nutmeg saga presentation
DESCRIPTION
Concept for Drama PresentationTRANSCRIPT
THE NUTMEG SAGA
A Play Concept (with Music and Dance)
Word Forward Presents
Wednesday, 9 October 13
An Epic Narrative Poem by Chris Mooney-Singh
Published in Lontar Journal, 2013.
BASED ON
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WF TEAM
Director: Jonathan Lim
Writer: Chris Mooney-Singh
WF Producer: Savinder Kaur
Dr I.N. Sedana (Bali music and choreography)
Music and Multimeda: Arctic Fox Studio, Ivan Chew
Set Design: Ratna Odata (Balinese-Singapore)
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Balinese Performance Elements
Spore Partner: Gamelan SingaMurti
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A narrative poetic text in EnglishBalinese gamelan, topeng (mask dance), wayang kulit Contemporary staging and multimedia highlights.
A MIXED PRODUCTION
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JAYAWARMAN
The story of an imaginary rajah, Jayawarman IX from the beginning of his dynasty.
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A mountaintop in Bali
Dead rajah dialogues with son, while sharing boiled eggs cooked in the fissures of the volcano
Singaporean climbers explore the summit and hear Balinese stories from guide.
SETTING
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JUXTAPOSTIONS
The work takes post-modern techniques of multiple juxtaposed
storytelling: past and present, the immortal
and mortal worlds, represented by
humans, masks and puppets
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NARRATIVE CONCEPT
Narrative intention: to draw the audience forward discovering through an unfolding story their position on Puputan - warrior sacrifice VS mass ritual suicide
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CLIMAX: PUPUTAN
‘Sacrifice by ‘fighting to the death’
Ritual royal mass suicide
c.f. passive non-resistance: Satragraha -- Gandhi’s political strategy
Puputan Bali, 1906
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COLONIALISM VSASIAN CULTURE
Javanese-Balinese traditions and the ‘spice race’ colonial period overlap with Spore history, also on the ‘spice trade-route’ and a nutmeg producer
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SPORE RELEVANCE
This post-colonial story is as generic to historical Singapore as to the region
To be timed with Spore’s 50 year Birthday Celebration in 2015
Nutmeg and Mace, 2009ION Orchard's signature sculpture
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Phase 1 - Bali Arts Festival production, July 2014
Phase 2 - Melbourne production 2014-15
Phase 3 - Singapore Festival production, 2015
SCHEDULE
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A grant to adapt script for dramatic performance
Research funding to re-visit Bali - 10-14 days
Production grant to mount Phase 1 performance at Bali Arts Festival, July 2014
Furtheer funding to upscale to Melbourne productions and Singapore, 2015
WHAT WE NEED
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WORDFORWARD
THANKS YOU
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