelast six months Robinson, striv-ing to oe good, has carried a re-volver or machine gun in four

pictures - M.·G.·M.'s "The LastGangster," Columbia's "I Amthe Law," and two for Warners,"The A m a z i n g Dr. Clltter-house" and Of A Slight Case ofMurder," in which his henchmendistributed carcasses 0 nth elawns of Saratoga.Shortly, of course, there will

be a roar of protest. The movieswill apologize, tongue in cheek,and put a Maxim silencer on themurder cycle. But that roar ofprotest will come too late. Thegangster pictures under variousguises already are on their wayto market, and the Will Haysoffice, as usual, doesn't know athing about it.Most pretentious of the gang-

ster pictures will be the Twen-tieth Century - Fox colo s s a IOf Jesse James," in which TyronePower will lend elegance andsex appeal to murder. Just whya studio should take a TyronePower and cast him as JesseJames is beyond this reporter'sken. James was a killer moreruthless than Dillinger. The St.Valentine's day massacre in Chi-cago pales into bloody insignif·icance beside the cold· blooded-ness of James.

• • •W hen Quantrill's guerrilla

command sacked and burnedLawrence, Kas., Jesse Jamesshot down thirty-six of the help-less inhabitants. At Centralia,Mo., on Sept. 27, 1864, his gangheld up a train and killed in coldblood thirty-two invalid soldiersen route from St. Joseph to St.Louis for hospitalization. Themurderous ferocity of J e sseJames has few equals in thepolice records of this nation.It is to this role that Twen-

tieth Century- Fox has intro-duced Tyrone Power. The rolenecessarily must glorify JesseJames, because it will have to bewritten for Tyrone's special tal-

ents. What emerges on thescreen should be a remarkabledocument, glorifying and exalt-ing murder, with a last-reel con-cession in which James will bekilled. I am quite sure thatDarryl Zanuck could have foundan exciting character for TyronePower without fastening on theJames boys.

• • •The m 0 vie s' fondness for

gangster pictures is not to beexplained by the bloodthirstinessof the movie magnates. Thebrothers Warner are mild cltl-zens. So are Louis B. Mayer andLeo Spitz and Adolph Zukor.The directors and the writersare no more ferocious than yourUncle Mike after a few drinks ofbeer The movie magnates likegangster pictures because theydon't cost much and because theyare ACTION pictures. The direc-tors like 'em because melodramais easy to film. The writers like'em because gangster pictures

are easy to write. When in doubtkill off one or two characters.The rise of New York's Dis-

trict Attorney Dewey and thepublicity about Al Capone's ad-ventures at Alcatraz are respon-sible in large measure for thepresent machine gun cycle. Themovies had worn J. Edgar Hoo-ver and his G-men thin as moviematerial. Dewey gave them anew approach to the subject ofrackets.Stories drifting out of Alca-

traz about Cfapone started the" Alcatraz" cycle of pictures,and as usual the peace- lovingWarners were first in the fieldwith a cheap little picture thatearned tremendous sum s ofmoney. Just as the picture Of AI·

A devaatating gunmoll is Hedy La-marr, who had a.• clothed role" in

.•Algiers:'

catraz" hit the exchanges twoconvicts vanished fro m theisland dungeons, and that public-ity swept the picture over the top.

• • •

Boyer is the French equivalentof Dillinger or Alvin Karpis.The French, however, can eventake as trite a subject as a gang-ster and manage a psychoana-lytical approach that makes itpalatable. In addition, the girlswill tell you they never saw agangster as attractive as CharlesBoyer, and Capt. Dan Gilbertwill tell you that he's never seena gun moll so devastatingly at-tractive as Hedy Lamarr.However, there is one thing to

be considered. With machineguns popping at you from thescreen, theater managers hadbetter start giving away bullet-proof vests instead of chinaware,because you are in tor a longsiege of it.

However, while such picturesmay damage the morals of theyoung, it is an ill wind thatblows no good. Humphrey Bo-gart, Edward G. Robinson, BrianDonlevy, Eddie Girard, JosephCalleia, Jim Cagney, and other" menaces" are quite happyabout the trend, as it gives themsteady employment in roles thatare actorproof." Algiers," which introduced a

clothed Hedy Lamarr to theAmerican public, essentially is agangster picture, and Charles

\Ioic::eof .I.e ~o,..,ieF80Letters published in this department should be written on one side of the paper.If ~ou wish a. personal reply please inclose a stamped, self·addressed envelope.

Dear Miss Tln~e: I disagree with bothEd Sullivan and Mrs. Barker. I haveheard so muchabout Rudy Val-entino t hat itwas with greatjoy I went to seehis pictures. NowI think he's bet-ter than theGables and Tay-lors of today. Noone made fun ofthe pictures ex-cept In the lovescenes, and thenonly because theywere so dated.Would you

please tell meRudy's height (helooked so shortin the picture)and squeeze In apicture of him. without a turban? Thankyou. Yours truly,

JEANNE CONYBEARE.Editor's note: Honestly, I'm getting to

feel like a kitchen device, the way youfolks always are havit~g me squeeze some·thing for yo,,! Here's about Rudy: Hewas born in Oastellaneta, Italy, May 6,1895. He was 5 feet 11 inches tall, weighed151, pounds, and had black hair and darkbrown eyes.

RUDOLPH VALENTINORerun of film wins him

a new fan.

Dear Miss Tlnee : I don't believe In get-ting too enthusiastic over a movie star,although I must admit that, like thousandsof other women, I like Robert Taylor andClark Gable; but I want to sing my praisesfor two young men who have broughtsincerity, enjoyment, and splendid actingto the American screen - John Howardand Don' Ameche.It seems to me that all of Mr. Howard's

performances have been perfect, but ittook his artistry in "Lost Horizon" and••Penitentiary" to raise him. to the levelhe righ t1y deserves. Here is a youngactor who combines good looks, a natural-ness that must be the envy of severalmatinee Idols, with a well understoodknowledge of what comprises convincingperformances.I don't think that Don Ameche needs

much boosting. Obviously thousands ofmovie fans have already discovered hisenergy, buoyancy, handsomeness, and thepleasure he gets out of his work. After.seeing his superb characterization of JackO'Leary In "In Old Chicago "·1 can only

agree with others In saying that In Mr.Ameche the movie Industry has found agood actor.Could you possibly give me a short biog-

raphy of John Howard, telling me howmany pictures he has made?Wishing you continued success and

thanking you for your courtesy, I remain,Sincerely,

MISS LORRAINE J. GUlDETTI.

EditOlJs note.' I'm glad to print yourletter and furni8h the biography. Thanksfor your kindly wish.John Howard's real name is John Cox.

He was born in Cleveland, April 1S, 1913.He's 5 feet 10 inches tall, weigh8 150pounds, and has blue eue« and brown hair.Educated public schools in East Clevelandand We8tern Reserve unive1'8ity in Oleve·land.

Dear Mae Tln~e: I have just read D.P. Phillips' letter concerning the currenttrend toward comedies. I enjoy seeing agood comedy and a good comedienne. Ifonly you knew, D. P., how much harderit Is to make people laugh than It Is tomake them cry you would appreciate thesllly antics of Katy Hepburn, Irene Dunne,and Errol Flynn. It just shows you whatfine actors they are, because they are ableto play both retes convincingly.As for the pictures the Ritz brothers,

Burns and Allen, and the Marx brothersstar in, why. I would not go to see any ofthem if some one paid me to.

MARGIE ZIELINSKI.

Editor'8 note.' Ah! A lady with tdea«of her own!

Dear Miss 'l'in~e: Without any question(without any question whatever) ••TheGaiety Girls" at the little Playhouse wasthe smartest musical film I have ever seen.I did not think you did It justice In yourfindings.Knowing the traditions of the Gaiety,

and that for several generations it hasgiven the world beautiful musical corn-edles, this film was In keeping with thepace the Gaiety has always set.Contrary to the usual correspondent, I

do not want to know about the actors nora photograph printed of one of them, butto ask you to write about AlexanderKorda. He has producershlp and goodtaste. So far I have seen two things hehall done, ••Storm in a Teapot" and" TheGaiety Girls," He Is to be reckoned withand his productions watched for, Will

you tell us about him, If he Is a Brltisher,his age approximately, and how long hehas been producing? Yours very sincerely.

JOHN RUBY.P. S.-I'm sorry I did not begin with

••This is my first letter to you."EditotJ8 note.' Well, you can begin the

next one with "Thi8 i8 my 8econd letterto you," "Gaiety Girl8" was a good 8how.Re Mr. Korda: He was born in Turkeye,Hunga1'Y, Sept. 16, 1893. He'8 6 feet tall,weighs 155 pounds, and has brown iuurand blue eye8. Educated Budapest. He'sa former European journali8t. EnteredpictUt'e8 in 1915. Won't you visit our cor-ner again SfJmeday'!

Dear Miss Tln~e: The song" Alwaysand Always" certainly has proved Itsworth to the movie Industry. I have heardIt In ••Mannequin" (the movie In which itwas featured), ••The First Hundred Years,"••Hold That Kiss," and another moviewhose name I cannot recall. But then It-is a very pretty song. Thanks for yourconsideration of this letter and your verydelightful column. Sincerely yours,

FRENCH HARDESTY.Editor'1I note: It IS pretty!

Dear Mae Tinee : Please print the reospective ages of the ••Dead End" kids.Also please printa picture of BillyHalop. H. E, G.Editor's note.-

Pleasesi to pleaseyou! Billy Halopwa.~ bOt'n Feb. 11,1922 ..' BernardP1msley was bornin 1921,; Hun t zHall was bornAug. 15, 1921; Ga-briel Dell wall!JOl'n Oct. 1" 1921,and Hally Chp.~·ter was b 0 l'nMU1'ch 6, 1921.

BILLY HALOPA!tracts attention as one of

.. Dead End" boy••

Dear MissTln~e: I wouldlike to ask yousomething, Recently 1 saw .•CrimeSchool." I thought it was swelL Whotook the par t of Frankie Warren?M·m-m-m! Is he cute! (I mean hand-some.) How old Is he? Will you try tosqueeze In a picture of him in your' Sun-

day column? And give a short biography,please. Thanks a lot for your time andtrouble. Sincerely,

AVANELLE OBERHAUSEN.EditOlJs note.' Only a little time, and

~o trouble, J assure you! Billy Halopplayed the r6le of Frankip Wa1Ten in"Ct'ime School." He was born in Brook-lyn, Feb. 11, 1922. When be was 5 yearsold he had a job es a boy tenor on thenational radio network8. Educated at theChildt'en's Professiona; soboot and McBut'-ney'.~ School for Boys. He's 5 [eet 9 inchp,~tall, weighs 11,5 pound.~, and hall blue eue«and brown hair. Hi» hobby is sport«.

Dear Miss Ttnee : This Is in regard tothe letter written by Carolyn D. Tylerwhich appeared in your movie columnrecently, Anyone who can write a letterlike that about a picture like ••In OldChicago" must be sour on the world ...It Js the best picture that has been madeup to the present day .The whole world, practically, acclaimed

It as a masterpiece, and I heartily agree.The acting, the story. and everything elseabout the picture was perfect; when yousee a picture like that you wonder whatthe motion picture industry can possiblydo to top it. As to the story, it was notsupposed to be true. They had to havesomething to hold historical facts togetherwith, and what else could they have butan interesting story?Certainly it showed the slums and the

tilth that existed In them. Theater audioences gasped at some of the filth that wasshown. They didn't know how it was atthat time. They see now how the won-derful city of Chicago has arisen fromwhat it was at first.Also she said that the people represented

wert> a disgrace to our fall' city, She mustnot have seen the first part of the picture,where Mrs, O'Leary's husband, when dying,pays a marvelous tribute to Chicago. Shemust have missed the scenes where DonAmeche as the mayor tells how he willdo his part to make this the finest city onthe map, Even though the story Is ftctt-tlous. one feels proud that there werepeople like that, courageous and hopeful,In those days,When a superb picture like ••In Old Chi-

cago" is produced no one has any righlto criticize, Sincerely,

FRANCES STONE.Editor's '/lote: There have cprtainly

been two »cnool« of thou,qh t in reaar« to"Tn Old Chicago." Glad to p1'int your in-tf>1·('.•till!l u-tter.