nws percussion handbook · 2018. 9. 5. · presto (160-200bpm) very fast a tempo original tempo...
TRANSCRIPT
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NORTHEASTERNMIDDLE/HIGH
SCHOOLPERCUSSIONHANDBOOK
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TABLEOFCONTENTS
Introduction/ConcertInformation………………….Page3
CommonlyUsedBandVocabulary………………….Page4
PlayingTestInformation……………………………..…Page5
PASInternationalDrumRudiments…………………Page6
KeyboardMajorScalesandKeySignatures………Page8
ConcertPercussionIntroduction……………………..Page10
TimpaniTechnique………………………………….……..Page11
Tambourine/TriangleTechnique…………………….Page12
CrashCymbals/BassDrumTechnique……………..Page13
Solo/EnsembleInformation…………………………….Page14
**PortionsofthishandbookusedwithpermissionfromJoshTorres,CenterGroveHighSchool**
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INTRODUCTION
NortheasternPercussionhasbecomeastrongcomponentof
NortheasternHighSchoolinrecentyearswiththeadditionofIndoor
Percussion,strongStateFairperformances,andperformancesatband
concerts.Thishandbookismeanttorefineandimprovethepercussion
atNortheasterntoanevenhigherlevelandultimatelyleadtoastrong
program.
CONCERTINFORMATION
BandConcertDates:
M.S./H.S.BandandPercussionEnsemble:October27,2016
M.S./H.S.BandandPercussionEnsemble:December13,2016
M.S./H.S.BandandPercussionEnsemble:March17,2017
M.S./H.S.BandandPercussionEnsemble:May19,2017
PercussionClass-SpecificConcerts:
NHSandEarlhamCollegePercussionConcert:April8,2017
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NORTHEASTERNCOMMONLYUSEDBANDVOCABULARY
alfine totheendarpeggio chordplayedonenoteatatimecesura stop(“traintracks”)chromatic byhalfstepscoda thefinaladdedmeasuresdacapo(D.C.) tothebeginningdalsegno(D.S.) tothesigndivisi(div.) dividedfermata aholdorpausemolto veryostinato arepeatedmusicalpatternpiu morepocoapoco littlebylittlesempre alwayssenza withoutsoli sectionofmusicinunisonsolo oneperformersubito(sub.) suddenlytutti playtogetherArticulations,PlayingStylesacapella withoutaccompanimentaccent(>) strongemphasiscadenza asolosectioncantabile insingingstyleconfuoco withfireconmoto withmotionconbrio withspiritdolce sweetlyglissando slidingfrompitchtopitchlegato smoothandconnectedmaestoso majesticallymarcato(^) heavyandmarkedmenomosso lessmotionpesante heavysecco drysostenuto(sost.) sustainedstaccato lightanddetachedtenuto(-) sustainfullvaluevibrato vibratingthepitch
Dynamics(volumelevels)pianissimo(pp) verysoftpiano(p) softmezzo mediumforte(f) loudfortissimo(ff) veryloudcrescendo(cresc.) graduallylouderdecrescendo(decr.) graduallysofterdiminuendo(dim.) graduallysofterforepiano(fp) loud,thensoftsforzando(sfz) suddenstrongaccentTempi(speeds)grave(40-60bpm) slowandsolemnlargo(40-60bpm) slowandbroadlento(40-60bpm) slowadagio(60-78bpm) slowandante(76-108bpm) moderatelyslowmoderato(101-110bpm) moderateallegretto(100-120bpm) moderatelyfastallegro(120-160bpm) fastvivace(140-160bpm) fastandlivelypresto(160-200bpm) veryfastatempo originaltempoaccelerando graduallyfasterrallentando(rall.) slowerandbroaderritardando(rit.) graduallyslowertempoprimo firsttempoMusicFormsetude amusicalstudyfugue statedthenimitatedrondo fiveparts:A-B-A-C-Ascherzo fastpieceintripletimesonata soloinstrumentpiececoncerto pieceforsolo/ens.
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CONCERTBANDPLAYINGTESTS1ST9Weeks:September5,20162nd9Weeks:TBA(sameaswinds)3rd9Weeks:TBA(sameaswinds)4th9Weeks:TBA(sameaswinds)PERCUSSIONENSEMBLEPLAYINGTESTS1ST9Weeks:September22,20162nd9Weeks:November17,20163rd9Weeks:TBA4th9Weeks:TBA
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CONCERTPERCUSSIONTECHNIQUESItiscrucialthatastudenthasacomprehensiveknowledgeoftheaccessorypercussioninstruments.Thissectionofthehandbookwilldiscusstimpani,tambourine,triangle,crashcymbals,andconcertbassdrumindetail.
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TIMPANITECHNIQUE
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TAMBOURINE&TRIANGLETECHNIQUE
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CRASHCYMBALS&BASSDRUMTECHNIQUE
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SOLO&ENSEMBLE–PERCUSSION
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