nzmeb violin syllabuses · 5 musicianship — nzmeb performance violin syllabus ed 19.11 examples:...

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1 — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Performance Violin In compiling this syllabus the New Zealand Music Examinations Board has used the relevant Violin books which are published by Allans Publishing and readily available through the local music suppliers or direct from Allans Publishing in Melbourne. Also there is further choice in the NZMEB Syllabus List, editions are mentioned only as a means of identification. Examination Music Entrants may not use photocopies for performance (other than for facilitating page turns) in examinations, as this is prohibited by the Copyright Act. When Entrants enter the examination room they must hand copies of all list pieces being performed, to the examiner, together with their examination slip. Copies for examiner use of extra repertoire list pieces in the Performance syllabuses are optional. Please note that where pieces are listed in the Syllabus, the publishers are given mainly as an aid to locating material, and are merely suggestions; other authoritative editions of the music will be equally acceptable. Extra repertoire list: Samples of entrant’s work for the year From Grades 1 to Grade 7 all entrants must present other pieces of their choice, as evidence of study beyond those presented for the examination. These should be at a similar level to those already in the syllabus, and may come from the syllabus or from a source other than the lists below. Examiners, at their discretion, will ask entrants to demonstrate familiarity with these pieces by performing the whole or any part of them during the examination. Entrants must bring a copy of the music to the examination room. The following minimum requirements apply: Grade 1 - one piece Grades 2 to 7 - two pieces Scales and Exercises: In all grades scales and arpeggios are to be played from memory. Dominant Seventh arpeggios are to be played in the key. Diminished seventh arpeggios are to start on the key note. Accompanist: Entrants must provide their own accompanists who remain in the room only while accompanying. A teacher may act as accompanist. Accompaniment is not required for extra repertoire list pieces. Bowing: Entrants are not bound to any particular school of bowing or fingering. However the results must be logical and musical. Cadenzas: For Seventh and Eighth Grade and the Associate and Licentiate examinations, cadenzas must be included where indicated in concerto movements. Fingerboards: The use of marked or fretted fingerboards is only permitted to the end of level 1. Tuning: Entrants from Fifth Grade and above must tune their own instruments ready for examination. Teachers should ensure that entrants for all grades have their violins set up properly to allow easy tuning, ie with adjusters. Entrants should not play repeats in examinations, however any da capo must be played. Co-requisites - to complete Grade 6 practical, a Pass is required in NZMEB Grade 3 Theory Grade 7 practical, a Pass is required in NZMEB Grade 4 Theory Grade 8 practical, a Credit Pass is required in NZMEB Grade 4 Theory AMusNZ, a Credit Pass is required in NZMEB Grade 5 Theory LMusNZ, a Pass is required in NZMEB Grade 6 Theory Entrants have 36 months in which to complete the co-requisite theory component. FOR ACCEPTABLE EQUIVALENTS PLEASE SEE THE THEORY SYLLABUS NZMEB gratefully acknowledges the technical expertise and advice so generously donated by Pamela Dowsett and Tessa Petersen in compiling these syllabuses. NZMEB would also like show appreciation to Lynley Culliford for her contribution with collating additional Suzuki repertoire. With grateful thanks to Mr Edward Pople for kindly granting permission to print the exercises for Grade Five from his book of ‘Essential Technique For Violin’ Published by Midinod Enterprise.

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Page 1: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Performance Violin

In compiling this syllabus the New Zealand Music Examinations Board has used the relevant Violin books which are published by AllansPublishing and readily available through the local music suppliers or direct from Allans Publishing in Melbourne. Also there is further choicein the NZMEB Syllabus List, editions are mentioned only as a means of identification.

Examination Music

Entrants may not use photocopies for performance (other than for facilitating page turns) in examinations, as this is prohibited by the CopyrightAct. When Entrants enter the examination room they must hand copies of all list pieces being performed, to the examiner, together with theirexamination slip. Copies for examiner use of extra repertoire list pieces in the Performance syllabuses are optional.

Please note that where pieces are listed in the Syllabus, the publishers are given mainly as an aid to locating material, and are merely suggestions;other authoritative editions of the music will be equally acceptable.

Extra repertoire list: Samples of entrant’s work for the year

From Grades 1 to Grade 7 all entrants must present other pieces of their choice, as evidence of study beyond those presented for the examination.These should be at a similar level to those already in the syllabus, and may come from the syllabus or from a source other than the lists below.Examiners, at their discretion, will ask entrants to demonstrate familiarity with these pieces by performing the whole or any part of them duringthe examination. Entrants must bring a copy of the music to the examination room. The following minimum requirements apply: Grade 1 -one piece Grades 2 to 7 - two pieces

Scales and Exercises:

In all grades scales and arpeggios are to be played from memory.

Dominant Seventh arpeggios are to be played in the key.Diminished seventh arpeggios are to start on the key note.

Accompanist:

Entrants must provide their own accompanists who remain in the room only while accompanying. A teacher may act as accompanist.Accompaniment is not required for extra repertoire list pieces.

Bowing:

Entrants are not bound to any particular school of bowing or fingering. However the results must be logical and musical.

Cadenzas:

For Seventh and Eighth Grade and the Associate and Licentiate examinations, cadenzas must be included where indicated in concerto movements.

Fingerboards:

The use of marked or fretted fingerboards is only permitted to the end of level 1.

Tuning:

Entrants from Fifth Grade and above must tune their own instruments ready for examination. Teachers should ensure that entrants for all gradeshave their violins set up properly to allow easy tuning, ie with adjusters.

Entrants should not play repeats in examinations, however any da capo must be played.

Co-requisites - to complete Grade 6 practical, a Pass is required in NZMEB Grade 3 TheoryGrade 7 practical, a Pass is required in NZMEB Grade 4 TheoryGrade 8 practical, a Credit Pass is required in NZMEB Grade 4 TheoryAMusNZ, a Credit Pass is required in NZMEB Grade 5 TheoryLMusNZ, a Pass is required in NZMEB Grade 6 Theory

Entrants have 36 months in which to complete the co-requisite theory component.

FOR ACCEPTABLE EQUIVALENTS PLEASE SEE THE THEORY SYLLABUS

NZMEB gratefully acknowledges the technical expertise and advice so generously donated by Pamela Dowsett and Tessa Petersen in compilingthese syllabuses. NZMEB would also like show appreciation to Lynley Culliford for her contribution with collating additional Suzuki repertoire.

With grateful thanks to Mr Edward Pople for kindly granting permission to print the exercises for Grade Five from his book of ‘EssentialTechnique For Violin’ Published by Midinod Enterprise.

Page 2: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Musicianship

For clapping tests entrants may count aloud using any recognized counting system eg French Time Names. A steady pulse at a moderate speedis expected.

LEVEL ONE

Preliminary

• To join in and clap the beats in simple duple or triple time, to a harmonized passage played by the examiner and to continue clapping thebeats when the music stops.

• To clap or tap at sight, a simple written rhythm, in simple time.Example:

��� ���� �44 � ��• To visually recognize step or skip movement (seconds and thirds) over three notes within the compass of a fifth. We suggest entrants use

their own pieces to develop fluency.Example:

��� ���34� � � �

Grade One

• To visually recognize written combined step/skip movements over three notes within the compass of a fifth. We suggest entrants use theirown pieces to develop fluency.Example:

� ��34� � ��• To clap or tap at sight, a simple written rhythm, in simple time.

Example:

��� ����34 � ��• To play the same pattern as a given melody, using only seconds and thirds, within the compass of a fifth in the keys of G or B♭ major.

Entrants will be given half a minute to sight the melody during which time they may try parts of the test.Example:

B �

� ��I

����34��� � ��• To aurally identify major seconds and major thirds (number only), played twice by the examiner. Entrants may sing or hum the notes

before answering.• To echo clap a short rhythm pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

Example:

�� � ��� �24 � ��

Grade Two

• To visually recognize any written interval within the compass of a fifth. We suggest entrants use their own pieces to develop fluency.Example:

� ��34� � ��• To clap or tap at sight, a simple written rhythm in simple time. May include crotchet rests and quavers.

Example:

���� ���� ��44 � ���• To play the same pattern as a given melody in the keys of B♭ or A major. Entrants will be given half a minute to sight the melody during

which time they may try parts of the test.Example:

� ��E

V

� �A

I

�� � ��� ��� 44 � �� �

Page 3: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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• To aurally identify major and perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrantsmay sing or hum the notes before answering.

• To echo clap a short rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.Example:

� � �� � �� �� � ��34 � �� �

Grade Three

• To visually recognize written intervals within the compass of an octave at sight. We suggest entrants use their own pieces to developfluency.Example:

� �34� � �� �• To clap or tap at sight, a simple written rhythm, in simple time. In addition to the rhythmic figures in previous grades, dotted crotchets,

quavers and minim rests may be included.Example:

�� ���� ��� ��44 � ��� �• To play the same rhythm pattern as a melody within the compass of an octave in the keys of D or B♭ major. Entrants will be given half a

minute to sight the melody during which time they may try parts of the test.Example:

�� �� �A

V

D

�I

� �44 ��� �� ��� ��

• To aurally identify major and perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrantsmay sing or hum the notes before answering.

• To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.• To echo clap a short rhythm pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

� � �� � �� � �� ��� � ��44 � � � � ��

LEVEL TWO

Grade Four

• To clap or tap at sight, a written four bar rhythm, in simple time or compound duple. In addition to the rhythmic figures in previous grades,semiquavers, dotted quavers and quaver rests may be added.Examples: � �� � �� � � � � �� � � �� � � ��44 � � �� � ���

� � �� � � ���� �� � �� ��68 � � � ��• To name the tonic key and play a given melody in the keys of B or D major. Entrants will be given half a minute to sight the melody during

which time they may try parts of the test.Example:

� � ��� � B

I

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V

� � � ��� ����� 68 � � � � ��

• To aurally identify major and perfect intervals up to and including major sixths, (number only) played twice by the examiner. Entrantsmay sing or hum the notes before answering.

• To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.• To echo clap a rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

� ��� ������34 � ���

Page 4: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Grade Five

• To clap or tap at sight, a written four bar rhythm, in simple or compound time. In addition to the rhythmic figures in previous grades,triplets and tied notes may be added.Examples:

� �� ��� � � �� � �33 � � ��� � ��44 � � � ��� ��� � �� � � � ��� � �� � ��68 � � � � � � ��

• To name the tonic key and play a given melody in the keys of G major, G minor or A major. Entrants will be given half a minute to sightthe melody during which time they may try parts of the test.

• To give the letter names for both triads of the perfect cadence as marked.Examples:

� �� �E

V

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D ��� � ��� � 68 � � � � � ���

• To aurally identify by quality and number major and perfect intervals up to and including a perfect octave, played twice by the examiner.Entrants may sing or hum the notes before answering.

• To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.• To echo clap a four bar rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

� ��� � �� �� � �� � � ��68 � �� � ��

LEVEL THREE

Grade Six

• To clap or tap at sight, a written eight bar rhythm, in simple or compound time. In addition to the rhythmic figures in previous grades,syncopation may be added.Examples:

� � � �� � � � �� �� �� � � ��44 � �� � �� � � ��� � � �� � � ��� � � �� �� � ��5 � �� �� � ��

� � �� � � ��� � �� � � �� � �� ��68 � � �� � ����� �� � � � �� � � �� � � �5 � � � �� �

• To name the tonic key and play a given melody in the keys of A♭ major, C major or C minor. Entrants will be given half a minute to sightthe melody during which time they may try parts of the test.

• To name the final cadence as perfect or plagal and to name the letter names for both triads.Examples:

�� ���� �� �33

3

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G

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C

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D �

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• To aurally identify by quality and number, all major and perfect intervals up to and including a perfect octave, played twice by theexaminer. Entrants may sing or hum the notes before answering.

• To aurally identify root position triads as major, minor, or augmented (notes sounded together) played twice by the examiner.

LEVEL FOUR

Grade Seven

• To clap or tap at sight, a written rhythm in simple or compound time. In addition to the rhythmic figures in previous grades, syncopationmay be added.

Page 5: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Examples:

� �� � �� � � � ��33 � � � �� � � ��34 � � � � �� �� �� � ��� � � � � � �� � � � �� � �� � ��� � �5 � �� � � �� �� � �� � � � ���� �� � � ���� � ��98 � � � � �� �� � ��� �

�� � �� � � �� � � �� � � �� � �� � � � ��5 � � � � � ��� ��• To name the tonic key and play a given melody in the keys of B major, E♭ major, B minor or E♭ minor. Entrants will be given half a minute

to sight the melody during which time they may try parts of the test.• To identify the first cadence as imperfect or interrupted and the second cadence as perfect or plagal and give the letter names of all triads

forming the cadences.Examples:

� � ����� � ��� E �

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A �

������ ��44���� � �� �� � �� Cm�B ��� �

� � �� � �

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�� ��� ����� 44 �F�7 �G��� �• To aurally identify by quality and number all major and perfect intervals, and minor thirds, up to and including a perfect octave, played

twice by the examiner. Entrants may sing or hum the notes before answering.• To aurally identify root position triads as major, minor, augmented or diminished (notes sounded together) played twice by the examiner.

Grade Eight

• To clap or tap at sight, a written eight bar rhythm, in any time signature.Examples:

� � � ��� � � � � ��2 � � � �� � � ��98 � �� � � � � ���� � �� � � � �2 �� � �� � � ��5 � � � �� �� �� �

�� � �� � � � ��� � � �� �� ��54 � � � � � � �� ��� � ��� � �� � � � � ��� �� ��� � �5 �� ��

• Entrants will be given one minute to sight an orchestral excerpt during which time they may try parts of the test, and then play it from thescore.

• To aurally identify by quality and number all major and perfect intervals, minor thirds and sixths, up to and including a perfect octave,played twice by the examiner. Entrants may sing or hum the notes before answering.

• To aurally identify root position triads as major, minor, augmented or diminished (notes sounded together) played twice by the examiner.

Page 6: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Musical KnowledgeIn practical examinations examiners will ask entrants questions on the following aspects of list pieces (excluding extra repertoire list)

Level One - Preliminary to Grade 3• The notes, rests, signs, terms and titles of pieces.• Keys or tonalities in which the pieces are written.

Level Two - Grades 4 and 5• The notes, rests, signs, terms and titles of pieces.• Keys or tonalities in which the pieces are written.• Modulations which occur in the pieces at main cadence points.• Broad formal structure of pieces.• Name the period and give its time frame.• Give the nationality of composers.

Level Three - Grade 6• The notes, rests, signs, terms and titles of pieces.• Keys or tonalities in which the pieces are written.• Modulations which occur in the pieces.• Broad formal structure and analysis of the pieces.• Some knowledge of the period and stylistic characteristics.• Some knowledge of the composers.

Level Four - Grades 7 and 8• The notes, rests, signs, terms and titles of pieces.• Keys and tonalities in which the pieces are written.• Modulations which occur in the pieces.• Broad knowledge of the structure and analysis of the pieces.• Broad knowledge of the period and stylistic characteristics of the pieces.• Some knowledge of the composers of the pieces presented for examination including range of repertoire and major contributions to the

development of musical style.

Level Five - Associate Diploma• The notes, rests, signs, terms and titles of pieces.• Keys and tonalities in which the pieces are written.• Modulations which occur in the pieces.• Detailed knowledge of the structure and analysis of the pieces.• Detailed knowledge of the period and stylistic characteristics of the pieces.• Knowledge of other works by the composers of the pieces presented for examination with emphasis on the repertoire for the entrant’s

instrument/voice.• Knowledge of the development of the entrant’s instrument through the various musical periods, and how the development of the instrument

affected the composer’s writing.

Level Seven - Licentiate Diploma• The notes, rests, signs, terms and titles of pieces.• Keys and tonalities in which the pieces are written.• Modulations which occur in the pieces.• Detailed knowledge of the structure and analysis of the pieces.• Detailed knowledge of the period and stylistic characteristics of the pieces.• Knowledge of other works by the composers of the pieces presented for examination with special reference to their major works.• Knowledge of the development of the entrant’s instrument through the various musical periods, and how the development of the instrument

affected the composer’s writing.

Page 7: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Pre-Preliminary Test for ages Four to Eight years

1. Exercises:

Ascending and descending

On D string D E F♯ G F♯ E DOn A string A B C♯ D C♯ B AOn E string E F♯ G♯ A G♯ F♯ E

Rhythm: Tafatefe tate (four semiquavers, two quavers) on each note, in the middle of the bow.

2. Pieces:

List A: Any piece in Simple Triple TimeList B: Any piece in Simple Quadruple Time

3. Aural:• Clap the beats of a simple chord passage played in two or three beat time by the examiner and continue clapping after the examiner stops

playing.• To sing or hum the notes of a short melodic phrase of five or six notes of one beat length. The examiner will play the phrase first and then

repeat it, waiting on each note for the entrant to sing it.• To state which is the higher or lower of any two notes played separately not less than a third apart.

Page 8: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Level 1 - Preliminary to Grade 3DescriptorsProcesses are limited in range, repetitive and familiar, employing recall and a narrow range of knowledge and cognitive skills. These are appliedin activities which are closely supervised by the teacher.

CriteriaExaminers will use these criteria in assessing all level 1 entrants.

• Comfortable and well balanced posture and relationship with the instrument.• Appropriate hand and arm position with flexible use of arms and hands.• Shifting action showing an awareness of inner ear ability and some knowledge of the finger board.• Beginning to acquire:

• Co-ordination of finger action and bowing movements• Systematic fingering in scales• Accurate and prompt performance of all technical work

• at the minimum tempo or faster with bowing patterns as specified in the Essential Technique for Violin - Edward Pople (availablefrom the NZMEB office).

• Performance from memory as listed in Essential Technique for Violin.• Performance of the technical work at the minimum tempo or faster

• Awareness of underlying pulse in the pieces• Awareness of the dynamic range of the instrument• Accurate and fluent performance of pieces• Awareness and control of dynamics, tempo and articulations• Accurate intonation and consistency of pitch• Ability to use the whole and segments of the bow as appropriate• Awareness of resonance and clear sound quality which is well projected• Position changes as appropriate for the grade showing knowledge of the fingerboard.• Development of appropriate bow strokes.• Evidence of vibrato being explored and encouraged.

Preliminary1. Scales (ascending and descending)

Major D, A One Octave (commencing on open string)Harmonic Minor A One Octave (commencing on A string)Bowing Patterns:

�etc.

�� �� 44� = 72

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� ��� � � �� � � ��� �� 44� = 72 � � � �

� � � �� � �etc.� � � ��� � �� � � �� ��� = 66 �44

��� ��To be played détaché in the middle of the bow

Major Arpeggios D, A One Octave (commencing on open string)Minor Arpeggios A One Octave (commencing on A string)Bowing Pattern:

������ = 6634���� � ��

Page 9: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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2. Pieces – Three pieces to be chosen, one from each list.

List A

Cohen No 1 Blast Off Superstudies Bk 1: FaberCohen No 2 Operation Space Station Superstudies Bk 1: FaberCohen No 3 Rockets to the Rescue Superstudies Bk 1: FaberCohen No 6 Rocking Rowboats Superstudies Bk 1: FaberCohen No 11 Hurry if you want to see the

Engine!Superstudies Bk 1: Faber

Cohen No 16 Cuckoo? Where’s that Cuckoo? Superstudies Bk 1: FaberCowles Autumn and Blue Rock Easy Melodic Fragments: FentoneDe Keyser No 2 Birdsong Violin Playtime Studies: FaberDe Keyser No 11 German Folk Song Violin Playtime Studies: FaberDe Keyser No 15 March Violin Playtime Studies: FaberDe Keyser No 16 On Parade Violin Playtime Studies: FaberDe Keyser No 17 Puppet on Two Strings Violin Playtime Studies: FaberDe Keyser No 21 The Bee’s Polka Violin Playtime Studies: FaberDe Keyser No 25 The See-Saw Violin Playtime Studies: FaberDe Keyser No 29 Tyrolean Dance Violin Playtime Studies: FaberDillon, Kjelland, &O’Reilly

Polly wolly doodle Strictly Strings Bk 1: Alfred

Faulkner Arkanas traveller Essential Elements for Strings Violin Bk 1: Hal LeonardFoster Some Folks do and Bow twister All for Strings Bk 1: KjosNelson Drummer’s March Stringsongs: Boosey & HawkesNelson Fed up The Essential String Method Bk 2: Boosey & HawkesO’Reilly Apples (line 1) & I like Apple pie Fiddle Rhythms: KjosO’Reilly Butterscotch (Lines 1 & 2) & I like

Butterscotch pieFiddle Rhythms: Kjos

O’Reilly Chocolate (Lines 1 & 2) & I likeChocolate pie

Fiddle Rhythms: Kjos

O’Reilly Gooseberry (Lines 1 & 2) & I likeGooseberry pie

Fiddle Rhythms: Kjos

Rose Hopscotch Party Time: ABRSMRose Two by two Party Time: ABRSMTrad English Folk Song, The Old Woman & the

PeddlerSolos for Young Violinists Vol 1: Summy-Birchard

Trad Skippin’ the scale No 86 & Pick up aTurkey Toe No 89

Artistry in Strings Bk 1: Kjos

Trad. Arr Nelson Little Brown Jug Stringsongs: Boosey & HawkesTrad Lightly Row Suzuki Violin Book, Vol 1: Summy-BirchardTrad Song of the Wind Violin Book, Vol 1: Suzuki

List B

Bach ed de Keyser March No 4 The Young Violinist’s Repertoire Bk 1: FaberBrahms Folk Song The Student Violinist - Brahms: Mel BayDillon, Kjelland &O’Reilly

Merry Widow Waltz Strictly Strings Bk 1: Alfred

Dylan Blowing in the Wind Making the Grade grade 1: ChesterElgar Andante Six very easy pieces Op 22: BosworthFrost On the Wings of Butterflies No 121 Artistry in Strings Bk 1: KjosHandel arr Nelson Gavotte Boosey & HawkesHandel ed de Keyser March The Young Violinist’s Repertoire Bk 1: FaberHandel La rejouissance String Explorer Bk 1: AlfredPurcell arr Duncan Rigaudon Solo Pieces for the Beginning Violinist: Mel BayRameau arr Keyser Rigaudon No 13 The Young Violinist’s Repertoire Bk 1: FaberTrad Bohemian Folk Song, November Solos for Young Violinists Vol 1: Summy-BirchardTrad Morning has Broken Making the Grade grade 1: ChesterTrad Playing Ball on the Stairs arr. B Barber Solos for Young Violinists Vol 1: Summy-BirchardTrad Simple Gifts Essential Elements for Strings 2000, Violin Bk 1: Hal LeonardTrad French Folk Song & There’s Music in the

AirAll for Strings Bk 1: Kjos

List C

Anon Monday Melodies & Ice Skating Essential Elements for Strings 2000, Violin Bk 1: Hal LeonardBlackwell Calypso Time Fiddle Time Joggers: OUPBlackwell Clare’s Song Fiddle Time Joggers: OUPBlackwell Distant Bells Fiddle Time Joggers: OUPBlackwell Fiddle Time Fiddle Time Joggers: OUP

Page 10: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

10

Preliminary: continued from previous page

Blackwell Fiddle Time Rag Fiddle Time Runners: OUPBlackwell In the Groove Fiddle Time Joggers: OUPBlackwell Rowing Boat Fiddle Time Joggers: OUPBlackwell Summer Sun Fiddle Time Joggers: OUPBlackwell The Old Castle Fiddle Time Joggers: OUPColledge No 4 Fast Forward: Boosey & HawkesColledge No 8 Fast Forward: Boosey & HawkesDuncan Mel Bay Easy Solos for Beginning Violin, Duncan: Mel BayDylan Blowing in the Wind Making the Grade 1: ChesterEmmett Dixie Easy Solos for Beginning Violin, Duncan: Mel BayFletcher Square Dance I & II (Nos 33 & 34) New Tunes for Strings Bk 1: Boosey & HawkesGrieg Norwegian Dance No 3 Superpieces 2 arr Cohen: FaberJones Toodle-Pip Ten O’Clock Rock: Boosey & HawkesKabalevsky Ride, ride Op 39 No 18 Boosey & HawkesLumsden &Wedgwood

Lazy tryrannosaurus rex Jurassic Blue: Faber

Lumsden &Wedgwood

Plesiosaurus Jurassic Blue: Faber

Lumsden &Wedgwood

Vicious velociraptor Jurassic Blue: Faber

Nelson Pizzicato Pie Piece by Piece 1: Boosey & HawkesNelson Polka Piece by Piece 1: Boosey & HawkesNelson The Tadpole’s Tale Piece by Piece 1: Boosey & HawkesNorton, C Exotic Fruit Microjazz Collection Bk 1: Boosey & HawkesNorton, C Far North Microjazz Collection Bk 1: Boosey & HawkesNorton, C Fine Day Microjazz Collection Bk 1: Boosey & HawkesNorton, C Garden, Gently Microjazz Collection Bk 1: Boosey & HawkesNorton, C Snooker Table Microjazz Collection Bk 1: Boosey & HawkesRose At the Fair Party Time: ABRSMRose First Base Party Time: ABRSMRose Pony Ride Party Time: ABRSMStrauss arr Nelson Emperor Waltz (upper part only) Stringsongs: Boosey & HawkesSuzuki Allegro Suzuki Violin Book, Vol 1: Summy-BirchardTrad Chailean’s Cows Gypsy Jazz, Easy Level, arr. Waterfield and Kraemer: FaberTrad Elenke Gypsy Jazz, Easy Level, arr. Waterfield and Kraemer: FaberTrad Fairy Dance Jigs, Reels and Hornpipes: Boosey & HawkesTrad Go Tell Aunt Rhody Suzuki Violin Book, Vol 1: Summy-BirchardTrad Keel Row Jigs, Reels and Hornpipes: Boosey & HawkesTrad Skip to my Lou and Shepherd’s hey All for strings Bk 1: KjosTrad Soldier’s Joy Fiddle Tunes for the Violinist (Amsco): EFS 198Trad The Jolly Bohemian Artistry in Strings Bk 1: KjosTrad Turkey in the Straw Fiddle Tunes for the Violinist (Amsco): EFS 198

3. Musicianship

4. Musical Knowledge

Page 11: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

11G

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Grade One

1. Scales (ascending and descending)

Major G Two Octaves (commencing on open string)A Two Octaves (commencing on G string)

Harmonic Minor A Two Octaves (commencing on G string)Melodic Minor G One Octave (commencing on open string)

Bowing Patterns: Separate bows

��� �� � ������� �� � ��44

� = 72�� � ����� � � �� �

Slurred pairs

� �� ���� ��� �� ���� ��

� = 7244���� � � ��

�� ���� �

Major Arpeggios A Two Octaves (commencing on G string)G Two Octaves

Minor Arpeggios A Two Octaves (commencing on G string)G Two Octaves

Bowing Patterns: Separate bows

� �� �� � �� �� = 66

�� ��� 34 � � � �

2. Pieces – Three pieces to be chosen, one from each list, plus one in extra repertoire list

List A

Carse No 2 in C Progressive Studies Bk 1: Stainer & BellCarse No 3 in C Progressive Studies Bk 1: Stainer & BellCarse No 7 in G Progressive Studies Bk 1: Stainer & BellCohen No 1 Overture and Beginners Superstudies Bk 2: FaberCohen No 2 Saturday Night Stomp Superstudies Bk 2: FaberCohen No 3 Hot Chocolate Treat Superstudies Bk 2: FaberCohen No 4 Make Your Mind Up Please Superstudies Bk 2: FaberCohen No 7 Floating in the Swimming Pool Superstudies Bk 1: FaberCohen No 8 Let’s All Go to the Grizzly Bear’s

GrumpSuperstudies Bk 1: Faber

Cohen No 9 Gliding along at the Octopus Ball Superstudies Bk 1: FaberCohen No 11 Magic Carpet Ride Superstudies Bk 2: FaberCohen No 13 Toffee Nut Fudge Cake Superstudies Bk 1: FaberCohen No 18 Tawny Owl Blues Superstudies Bk 1: FaberColledge Look Lively Shooting Stars: Boosey & HawkesCowles Copycat Easy Melodic Fragments: FentoneNelson Dragonfly Technitunes for violin: Boosey & HawkesNelson Reel Technitunes for violin: Boosey & HawkesSuzuki Etude & variation in G Suzuki Violin Book, Vol 1: Summy-BirchardTrad Camptown Races The Essential String Method Bk 4: Boosey & HawkesTrad Shalom chaverim & Hannuka Song Essential Elements 2000 for strings Violin Bk 2: Hal LeonardTrad Swallowtail Jig Fiddlers Philharmonic: AlfredWohlfahrt Chromatic Etude All For Strings Bk 2: KjosWohlfahrt No 1 Allegro moderato in C 40 Studies Op 54: Peters / SchirmerWohlfahrt No 1 Allegro moderato in C 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 2 Allegro moderato in C 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 2 Allegro moderato in G 40 Studies Op 54: Peters / SchirmerWohlfahrt No 3 Moderato in G 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 4 Allegretto in G 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 5 Allegro in C 40 Studies Op 54: Peters / Schirmer

List B

Anon arr de Keyser From Old Vienna Violin Playtime Bk 3: FaberBach Any two from Three Little Pieces Chester String Series Vol 2: ChesterBach Minuet 1 BWV 822 in G Violin School Vol 1: Suzuki / Essential Elements 2000 for

Strings Violin Bk 1: Hal Leonard

Page 12: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

12

Grade One: continued from previous page

Bach Allegro, Theme from BrandenburgConcerto No 5

Classical Repertoire for Violin: Mel Bay

Bach Minuet 3 BWV 114 in G Suzuki Violin Book, Vol 1: Summy-BirchardBach Theme from Brandenburg Concerto No 3 Strictly Strings Bk 2: AlfredBeethoven Écossaise in G Fiddle Time Runners: OUPCarse Berceuse in C major Stainer & BellCarse Dance Scherzo Classic Carse Bk 2: Stainer & BellCarse Premiere Valse Classic Carse Bk 1: Stainer & BellCharpentier Prelude from Te Deum Fiddle Time Runners: OUPFarnaby Tower Hill and His Rest Chester String Series Vol 1: ChesterHandel Finale from Water Music Fiddle Time Runners: OUPHandel March Essential String Method for Violin Bk 3: Boosey & HawkesHandel Minuet from Royal Fireworks Starters for Violin: ABRSMHaydn Andante Young Violinist’s Repertoire 1, de Keyser: FaberHaydn Surprise Symphony Theme Essential Elements 2000 for Strings, Violin Bk 1: Hal LeonardHaydn Theme from St Anthony’s Chorale Strictly Strings Bk 2: AlfredMozart 40th Symphony Theme All for Strings Bk 2: KjosPurcell arr Nagy Rondeau from Abdelazar 15 Leichtstücke: UniversalRossini arr Cohen Theme from William Tell Superpieces 2: FaberSaint-Saëns Danse Macabre Strictly Strings Bk 2: AlfredSchubert Berceuse The Essential String Method Bk 4: Boosey & HawkesSchumann Of Strange Lands and Peoples Starters for Violin: ABRSMSchumann The Happy Farmer Suzuki Violin Book, Vol 1: Summy-BirchardTchaikovsky arr deKeyser

Morning Song Young Violinist’s Repertoire 1: Faber

Tchaikovsky Sharmanka No 10 The Young Violinists Repertoire Bk 2: FaberTchaikovsky Sleeping Beauty Waltz Easy Classics for Violin: Mel BayTrad Bohemian Folk Song, Winter Solos for Young Violinists Vol 1: Summy-BirchardTrad Cuckoo Gypsy Jazz, Easy Level, ed Waterfield and Kraemer: FaberTrad Dance Scherzo Classic Carse Bk 2 ed Cohen: Stainer & BellTrad French Folk Song, Good Pierrot Solos for Young Violinists Vol 1: Summy-BirchardTrad Hatikvah Essential Elements 2000 for Strings Violin Bk 2: Hal LeonardTrad Little Dance Classic Carse Bk 1 ed Cohen: Stainer & BelTrad Russian Folk Song, Caterpillar!

Caterpillar!Solos for Young Violinists Vol 1: Summy-Birchard

Trad Scotch Folk Song, Lullaby Solos for Young Violinists Vol 1: Summy-BirchardTrad Stoodla pumpa All For Strings Bk 2: KjosTrad The Minstrel Boy The Corrs for Violin: WiseTrad arr Lanning Scarborough Fair Making the Grade Violin Grade 1: ChesterTrad arr Nelson Pease Pudding Hot with variations The Essential String Method Bk 3: Boosey & HawkesTrad Welsh Air, All Through the Night Solos for Young Violinists Vol 1: Summy-Birchard

List C

Bailey Dainty Steps Jazzin’ Around for Strings: Kerin Bailey MusicBailey Summer Sojourn Jazzin’ Around for Strings: Kerin Bailey MusicBaklanova Romance, No 8 The Young Violinist’s Repertoire Bk 2 ed de Keyser &

Waterman: FaberBarrett Five Pins Bravo! Violin: SchottBarrett Out-of-Step March Bravo! Violin: SchottBarrett Shortcake Walk Bravo! Violin: SchottBarrett Sowing Marjoram Bravo! Violin: SchottBarrett The St Catherine and Saraband Chester String Series Vol 1: ChesterBlackwell Chase in the Dark Fiddle Time Runners: OUPBlackwell Flamenco Dance Fiddle Time Runners: OUPBlackwell Gypsy Dance Fiddle Time Runners: OUPBlackwell On the Go! Fiddle Time Runners: OUPBlackwell Pick a Bale of Cotton Fiddle Time Runners: OUPBlackwell That’s how it goes Fiddle Time Runners: OUPBlackwell The Wee Cooper o’ Fife Fiddle Time Runners: OUPBrahms Waltz No 5 in G Violin School Vol 2: SuzukiChamberlain Jig Along Step it up: AlfredColledge Any two of Nos 14, 17, 19, 20 Fast Forward: Boosey & HawkesColledge No 11 Fast Forward: Boosey & HawkesGrieg Watchman’s Song No 1 First Solo Pieces Bk 1: SchottHajdu Kolomeika No 18 Violin Music for Beginners Bk 1: EMBHiggins Rockin’ Strings Essential Elements 2000 for Strings Violin Bk 1: Hal LeonardJoplin & Heger Maria’s Rag Let’s Rag: Noetzel

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13G

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Grade One: continued from previous page

Joplin & Heger Peacherine Rag Let’s Rag: NoetzelKochler Concertino Op 11 in G, 1st mvt BosworthLumsden &Wedgwood

Clever compsognatus Jurassic Blue: Faber

Lumsden &Wedgwood

Dotty diplodocus Jurassic Blue: Faber

Lumsden &Wedgwood

Triceratops Rocks Jurassic Blue: Faber

Macdowell To a Wild Rose Solo Pieces for the Intermediate Violinist: Mel BayMendelssohn On Wings of Song Solo Pieces for the Intermediate Violinist: Mel BayNelson Sarah’s Song Moving Up: Boosey & HawkesNelson Three Key Rollalong Piece by Piece 2: Boosey & HawkesNorton, C Evening Star Microjazz Collection Bk 1: Boosey & HawkesNorton Pineapple Bounce Microjazz Collection Bk 2: Boosey & HawkesOffenbach Can-can Easy Classics for Violin: Mel BaySzelényi An Old Tale, No 3 24 Easy Little Concert Pieces Vol 1: EMBSzelényi Between Two Lessons, No 6 24 Easy Little Concert Pieces Vol 1: EMBSzervansky Hungarian Dance, Maestoso Violin Music for Beginners Bk 1: EMBTrad Devil’s Dream All for Strings Bk 2: KjosTrad Divertimento, No 12 The Young Violinist’s Repertoire Bk 2 ed de Keyser and

Waterman: FaberTrad Irish Washerwoman Fiddle Tunes for the Violinist (Amsco): EFS 198Trad Old Slovak Folk Tune. [titled Czech in

earlier editions]Gypsy Jazz, Easy Level ed Waterfield and Kraemer: Faber

Trad Playing on the ol’ banjo Fiddle Time Runners: OUPTrad Somebody’s Knocking on your door Fiddle Time Runners: OUPTrad Swallowtail Jig Essential Elements 2000 for Strings Violin Bk 2: Hal LeonardTrad Takin’ it easy Fiddle Time Runners: OUPWagner, arr Meyer March of the Meistersingers String Explorer, Bk 1: AlfredWedgwood Hungarian Stomp Jazzin’ About: FaberWedgwood Song for Sue Jazzin’ About: FaberWilliams, arr Cohen Star Wars Theme Bags of Showbiz for Violin: Faber

3. Musicianship

4. Musical Knowledge

Page 14: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

14

Grade Two

1. Scales (ascending and descending)

Major D Two Octaves (shift to 3rd position on A string)B♭ Two Octaves (first position)F One Octave (first position)

Harmonic Minor D Two Octaves (shift to 3rd position on A string)B♭ Two Octaves (first position)

Melodic Minor D Two Octaves (shift to 3rd position on A string)B♭ Two Octaves (first position)F One Octave (first position)

Bowing Patterns: Separate bows (upper half)

� �� ��� � ���� � � ���� ��� �� 44

�� = 96 �� �

� � � � �� �

Slurred

�� � �� �� � � ��� � �� �� �44�� = 96��� � ���

� �� ��� �

Spiccato (off the string)

������etc.

��� = 9644

����� � �����

Martelé (mid bow to upper half)

�������� �� ��� ���

etc.

���� ����

� ���

� ��

� ����� �� 44

�� = 96

� ��� ������ ��

Major Arpeggios D, B♭ Two OctavesF One Octave

Minor Arpeggios D, B♭ Two OctavesF One Octave

Bowing Patterns: Détaché

�� etc.�34 �� = 84��� �

� ��Legato

� etc.�34� = 84 ���� �

����

2. Pieces – Three pieces to be chosen, one from each list, plus two in extra repertoire list

List A

Carse No 7 Allegro in G min Progressive Studies Bk 1: Stainer & BellCarse No 9 in D Progressive Studies Bk 1: Stainer & BellCarse No 12 in A min Progressive Studies Bk 1: Stainer & BellCarse No 13 Andante in Eb Progressive Studies Bk 1: Stainer & BellCohen No 5 Heidi Hi! Superstudies Bk 2: FaberCohen No 6 Make it Snappy Superstudies Bk 2: FaberCohen No 7 The Snake Charmer’s Lament Superstudies Bk 2: FaberCohen No 8 Fivepenny Waltz Superstudies Bk 2: FaberCohen. No 9 The Whirly Bird and the Hen Superstudies Bk 2: FaberCohen. No 10 Overnight Express Superstudies Bk 2: FaberDancla No 1 Allegro moderato in C 15 Etudes Op 68: Petersde Keyser No 6 Dreaming Violin Playtime Studies: Faberde Keyser No 14 March Violin Playtime Studies: Faberde Keyser No 17 Rowing Violin Playtime Studies: FaberHuws Jones Hard Rock Café Got Those Position Blues: PetersHuws Jones L.A. Got Those Position Blues: PetersHuws Jones Miles Away Got Those Position Blues: Peters

Page 15: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

15G

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Grade Two: continued from previous page

Kayser No 1 in C 36 Violin Studies Op 20: IMC / SchirmerKayser No 3 in F 36 Violin Studies Op 20: IMC / SchirmerKayser No 5 in A 36 Violin Studies Op 20: IMC / SchirmerNelson Swiss Waltz Technitunes for Violin: Boosey & HawkesNelson Toad in the Hole Technitunes for Violin: Boosey & HawkesWohlfahrt No 6 Moderato in F 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 7 Allegro moderato in Bb 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 14 Allegro non tanto in D 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 15 Allegro in C 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 17 Moderato assai in D 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 20 Allegro in G min 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 32 Allegro moderato in C 40 Studies Op 54: Peters / Schirmer Vol 926

List B

Bach Minuet No 2 BWV 116 Suzuki Violin Book, Vol 1: Summy-BirchardBach, arrAppelbaum

Minuet No 17 Building Technique with Beautiful Music, Vol 3: Belwin

Bach, arrSeely-Brown

Giguetta in C Solos for Young Violinists Vol 1: Summy-Birchard

Bach, arrSeely-Brown

Marche in D Solos for Young Violinists Vol 1: Summy-Birchard

Bach, arrSeely-Brown

Musette BWV 126 Solos for Young Violinists Vol 1: Summy-Birchard

Beethoven arrLambert

Minuet and Trio Op 8 First Solo Pieces Vol 1: Schott

Beethoven arr Seitz Sonatina in G 1st mvt Sheet Music to Print.comBeethoven, arrMoffat

Liebeslied Alte Meister für Junger Spieler Bk 1: Schott

Bizet, arr Lanning Overture from Carmen The Classic Experience: CramerBull, arr Radmall The Shepherdess Chester String Series Vol 2: ChesterCorelli, arr Jones Govotte from Sonata in F Baroque Violin Pieces Bk 2: ABRSMCosyn, arr Radmall What you will Chester String Series Vol 2: ChesterDvorák From Songs my Mother Taught Me Young Violinist’s Repertoire 2: FaberElgar, arr Lanning Enigma Theme from Nimrod The Classic Experience: CramerGossec Gavotte Suzuki Violin Book, Vol 1: Summy-BirchardHandel arrApplebaum

Gavotte with Variations No 17 Building Technique with Beautiful Music Vol 2: Belwin

Haydn, arr Sulyok German Dance No 9 Violin Music for Beginners Bk 1: EMBKirnberger Carillon First Solo Pieces. Vol 1: SchottLully Gavotte No 10 Suzuki Violin Book, Vol 2: Summy-BirchardMartini Gavotte Young Violinist’s Repertoire Bk 1: FaberMorley Alman Music for Violin: EMB Z6749Mozart arr. Duncan Allegro Solo Pieces for the Intermediate Violinist:: Mel BayMozart Lied Violin Music for Beginners Bk 1: EMBMozart, L Marcia No 1V/2 Music for Violin: EMB Z6749Paganini arr. Suzuki Theme from Witches’ Dance Suzuki Violin Book, Vol 2: Summy-BirchardPepusch Sonata in C No 1, 1st & 2nd mvts SchottPuccini, arr Lanning Oh! Mio babbino caro The Classic Experience: CramerPurcell arr. Radmall Air & Hornpipe Chester String Series Vol 1: ChesterRameau Rigaudon The Young Violinist’s Repertoire Bk 1: FaberSchubert Allemande Violin Music for Beginners: EMBSchumann Military March Violin Music for Beginners: EMBStrauss J, arr Jones Russian March The Fiddle Play Along Collection Vol 1: Boosey & HawkesTartini arr. Moffat Sarabande Alte Meister für Junger Spieler Bk 1: SchottTchaikovsky Old French Song The Essential String Method Bk 4: Boosey & HawkesThomas Gavotte from Mignon No. 9 Suzuki Violin Book, Vol 2: Summy-BirchardTrad arr Radmall Chanson favourite d’Henri 1V Chester String Series Vol 1: ChesterTrad, arr Nelson Skye Boat Song Moving Up Again: Boosey & Hawkes

List C

Arlen Over the Rainbow What Else Can I Play 3: Faberarr Jones Bulgar from Odessa The Klezmer Fiddler: Boosey & Hawkesarr Jones Dance, Dance The Klezmer Fiddler: Boosey & HawkesBailey Dainty Steps Jazzin’ Around for Strings: Kerin Bailey MusicBailey Rock on the Edge Jazzin’ Around for Strings: Kerin Bailey MusicBailey Shades of Night Jazzin’ Around for Strings: Kerin Bailey Music

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16

Grade Two: continued from previous page

Blackwell Allegretto In G Fiddle Time Runners: OUPBlackwell Caribbean Sunshine Fiddle Time Runners: OUPBlackwell I got those Fiddle Blues Fiddle Time Runners: OUPChamberlain Bumble Cat Step it up: AlfredCohen Headin’ Homewards Bags of Style for Violin: FaberColledge Cossacks Shooting Stars: Boosey & HawkesColledge Moto perpetuo Shooting Stars: Boosey & HawkesColledge Stiffkey Blues Shooting Stars: Boosey & HawkesDanbe Minuet in D, No 7 First Solo Pieces: SchottJones Banana Skin Got those Position Blues?: FaberJones Got those 3rd Position Blues & Hard Rock

CafeGot those Position Blues?: Faber

Jones No 4 Miles Away Got those Position Blues?: FaberJoplin arr Heger The Entertainer Let’s Rag: NoetzelJoplin arr Heger The Strenuous Life Let’s Rag: NoetzelJoplin arr Heger The Sycamore Let’s Rag: NoetzelKroll Donkey Doodle Solos for Young Violinists Vol 1: Summy-BirchardLloyd-Webber, arrHuws Jones

Memory Going Solo Violin: Faber

Lumsden &Wedgwood

Jurassic Blue Jurassic Blue: Faber

Martin Jig Little Suite No 4: Stainer & BellNelson Jonathan’s Jig Moving Up: Boosey & HawkesNorton A Dramatic Episode Microjazz Collection Bk 2: Boosey & HawkesNorton Face in the Crowd Microjazz for Violin: Boosey & HawkesNorton Swan Song Microjazz Collection Bk 2: Boosey & HawkesRieding Concerto Op 35 in B min, 1st mvt BosworthShore Many meetings from the Fellowship of the

RingThe Lord of the Rings, Instrumental Solos: Alfred

Shore The Steward of Gondor from Return ofthe King

The Lord of the Rings, Instrumental Solos: Alfred

Thorn Pizzicato Sevens Four Pieces for Violin: AMCTrad El condor pasa The Latin American Fiddler: Boosey & HawkesTrad arr Cohen She Moved Through the Fair Bags of Folk: FaberTrad arr Cohen The Lark in the Clear Air Bags of Folk: FaberTrad Fiddle Time Blues Fiddle Time Runners: OUPTrad Scottish Air and Reel No 5 Chester String Series Vol 1: ChesterTrad The Wraggle Taggle Gypsies What Else Can I Play Grade 2: IMP / FaberWedgwood Ho Down - Show Down Jazzin’ About: FaberWedgwood The Next Time Jazzin’ About: FaberWeill arr. Reiter Lied der Jenny Kurt Weill songs for violin and piano: Universal

3. Musicianship

4. Musical Knowledge

Page 17: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

17G

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Page 18: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

18

Grade Three1. Scales (ascending and descending)

Major A♭ Two OctavesB♭ Two Octaves (start first finger on 2nd position on G string)B Two Octaves (start first finger ond 2nd position on G string)C Two Octaves (2nd or 3rd position starting on G string)

Harmonic Minor A♭ Two OctavesB♭ Two Octaves (first finger start on 2rd position on G string)

Melodic Minor B Two Octaves (start first finger on 2nd position on G string)C Two Octaves (2nd or 3rd position start on G string)

Bowing Patterns: Détaché (mid bow)

���etc.�� = 6644� � � ��

Legato (whole bow)

��� �etc.� = 6644� � ���Spiccato

��� �� ��

� etc.

��� ��

�� � ����

68

�� = 72

��� ��� ��

Martelé (mid bow to upper half)

�������� �� ��� ���

etc.

���� ����

���

� ��� �

���� 44

� = 60

� �

���

��

� ��Chromatic D, G, A One Octave (open string, separate bows)

� � �� �� � � � �� � � � �� �� � � ��� 44 ��� � �� � ��� ��Major Arpeggios A♭ Two Octaves

B♭ Two Octaves (start first finger on 2nd position on G string)B Two Octaves (start first finger on 2nd position on G string)C Two Octaves (2nd or 3rd position starting on G string)

Minor Arpeggios A♭, B♭ Two Octaves (start first finger on 2nd position on G string)B Two Octaves (start first finger on 2nd position on G string)C Two Octaves (2nd or 3rd position starting on G string)

Bowing Patterns: Détaché

���� etc.68�� = 100

� �

� ��Legato

���� etc.

68�� = 100

� �

� ��Dominant Seventh C One Octave (commencing on open G and resolving on the tonic)

Diminished Seventh G One Octave (commencing on open G)Bowing Patterns: Détaché

������� = 10044� � ���

Slurred

� ���� ����� = 10044� � ��� �

Page 19: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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2. Pieces – Three pieces to be chosen, one from each list, plus two in extra repertoire list

List A

Carse No 1 in G Progressive Studies Bk 4: Stainer & BellCarse No 2 in D min Progressive Studies Bk 4: Stainer & BellCarse No 3 in D min Progressive Studies Bk 3: Stainer & BellCarse No 5 in G Progressive Studies Bk 3: Stainer & BellCohen Cappuccino at the Ice Rink Jazz Technique Takes Off: FaberCohen Carnival Parade Rhumba Jazz Technique Takes Off: FaberCohen No 1 Prelude Technique Takes Off: FaberCohen No 5 Helter Skelter Technique Takes Off: FaberCohen Tuesday Blues Day Jazz Technique Takes Off: FaberDancla No 2 Moderato in F 15 Etudes Op 68: PetersDancla No 8 Maestoso in Eb 15 Etudes Op 68: PetersDancla No 9 Allegretto cantabile in G min 15 Etudes Op 68: PetersHuws Jones Second Stride Got Those Position Blues: FaberKayser No 7 Allegro Moderato in Bb 36 Violin Studies Op 20: IMCMacKay The Clown’s Dance Position Changing for the Violin: OUPSitt No 22 Allegro in F 100 Studies Op 32: Fischer / RicordiSitt No 24 Allegro moderato in G 100 Studies Op 32: Fischer / RicordiSitt No 26 Allegro in A 100 Studies Op 32: Fischer / RicordiSitt No 27 Moderato in D 100 Studies Op 32: Fischer / RicordiWohlfahrt No 3, Moderato in C 60 Studies Op 45 Vol 2: Schirmer 839Wohlfahrt No 22 Allegro in C 60 Studies Op 45 Vol 1: Schirmer 838Wohlfahrt No 30 Allegro in G 60 Studies Op 45 Vol 1: Schirmer 838Wohlfahrt No 32 Allegro in C 60 Studies Op 45 Vol 2: Schirmer 839Wohlfahrt No 33 Allegro moderato in G 60 Studies Op 45 Vol 2: Schirmer 839Wohlfahrt No 35 Allegro in C 60 Studies Op 45 Vol 2: Schirmer 839Wohlfahrt No 44 Tempo di marcia in A min 60 Studies Op 45 Vol 2: Schirmer 839

List B

Albrechtsberger Minuetto Die Alte Geige: UniversalBach Gavotte BWV 1012 Young Violinist’s Repertoire 3: FaberBecker Gavotte No 5 Suzuki Violin Book, Vol 3: Summy-BirchardBeethoven Minuet in G No 11 Suzuki Violin Book, Vol 3: Summy-BirchardBizet arr Blackwell Habanera Fiddle Time Sprinters: OUPBoccherini Minuet & Trio Suzuki Violin Book, Vol 2: Summy-BirchardBrahms Lullaby Op 49 No 4 Universal Violin Album 2, UECarse Dance Scherzo Classic Carse 2, Stainer & BellChopin arrAppelbaum

Mazurka Building Technique with Beautiful Music Vol 3, Belwyn

Corelli Allegro Die Alte Geige: UniversalCouperin La Lutine Classical & Romantic Pieces 3: OUPDiabelli Andante Cantabile Schott Violin Series: SchottDvorák Humoresque Violin School Vol 3: SuzukiGabriel Marie La Cinquantaine Solos for Young Violinists, Vol 1: Summy-BirchardGrieg arr Lindsay Anitra’s Theme First Recital Series for Violin: CurnowHandel Bourree from the Water Music First Violin Bk 2: ABRSMHandel arr Blackwell Hornpipe from the Water Music Fiddle Time Sprinters: OUPHandel Musette in G Classical & Romantic Pieces 2: OUPHerbert arr Alan Fantasy on Dagger Dance from Natoma First Recital Series for Violin: CurnowHotteterre Allemande Sheila Nelson’s Baroque Violinist: Boosey & HawkesHotteterre Gavotte Sheila Nelson’s Baroque Violinist: Boosey & HawkesLiadov Berceuse and Dance of the Mosquito First Solo Pieces Bk 2: SchottMozart, L Aria, No V11/5 Music for Violin: EMB Z6749Pachelbel arrLanning

Canon The Classic Experience: Violin: Cramer

Papini, arrApplebaum

Theme & Variations Solos for Young Violinists, Vol 1:Summy-Birchard

Pearson Variations on Lulle Me Beyond Thee Schott Violin Series: SchottPlayford Mr Isaac’s Maggot Going Solo: FaberSaint-George Giga Stainer & BellSchubert Menuet Music for Violin: EMB Z6749Schumann The Two Grenadiers, No 7 Violin School Vol 2: SuzukiSmetana arr Meyer The Moldau String Explorer Bk 2: AlfredTartini arr vanBeringen

Sarabande Festive Baroque: de Haske

Tchaikovsky The Sleeping Beauty Waltz Red Hot Violin Grades 3 & 4: Faber

Page 20: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

20

Grade Three: continued from previous page

Trad arr Alan The Water is Wide First Recital Series for Violin: CurnowTrad arr Hannickel Barbara Allen First Recital Series for Violin: CurnowTrad arr Huws Jones Song of the ghetto The Gypsy Fiddler: Boosey & HawkesTrad arr Stock Lady Meng Jiang, No 1 Chinese Violin Solos: SchottTrad arr Stock Purple Bamboo Melody Chinese Violin Solos: SchottVivaldi Concerto Op 3 No 3/RV 310 in G, 2nd

mvt LargoViolin School Vol 5: Suzuki

Walther Choral con partite Music for Violin: EMB Z6749Waterfield arr Jones Hymn to Hestia Going Solo Violin: FaberWeber arrApplebaum

Waltz Building Technique with Beautiful Music Vol 3: Belwyn

List C

Bailey Blue Notoriety Jazzin’ Around for Strings: Kerin Bailey MusicBailey Bossa Nouveau Jazzin’ Around for Strings: Kerin Bailey MusicBailey Fragile World (with shifts), Jazzin’ Around for Strings: Kerin Bailey MusicBernstein America from West Side Story Making the Grade Violin Grade 3: ChesterBlackwell Chromatic cats Fiddle Time Sprinters: OUPBlackwell Hungarian folk dance Fiddle Time Sprinters: OUPBlackwell Mexican Fiesta Fiddle Time Sprinters: OUPBlackwell Round Trinidad Bay Fiddle Time Sprinters: OUPBlackwell Show Stopper Fiddle Time Sprinters: OUPBlackwell Wild West Fiddle Time Sprinters: OUPCullen An Evening Stroll Thirteen Ways of Getting There: SchottCullen Riding an ostrich Thirteen Ways of Getting There: SchottCullen White Water Rafting Thirteen Ways of Getting There: SchottHuber Concertino Op 8 No 4 in G maj Solos for Young Violinists, Vol 1: Summy-BirchardJohnson Excursion First Recital Series for Violin: CurnowJones Open Sesame Got Those Position Blues?: FaberJoplin, arr Cowles Magnetic Rag Ragtime Favourites: Fentone F852-400Joplin, arr Cowles New Rag Ragtime Favourites: Fentone F852-400Járdányi Hungarian Dance Music for Violin: EMB Z 6749Kern arr Jones Smoke Gets in Your Eyes Jazz, Blues and Ragtime: Boosey & HawkesKhachaturian Adagio from Spartacus The Classic Experience, CramerKüchler Concertino Op 15 in D, 1st mvt Allegro

ModeratoSolos for Young Violinists Vol 1: Summy-Birchard

Mancini arr. Cohen The Pink Panther First Repertoire for Violin: FaberNelson Caprice Moving Up Again: Boosey & HawkesNelson Hurry on Down Piece by Piece Bk 2: Boosey & HawkesNelson Jumping Jack Moving Up Again: Boosey & HawkesNelson Morag’s Lament Piece by Piece Bk 2: Boosey & HawkesNelson Moto Perpetuo Moving Up Again: Boosey & HawkesNelson Skye Boat Song Moving Up Again: Boosey & HawkesNorman arr Cohen James Bond Theme Bags of Showbiz for Violin: FaberNorton Snow Dance Microjazz Collection Bk 2: Boosey & HawkesNorton Gentle Ride Microjazz Collection Bk 2: Boosey & HawkesNorton Hush Little Baby The Christopher Norton Collection for Violin: Boosey &

HawkesNorton Out West Microjazz Collection Bk 2: Boosey & HawkesNorton Rustic Dance Microjazz Collection Bk 2: Boosey & HawkesNorton Swanee River The Christopher Norton Concert Collection for Violin: Boosey

& HawkesPiazolla Chanson de la Naissance 14 Tangos and other Pieces: SchottPiazolla Milonga 14 Tangos and other Pieces: SchottPortnoff No1 or 2 or 3 Russian Fantasia: BosworthProkofiev Troika from Lieutenant Kije Amazing Solos for Violin: Boosey & HawkesRadanovics Peggy, The Rubber Duck Jazzy Violin Bk 1: UniversalRadanovics Wand’ring that path of sadness and

wisdomJazzy Violin Bk 2: Universal

Shearing arr Jones Lullaby of Birdland Jazz, Blues and Ragtime: Boosey & HawkesShekov Boogie Time Kaleidoskop Op 79: Robert LienauShostakovich Tanz Schostakowitsch Albumstucke: Peters 4794Stone Intermezzo Eight Pieces in Third Position: NovelloStone Pastorale Eight Pieces in Third Position: NovelloSugár Pizzicato Music for Violin: EMB Z 6749Szelényi Overture and Rondino 24 Easy Little Concert Pieces Bk 2: EMBTrott The Puppet Show Op 5 No 1 Solos for Young Violinists Vol 1: Summy-Birchard

Page 21: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Grade Three: continued from previous page

Waterfield Through the Rainbow Gypsy Jazz: Easy Level: FaberWedgwood Call it a Day After Hours for Violin and Piano: FaberWedgwood Falling After Hours for Violin and Piano: FaberWedgwood Just Passing By Jazzin’ About: FaberWedgwood Remember When After Hours for Violin and Piano: FaberWedgwood Rock-a-bow Baby Jazzin’ About: FaberWedgwood Sometime Maybe Jazzin’ About: FaberWeill arr Reiter Barbara Song Kurt Weill Songs for Violin and Piano: Universal

3. Musicianship

4. Musical Knowledge

Level 2 - Grades 4 and 5

Descriptors

Processes are moderate in range, established and familiar, employing basic operational skills using readily available information. These areapplied in directed activities which are supervised by the teacher. Learners have some responsibility for quantity and quality.

Criteria

Examiners will use these criteria in assessing all level 2 entrants.

• Comfortable and well balanced posture and comfortable relationship with the instrument.• Appropriate and comfortable hand and arm position with developing flexibility in the use of hands and arms.• Shifting action showing developing inner ear ability and increasing knowledge of the finger board.• Technical facility, sufficient to allow:

• Developing controlled co-ordination of the finger action and bowing movements• Rhythmic stability• Systematic fingering in scales and arpeggios• Well projected, resonant, full and clear sound quality

• Accurate and prompt performance of all technical work

• at the minimum tempo or faster with bowing patterns as specified in the Essential Technique for Violin - Edward Pople (availablefrom the NZMEB office).

• Performance from memory as listed in Essential Technique for Violin.• A developing sense of pulse to allow accurate performance of rhythmic figures

• Accurate and fluent performance of pieces• Effective use and control of dynamics and tempo• Awareness of phrasing.

Page 22: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

22

Grade Four

1. Scales (ascending and descending)

Major C, D, E, B Two OctavesHarmonic Minor C, D, E, B Two Octaves

Melodic Minor C, D, E, B Two OctavesBowing Patterns: Détaché (upper half)

���etc.�� = 12044

������ � � ��Spiccato

������etc.

��� = 12644

�������

M

� ������Hook Stroke

��

� ��

��� �etc.

��� ��� = 110

44������ �

�� ����

��

Seven Note Slur

�� ���� ��� �

� = 66

44������ �

WB

� � ���Chromatic G, B♭ Two Octaves

� ��� ��� �� etc.�� �� �

� ��

����� 44

� = 112

� ���

�� ��

� �

Major Arpeggios C, D, E, B Two OctavesMinor Arpeggios C, D, E, B Two OctavesBowing Patterns: Détaché

��� �etc.

68�� = 120����� �

� � �Legato

���� etc.

68�� = 120��� �

� ��Dominant Seventh C, E Two Octaves, resolving on the tonic

Diminished Seventh G, B Two OctavesBowing Patterns: Détaché

�� �� �� � ��� � ��� 44�� = 120 � �� �

Slurred

� �� ��� � � � ��� � ��� 44

�� = 120

��� �� �

2. Pieces – Four pieces to be chosen, one from each list, plus two in extra repertoire list.

List A

Carse No 9 Allegro in C Progressive Studies Bk 3: Stainer & BellCarse No 12 Allegretto in C Progressive Studies Bk 3: Stainer & BellCohen Charleston Jazz Technique Takes Off: Faber

Page 23: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Grade Four: continued from previous page

Cohen No 2 Gossips in a London Street Technique Takes Off: FaberCohen No 4 Serenade Technique Takes Off: FaberCohen No 9 Carriage Parade Technique Takes Off: FaberCohen No 12 The Bee’s Knees Technique Takes Off: FaberCohen No 13 Will o’ the Wisp Technique Takes Off: FaberDancla No 3 Allegro moderato 15 Etudes Op 68: PetersDancla No 5 Molto moderato 15 Etudes Op 68: PetersDancla No 6 Allegretto grazioso 15 Etudes Op 68: PetersDancla No 14 Andante cantabile 15 Etudes Op 68: PetersKayser No 9 Allegro assai in G 36 Violin Studies Op 20: IMCKayser No 13 Allegretto in G 36 Violin Studies Op 20: IMCKreutzer No 2 Allegro moderato in C 42 Studies for Violin: IMCKreutzer No 5 Allegro moderato in Eb 42 Studies for Violin: IMCMazas No 2 The Sweeping Stroke Moderato in A

minEtudes brillantes Op 36: Peters / Universal

Mazas No 3 The Firm Stroke, Allegro moderatoin A min

Etudes brillantes Op 36: Peters / Universal

Mazas No 10 Allegro non troppo in A min/maj Etudes brillantes Op 36: Peters / UniversalSitt No 45 Moderato 100 Studies Op 32Sitt No 46 Moderato 100 Studies Op 32Wohlfahrt No 38 Moderato 60 Studies Op 45 Bk 2Wohlfahrt No 39 Moderato 60 Studies Op 45 Bk 2Wohlfahrt No 57 Moderato assai 60 Studies Op 45 Bk 2

List B

Bach Menuet BWV 814 in A min Music for Violin: EMB Z6749Corelli arr Jones Giga Baroque Violin Pieces Bk 2: ABRSMCorelli Sonata Op 5 No 5, 5th mvt Giga Sonatas Op 5 Vol 1: Wiener UrtextCorelli Sonata Op 5 No 8 in E min, Allemande IMC / Stainer & BellCorelli arr Jones Preludio Baroque Violin Pieces Bk 2: ABRSMde Fesch arr Jones Largo & Allemande Baroque Violin Pieces Bk 2: ABRSMDittersdorf German Dance Violin School Bk 5: SuzukiEccles Air Round O Chester String Series Vol 3: ChesterEccles Jigg Chester String Series Vol 3: ChesterEccles Minuet No 5 Chester String Series Vol 3: ChesterEccles Trumpet Aire Chester String Series Vol 3: ChesterFarnaby Nobody’s Gigge Chester String Series Vol 3: ChesterHandel Daphne’s Song Chester String Series Vol 3: ChesterHandel Sonata HWV 370 Op 1 No 12 in F, 1st &

2nd mvtsBarenreiter / Violin School Bk 5: Suzuki

Haydn arr Palaschko Serenade from String Quartet Hob III:17Op 3 No 5 in F

Schott

Huber Concertino Op 8 No 4 in G, Allegromoderato

Solos for Young Violinists Bk 1: Summy-Birchard

Pepusch Sonata in G, No 6 any two mvts SchottPurcell Rondeau Violin Favourites Vol 1: Fentone / De HaskeRebel Norwegian Dance Chester String Series Vol 3: ChesterSchubert arr Nelson The Brook Classical Violinist: Boosey & HawkesSchubert Minuet & Trio First Solo Pieces 1: SchottSchubert Sonatina D385/Op 137 No 2 in A min, 3rd

mvt Minuet and TrioHenle

Schubert, arrRadmall

Waltz Chester String Series Vol 3: Chester

Sulyok Variazioni Music for Violin: EMB Z6749Telemann Concerto in G, 1st mvt KunzelmannTelemann Largo & Allegro Sheila Nelson’s Baroque Violinist: Boosey & HawkesTelemann Sonata No 4 in G, 4th mvt Allegro Sechs Sonaten: SchottTelemann Sonatina No 2 in B flat Sechs Sonatinen: SchottTelemann Sonatina No 1 in G Sechs Sonatinen: SchottTelemann Sonatina No 6 in F Sechs Sonatinen: SchottTrad Bamboo Stem & Jasmine Flower Chinese Violin Solos: SchottVeracini, arr Jones Largo Baroque Bk 2: ABRSMVivaldi Sonata Op 2 No 8 in G, 1st & 2nd mvts 12 Sonatas Op 2: SchottVivaldi Concerto RV356/Op 3 No 6 in A min, 1st

mvt No 4Violin School Bk 4: Suzuki

Vivaldi Concerto RV356/Op 3 No 6 in A min, 3rdmvt. No 5

Violin School Bk 4: Suzuki

Page 24: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

24

Grade Four: continued from previous page

List C

arr Jones Tuxedo Junction Jazz, Blues & Ragtime: Boosey & HawkesBizet, arr Cowles Toreador’s Song World Famous Melodies: Fentone / De HaskeBizet The Spinning Top First Solo Pieces Bk 2: SchottBöhm Perpetual Motion in D, Little Suite No 6 Solos for Young Violinists Bk 3: Summy-BirchardDvorák Sonatina Op 100 in G Scherzo HenleGrieg, arr Cowles Anitra’s Dance World Famous Melodies: Fentone / De HaskeJenkinson Elves Dance Solos for Young Violinists Bk 1: Summy-BirchardJärnefelt Berceuse ChesterMacDowell To a Wild Rose First Solo Pieces 1: SchottMendelssohn Mosquito Dance Op 62 No 5 Solos for Young Violinists Bk 1: Summy-BirchardMendelssohn Spring Song Easy Violin Pieces: AshleyMendizabal arr Jones A la luzde los faroles The Tango Fiddler: Boosey & HawkesMollenhauer The Boy Paganini Solos for Young Violinists Bk 2: Summy-BirchardNazareth, arr Jones Apenheite The Latin American Fiddler: Boosey & HawkesOrff, arr Cohen The Can Can Nifty Shifts: FaberPapini Un Soir a Portici, Op 86 Music from Romantic Era Gr 4-7: BosworthRebel arr Radmall Norwegian Dance Chester String Series Vol 3: ChesterRuegger Sonata Miniature 1st mvt RubankSchumann F.A.E. Sonata 2nd mvt Intermezzo PetersSchumann, arrRadmall

Harvest Song Chester String Series Vol 3: Chester

Schumann Romance Chester String Series Vol 3: ChesterSeitz Concerto No 5 in D 1st mvt Violin School Vol 4: Suzuki / Schirmer Vol 950Seitz Concerto Op 13 No 2 in G 3rd mvt Violin School Vol 4: Suzuki / BosworthSeitz Concerto, Op 13 No 2 in G 1st mvt Henle / BosworthTchaikovsky Chanson Triste The Young Violinist’s Repertoire 4: FaberTchaikovsky Neopolitan Song The Young Violinist’s Repertoire 4: FaberTrad, arr Hannickel In a French Café 1st Recital Series for Violin: Curnow MusicTrad Slow Leaping Dance & Fast Csardas The Gypsy Fiddler arr Jones: Boosey & HawkesTrad Song & Dance Melody 1 The Gypsy Fiddler arr Jones: Boosey & Hawkes

List D

arr Jones Tuxedo Junction Jazz, Blues & Ragtime: Boosey & HawkesBailey Swing and Swang Jazzin’ Around for Strings: Kerin Bailey MusicBerto arr Jones La payanca The Tango Fiddler: Boosey & HawkesBridge Country Dance Stainer & BellBridge Meditation Stainer & BellClebanoff Millionaire’s Hoedown Solos for Young Violinists Vol 2: Summy-BirchardCoulonges arrNorgaard

Ma rose d’Alsace French Tangos: Mel Bay

Feijoo, arr Norgaard As de copas French Tangos: Mel BayHajdu Rondo Music for Violin: EMB Z6749Huws Jones Adrienne Got those Position Blues?: FaberHuws Jones Banana Skin Got those Position Blues?: FaberJoplin arr Cowles Fig Leaf Rag Ragtime Favourites: Fentone F852-400Joplin arr Cowles Maple Leaf Rag Ragtime Favourites: Fentone F852-400Joplin arr Cowles Ragtime Dance Ragtime Favourites: Fentone F852-400Joplin arr Cowles The Chrysanthemum Ragtime Favourites: Fentone F852-400Muréna & Verchurenarr Norgaard

Tango pour madame French Tangos: Mel Bay

Norton, C King Boogie The Christopher Norton Concert Collection for Violin: Boosey& Hawkes

Norton, C Put it all Together The Christopher Norton Concert Collection for Violin: Boosey& Hawkes

Norton, C Twinkle The Christopher Norton Concert Collection for Violin: Boosey& Hawkes

Piazzolla Ausencias Vuelvo al sur - 10 tangos and other pieces: Boosey & HawkesProvence & Trichotarr Norgaard

Tango bleu French Tangos: Mel Bay

Rogers Indian Rope Trick Switch on to Jazz: Fentone / De HaskeSugár Air Music for Violin: EMB Z6749Sugár Valse Music for Violin: EMB Z6749Torme & Wells The Christmas Song What Else Can I Play 3: FaberTrad, arr Cowles He’s Got the Whole World World Famous Melodies: Fentone / De Haske

Page 25: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Grade Four: continued from previous page

Verdu arr Norgaard Partir French Tangos: Mel BayVilloldo arr Jones El cachorrito The Tango Fiddler: Boosey & HawkesWedgwood Come Dance with Me After Hours - Violin: FaberWedgwood The Friends After Hours - Violin: FaberWeill arr Reiter Die Moritat von Mackie Messer (Ballad of

Mack the Knife)Kurt Weill Songs for violin and piano: Universal

Weill arr Reiter Zuhälterballade (Tango ballad) Kurt Weill Songs for violin and piano: Universal

3. Musicianship

4. Musical Knowledge

Page 26: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

26

Grade Five

1. Scales (ascending and descending)

Major G, A Three OctavesD♭, E Two Octaves

Harmonic Minor G, A Three OctavesD♭, E Two Octaves

Melodic Minor G, A Three OctavesD♭, E Two Octaves

Bowing Patterns (three 8ves): Détaché

� �� � � ���� � � �

�� � �� � � � ��� = 6644 �

�� �

� � �� � � � �� � � �� �� � �4

� �� �

�� �� � �

Legato

� �� � �� ��� � � �

� � � � ��� � 44� = 66

� � � �� �

�� � �� � � � � � � �� � �4

� � �� � � � ���� �

Bowing Patterns (two 8ves): Détaché (upper half)

��� etc.�� = 12044������ � � ��Legato (whole bow)

��� �etc.� = 12044������ � ���Spiccato

������� etc.��� = 100

44������ �

�� � �����

Hook Stroke

���

��

��� �

etc.

��� ��

� = 110

44������ �

�� ����

��Chromatic A, B Two Octaves

Bowing Patterns: Détaché

�� � �� �� �etc.� � �

� �� �� � � �� ���Legato (12 note slur)

��� ��� � � � � �etc.

� �� �� � �� ����

Page 27: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

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Major Arpeggios G, A Three OctavesD♭, E Two Octaves

Minor Arpeggios G, A Three OctavesD♭, E Two Octaves

Bowing Patterns: Détaché

�� �etc

3

344�� = 120�� � ��

Martelé

����etc

3

3

��44�� = 120��

�� ����Legato

��� etc

3

344�� = 120�� � ��

Dominant Seventh E♭, F Two Octaves, resolving on the tonicDiminished Seventh C, B♭ Two Octaves

Bowing Patterns: Détaché

� � ����� �� � � ��� ��� 44

� = 100 � � ��

Legato

� �� � �� � �

��� �� � � ��� 44� = 100 �� �

�� ��� �

Double Stops G Major 8ves One Octave (ascending and descending)G Major 6ths One Octave (ascending and descending)Bowing in slurred broken step, then together as in the following examples:

� � etc.

�44

�� � � ���

� � etc.

�44�� � � ���

2. Pieces – Four pieces to be chosen, one from each list, plus two in extra repertoire list

List A

Cohen No 3 The Mill Wheel Technique Takes off!: FaberCohen No 7 Dragon Dance Technique Takes off!: FaberCohen No 8 Looping the Loop Technique Takes off!: FaberCohen No 10 Catch me if you can Technique Takes off!: FaberCohen No 11 Skaters’ Waltz Technique Takes off!: FaberCohen No 14 Romance Technique Takes off!: FaberDancla No 4 Allegro moderato in D 15 Etudes Op 68: Peters 1078Dancla No 5 Molto moderato in E min 15 Etudes Op 68: Peters 1078Dancla No 7 Allegro moderato in G 15 Etudes Op 68: Peters 1078Dancla No 11 Moderato cantabile in A 15 Etudes Op 68: Peters 1078Dancla No 15 Allegretto grazioso in D 15 Etudes Op 68: Peters 1078David Study Op 44 No 26 in E min Zur Violinschule Op 44: Breitkopt & HärtelDont Study Op 37 No 9 in A Peters EP3705Essek Study Op 30 No 8 Slavisher Tanz in G min 30 Spezial-Etüden Op 30: HUG GH7442Kayser No 12 Allegro ma non tanto in G 36 Etüden Op 20: Schott Ed 4976Kayser No 14 Andante in Eb 36 Etüden Op 20: Schott Ed 4976Kayser No 16 Allegro in F 36 Etüden Op 20: Schott Ed 4976Kayser No 17 Andante quasi Allegretto in Bb 36 Etüden Op 20: Schott Ed 4976Mazas No 6 Allegro non troppo in G Melodious and Progressive Studies Op 36: Schirmer /

HL50490035

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Grade Five: continued from previous page

Mazas No 8 Andante espressivo in E min Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 9 March in B min Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 15 Allegro moderato in C Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 21 Allegretto in A Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Wohlfahrt No 43 Moderato in Eb 60 Studies Op 45: Peters 3327Wohlfahrt No 47 Andante Cantabile in A min 60 Studies Op 45: Peters 3327Wohlfahrt No 49 Allegro in C min 60 Studies Op 45: Peters 3327Wohlfahrt No 54 Allegro in D 60 Studies Op 45: Peters 3327

List B

Albinoni Sonata Op 6 No 6 in A min, 1st & 2ndmvts Adagio & Allegro

12 Violin Sonatas Op 6 Bk 2: Boosey & Hawkes

Bach Arioso from Cantata BWV 156 SchirmerBach Partita BWV 1006 in E, 6th mvt Gigue BärenreiterBeethoven Scherzo Sheila Nelson’s Classical Violinist: Boosey & HawkesBoyce Matalotte Old Masters for Young Players Bk 2: SchottCorelli Sonata Op 5 No 8 in E min, Sarabande &

GigueIMC / Stainer & Bell

Corelli Sonata Op 5 No 9 in A, 1st & 2nd mvtsPreludio & Giga

IMC / Stainer & Bell

Corelli Sonata Op 5 No 10 in F, 1st & 2nd mvtsPreludio & Allemanda

IMC / Stainer & Bell

Corelli Sonata Op 5 No 10 in F, 3rd, 4th & 5thmvts Sarabande, Gavotte and Jig

IMC / Stainer & Bell

Corelli Sonata Op 5 No 11 in E, 1st and 2nd mvtsPreludio & Allegro

IMC / Stainer & Bell

De Bériot Air Varie No 14, G maj Solos for Young Violinists Vol 2: Summy-BirchardDe Fesch Sonata Op 8 No 4 in G, 1st & 2nd mvts

Largo & AllemandeBaroque Violin Pieces Bk 2: ABRSM

Donizetti Non Giova il Sospirar Sheila Nelson’s Romantic Violinist: Boosey & HawkesEccles Sonata in G min, 1st & 2nd mvts Suzuki Violin School Vol 8: Summy-BirchardGeminiani Compositione Op 9 No 3 The Art of Playing the ViolinGossec Tambourin Sheila Nelson’s Classical Violinist: Boosey & HawkesHandel Sonata HWV 370 Op 1 in F, 2nd mvt HenleHandel Sonata HWV 373 Op 1 No 15 in E, 1st &

2nd mvtsBärenreiter

Handel arr Curran Arrival of the Queen of Sheba PetersHaydn arr Lambert Trio Hob XV/25 in G, 3rd mvt Rondo

all’ongareseSchott

Leclair arr Geiringer Sonata in E min, Sarabande & Allegro Alte Meistersonaten / UniversalMollenhauer The Infant Paganini Fischer B746Mozart Allegro from Allegro & Menuetto Real Repertoire for Violin: FaberMozart ed Gingold Rondo in D Solos for the Violin Player: SchirmerParadis Sicilienne Solos for Young Violinists Vol 6: Summy-BirchardRameau Gavotte Suzuki Violin School Vol 6: Summy-BirchardSenaille Allegro Spiritoso Solos for the Violin Player: SchirmerStanley Siciliana & Allegro Sheila Nelson’s Baroque Violinist: Boosey & HawkesTelemann Sonatina No 4 in A SchottVanhal Sonata Op 30 No 1 in B flat, 3rd mvt DoblingerVanhal Sonata Op 30 No 3 in G, 3rd mvt DoblingerVeracini Sonata in D min, 4th mvt Gigue Suzuki Violin School Vol 5: Summy-BirchardVeracini Sonata No 2 in G, 1st & 2nd mvts 3 Sonatas for Violin: BärenreiterVivaldi Concerto Op 12 No 1 (RV317, Fl No 52)

in G minIMC

List C

Albéniz arr Forbes Tango OUPBöhm Bolero SimrockCui Orientale Op 50 No 9 SchauerDancla Fleuve du Tage 12 Easy Fantasias Op 86: FischerDancla La Cenerentola 12 Easy Fantasias Op 86: FischerDancla Polka No 19 Klein Melodien-Schule Vol 3: Schott

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Grade Five: continued from previous page

Dvorák Romantic Piece Op 75 No 1 SimrockDvorák Waltz Op 54 No 1 in A Two Waltzes Op 54: BärenreiterDvorák Waltz Op 54 No 4 Universal Violin Album Vol 3: UniversalElgar Chanson de Matin Op 15 No 2 NovelloElgar Salut d’amor, Op 12 PetersFauré, arr Howat Berceuse, Dolly Op 56, PetersFauré Sicilienne Op 78 PetersGounod Ave Maria SchottGrieg Solveig’s Song Concert Repertoire for Violin: FaberJanácek Romance BärenreiterKreisler Aucassin et Nicolette SchottKreisler Liebeslied SchottSchubert Rosamunde Wonderful World of Schubert: MayhewSchumann arrHerman

Garden Melody Op 85 No 3 Peters 2643

Schumann Phantasiestiick Op 73 Sheila Nelson’s Romantic Violinist: Boosey & HawkesSeitz Concerto No 5 Op 22 in D Suzuki Violin School Vol 4: Summy-Birchard / Schirmer 950Sibelius Romance Op 78 No 2 ChesterSteibelt, arr Doflein Sonatine Op 33 No 1 in C, 1st mvt Allegro

ModeratoMusic for Violin & Piano Bk 2: Schott

Tchaikovsky arrJones

Waltz Op 48 No 15 from Serenade forStrings

Going Solo, Violin: Faber

Tchaikovsky, arrKreisler

Andante Cantabile String Quartette Op 11: Schott

Ten Have Bolero Op 11 Music from the Romantic era: Recital Pieces for Violin andPiano Grades 4-7: Bosworth

von Weber Air Polonaise First Violin Bk 3: ABRSMvon Weber Country Dance, No 4 Suzuki Violin School Vol 5: Summy-BirchardWieniawski Kujawiak Schott

List D

Copland I Bought Me a Cat Copland for Violin: Boosey & HawkesDe Falla, arrKochanski

Asturiana: No 2 Suite Populaire Espagnole: Chester

Joplin, arr Cowles Pleasant Moments Ragtime Favourites: Fentone F852-400Joplin, arr Cowles The Entertainer Ragtime Favourites: Fentone F852-400Joplin, arr Fraser Peacherine Rag No 5 A Joplin Album: FentoneKabalevsky Scherzo Albumstücke: PetersKadosa Slow & Fast Music for Violin: EMB Z6749Kraemer Black Eyes Gypsy Jazz Intermediate Level: FaberKraemer Cossack Dance. Gypsy Jazz Intermediate Level: FaberMartinu Intermezzo H261, 1st & 2nd mvts

Moderato & Poco allegroBärenreiter

Martinu Intermezzo H261, 3rd & 4th mvts Lento& Poco allegro

Bärenreiter

Mlynarski Mazurka Op 7 No 1 in G FischerPortnoff Russian Fantasia No 3 in A min BosworthRavel Berceuse sur le Nom de Gabriel Faure UMPRieding Concerto Op 24 in G, 2nd mvt Andante

SostenutoBosworth

Shostakovich Elegie from Albumstiicke arr Fortunatow PetersSugár Parlando Music for Violin: EMB Z6749Suk Melody Suk Compositions for Violin & Piano: BärenreiterWedgwood Sliding doors After Hours - Violin: FaberWedgwood Summer nights After Hours - Violin: Faber

3. Musicianship

4. Musical Knowledge

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30

Level 3 - Grade 6

Descriptors

Processes require a range of developing skills within a range of familiar contexts. These are applied using relevant theoretical knowledge,interpretative skills, discretion and judgment within a range of known responses to familiar problems. Although activities are directed by theteacher, learners have significant responsibility for the quantity and quality of output.

Criteria

Examiners will use these criteria in assessing all level 3 entrants.

• Comfortable and well balanced posture demonstrating considerable ease in the relationship with the instrument.• Position changes showing sound inner ear ability and a developed knowledge of the finger board.• A well projected resonance, full and clear sound quality.• Technical facility, to allow:

• Accurate and prompt performance of all technical work

• at the minimum tempo or faster with bowing patterns as specified in the Essential Technique for Violin - Edward Pople (availablefrom the NZMEB office).

• Performance from memory as listed in Essential Technique for Violin.• Systematic fingering in technical work

• A developed control of co-ordination between left and right hands• Position changes showing knowledge of the fingerboard and a developing inner ear ability.

• Ability to use bow speed an bow division to enhance musical phrasing and expression.• A well developed sense of pulse to allow accurate performance of rhythmic figures.• Increased control of variations in tempo, tone and articulations.• A developing sense of phrasing, style and ornamentation as appropriate to each musical period.• Increased awareness of intonation and fine pitch discrimination.• A developed awareness of appropriate bow strokes at moderate tempi eg detaché legato, staccato, martelé spiccato, hook strokes, with the

addition of sautillé and up-bow staccato and saltato.• Able to tune the instrument with competence.• A developed awareness of vibrato as a tool for enhancing tone and musical expression.

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Grade Six

1. Scales (ascending and descending)

Major A♭, B♭, C, D Three OctavesHarmonic Minor A♭, B♭, C, D Three Octaves

Melodic Minor A♭, B♭, C, D Three OctavesBowing Patterns: Détaché

� ���3 33

3

�etc.

��� = 9244� � ����

Legato

� ����3 33

3

etc.

��� = 9244� � ����

Spiccato

��� �� ���etc.

��� �� ��� �� � ���� 44� = 152

� �� �� � ��� �Chromatic A♭, C Two Octaves

Bowing Patterns: Legato

� � � �� � ��etc.� � ��

� � ��� � � �� ��� Major Arpeggios A♭, B♭, C, D Three OctavesMinor Arpeggios A♭, B♭, C, D Three OctavesBowing Patterns: Détaché

��� etc.�� = 6068����� � ��Legato

��� etc.�� = 6068����� � ��Dominant Seventh D♭, F Two Octaves, resolving on the tonic

Diminished Seventh A♭, C Two OctavesBowing Patterns: Legato

� � �� � � � �� � � ��� ����� 44

� = 100 � � ��

Double Stops C, B♭ Major in 3rds One OctaveE♭ Major in 6ths One OctaveA Major in 8ves Two OctavesG Harmonic Minor in 6ths One OctaveBowing in slurred broken step, then together as in the following example:

� �etc.

�44� � � �� �2. Pieces – Four pieces to be chosen, one from each list, plus two in extra repertoire list.

List A

Cohen No 1 Take to the Hills Technique Flies High: FaberCohen No 2 Wild Fire Technique Flies High, FaberEssek Study No 28 30 Spezial-Etüden Op 30: HUG GH7442Fiorillo No 5 Allegro in Bb 36 Etudes or Caprices: IMC / PetersFiorillo No 6 Andante sciolto in Eb 36 Etudes or Caprices: IMC / PetersFiorillo No 10 Allegro in D 36 Etudes or Caprices: IMC / Peters

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Grade Six: continued from previous page

Fiorillo No 15 Allegro in G min 36 Etudes or Caprices: IMC / PetersFiorillo No 21 Moderato, Allegro vivace in A 36 Etudes or Caprices: IMC / PetersKayser No 23 Allegretto in F min Etüden Op 20: Schott 4976Kayser No 27 Allegro in A Etüden Op 20: Schott 4976Kayser No 28 Allegro assai in A min Etüden Op 20: Schott 4976Kayser No 29 Moderato in C Etüden Op 20: Schott 4976Kayser No 31 Allegro molto agitato in Ab Etüden Op 20: Schott 4976Kayser No 33 Allegro moderato in C Etüden Op 20: Schott 4976Kreutzer No 8 Allegro non troppo in E 42 Studies or Caprices: IMCKreutzer No 10 Allegro in G 42 Studies or Caprices: IMCKreutzer No 11 Andante in E 42 Studies or Caprices: IMCKreutzer No 13 Moderato in A 42 Studies or Caprices: IMCKreutzer No 15 Moderato in D 42 Studies or Caprices: IMCKreutzer No 16 Maestoso in Bb 42 Studies or Caprices: IMCLibon No 7 Moderato in E min 30 Caprices or Etudes Op 15: RicordiMazas No 20 Andantino in D Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 26 Polonaise in G Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 28 Allegretto in F Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 36 Allegro moderato assai in Bb Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 39 Allegro in G Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 41 Allegretto in A Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 42 Allegro in F Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Sevcik Theme and Variations 1, 2 & 3 40 Variations Op 3: Bosworth

List B

Arne Sonata in Bb OUPBach Sonata BWV 1014 in B min, 3rd & 4th

mvtsBärenreiter

Bach Sonata BWV 1015 in A, 1st mvt Dolce BärenreiterBach Sonata BWV 1019 in G, 1st mvt Allegro BärenreiterBach Sonata BWV 1019 in G, 5th mvt Allegro BärenreiterBeethoven Variations on a Theme by Paisiello, ed

GringoldFrederick Harris Music

Benda Tempo di Menuetto Sheila Nelson’s Classical Violinist: Boosey & HawkesCorelli Sonata Op 5 No 3 in C, 3rd & 5th mvts

Adagio & AllegroSchirmer

Corelli Sonata Op 5 No 6 in A min, 1st & 3rdmvts Grave & Allegro

Schirmer

Corelli Sonata Op 5 No 11 in E, 2nd & 3rd mvtsAdagio & Allegro

Schirmer

Fiocco Allegro Suzuki Violin School Vol 6: Summy-BirchardHandel Sonata Op 1 No 10 HWV 368 in G min,

1st & 2nd mvts Andante & AllegroBärenreiter

Handel Sonata Op 1 No 12 HWV 370 in F, 1st mvt BärenreiterHandel Sonata Op 1 No 12 HWV 370 in F, 3rd &

4th mvts Largo & AllegroSuzuki Violin School Vol 6: Summy-Birchard

Handel Sonata Op 1 No 13 HWV 371, 3rd & 4thmvts Larghetto & Allegro

Bärenreiter

Handel Sonata Op 1 No 15 HWV 373 in E,Adagio & Allegro

Bärenreiter

Haydn arr. Nelson Presto Classical Violinist: Boosey & HawkesMozart Rondo K 485 in D HenleMozart Sonata K 304 in E min, 1st mvt Allegro HenleTartini Sonata in G min, 3rd & 4th mvts Largo &

Allegro comodoPeters

Tartini Sonata Op 1 No 10 in G min, 1st mvtDidone Abandonnata

Peters

Telemann Fantasia No 10 TWV 40:23 in D 12 Fantasias for Solo Violin: BärenreiterTelemann Sonatina No 5 TWV 41:E4 in E 6 Sonatinen: SchottVanhal Sonata Op 30 No 1 in Bb, 1st mvt Doblinger

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Grade Six: continued from previous page

Vanhal Sonata Op 30 No 3 in G, 1st mvt DoblingerVeracini Sonata No 1 in F, 1st & 2nd mvts Largo e

nobile & Allegro3 Sonatas for Violin: Bärenreiter / Hortus Musicus

Veracini Sonata No 1 in F, 4th mvt Allegro 3 Sonatas for Violin: Bärenreiter / Hortus MusicusVivaldi Concerto in A min, 1st mvt PetersVivaldi Sonata Op 2 No 1 RV 27 in G min, 1st &

2nd mvts Preludio & GigaSchott

List C

Achron Hebrew Melody, ed Heifetz FischerAlbéniz Tango Op 165 No 2 OUPBohm Intro & Polonaise from Arabesquen, No

12Solos for Young Violinists Vol 2: Summy-Birchard

Bohm Sarabande in G min Solos for Young Violinists Vol 2: Summy-BirchardBrahms Hungarian Dance No 5 in G min SchottCui Orientale Op 50 No 9 LengnickD’ambrosio Canzonetta Op 6 Sheila Nelson’s Romantic Violinist: Boosey & HawkesDancla No 1 Air varié sue un thème de Pacini Six Airs Variés Op 89: FischerDancla No 3 Air varié sue un thème de Bellini Six Airs Variés Op 89: FischerDancla No 4 Air varié sue un thème de Donizetti Six Airs Variés Op 89: FischerDebussy arr. Roques La Plus que Lente DurandDrdla Souvenir BosworthDvorák Ballade Op 15 Barenreiter / Editio Supraphon PragueDvorák Sonatina Op 100 in G, 1st mvt Allegro

RisolutoSolos for Young Violinists Vol 2: Summy-Birchard / Breitkopf& Härtel

Dvorák Sonatina Op 100 in G, Scherzo & Trio Breitkopf & HärtelElgar Chanson de Nuit Op 15 No 1 Novello / Music SalesElgar Sospiri Violin Favourites Vol 1: Fentone / de HaskeFauré Berceuse Op 16 Anthology of Original Pieces: PetersGlazounov Meditation in D, Op 32 BelaiefGlazounov Melodie arabe SchottGluck, arr Kreisler Melodie from Orpheus & Euridice Solos for Young Violinists Vol 4: Summy-BirchardKreisler Rondino on a Theme of Beethoven Solos for Young Violinists Vol 4: Summy-BirchardKreisler Schon Rosmarin Boosey & HawkesKreisler Tempo di Menuetto Solos for Young Violinists Vol 3: Summy-BirchardMassenet arrMarsick

Meditation from Thais Solos for Young Violinists Vol 5: Summy-Birchard

Rachmaninoff arrPress

Vocalise Op 34 No 14 Solos for Young Violinists Vol 6: Summy-Birchard

Reger Romance in G Breitkopf & HärtelRimsky-Korsakovarr Kreisler

Song of India The Fritz Kreisler Collection Vol 2: Fischer

Schubert Sonatina D 384 in D, 3rd mvt Allegrovivace

Schott

Schubert Sonatina D 385 in A min, Finale SchottSchubert Sonatina D 408 in G min, Minuet & Trio HenleSchumann arrKreisler

Romance in A The Fritz Kreisler Collection Vol 2: Fischer

Seitz Student Concerto Op 15 No 4 in D, 3rdmvt Allegretto

Fischer / Kalmus K03948

Severn Polish Dance Solos for Young Violinists Vol 4: Summy-BirchardTchaikovsky, arrForbes

Barcarolle Op 37b Chester

Vaughan Williams Fantasia on Greensleeves OUPWieniawski Chanson polonaise Op 12 PWMWieniawski Le ménétrier Op 19 No 2 Two Mazurkas Op 19: SchottWieniawski Obertass Op 19 No 1 Two Mazurkas Op 19: Schott

List D

Anon arr. Waterfield& Kramer

Hora Gypsy Jazz, Intermediate Level: Faber

Anon arr. Waterfield& Kramer

Invitation to the Dance Gypsy Jazz, Intermediate Level: Faber

Bartók An Evening in the Village Real Repertoire for Violin Grades 4 - 6: FaberDebussy arr. Butorac Claire de lune ButoracHess Theme from ‘Ladies in Lavender’ Faber

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Grade Six: continued from previous page

Hindemith Meditation SchottHubay Bolero Op 51 No 3 5 Morceaux Caratéristiques Op 51: BosworthJanácek Romance Works for Violin & Piano: BärenreiterKomarovsky Concerto in E min No 1 PetersMartinu Moderato & Poco allegretto No’s 1 & 2 Five Madrigal Stanzas: Schirmer / Music SalesMartinu Scherzando No 4 Five Madrigal Stanzas: Schirmer / Music SalesMonti Czardas RicordiPiazzolla Milonga en re TonosRavel Berceuse sur le nom de Fauré DurandRixner Ragamuffin Music from Romantic Era Grades 4-7: BosworthSevern Polish Dance Warner ChappellShostakovich Elegy Schostakowitsch Albumstiicke: Peters 4794Stravinsky Gavotte & Two Variations Suite Italienne: Boosey & HawkesWallen Woogie Boogie Unbeaten Tracks: FaberWedgwood Survivor After Hours - Violin: Faber

3. Musicianship

4. Musical Knowledge

Level 4 - Grades 7, 8 and Performers Certificate

Descriptors

Processes require a wide range of technical skills involving a considerable choice of procedures in a variety of familiar and un-familiar contexts.The learning demands a broad knowledge base incorporating some theoretical concepts and analytical interpretation of information. Thelearning demand requires informed judgment within a range of innovative responses to concrete but often unfamiliar problems. Learners havecomplete responsibility for the quantity and quality of output under broad guidance and evaluation from their teacher.

Criteria

Examiners will use these criteria in assessing all level 4 entrants.

In addition to those criteria at level 1, 2, & 3 the entrants will demonstrate:

• Accurate and fluent performance throughout.• Rhythmic stability and vitality.• Secure position changes and finger placement showing a developed inner ear ability.• A full exploration of the dynamic range of the instrument.• A well projected, resonant, full and clear sound quality.• A confident projection of the style and character of chosen works• Sensitivity to subtleties of nuance, rubato and ornamentation• Accurate intonation and developed awareness of fine pitch discrimination.• Further development and refinement of specific bowing techniques eg detaché, legato, staccato, staccato jete, martelé, spiccato, hook

strokes, sautillé and up-bow staccato.• Knowledge of natural and artificial harmonics.• A competent use of vibrato as a tool for enhanced tone and musical expression.

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Grade Seven

1. Scales (ascending and descending)

Major B, D♭, E♭, E Three OctavesHarmonic Minor B, D♭, E♭, E Three Octaves

Melodic Minor B, D♭, E♭, E Three OctavesBowing Patterns: Détaché

� �� ��etc.���

� �� = 96

�� ����� 44 ���� �Legato

� �� � �etc.�� �

� � �� = 96

�� ����� 44 � ���Spiccato

������etc.

��� = 9644

�������� � �����

Hook Stroke (upper third of bow)

��� �� ���

etc.

����� = 96

44������ �

�� ���

�� � �Chromatic G, B♭ Three Octaves

Bowing Pattern: Legato (12 note slur)

� ��� �� �etc.

�� � �� �� = 80� � �� �

Major Arpeggios B, D♭, E♭, E Three OctavesMinor Arpeggios B, D♭, E♭, E Three OctavesBowing Patterns: Détaché

� � �� � �

� � � �� � � ��� ����� 68�� = 100

�� � ��

Legato

� � �� � �

� � � �� � � ��� ����� 68�� = 100

�� � ��

Dominant Seventh C, D Three Octaves, resolving on the tonicDiminished Seventh G, A Three Octaves

Bowing Pattern: Legato

��� �etc.

��� = 7044� ��

Double Stops B♭ Major in 3rds Two OctavesG Major in 6ths Two OctavesA♭, Major in 8ves Two OctavesC Harmonic Minor in 3rds One OctaveG Harmonic Minor in 6ths One Octave

Bowing Pattern:

�� �����etc.� ������ ��44��� �� � ���� �

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36

2. Pieces – Four pieces to be chosen, one from each list, plus two in extra repertoire list.

List A

Beriot No 12 Study in G Etudes Melodiques: Carl FleschBruni Aria can Variazioni. Boosey & HawkesCohen No 4 Making Waves Technique Flies High: FaberCohen No 5 Slow Boat to China Technique Flies High: FaberCohen No 6 Ground with Divisions Technique Flies High: FaberCohen No 7 Beneath the Stars Technique Flies High: FaberFiorillo No 11 Moderato in D 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 12 Moderato 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 13 Andante/Presto in B♭/C min 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 19 Allegretto In G min/E 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 31 Moderato in G 36 Etudes or Caprices: IMC / Peters / Stainer & BellKayser No 30 Allegro moderato in D min 36 Etüden Op 20: Schott 4976Kayser No 32 Allegro molto agitato in A♭ 36 Etüden Op 20: Schott 4976Kayser No 34 Allegro in A min 36 Etüden Op 20: Schott 4976Kayser No 35 Allegro con fuoco in B min 36 Etüden Op 20: Schott 4976Kreutzer No 12 Allegro moderato in C 42 Studies or Caprices: IMCKreutzer No 14 Allegro non troppo in B♭ 42 Studies or Caprices: IMCKreutzer No 17 Moderato in G 42 Studies or Caprices: IMCKreutzer No 37 Allegretto in A 42 Studies or Caprices: IMCMazas No 18 Romance, Andante grazioso in E Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 45 Springing Bows, Allegro non

troppo in E minMelodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 50 Bowing Exercise, Moderato assaiin Eb

Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 51 Lifting the Bow, Allegro in C Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 53 Bowing Exercise, Moderato assaiin G min

Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Rode No 10 Allegretto in C♯ min 24 Caprices For Violin Solo: IMCRode No 17 Vivacissimo in Ab 24 Caprices For Violin Solo: IMCRode No 18 Presto in F min 24 Caprices For Violin Solo: IMCVieuxtemps No 1 Allegro moderato in C 36 Studies, Op 48 Vol I: EMBVieuxtemps No 2 Andante in C 36 Studies, Op 48 Vol I: EMBVieuxtemps No 3 Allegro in C 36 Studies, Op 48 Vol I: EMBYanshenov No 3 The Spinning Wheel in G 3 Morceaux Op 26

List B

Bach Concerto BWV 1041 in A min, 1st mvtAllegro

Suzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

Bach Concerto BWV 1041 in A min, 2nd mvtAndante

Suzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

Bach Concerto BWV 1041 in A min, 3rd mvtAllegro assai

Suzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

Bach Partita BWV 1004 in D min, Allemande BärenreiterBach Sonata BWV 1015 in A, 4th mvt Presto BärenreiterBach Sonata BWV 1021 in G, Adagio & Vivace

1st & 2nd mvtsBärenreiter

Beethoven Sonata Op 12 No 1 in D, 1st mvt Allegrocon brio

Henle

Beethoven Sonata Op 12 No 1 in D, 2nd mvt Temacon variazioni

Henle

Beethoven Sonata Op 12 No 1 in D, 3rd mvt Rondo /Allegro

Henle

Beethoven Sonata Op 30 No 2 in C min, Scherzo HenleBeethoven Sonata Op 30 No 3 in G, 1st mvt HenleBenda Sonata in G, 1st & 2nd mvts Mezzo

Allegro & Andantino6 Sonatas: Henle

Corelli Sonata Op 5 No 2 in B♭, 4th & 5th mvts 12 Sonate per Violino e basso continuo: Boosey & HawkesCorelli Sonata Op 5 No 5 in G min, 1st & 5th

mvts Adagio & Giga12 Sonate per Violino e basso continuo: Boosey & Hawkes

Fiocco Allegro Violin School Vol 6: Suzuki / SchottGeminiani Sonata in C min, 1st mvt Largo Eighteenth-Century Violin Sonatas Bk 2: ABRSMHandel Sonata No 4 in D, 2nd mvt Suzuki Violin School Vol 6: Summy-BirchardHandel Sonata Op 1 No 3, HWV 361 in A, 1st &

2nd mvts Andante & AllegroSuzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

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Grade Seven: continued from previous page

Handel Sonata Op 1 No 14, HWV 372 in A, 1st &2nd mvts Adagio & Allegro

Sieben Sonaten für Violine und Generalbass: Henle

Handel Sonata Op I No 13, HWV 371 in D, 1st &2nd mvts

Sieben Sonaten für Violine und Generalbass: Henle

Haydn Concert No 2 in G 1st mvt & cadenza Solos for Young Violinist Vol 4: Summy-BirchardHaydn Concerto Hob Vila/ 4 in G, 1st mvt &

cadenzaHenle

Haydn Concerto Hob Vila/4 in G, 2nd & 3rd mvts HenleHaydn Sonata No 8 in G, 1st mvt HenleKreutzer Concerto No 13 in D, 1st mvt Allegro Peters / LeducMozart Concerto K 207 in Bb, 3rd mvt Presto BärenreiterMozart Sonata K 301 in G, 1st mvt Allegro con

spiritoHenle

Mozart Sonata K 301 in G, 2nd mvt Allegro HenleMozart Sonata K 304 in E min, 1st mvt Allegro HenleMozart Sonata K 454 in Bb, 3rd mvt Allegretto HenleMozart Sonata K 526 in A, 1st mvt HenlePugnani Largo Espressivo No 5 Suzuki Violin School Vol 8: Summy-BirchardTartini Sonata Op 1 No 10 in G min, Didone

Abandonata 1st mvtRicordi

Tartini, arr Talluel Fugue No 5 BillaudotTelemann Fantasia No 1 TWV 40:14 in B♭, 1st &

2nd mvts Largo & AllegroZwölf Fantasien für Violine ohne Baß1735

Telemann Fantasia No 7 TWV 40:20 in E♭, 1st &2nd mvts Dolce & Allegro

Zwölf Fantasien für Violine ohne Baß1735

Telemann Fantasia No 9 TWV 40:22 in B, 1st & 2ndmvts Siciliano & Vivace

Zwölf Fantasien für Violine ohne Baß1735

Viotti Concerto No 22 in A min, 3rd mvt IMCViotti Concerto No 23 in G, 1st or 3rd mvt IMCVivaldi Concerto Op 3 No 6, RV 376 in A min, 1st

mvtPeters

Vivaldi Concerto Op 3 No 6, RV 376 in A min,3rd mvt Presto

Peters

Vivaldi Concerto Op 8 No 1 in E Spring, Allegro PetersVivaldi Sonata in C min RV6, 1st & 2nd mvts

Preludio & CorrentePeters

Von Weber, arrBurmester

Waltz in D Solos for Young Violinist Vol 5: Summy-Birchard

List C

Accolay Concertino No 1 in A min, AllegroModerato

Solos for Young Violinists Vol 3: Summy-Birchard

Alard Brindisi Sheila Nelson’s Romantic Violinist: Boosey & HawkesBrahms, (arr Hubay) Hungarian Dance No 2 in D min Stainer & BellBrahms Sonata Op 100 in A, 3rd mvt Wiener urtextDancla Six Airs Varies Op 118 No 3 FischerDancla Six Airs Varies Op 118 No 4 FischerDebussy The Girl with the Flaxen Hair. LeducDelius Sonata No 3, 3rd mvt Boosey & HawkesDvorák No 2 Allegro maestoso & No 3 Allegro

appassionataFour Romantic Pieces Op 75: Barenreiter

Francoeur(arrKreisler)

Siciliano & Rigaudon Schott

Glazunov, (arrKreisler)

Serenade Espagnole Op 20 No 2 Schott

Kreisler Polichinelle-Serenade SchottKreisler Sicilienne & Rigaudon in the style of

FrancouerSolos for Young Violinists Vol 5: Summy-Birchard

Massenet Meditation PetersMendelssohn, arrKreisler

Song Without Words Op 62 No 1 playedon the G string

Schott

Paganini Cantabile, MS 109 Romantic Violinist: Boosey & HawkesRaff Cavatine Op 85 No 3 3 Recital Pieces: PetersReger Wiegenlied, Capriccio & Burla Op 79d Three pieces: SikorskiRode Concerto No 7 Op 9 in A min, Finale IMCSarasate Playera Op 23 No 1 Spanish Dances Bk 3: SimrockSchubert Sonatina D384 in D, 1st mvt Henle

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38

Grade Seven: continued from previous page

Schumann Phantasiestücke Op 73, 1st & 2nd mvts Romantic Violinist Sheila Nelson: Boosey & HawkesSchumann Phantasiestücke Op 73, 1st & 3rd mvts Romantic Violinist Sheila Nelson: Boosey & HawkesSeitz Concerto Op 12 No 3 in G min, 1st mvt

Allegro risolutoSolos for Young Violinists Vol 2: Summy-Birchard

Ten Have Allegro Brilliante, Op 19 Solos for Young Violinists Vol 4: Summy-BirchardWieniawski Concerto Op 22 No 2 in D min, 2nd mvt IMC

List D

Aldridge Tango for Gabriela PetersBartók Roumanian Folk Dances, No’s 4 & 5 Solos for Young Violinists Vol 6: Summy-BirchardBartók (arr Gertler) Sonatina 1st & 2nd mvts EMBBenjamin San Domingo. Boosey & HawkesBoulanger Nocturne First Violin Bk 4: ABRSMBridge Moto Perpetuo Stainer & BellCastelnuevo-Tedesco Capitan Fracassa ForlivesiCopland Nocturne No 1 2 Pieces: Boosey & Hawkesde Falla No 4 Jota Suite of Spanish Folksongs: ChesterDebussy La Fille aux Cheveax de lin DurandHubay Bolero Op 51 No 3 BosworthIreland Cavatina Boosey & HawkesKodaly Adagio Editio Musica BudapestLloyd Webber, W Benedictus Stainer & BellMartinu Jazzrhythmus 7 Etudes RythmiqueMlynarski Mazurka Op 7 No 2 37 Violin Pieces You Like to Play: SchirmerPiazzolla Café 1930 Histoire du tango: Henry LemoinePiazzolla No 3 Molto marcato e energico Tango-études for flute or violin: Henry LemoinePotstock Souvenir de Sarasate, Fantasia Espagnole Solos for Young Violinists, Vol 3: Summy-Birchard / FischerProkofiev, arrHeifetz

Gavotte, Piano Pieces Op 32 Jascha Heifetz collection Vol 3: Fischer

Prokofiev, arrHeifetz

March from Love for Three Oranges Fischer

Shostakovich Frühlingswalzer Schostakowitsch Albumstiicke: Peters 4794Shostakovich Romanze in D Schostakowitsch Albumstiicke: Peters 4794Stravinsky Chanson Russe Boosey & HawkesWilliams Theme from Schindler’s List Three Pieces from Schindler’s List: MCA / Music Sales

3. Musicianship

4. Musical Knowledge

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Grade Eight

1. Scales (ascending and descending)

Major A♭, C, D, F Three OctavesHarmonic Minor A♭, C, D, F Three Octaves

Melodic Minor A♭, C, D, F Three OctavesBowing Patterns: Détaché:

� � �� � �etc.�

6

6

6�� �

�� �� = 80

�� �� 44 � ���Legato (three octaves per bow):

�� �� ��etc.

6

6

6� � ���

� = 80

�44 � ���� ��� �Spiccato:

������

etc.

��� = 8044

����� � �����

Chromatic A♭, C Three OctavesBowing Pattern: Legato:

�� � �� � � � � etc.

� � �� � ��� � = 80

�� ��� �� Major Arpeggios A♭, C, D, F Three OctavesMinor Arpeggios A♭, C, D, F Three OctavesBowing Patterns: Détaché:

� � �� � � � � �� � �� � � ��� �� 98

�� = 120

�� � ��

Legato:

�� � �� � � � �� � �� � � ��� �� 98

�� = 120

���� �

Dominant Seventh D♭, F, G Three Octaves, resolving on the tonicDiminished Seventh A♭, C, D Three Octaves

Bowing Pattern: Legato:

� ��� �etc.���� = 7044� � ���

Double Stops D Major in 3rds Two OctavesE♭ Major in 6ths Two OctavesG Major in 8ves Two OctavesE♭ Harmonic Minor in 3rds Two OctavesF Harmonic Minor in 6ths Two OctavesG Harmonic Minor in 8ves Two Octaves

Bowing Pattern: Legato:

�� ����� etc.� ������ ��44��� �� � ���� �

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40

2. Pieces – Four pieces to be chosen, one from each list.

List A

Dancla No 1 Allegro appassionata e moderato inG min

20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079

Dancla No 2 Rêverie Andante cantabile in G 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 4 Allegro vivo molto in F♯ min 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 8 Moderato cantabile in F 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 9 Allegro agitato in F min 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 13 Vivace molto in D 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 15 Allegro vivo e con brio in D 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dont No 2 Presto in A min Etudes and Caprices Op 35: IMCDont No 3 in E min Etudes and Caprices Op 35: IMCDont No 5 Allegro appassionata in G min Etudes and Caprices Op 35: IMCDont No 13 Vivace assai in D min Etudes and Caprices Op 35: IMCFiorillo No 26 Allegro in A min 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 28 Allegro assai in D 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 29 Grave/Moderato in D min/maj 36 Etudes or Caprices: IMC / Peters / Stainer & BellKreutzer No 26 Grave in E min 42 Studies or Caprices: IMCKreutzer No 30 Andante in F 42 Studies or Caprices: IMCKreutzer No 34 Allegro in E min 42 Studies or Caprices: IMCKreutzer No 35 Allegro vivace in F min 42 Studies or Caprices: IMCKreutzer No 38 Moderato in Bb 42 Studies or Caprices: IMCRode No 1 Cantabile in C 24 Caprices For Violin Solo: IMCRode No 2 Allegretto in A min 24 Caprices For Violin Solo: IMCRode No 4 Siciliano in G 24 Caprices For Violin Solo: IMCRode No 5 Moderato in D 24 Caprices For Violin Solo: IMCRode No 6 Adagio/Moderato in B min 24 Caprices For Violin Solo: IMCRode No 8 Moderato assai in F♯ min 24 Caprices For Violin Solo: IMCRode No 9 Adagio/Allegretto in E 24 Caprices For Violin Solo: IMCRode No 15 Vivace assai in D♭ 24 Caprices For Violin Solo: IMCRode No 21 Tempo giusto in B♭ 24 Caprices For Violin Solo: IMCRode No 22 Presto in G min 24 Caprices For Violin Solo: IMCRode No 24 Introduzione/Agitato e con fuoco in

D min24 Caprices For Violin Solo: IMC

Vieuxtemps No 4 Allegro energico in A min 36 Studies Op 48 Vol 1: EMBVieuxtemps No 5 Allegro moderato in G 36 Studies Op 48 Vol 1: EMBVieuxtemps No 7 Agitato in E min 36 Studies Op 48 Vol 1: EMB

List B

Bach Concerto BWV 1042 in E, 3rd mvt BärenreiterBach Partita BWV 1004 in D min, Sarabande &

GigueBärenreiter

Bach Partita BWV 1006 in E, Gavotte enRondeau

Bärenreiter

Bach Sonata BWV 1023 in E min, Allemande& Gigue

Bärenreiter

Bach Sonata No 2 BWV 1015 in A, 1st & 2ndmvts

Bärenreiter

Bach Sonata No 3 BWV 1016 in E, 1st & 2ndmvts

Bärenreiter

Bach Sonata No 3 BWV 1016 in E, 3rd & 4thmvts

Bärenreiter

Beethoven Concerto Op 61 in D, 2nd mvt Breitkopf & HärtelBeethoven Romance Op 40 No 1 in G BärenreiterBeethoven Romance Op 50 No 2 in F BärenreiterBeethoven Sonata Op 24 in F Spring 1st mvt HenleBeethoven Sonata Op 24 in F Spring 4th mvt HenleCorelli Sonata Op 5 No 4 in F, 1st, 2nd & 3rd

mvts12 Sonatas Op 5 Vol 1: Schott

Corelli Sonata Op 5 No 4 in F, 3rd, 4th & 5th mvts 12 Sonatas Op 5 Vol 1: SchottDancla Six Airs Varies Op 89 No 5, Theme by

WeigelSolos For Young Violinists Vol 3: Summy-Birchard

Handel Sonata Op 1 No 13 HWV 371 in D, 1st &2nd mvts

Sieben Sonaten für Violine und Generalbass: Henle

Haydn Concerto Hob Vlla:3 in A, 1st mvtModerato

Henle

Leclair Sonata Op 9 No 3 in D, 1st & 2nd mvtsUn Poco Andante & Allegro/Adagio

Schirmer 1/722

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Grade Eight: continued from previous page

Leclair Sonata Op 9 No 3 in D, 3rd & 4th mvts,Sarabanda & Tambourin

Schirmer 1/722

Mozart Concerto K 211 in D, 1st mvt withcadenza

Bärenreiter

Mozart Concerto K 218 in D, 1st mvt withcadenza

Bärenreiter

Mozart Sonata K 305 in A, 1st & 2nd mvts HenleNardini, Sonata in D, Adagio & Allegro con Fuoco Peters / FischerNeruda Sonata in A min, 2nd & 3rd mvts Andante

& PrestoBohemian Violin Sonatas Vol 1: Henle

Rode Concerto No 8 in E min, 1st mvt PetersTartini Sonata B.D12 in D, Larghetto & Giga

(Allegretto espressivo)Sonatas Vol 3: Peters

Telemann Fantasia No 1 TWV 40:14 complete 12 Fantasias for Solo Violin: BärenreiterTelemann Fantasia No 5 TWV 40:18 complete 13 Fantasias for Solo Violin: BärenreiterTelemann Fantasia No 10 TWV 40:23 complete 14 Fantasias for Solo Violin: BärenreiterVeracini Concerto in E min, 1st & 2nd mvts Peters / Suzuki Violin School Vol 8: Summy-BirchardVivaldi Sonata Op 2 No 12 RV32 in A min, 1st &

2nd mvts

List C

Albéniz Pavana-Capricho Op 12 Union Musical Ediciones / Music SalesBrahms Sonata Op 100 in A, 1st mvt Allegro

amabileWiener Urtext

Brahms Sonata Op 100 in A, 3rd mvt Allegrettograzioso (quasi Andante)

Wiener Urtext

Brahms Sonatensatz Op posth IMCFauré Romance Op 28 UMPFranck Sonata in A, 4th mvt Allegretto poco

mossoHenle

Grieg Sonata Op 45 in C min, 2nd mvtAllegretto espressivo alla Romanza

Peters

Hubay Hejre Kati BosworthKreisler Liebesfreud SchottKreisler Praeludium & Allegro SchottLéonard No 1 in D Six Solos Op 41: BillaudotLéonard No 2 in E min Six Solos Op 41: BillaudotMendelssohn Concerto Op 64 in E min, 2nd mvt

AndanteSchirmer 2117

Mlynarski Mazurka in G Solos for Young Violinists Vol 3: Summy-BirchardMonti Czárdás Solos for Young Violinists Vol 5: Summy-BirchardSchubert Duo Op 162, 1st mvt Allegro moderato PetersSchubert Duo Op 162, 4th mvt Allegro vivace PetersSchumann Sonata Op 105 in A min, 1st mvt mit

leidenschaftlichem AusdruckHenle

Spohr Concerto No 2 in D min, 1st mvt Allegromoderato

Peters

Spohr Concerto No 8 in A min, 1st & 2nd mvtsup to Andante

Peters

Svendsen Romance Op 26 SchottTartini (arr Kreisler) Variations on a Theme of Corelli SchottTchaikovsky Melodie No 3 Souvenir d’un lieu cher, Op 42: IMC / FaberTchaikovsky Scherzo No 2 Souvenir d’un lieu cher, Op 42: IMC / FaberVieuxtemps Reverie No 3 3 Recital Pieces Op 22: PetersWieniawski Legende Op 17 Schott

List D

Bartók (arr Szekely) Roumanian Folk Dances, No’s 1, 2, & 6. Solos for Young Violinists, Vol 6: Summy-BirchardCopland Hoe Down from Rodeo Boosey & HawkesDe Falla Canción No 6 Suite of Spanish Folksongs: ChesterDe Falla El Paño moruno No 1 Suite of Spanish Folksongs: ChesterDe Falla Seguidilla murciana No 2 Suite of Spanish Folksongs: ChesterDe Falla (arrKochanski)

Ritual Fire Dance from El Amor Brujo Music for the Violin: Chester

Gershwin-Heifetz It Ain’t Necessarily So The Heifetz Collection; Heifetz plays Gershwin: FisherGershwin Summertime & A Woman is a Sometime

ThingSelections for Violin from Porgy & Bess: Chappell / Faber

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Grade Eight: continued from previous page

Janácek Sonata JW Vll/7, 1st mvt Con moto UniversalMartinu Impromptu Barenreiter / Editio Supraphon PraguePoliakin The Canary CranzPoulenc (arr Heifetz) Presto in B flat SalabertProkofiev Five Melodies Op 35b, any three Boosey & HawkesProkofiev (arrHeifetz)

Masks Heifetz Collection Bk 1: Fischer

Prokofiev Sonata No 2 Op 94a in D, 3rd mvt Boosey & HawkesRavel Sonata in G, 2nd mvt Blues (Moderato in

Ab)Durand

Ries Perpetuum Mobile Ries & Erler / IMCRimsky-Korsakov(arr Heifetz)

The Bumble Bee Fischer

Shostakovich Romanze in C Schostakowitsch Albumstiicke: Peters 4794Shostakovich Three Fantastic Dances Nos 2 & 3 Boosey & Hawkes / Anglo-Soviet Music PressStravinsky Pastorale SchottSuk Quasi Ballata No 1 Four Pieces Op 17: SimrockSuk Un Poco Triste No 3 Four Pieces Op 17: SimrockTakemitsu Distance de Fee Schott

3. Musicianship

4. Musical Knowledge

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43D

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Level 5 - Associate Diploma

Descriptors

Processes require a wide range of specialised technical skills involving a wide choice of standard and non standard procedures in a variety ofroutine and non-routine contexts. The learning demands a broad knowledge base with substantial depth in some areas, employing analyticalinterpretation and the determination of appropriate methods and procedures in response to a range of concrete problems, with some theoreticalelements. Learners have full responsibility for the nature, quantity and quality of outcomes under broad general guidelines in self directed andsometimes directive activity.

Criteria

Examiners will use these criteria in assessing all level 5 entrants.

• A well developed aural awareness and secure intonation.• understanding of the works as to their structure, musical content and their particular character• technical and stylistic mastery leading to a coherent, expressive performance• command of special effects appropriate to the instrument• ability to differentiate between a broad range of musical styles• a developing sense of professional presentation, with attention to posture, appearance and normal performance conventions.

Diploma AMUSNZ

1. Pieces

Entrants may choose alternatives to those listed below, but must submit their alternative programme for approval prior to entry.

The entrant will select a programme of four pieces. One should be unaccompanied and three others contrasting in style and era, one from eachlist, with a playing time of between 20 - 35 minutes. If the works have an accompaniment written for them, entrants must use an accompanist.The chosen repertoire must reflect sufficient technical/musical challenges to fulfil the criteria for Level Five. Please also see page 1 for referenceto inclusion of cadenzas.

List A

Bach Concerto BWV 1042 in E, 1st mvt BärenreiterBach Concerto BWV 1042 in E, 2nd & 3rd

mvts Adagio & AllegroBärenreiter

Bach Partita No 1 BWV 1002 in B min,Sarabande, Double, Tempo di Bourrée

Bärenreiter

Bach Partita No 3 BWV 1006 in E, 2nd & 3rdmvts

Bärenreiter

Bach Sonata BWV 1005 in C, 3rd & 4th mvtsLargo & Allegro assai

Bärenreiter

Bach Sonata BWV 1018 in F min, 3rd, 4th &5th mvts Allegro, Adagio & Vivace

Bärenreiter

Bach Sonata BWV 1023 in E min, complete Two Sonatas for Violin and Continuo: Wiener UrtextBach Sonata No 1 BWV 1001 in G min, 3rd &

4th mvts Siciliano & PrestoBärenreiter

Biber Passacaglia from Mystery Sonatas PWMLocatelli Sonata in G min PWMTartini Sonata Op 1 No 4 in G Six Sonatas: RicordiTartini Sonata Op 1 No 5 in E min Six Sonatas: RicordiTartini Sonata Op 1 No 10 in G ‘Didone

abbandonata’ 1st & 2nd mvtsSchott

Telemann Fantasia, any one complete from Fantasiasfor Violin without Bass

Bärenreiter

Viotti Concerto No 23 in G, 1st mvt Solos for Young Violinists Vol 5: Summy-irchardViotti Concerto No 23 in G, 3rd mvt IMCVivaldi Concerto RV 229 in D Peters / BärenreiterVivaldi Concerto RV 269/ Op 8 No 1 in E, La

PrimaveraVivaldi Concerto RV 293/ Op 8 No 3 in F,

L’autunnoVivaldi Concerto RV 297/ Op 8 No 4 in F min,

L’inverno

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Diploma AMUSNZ: continued from previous page

Vivaldi Concerto RV315/ Op 8 No 2 in G min,L’estate

List B

Beethoven Sonata Op 30 No 2 in C min, 1st mvtAllegro con brio

Beethoven Sonatas for Violin and Piano Vol 2: Henle

Beethoven Sonata Op 12 No 2 in A, 1st mvt Allegrovivace

Beethoven Sonatas for Violin and Piano Vol 1: Henle

Beethoven Sonata Op 12 No 3 in Eb, 1st mvt Allegrocon spirito

Beethoven Sonatas for Violin and Piano Vol 1: Henle

Beethoven Sonata Op 12 No 3 in Eb, 2nd & 3rd mvtsAdagio con molto espressione & Rondo:Allegro molto

Beethoven Sonatas for Violin and Piano Vol 1: Henle

Beethoven Sonata Op 23 in A min, 1st mvt Presto Beethoven Sonatas for Violin and Piano Vol 1: HenleBeethoven Sonata Op 23 in A min, 2nd & 3rd mvts

Andante scherzoso, piu allegretto &Allegro molto

Beethoven Sonatas for Violin and Piano Vol 1: Henle

Beethoven Sonata Op 24 in F, (Spring) 1st mvtAllegro

Beethoven Sonatas for Violin and Piano Vol 1: Henle

Beethoven Sonata Op 30 No 1 in A, 1st mvt Allegro Beethoven Sonatas for Violin and Piano Vol 2: HenleBeethoven Sonata Op 30 No 1 in A, 2nd & 3rd mvts

Adagio & Allegretto con variazioniBeethoven Sonatas for Violin and Piano Vol 2: Henle

de Bériot Concerto Op 76 in G, 1st & 2nd mvtsAllegro maestoso & Andante tranquillo

Schott

de Bériot Concerto Op 76 in G, 2nd & 3rd mvtsAndante tranquillo & Allegro moderato

Schott

de Bériot Concerto Op 104 in A min, 1st & 2ndmvts Allegro maestoso & Adagio

Schott

de Bériot Concerto Op 104 in A min, 2nd & 3rdmvts Adagio & Rondo: Allegro moderato

Schott

de Bériot Concerto Op 127 in A min, 3rd mvt,Tarantella

Schott

de Bériot Scène de Ballet, Op 100. Solos for Young Violinists Vol 6: Summy-Birchard / Schirmer675

Haydn Concerto Hob VIIa: 1 in C, 1st mvt,Allegro moderato with cadenza

Henle

Haydn Concerto Hob VIIa: 1 in C, 2nd & 3rdmvts, Adagio & Finale: Presto

Henle

Mozart Concerto K 216 in G, 1st mvt, Allegrowith cadenza

Bärenreiter

Mozart Concerto K 218 in D, 1st & 2nd mvtsAllegro & Andante cantabile

Violin School Bk 9: Suzuki

Mozart Concerto K 218 in D, 2nd & 3rd mvtsAndante cantabile & Rondeau: Andantegrazioso

Violin School Bk 9: Suzuki

Mozart Sonata K 296 in C, 1st mvt Allegro vivace HenleMozart Sonata K 376 in F, 1st mvt, Allegro Sonatas for Piano and Violin Vol 2: HenleMozart Sonata K 454 in Bb, 1st & 2nd mvts Largo

- Allegro & AndanteHenle

Rode Concerto No 7 Op 9 in A min, 1st & 2ndmvts Moderato & Adagio

IMC

Viotti Concerto No 22 in A min, 1st & 2nd mvtsModerato & Adagio

Breitkopf & Härtel

Viotti Concerto No 22 in A min, 2nd & 3rd mvtsAdagio & Agitato

Breitkopf & Härtel

List C

Achron Hebrew Melody Op 33 FischerBrahms arr Joachim Hungarian Dances, any one SimrockBrahms Sonata Movement (Scherzo) in C min Breitkopf & HärtelBrahms Sonata Op 78 in G, 1st mvt Vivace ma non

troppoHenle

Brahms Sonata Op 78 in G, 3rd mvt Allegro moltomoderato

Henle

Bruch Concerto Op 26 in G min, 2nd mvt HenleDebussy Sonata in G min, 1st mvt Allegro vivo Henle

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Debussy Sonata in G min, Finale, Très animé HenleDelius Légende in Eb ForsythDelius Sonata No 3, 3rd mvt Boosey & HawkesDvorák Romance, Op 11/B 38 SimrockDvorák/Kreisler Slavonic Dance, Op 46 No 2 in E min The Fritz Kreisler Collection, Vol 1: FischerDvorák/Kreisler Slavonic Dance, Op 72 No 3 in G The Fritz Kreisler Collection, Vol 2: FischerElgar Sonata Op 82 in E min, 1st mvt Allegro NovelloElgar Sonata Op 82 in E min, 3rd mvt Allegro

non troppoNovello

Fauré Romance Op 28 in Bb Hamelle / UMPFauré Sonata Op 13 in A, 1st mvt HenleFauré Sonata Op 13 in A, 3rd mvt HenleGrieg Sonata Op 8 in F, 1st & 2nd mvts Allegro

con brio & Allegretto quasi andantinoPeters

Grieg Sonata Op 8 in F, 2nd & 3rd mvtsAllegretto quasi andantino & Allegromolto vivace

Peters

Grieg Sonata Op 13 in G, 1st & 2nd mvts Lentodoloroso - Poco allegro - Allegro vivace &Allegretto tranquillo

Peters

Grieg Sonata Op 13 in G, 2nd & 3rd mvtsAllegretto tranquillo & Allegro animato

Peters

Kreisler Caprice Viennois SchottSaint-Saëns arrSaint-Saëns

Danse macabre Op 40 Durand

Sarasate Malagueña Op 21 No I Spanische Tänze Vol 1: IMCSarasate Romanza Andaluza Op 22 No 3 Spanische Tänze Vol 2: IMCSchumann Sonata Op 105 in A min, 1st mvt Mit

leidenschaftlichem AusdruckSchott

Schumann Sonata Op 105 in A min, 3rd mvt Lebhaft SchottSchumann Sonata WoO 27 in A min, 1st mvt

Ziemlich langsam - LebhaftSchott

Smetana arr Sitt Andantino, No 2, Aus der Heimat From My Homeland: PetersTchaikovsky Scherzo Op 42 No 2 Souvenir d’un lieu cher: FaberTchaikovsky Sérénade mélancolique Op 26 Boosey & HawkesWagner Album Leaf, arr Wilhelmj The Strad

List D

Barber Concerto Op 14, 1st mvt SchirmerBartók Roumanian Dances, complete Solos for Young Violinists, Vol 6: Summy-BirchardBloch Baal Shem’ Suite, No 3, Simchas Torah Music for Violin & Piano: FischerBritten Lullaby, No 3 Suite for Violin & Piano Op 6: Boosey & HawkesDe Falla arr Kreisler Spanish Dance from La Vida Breve Schott / FischerGershwin arr Heifetz Any 2 mvts from Selections from Porgy

and BessChappell

Gershwin arr Heifetz Summertime & A woman is a sometimething

Heifetz plays Gershwin: Fischer

Grosz Jazzband UniversalHindemith Sonata in E, 2nd mvt Langsam and Sehr

LebhaftSchott

Joplin arr Perlman The Entertainer SchirmerJoplin arr Perlman The Ragtime Dance SchirmerKabalevsky Concerto Op 48 in C, 1st mvt PetersKabalevsky Concerto Op 48 in C, 2nd & 3rd mvts

Andante cantabile & Vivace giocosoPeters

Kroll Banjo and Fiddle SchirmerMaxwell Davies Dances from the Two Fiddlers, complete Boosey & HawkesMessiaen Theme and Variations 1/10 LeducMilhaud Le Printemps Op 18 DurandPrevin Tango, song & dance, 2nd & 3rd mvts

Song & DanceSchirmer / HL50483447

Prokofiev Five Melodies Op 35a, No’s 2, 3 & 4 Boosey & Hawkes Special order: MO60020742Prokofiev Sonata Op 94a in D, 1st mvt Moderato Boosey & HawkesProkofiev Sonata Op 94a in D, 2nd mvt Presto Boosey & HawkesProkofiev Sonata Op 94a in D, 4th mvt Allegro con

brioBoosey & Hawkes

Rachmaninoff Hungarian Dance No 2 Two Pieces Op 6: Kalmus

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Ravel Piece en Forme de Habanera, transCayherine

Leduc / UMP

Ravel Sonate Posthume SalabertSchulze Tango Apasionado Doblinger / SchottShostakovich Three Fantastic Dances Op 5, complete Boosey & HawkesStravinsky, arr.Dushkin

Chanson Russe (Russian Maiden’s Songfrom Mavra)

Boosey & Hawkes

Stravinsky Suite ltalienne, 1st & 3rd mvtsIntroduction: Allegro moderato &Tarantella: Vivace

Boosey & Hawkes

Stravinsky Suite ltalienne, 6th & 7th mvts Minuetto& Finale

Boosey & Hawkes

Suk Appassionata Op 17 No 2 Four Pieces Op 17: SimrockSuk Burleske Op 17 No 4 Four Pieces Op 17: SimrockSzymanowski, arrKochanski

Chant de Roxane (from King Roger) UE

Szymanowski Romance Op 23 UE

2. Musical Knowledge

3. Co-requisite Theory

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Level 7 - Licentiate Diploma

Descriptors

Learners will carry out processes that require a command of wide ranging highly specialised technical skills involving a wide choice of standardand non standard procedures often in non standard combinations. They are employed in highly variable routine and non-routine contexts. Thelearning demands employ a specialist knowledge base with depth in more than one area, employing the analysis and evaluation of a wide rangeof information and the formulation of appropriate responses to resolve both concrete and abstract problems. Learners have full responsibilityin managing the learning processes and complete accountability for determining and achieving personal outcomes within broad parameters fordefined activities.

Criteria

Examiners will use these criteria in assessing all level 7 entrants.

• A well developed aural awareness and secure intonation.• their ability to build a varied and coherent programme worthy of public performance• understanding of the works as to their structure, musical content and their particular character• technical and stylistic mastery leading to a coherent, expressive performance, command of special effects appropriate to the instrument• ability to differentiate between a broad range of musical styles,• a developing sense of professional presentation, with attention to posture, appearance and normal performance conventions

Diploma LMUSNZ

1. Pieces

Entrants may choose alternatives to those listed below, but must submit their alternative programme for approval prior to entry.

The entrant will select a programme of four pieces. One should be unaccompanied and three others contrasting in style and era, one from eachlist, with a playing time of between 30 - 45 minutes. If the works have an accompaniment written for them, entrants must use an accompanist.The chosen repertoire must reflect sufficient technical/musical challenges to fulfil the criteria for Level Seven. Please also see page 1 forreference to inclusion of cadenzas.

List A

Bacewicz Sonata No 2 for solo violin, 1st & 2ndmvts Adagio-Allegro & Adagio

PWM

Bach Concerto BWV 1042 in E, complete,Allegro, Adagio & Allegro assai

Bärenreiter

Bach Partita BWV 1002 in B min, 7th & 8thmvt Tempo di Borea & Double

Bärenreiter

Bach Partita BWV 1004 in D min, complete BärenreiterBach Partita BWV 1006 in E, 1st, 2nd & 3rd

mvts Praeludium, Loure & GavotteBärenreiter

Bach Sonata BWV 1001 in G minor, 1st & 2ndmvts Adagio & Fugue

Bärenreiter

Bach Sonata BWV 1003 in A minor, 3rd & 4thmvts Andante & Allegro

Bärenreiter

Bach Sonata BWV 1003 in A minor, 2nd mvtFugue

Bärenreiter

Bloch Suite No I for violin solo Braude BrothersKreisler Caprice Op 6 in D min, Recitativo &

ScherzoSchott

Paganini 24 Caprices for solo violin Op 1, any one HenleProkofiev Sonata Op 115 in D, for solo violin Boosey & Hawkes / SikorskiSculthorpe Irkanda I for solo violin FaberTartini Sonata in G min, 3rd & 4th mvts Andante

& Allegro assaiPeters

Wieniawski Etudes-caprices Op 18 No 6, Andante manon troppo - Allegro non troppo

Schirmer

Wieniawski Etudes-caprices, Op 18 No 8, Allegrorisoluto - Meno mosso

Schirmer

Wieniawski L’Ecole moderne Op 10 No 3, L’ Étude SchirmerWieniawski L’Ecole moderne Op 10 No 9, Les

ArpégesSchirmer

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Ysaye Sonata Op 27 No 2 in A min, any twomvts

Schirmer

Ysaye Sonata Op 27 No 3 in D min, any twomvts

Schirmer

Ysaye Sonata Op 27 No 4 in E min, any two mvts Schirmer

List B

Beethoven Concerto Op 61 in D, 1st mvt withcadenza

Henle

Beethoven Concerto Op 61 in D, 2nd & 3rd mvts HenleBeethoven Sonata Op 30 in C min, 3rd & 4th mvts Beethoven sonatas for Violin & Piano Vol 2: HenleBeethoven Sonata Op 12 No 1 in D Beethoven sonatas for Violin & Piano Vol 1: HenleBeethoven Sonata Op 12 No 3 in Eb Beethoven sonatas for Violin & Piano Vol 1: HenleBeethoven Sonata Op 23 in A min Beethoven sonatas for Violin & Piano Vol 1: HenleBeethoven Sonata Op 30 in C min, 1st & 2nd mvts Beethoven sonatas for Violin & Piano Vol 2: HenleBeethoven Sonata Op 47 in A, ‘Kreutzer’ 1st & 2nd

mvtsBeethoven sonatas for Violin & Piano Vol 2: Henle

Beethoven Sonata Op 47 in A, ‘Kreutzer’ 2nd & 3rdmvts

Beethoven sonatas for Violin & Piano Vol 2: Henle

Beethoven Sonata Op 96 in G, 1st & 2nd mvts Beethoven sonatas for Violin & Piano Vol 2: HenleBeethoven Sonata Op 96 in G, 3rd & 4th mvts Beethoven sonatas for Violin & Piano Vol 2: HenleBrahms Concerto Op 77 in D, 1st mvt with

cadenzaIMC

Brahms Sonata Op 100 in A, any two mvts Wiener Urtext / MDSBrahms Sonata Op 108 in D min, any two mvts Wiener Urtext / MDSBruch Concerto Op 26 in G min, 1st & 2nd mvts

Allegro moderato & AdagioPeters

Bruch Concerto Op 26 in G min, 3rd mvt Allegroenergico

Peters

Bruch Scottish Fantasy Op 46, 1st & 2nd mvtsVorspiel: Allegro moderato & Adagio

IMC

Bruch Scottish Fantasy Op 46, Finale: Allegroguerriero

IMC

Franck Sonata in A, 1st & 2nd mvts Allegromoderato & Allegro .

Henle 293 / MDS

Franck Sonata in A, 3rd & 4th mvts Recitativo -Fantasia & Allegro poco mosso

Henle 293 / MDS

Lalo Symphonie Espagnole, 1st & 2nd mvtsAllegro non troppo & Scherzando:Allegro molto

Peters

Lalo Symphonie Espagnole, 4th & 5th mvtsAndante & Rondo: Allegro

Peters

Mendelssohn Concerto Op 64 in E min, 1st mvt Allegromolto appassionata

Breitkopf & Härtel / Peters

Mendelssohn Concerto Op 64 in E min, 3rd mvtAllegretto non troppo - Allegro moltovivace

Breitkopf & Härtel / Suzuki

Mozart Concerto K 219 in A, 1st & 2nd mvtsAllegro aperto & Adagio

Henle

Mozart Concerto K 219 in A, 2nd & 3rd mvtsAdagio & Rondeau: Tempo di minuetto

Henle

Mozart Rondo K 373 in C BärenreiterPaganini 24 Capricci Op 1 HenlePaganini, ed Kreisler La Campanella Op 7 IMCRespighi Sonata, 1st & 2nd mvts Moderato &

Andante espressivoRicordi

Respighi Sonata, 2nd & 3rd mvts Andanteespressivo & Allegro moderato maenergico

Ricordi

Saint-Saëns Concerto Op 61 No 3 in B min, 1st & 2ndmvts Allegro non troppo & Andantinoquasi allegretto

Durand

Saint-Saëns Concerto Op 61 No 3 in B min, 2nd & 3rdmvts Andantino quasi allegretto & Moltomoderato e maestoso

Durand

Saint-Saëns Havanaise Op 83 From Modern French Violin Music: Zen-OnSaint-Saëns Introduction & Rondo Capriccioso Op 28 From Modern French Violin Music: Zen-On

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Schubert Fantasie D 934/0p 159, 1st, 2nd & 3rdmvts Andante molto, Allegretto &Andantino

Duos: Peters EPI56b

Schubert Fantasie D 934/0p 159, 2nd, 3rd & 4thmvts Allegretto, Andantino & Allegro

Duos: Peters EPI56b

Schubert Sonata D 574/0p 162 in A Duos: Peters EPI56bStrauss Sonata Op 18 in Eb, 1st mvt Allegro ma

non troppoUniversal

Strauss Sonata Op 18 in Eb, 2nd & 3rd mvtImprovisation: Andante cantabile &Finale - Andante - Allegro

Universal

Vieuxtemps Concerto Op 31 No 4 in D min, 1st & 2ndmvts Andante - Moderato & Adagioreligioso

Vieuxtemps Concerto Op 31 No 4 in D min, 2nd mvt& Finale, Adagio religioso & Finalemarziale: Allegro

Wieniawski Concerto Op 22 in D min, 2nd & 3rd mvtsRomance: Andante non troppo & Allegrocon fuoco - Allegro moderato

IMC

Wieniawski Concerto Op 22 in D min, 1st & 2nd mvtsAllegro moderato & Romance: Andantenon troppo

IMC

Wieniawski Polonaise Brillante Op 21 in A IMC 2628 / MDSWieniawski Polonaise Op 4 in D Billaudot / IMCWieniawski Scherzo Tarantelle Op 16 in G min IMC

List C

Bloch No 1 & No 3, Vidui & Simchat torah Baal shem Suite, Music for violin & piano: FischerBloch No 2, Nigun Baal shem Suite, Music for violin & piano: FischerBloch Nuit éxotique Music for violin & piano: FischerChausson. Poeme Op 25 From Modern French Violin Music: Zen-OnConus, J Concerto Fischer CFO3478Dvorák Concerto Op 53/B 96 in A min, 1st mvt

Allegro ma non troppoBärenreiter

Elgar Concerto Op 61 in B min, 1st mvt Novello / Music SalesFauré Sonata IMPGrieg Sonata No 3 Op 45, 1st & 2nd mvts

Allegro molto ed appassionata &Allegretto espressivo alla romanza

Peters

Grieg Sonata No 3 Op 45, 2nd & 3rd mvtsAllegretto espressivo alla romanza &Allegro animato

Peters

Ireland Sonata No 2 in A min Boosey & HawkesKreisler Recitativo & Scherzo-Caprice Schott / MDSNovácek Perpetuum Mobile PetersRavel Sonata, 1st & 2nd mvts DurandRavel Sonata, 2nd & 3rd mvts DurandRavel Tzigane, Rhapsodie de Concert DurandSarasate Carmen Fantasy Op 25 IMCSarasate Habanera, No 2 Spanische Tänze Op 21: SimrockSarasate Introduction et tarantelle Op 43 IMCSarasate Romanza Andaluza, No 3 Spanische Tänze Op 22, Bk 2: Simrock / MDSSarasate Zigeunerweisen Op 20 No 1 IMCSarasate arrFrancescatti

Caprice Basque IMC

Sibelius Concerto Op 47 in D min, 1st mvt PetersSinding Suite im alten Stil, Op 10 in A min PetersTchaikovsky Concerto Op 35 in D, 1st mvt PetersTchaikovsky Concerto Op 35 in D, 2nd & 3rd mvts PetersTchaikovsky Méditation Op 42 No 1 Souvenir d’un lieu cher: FaberVaughan Williams Sonata in A min, 3rd mvt Tema con

VariazioniOUP archive / Allegro

Vaughan Williams The Lark Ascending OUPVieuxtemps Ballade and Polonaise Op 38 PetersVieuxtemps Fantasy Appassionata, Op 35, 1st & 2nd

mvts Allegro moderato & LargoPeters

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Vieuxtemps Fantasy Appassionata, Op 35, 2nd & 3rdmvts Largo & Finale: Saltarella

Peters

List D

Bacewicz Four Caprices for Violin Polskie Wysawnictwo Muzyczne SABarber Violin Concerto, 1st & 2nd mvts SchirmerBarber Violin Concerto, 2nd & 3rd mvts SchirmerBartók Concerto Op posth No 1, 2nd mvt Boosey &HawkesBartók Rhapsody No 1, 2nd part only Boosey & HawkesBartók Rhapsody No 2, 2nd part only Boosey & HawkesBerg Concerto, 1st mvt UniversalBerg Concerto, 2nd mvt UniversalBerkeley Elegy & Toccata ChesterBerkeley Introduction & Allegro for Solo Violin,

Op 24Chester / Music Sales

Berkeley Sonatina Op 17, 1st mvt Chester / Music SalesBritten No 1 March & No 4 Waltz Suite for Violin & Piano Op 6: Boosey & HawkesCopland Sonata, 2nd & 3rd mvts Boosey & HawkesCopland Sonata, 1st & 2nd mvts Boosey & HawkesGershwin Three Preludes, transc. Heifetz WarnerHenze Serenade Schott / MDSHindemith Sonata in C, 1939, 2nd & 3rd mvts SchottHonegger Solo Sonata UMPJanácek Sonata Barenreiter / Editio Supraphon PragueKabalevsky Rondo, Op 69 Boosey & Hawkes / SikorskiKhachaturian Concerto in D min, finale PetersKhachaturian Concerto in D min, 1st mvt PetersLutoslawski Subito Chester / Music SalesNero arr Zabach The Hot Canary Hal Leonard HL121912Penderecki Cadenza for Solo Violin Schott ED7649/MDSPenderecki Three Miniatures MaecenasProkofiev Concerto No 1, 1st mvt Boosey & HawkesProkofiev Concerto No 2 Op 63 in G min, 1st mvt Boosey & HawkesProkofiev Sonata No 1 Op 80 in F min, 1st & 2nd

mvtsBoosey & Hawkes / Sikorski

Prokofiev Sonata No 1 Op 80 in F min, 3rd & 4thmvts

Boosey & Hawkes / Sikorski

Prokofiev Sonata Op 115 PetersSeiber Concert Piece Schott / MDSShostakovich Concerto No 1 Op 77 in A min, 1st mvt Boosey & HawkesStravinsky Elegy for solo violin SchottTakemitsu From Far Beyond Chrysanthemums &

November FogSchott / MDS

Walton Concerto 1st mvt OUPWebern Four Pieces, Op 7 Universal

2. Musical Knowledge

3. Co-requisite Theory

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Violin

In compiling this syllabus the New Zealand Music Examinations Board has endeavoured to use readily available and affordable editions asindicated in the text. The Board has used each book to the fullest extent possible, however any edition is acceptable. Editions are mentionedsolely as a means of identification, and any standard edition will be accepted.

New Zealand music is available from SOUNZ, the Centre for New Zealand Music, Level 1, 39 Cambridge Terrace, Wellington, 6001.Tel04-801 8602, Fax 04-801 8604, [email protected]

Examination Music

Entrants may not use photocopies for performance (other than for facilitating page turns) in examinations, as this is prohibited by the CopyrightAct. When Entrants enter the examination room they must hand copies of all list pieces being performed, to the examiner, together with theirexamination slip. Copies for examiner use of extra repertoire list pieces in the Performance syllabuses are optional.

Please note that where pieces are listed in the Syllabus, the publishers are given mainly as an aid to locating material, and are merely suggestions;other authoritative editions of the music will be equally acceptable.

Co-Requisites

There are no additional theory requirements for Grades 6-8.

Scales and Exercises

In all grades scales and arpeggios are to be played from memory.

Dominant Seventh arpeggios are to be played in the key.Diminished seventh arpeggios are to start on the key note.

Accompanist

Entrants must provide their own accompanists who remain in the room only while accompanying. A teacher may act as accompanist.Accompaniment is not required for extra repertoire list pieces.

Bowing

Entrants are not bound to any particular school of bowing or fingering. However the results must be logical and musical.

Cadenzas

For Seventh and Eighth Grade and the Associate and Licentiate examinations, cadenzas must be included where indicated in concerto movements.

Fingerboards

The use of marked or fretted fingerboards is only permitted to the end of level 1.

Tuning

Entrants from Fifth Grade and above must tune their own instruments ready for examination. Teachers should ensure that entrants for all gradeshave their violins set up properly to allow easy tuning, ie with adjusters.

Improvisation

Credit will be awarded for appropriate improvisation. It is acknowledged that within some of the styles presented improvisation will beappropriate. Care however must be taken to maintain the work’s musical integrity and level of difficulty. A copy of the work with theimprovisation section marked must be brought to the examination for use by the examiner.

Entrants changing from Performance Violin to Violin

Entrants in Performance Violin are permitted to swap to the Violin syllabus by presenting three pieces by three different composers two ofwhich must be in the Performance Violin syllabus of the same grade. The third piece may be an own choice piece and should be at a similarlevel to those already in the syllabus. Entrants should advise the examiner of the change when they enter the examination room and mark theappropriate box on their examination slip.

Syllabus Repertoire

Entrants must perform three works two of which must be selected from the prescribed NZMEB list(s). One alternative “own choice” work maybe substituted and should be at a similar level to those already in the syllabus.No more than one composition by a specific composer may be presented during the examination.Entrants from Grade 1 to Grade 8 must take different styles and tempi into consideration when choosing their programme.It is recommended that Entrants from Grades 1 to 8 include pieces from at least two different style periods in their programme.

Entrants should not play repeats in examinations, however any da capo must be played.

NZMEB gratefully acknowledges the technical expertise and advice so generously donated by Pamela Dowsett and Tessa Petersen in compilingthese syllabuses. NZMEB would also like show appreciation to Lynley Culliford for her contribution with collating additional Suzuki repertoire.

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Musicianship

For clapping tests entrants may count aloud using any recognized counting system eg French Time Names. A steady pulse at a moderate speedis expected.

LEVEL ONE

Preliminary

• To join in and clap the beats in simple duple or triple time, to a harmonized passage played by the examiner and to continue clapping thebeats when the music stops.

• To clap or tap at sight, a simple written rhythm, in simple time.Example:

��� ���� �44 � ��• To visually recognize step or skip movement (seconds and thirds) over three notes within the compass of a fifth. We suggest entrants use

their own pieces to develop fluency.Example:

��� ���34� � � �

Grade One

• To visually recognize written combined step/skip movements over three notes within the compass of a fifth. We suggest entrants use theirown pieces to develop fluency.Example:

� ��34� � ��• To clap or tap at sight, a simple written rhythm, in simple time.

Example:

��� ����34 � ��• To play the same pattern as a given melody, using only seconds and thirds, within the compass of a fifth in the keys of G or B♭ major.

Entrants will be given half a minute to sight the melody during which time they may try parts of the test.Example:

B �

� ��I

����34��� � ��• To aurally identify major seconds and major thirds (number only), played twice by the examiner. Entrants may sing or hum the notes

before answering.• To echo clap a short rhythm pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

Example:

�� � ��� �24 � ��

Grade Two

• To visually recognize any written interval within the compass of a fifth. We suggest entrants use their own pieces to develop fluency.Example:

� ��34� � ��• To clap or tap at sight, a simple written rhythm in simple time. May include crotchet rests and quavers.

Example:

���� ���� ��44 � ���• To play the same pattern as a given melody in the keys of B♭ or A major. Entrants will be given half a minute to sight the melody during

which time they may try parts of the test.Example:

� ��E

V

� �A

I

�� � ��� ��� 44 � �� �

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• To aurally identify major and perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrantsmay sing or hum the notes before answering.

• To echo clap a short rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.Example:

� � �� � �� �� � ��34 � �� �

Grade Three

• To visually recognize written intervals within the compass of an octave at sight. We suggest entrants use their own pieces to developfluency.Example:

� �34� � �� �• To clap or tap at sight, a simple written rhythm, in simple time. In addition to the rhythmic figures in previous grades, dotted crotchets,

quavers and minim rests may be included.Example:

�� ���� ��� ��44 � ��� �• To play the same rhythm pattern as a melody within the compass of an octave in the keys of D or B♭ major. Entrants will be given half a

minute to sight the melody during which time they may try parts of the test.Example:

�� �� �A

V

D

�I

� �44 ��� �� ��� ��

• To aurally identify major and perfect intervals up to and including perfect fifths (number only) played twice by the examiner. Entrantsmay sing or hum the notes before answering.

• To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.• To echo clap a short rhythm pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

� � �� � �� � �� ��� � ��44 � � � � ��

LEVEL TWO

Grade Four

• To clap or tap at sight, a written four bar rhythm, in simple time or compound duple. In addition to the rhythmic figures in previous grades,semiquavers, dotted quavers and quaver rests may be added.Examples: � �� � �� � � � � �� � � �� � � ��44 � � �� � ���

� � �� � � ���� �� � �� ��68 � � � ��• To name the tonic key and play a given melody in the keys of B or D major. Entrants will be given half a minute to sight the melody during

which time they may try parts of the test.Example:

� � ��� � B

I

���F

V

� � � ��� ����� 68 � � � � ��

• To aurally identify major and perfect intervals up to and including major sixths, (number only) played twice by the examiner. Entrantsmay sing or hum the notes before answering.

• To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.• To echo clap a rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

� ��� ������34 � ���

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Grade Five

• To clap or tap at sight, a written four bar rhythm, in simple or compound time. In addition to the rhythmic figures in previous grades,triplets and tied notes may be added.Examples:

� �� ��� � � �� � �33 � � ��� � ��44 � � � ��� ��� � �� � � � ��� � �� � ��68 � � � � � � ��

• To name the tonic key and play a given melody in the keys of G major, G minor or A major. Entrants will be given half a minute to sightthe melody during which time they may try parts of the test.

• To give the letter names for both triads of the perfect cadence as marked.Examples:

� �� �E

V

�� � � �I

A

3

3 � � � �� � � ��� ��� 44 � � � �� �� ��� � ��

� � �GI

�V

D ��� � ��� � 68 � � � � � ���

• To aurally identify by quality and number major and perfect intervals up to and including a perfect octave, played twice by the examiner.Entrants may sing or hum the notes before answering.

• To aurally identify root position triads as major or minor (notes sounded together) played twice by the examiner.• To echo clap a four bar rhythmic pattern clapped once by the examiner. A second attempt will be allowed if necessary.

Example:

� ��� � �� �� � �� � � ��68 � �� � ��

LEVEL THREE

Grade Six

• To clap or tap at sight, a written eight bar rhythm, in simple or compound time. In addition to the rhythmic figures in previous grades,syncopation may be added.Examples:

� � � �� � � � �� �� �� � � ��44 � �� � �� � � ��� � � �� � � ��� � � �� �� � ��5 � �� �� � ��

� � �� � � ��� � �� � � �� � �� ��68 � � �� � ����� �� � � � �� � � �� � � �5 � � � �� �

• To name the tonic key and play a given melody in the keys of A♭ major, C major or C minor. Entrants will be given half a minute to sightthe melody during which time they may try parts of the test.

• To name the final cadence as perfect or plagal and to name the letter names for both triads.Examples:

�� ���� �� �33

3

�V

G

�I

C

��� ��24� � ��� �� ��� �� � ��� �

D �

IV

�A �

I

�� ��� ���� 44 � �� ���

• To aurally identify by quality and number, all major and perfect intervals up to and including a perfect octave, played twice by theexaminer. Entrants may sing or hum the notes before answering.

• To aurally identify root position triads as major, minor, or augmented (notes sounded together) played twice by the examiner.

LEVEL FOUR

Grade Seven

• To clap or tap at sight, a written rhythm in simple or compound time. In addition to the rhythmic figures in previous grades, syncopationmay be added.

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Examples:

� �� � �� � � � ��33 � � � �� � � ��34 � � � � �� �� �� � ��� � � � � � �� � � � �� � �� � ��� � �5 � �� � � �� �� � �� � � � ���� �� � � ���� � ��98 � � � � �� �� � ��� �

�� � �� � � �� � � �� � � �� � �� � � � ��5 � � � � � ��� ��• To name the tonic key and play a given melody in the keys of B major, E♭ major, B minor or E♭ minor. Entrants will be given half a minute

to sight the melody during which time they may try parts of the test.• To identify the first cadence as imperfect or interrupted and the second cadence as perfect or plagal and give the letter names of all triads

forming the cadences.Examples:

� � ����� � ��� E �

��� �

A �

������ ��44���� � �� �� � �� Cm�B ��� �

� � �� � �

B�F�

�� ��� ����� 44 �F�7 �G��� �• To aurally identify by quality and number all major and perfect intervals, and minor thirds, up to and including a perfect octave, played

twice by the examiner. Entrants may sing or hum the notes before answering.• To aurally identify root position triads as major, minor, augmented or diminished (notes sounded together) played twice by the examiner.

Grade Eight

• To clap or tap at sight, a written eight bar rhythm, in any time signature.Examples:

� � � ��� � � � � ��2 � � � �� � � ��98 � �� � � � � ���� � �� � � � �2 �� � �� � � ��5 � � � �� �� �� �

�� � �� � � � ��� � � �� �� ��54 � � � � � � �� ��� � ��� � �� � � � � ��� �� ��� � �5 �� ��

• Entrants will be given one minute to sight an orchestral excerpt during which time they may try parts of the test, and then play it from thescore.

• To aurally identify by quality and number all major and perfect intervals, minor thirds and sixths, up to and including a perfect octave,played twice by the examiner. Entrants may sing or hum the notes before answering.

• To aurally identify root position triads as major, minor, augmented or diminished (notes sounded together) played twice by the examiner.

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Musical KnowledgeIn practical examinations examiners will ask entrants questions on the following aspects of list pieces (excluding extra repertoire list)

Level One - Preliminary to Grade 3• The notes, rests, signs, terms and titles of pieces.• Keys or tonalities in which the pieces are written.

Level Two - Grades 4 and 5• The notes, rests, signs, terms and titles of pieces.• Keys or tonalities in which the pieces are written.• Modulations which occur in the pieces at main cadence points.• Broad formal structure of pieces.• Name the period and give its time frame.• Give the nationality of composers.

Level Three - Grade 6• The notes, rests, signs, terms and titles of pieces.• Keys or tonalities in which the pieces are written.• Modulations which occur in the pieces.• Broad formal structure and analysis of the pieces.• Some knowledge of the period and stylistic characteristics.• Some knowledge of the composers.

Level Four - Grades 7 and 8 and Performance Certificate• The notes, rests, signs, terms and titles of pieces.• Keys and tonalities in which the pieces are written.• Modulations which occur in the pieces.• Broad knowledge of the structure and analysis of the pieces.• Broad knowledge of the period and stylistic characteristics of the pieces.• Some knowledge of the composers of the pieces presented for examination including range of repertoire and major contributions to the

development of musical style.

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Pre-Preliminary Test for ages Four to Eight years

1. Exercises:

Ascending and descending

On D string D E F♯ G F♯ E DOn A string A B C♯ D C♯ B AOn E string E F♯ G♯ A G♯ F♯ E

Rhythm: Tafatefe tate (four semiquavers, two quavers) on each note, in the middle of the bow.

2. Pieces:

List A: Any piece in Simple Triple TimeList B: Any piece in Simple Quadruple Time

3. Aural:• Clap the beats of a simple chord passage played in two or three beat time by the examiner and continue clapping after the examiner stops

playing.• To sing or hum the notes of a short melodic phrase of five or six notes of one beat length. The examiner will play the phrase first and then

repeat it, waiting on each note for the entrant to sing it.• To state which is the higher or lower of any two notes played separately not less than a third apart.

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Level 1 - Preliminary to Grade 3DescriptorsProcesses are limited in range, repetitive and familiar, employing recall and a narrow range of knowledge and cognitive skills. These are appliedin activities which are closely supervised by the teacher.

CriteriaExaminers will use these criteria in assessing all level 1 entrants.

• Comfortable and well balanced posture and relationship with the instrument.• Appropriate hand and arm position with flexible use of arms and hands.• Shifting action showing an awareness of inner ear ability and some knowledge of the finger board.• Beginning to acquire:

• Co-ordination of finger action and bowing movements• Systematic fingering in scales• Accurate and prompt performance of all technical work

• at the minimum tempo or faster with bowing patterns as specified in the Essential Technique for Violin - Edward Pople (availablefrom the NZMEB office).

• Performance from memory as listed in Essential Technique for Violin.• Performance of the technical work at the minimum tempo or faster

• Awareness of underlying pulse in the pieces• Awareness of the dynamic range of the instrument• Accurate and fluent performance of pieces• Awareness and control of dynamics, tempo and articulations• Accurate intonation and consistency of pitch• Ability to use the whole and segments of the bow as appropriate• Awareness of resonance and clear sound quality which is well projected• Position changes as appropriate for the grade showing knowledge of the fingerboard.• Development of appropriate bow strokes.• Evidence of vibrato being explored and encouraged.

Preliminary1. Scales (ascending and descending)

Major A One Octave (commencing on open string)Bowing Patterns:

�etc.

�� ��� 44� = 72 ��

� ��� � � �� � � ��� ��� 44� = 72 � � � �

� � � �� � �etc.� � � ��� � �� � � �� ��� = 66 �44

��� ��To be played détaché in the middle of the bow

Major Arpeggios A (commencing on open string) One OctaveBowing Pattern:

������ = 6634���� � ��

2. PiecesThree pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

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Anon Monday Melodies & Ice Skating Essential Elements for Strings 2000, Violin Bk 1: Hal LeonardBach ed de Keyser March No 4 The Young Violinist’s Repertoire Bk 1: FaberBlackwell Calypso Time Fiddle Time Joggers: OUPBlackwell Clare’s Song Fiddle Time Joggers: OUPBlackwell Distant Bells Fiddle Time Joggers: OUPBlackwell Fiddle Time Rag Fiddle Time Runners: OUPBlackwell Fiddle Time Fiddle Time Joggers: OUPBlackwell In the Groove Fiddle Time Joggers: OUPBlackwell Rowing Boat Fiddle Time Joggers: OUPBlackwell Summer Sun Fiddle Time Joggers: OUPBlackwell The Old Castle Fiddle Time Joggers: OUPBrahms Folk Song The Student Violinist - Brahms: Mel BayCohen No 1 Blast Off Superstudies Bk 1: FaberCohen No 2 Operation Space Station Superstudies Bk 1: FaberCohen No 3 Rockets to the Rescue Superstudies Bk 1: FaberCohen No 6 Rocking Rowboats Superstudies Bk 1: FaberCohen No 11 Hurry if you want to see the

Engine!Superstudies Bk 1: Faber

Cohen No 16 Cuckoo? Where’s that Cuckoo? Superstudies Bk 1: FaberColledge No 4 Fast Forward: Boosey & HawkesColledge No 8 Fast Forward: Boosey & HawkesCowles Autumn and Blue Rock Easy Melodic Fragments: FentoneDe Keyser No 2 Birdsong Violin Playtime Studies: FaberDe Keyser No 11 German Folk Song Violin Playtime Studies: FaberDe Keyser No 15 March Violin Playtime Studies: FaberDe Keyser No 16 On Parade Violin Playtime Studies: FaberDe Keyser No 17 Puppet on Two Strings Violin Playtime Studies: FaberDe Keyser No 21 The Bee’s Polka Violin Playtime Studies: FaberDe Keyser No 25 The See-Saw Violin Playtime Studies: FaberDe Keyser No 29 Tyrolean Dance Violin Playtime Studies: FaberDillon, Kjelland &O’Reilly

Merry Widow Waltz Strictly Strings Bk 1: Alfred

Dillon, Kjelland, &O’Reilly

Polly wolly doodle Strictly Strings Bk 1: Alfred

Duncan Mel Bay Easy Solos for Beginning Violin, Duncan: Mel BayDylan Blowing in the Wind Making the Grade 1: ChesterDylan Blowing in the Wind Making the Grade grade 1: ChesterElgar Andante Six very easy pieces Op 22: BosworthEmmett Dixie Easy Solos for Beginning Violin, Duncan: Mel BayFaulkner Arkanas traveller Essential Elements for Strings Violin Bk 1: Hal LeonardFletcher Square Dance I & II (Nos 33 & 34) New Tunes for Strings Bk 1: Boosey & HawkesFoster Some Folks do and Bow twister All for Strings Bk 1: KjosFrost On the Wings of Butterflies No 121 Artistry in Strings Bk 1: KjosGrieg Norwegian Dance No 3 Superpieces 2 arr Cohen: FaberHandel arr Nelson Gavotte Boosey & HawkesHandel La rejouissance String Explorer Bk 1: AlfredHandel ed de Keyser March The Young Violinist’s Repertoire Bk 1: FaberJones Toodle-Pip Ten O’Clock Rock: Boosey & HawkesKabalevsky Ride, ride Op 39 No 18 Boosey & HawkesLumsden &Wedgwood

Lazy tryrannosaurus rex Jurassic Blue: Faber

Lumsden &Wedgwood

Plesiosaurus Jurassic Blue: Faber

Lumsden &Wedgwood

Vicious velociraptor Jurassic Blue: Faber

Nelson Drummer’s March Stringsongs: Boosey & HawkesNelson Fed up The Essential String Method Bk 2: Boosey & HawkesNelson Pizzicato Pie Piece by Piece 1: Boosey & HawkesNelson Polka Piece by Piece 1: Boosey & HawkesNelson The Tadpole’s Tale Piece by Piece 1: Boosey & HawkesNorton, C Exotic Fruit Microjazz Collection Bk 1: Boosey & HawkesNorton, C Far North Microjazz Collection Bk 1: Boosey & HawkesNorton, C Fine Day Microjazz Collection Bk 1: Boosey & HawkesNorton, C Garden, Gently Microjazz Collection Bk 1: Boosey & HawkesNorton, C Snooker Table Microjazz Collection Bk 1: Boosey & HawkesO’Reilly Apples (line 1) & I like Apple pie Fiddle Rhythms: Kjos

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Preliminary: continued from previous page

O’Reilly Butterscotch (Lines 1 & 2) & I likeButterscotch pie

Fiddle Rhythms: Kjos

O’Reilly Chocolate (Lines 1 & 2) & I likeChocolate pie

Fiddle Rhythms: Kjos

O’Reilly Gooseberry (Lines 1 & 2) & I likeGooseberry pie

Fiddle Rhythms: Kjos

Purcell arr Duncan Rigaudon Solo Pieces for the Beginning Violinist: Mel BayRameau arr Keyser Rigaudon No 13 The Young Violinist’s Repertoire Bk 1: FaberRose At the Fair Party Time: ABRSMRose First Base Party Time: ABRSMRose Hopscotch Party Time: ABRSMRose Pony Ride Party Time: ABRSMRose Two by two Party Time: ABRSMStrauss arr Nelson Emperor Waltz (upper part only) Stringsongs: Boosey & HawkesSuzuki Allegro Suzuki Violin Book, Vol 1: Summy-BirchardTrad Bohemian Folk Song, November Solos for Young Violinists Vol 1: Summy-BirchardTrad Chailean’s Cows Gypsy Jazz, Easy Level, arr. Waterfield and Kraemer: FaberTrad Elenke Gypsy Jazz, Easy Level, arr. Waterfield and Kraemer: FaberTrad English Folk Song, The Old Woman & the

PeddlerSolos for Young Violinists Vol 1: Summy-Birchard

Trad Fairy Dance Jigs, Reels and Hornpipes: Boosey & HawkesTrad French Folk Song & There’s Music in the

AirAll for Strings Bk 1: Kjos

Trad Go Tell Aunt Rhody Suzuki Violin Book, Vol 1: Summy-BirchardTrad Keel Row Jigs, Reels and Hornpipes: Boosey & HawkesTrad Lightly Row Suzuki Violin Book, Vol 1: Summy-BirchardTrad Morning has Broken Making the Grade grade 1: ChesterTrad Playing Ball on the Stairs arr. B Barber Solos for Young Violinists Vol 1: Summy-BirchardTrad Skip to my Lou and Shepherd’s hey All for strings Bk 1: KjosTrad Soldier’s Joy Fiddle Tunes for the Violinist (Amsco): EFS 198Trad Turkey in the Straw Fiddle Tunes for the Violinist (Amsco): EFS 198Trad Simple Gifts Essential Elements for Strings 2000, Violin Bk 1: Hal LeonardTrad Song of the Wind Violin Book, Vol 1: SuzukiTrad. Arr Nelson Little Brown Jug Stringsongs: Boosey & HawkesTrad Skippin’ the scale No 86 & Pick up a

Turkey Toe No 89Artistry in Strings Bk 1: Kjos

Trad The Jolly Bohemian Artistry in Strings Bk 1: Kjos

3. Musicianship

4. Musical Knowledge

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Grade 1

1. Scales (ascending and descending)

Major G Two Octaves (commencing on open string)A Two Octaves (commencing on G string)

Harmonic Minor A Two Octaves (commencing on G string)Melodic Minor G One Octave (commencing on open string)

Bowing Patterns: Separate bows

��� �� � ������� �� � ��44

� = 72�� � ����� � � �� �

Slurred pairs

� �� ���� ��� �� ���� ��

� = 7244���� � � ��

�� ���� �

Major Arpeggios G Two OctavesA Two Octaves (commencing on G string)

Minor Arpeggios G Two OctavesA Two Octaves (commencing on G string)

Bowing Patterns: Separate bows

� �� �� � �� �� = 66

�� ��� 34 � � � �

2. Pieces

Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

Anon arr de Keyser From Old Vienna Violin Playtime Bk 3: FaberBach Allegro, Theme from Brandenburg

Concerto No 5Classical Repertoire for Violin: Mel Bay

Bach Minuet 3 BWV 114 in G Suzuki Violin Book, Vol 1: Summy-BirchardBach Minuet 1 BWV 822 in G Violin School Vol 1: Suzuki / Essential Elements 2000 for

Strings Violin Bk 1: Hal LeonardBach Any two from Three Little Pieces Chester String Series Vol 2: ChesterBach Theme from Brandenburg Concerto No 3 Strictly Strings Bk 2: AlfredBailey Dainty Steps Jazzin’ Around for Strings: Kerin Bailey MusicBailey Summer Sojourn Jazzin’ Around for Strings: Kerin Bailey MusicBaklanova Romance, No 8 The Young Violinist’s Repertoire Bk 2 ed de Keyser &

Waterman: FaberBarrett Five Pins Bravo! Violin: SchottBarrett Out-of-Step March Bravo! Violin: SchottBarrett Shortcake Walk Bravo! Violin: SchottBarrett Sowing Marjoram Bravo! Violin: SchottBarrett The St Catherine and Saraband Chester String Series Vol 1: ChesterBeethoven Écossaise in G Fiddle Time Runners: OUPBlackwell Chase in the Dark Fiddle Time Runners: OUPBlackwell Flamenco Dance Fiddle Time Runners: OUPBlackwell Gypsy Dance Fiddle Time Runners: OUPBlackwell On the Go! Fiddle Time Runners: OUPBlackwell Pick a Bale of Cotton Fiddle Time Runners: OUPBlackwell That’s how it goes Fiddle Time Runners: OUPBlackwell The Wee Cooper o’ Fife Fiddle Time Runners: OUPBrahms Waltz No 5 in G Violin School Vol 2: SuzukiCarse Berceuse in C major Stainer & BellCarse Dance Scherzo Classic Carse Bk 2: Stainer & BellCarse No 2 in C Progressive Studies Bk 1: Stainer & BellCarse No 3 in C Progressive Studies Bk 1: Stainer & BellCarse No 7 in G Progressive Studies Bk 1: Stainer & BellCarse Premiere Valse Classic Carse Bk 1: Stainer & BellChamberlain Jig Along Step it up: AlfredCharpentier Prelude from Te Deum Fiddle Time Runners: OUPCohen No 1 Overture and Beginners Superstudies Bk 2: FaberCohen No 2 Saturday Night Stomp Superstudies Bk 2: Faber

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Grade One: continued from previous page

Cohen No 3 Hot Chocolate Treat Superstudies Bk 2: FaberCohen No 4 Make Your Mind Up Please Superstudies Bk 2: FaberCohen No 7 Floating in the Swimming Pool Superstudies Bk 1: FaberCohen No 8 Let’s All Go to the Grizzly Bear’s

GrumpSuperstudies Bk 1: Faber

Cohen No 9 Gliding along at the Octopus Ball Superstudies Bk 1: FaberCohen No 11 Magic Carpet Ride Superstudies Bk 2: FaberCohen No 13 Toffee Nut Fudge Cake Superstudies Bk 1: FaberCohen No 18 Tawny Owl Blues Superstudies Bk 1: FaberColledge Any two of Nos 14, 17, 19, 20 Fast Forward: Boosey & HawkesColledge Look Lively Shooting Stars: Boosey & HawkesColledge No 11 Fast Forward: Boosey & HawkesCowles Copycat Easy Melodic Fragments: FentoneFarnaby Tower Hill and His Rest Chester String Series Vol 1: ChesterGrieg Watchman’s Song No 1 First Solo Pieces Bk 1: SchottHajdu Kolomeika No 18 Violin Music for Beginners Bk 1: EMBHandel Finale from Water Music Fiddle Time Runners: OUPHandel March Essential String Method for Violin Bk 3: Boosey & HawkesHandel Minuet from Royal Fireworks Starters for Violin: ABRSMHaydn Andante Young Violinist’s Repertoire 1, de Keyser: FaberHaydn Surprise Symphony Theme Essential Elements 2000 for Strings, Violin Bk 1: Hal LeonardHaydn Theme from St Anthony’s Chorale Strictly Strings Bk 2: AlfredHiggins Rockin’ Strings Essential Elements 2000 for Strings Violin Bk 1: Hal LeonardJoplin & Heger Maria’s Rag Let’s Rag: NoetzelJoplin & Heger Peacherine Rag Let’s Rag: NoetzelKochler Concertino Op 11 in G, 1st mvt BosworthLumsden &Wedgwood

Clever compsognatus Jurassic Blue: Faber

Lumsden &Wedgwood

Dotty diplodocus Jurassic Blue: Faber

Lumsden &Wedgwood

Triceratops Rocks Jurassic Blue: Faber

Macdowell To a Wild Rose Solo Pieces for the Intermediate Violinist: Mel BayMendelssohn On Wings of Song Solo Pieces for the Intermediate Violinist: Mel BayMozart 40th Symphony Theme All for Strings Bk 2: KjosNelson Dragonfly Technitunes for violin: Boosey & HawkesNelson Reel Technitunes for violin: Boosey & HawkesNelson Sarah’s Song Moving Up: Boosey & HawkesNelson Three Key Rollalong Piece by Piece 2: Boosey & HawkesNorton, C Evening Star Microjazz Collection Bk 1: Boosey & HawkesNorton Pineapple Bounce Microjazz Collection Bk 2: Boosey & HawkesOffenbach Can-can Easy Classics for Violin: Mel BayPurcell arr Nagy Rondeau from Abdelazar 15 Leichtstücke: UniversalRossini arr Cohen Theme from William Tell Superpieces 2: FaberSaint-Saëns Danse Macabre Strictly Strings Bk 2: AlfredSchubert Berceuse The Essential String Method Bk 4: Boosey & HawkesSchumann Of Strange Lands and Peoples Starters for Violin: ABRSMSchumann The Happy Farmer Suzuki Violin Book, Vol 1: Summy-BirchardSuzuki Etude & variation in G Suzuki Violin Book, Vol 1: Summy-BirchardSzelényi An Old Tale, No 3 24 Easy Little Concert Pieces Vol 1: EMBSzelényi Between Two Lessons, No 6 24 Easy Little Concert Pieces Vol 1: EMBSzervansky Hungarian Dance, Maestoso Violin Music for Beginners Bk 1: EMBTchaikovsky Sharmanka No 10 The Young Violinists Repertoire Bk 2: FaberTchaikovsky arr deKeyser

Morning Song Young Violinist’s Repertoire 1: Faber

Tchaikovsky Sleeping Beauty Waltz Easy Classics for Violin: Mel BayTrad Bohemian Folk Song, Winter Solos for Young Violinists Vol 1: Summy-BirchardTrad Camptown Races The Essential String Method Bk 4: Boosey & HawkesTrad Cuckoo Gypsy Jazz, Easy Level, ed Waterfield and Kraemer: FaberTrad Dance Scherzo Classic Carse Bk 2 ed Cohen: Stainer & BellTrad Devil’s Dream All for Strings Bk 2: KjosTrad Divertimento, No 12 The Young Violinist’s Repertoire Bk 2 ed de Keyser and

Waterman: FaberTrad French Folk Song, Good Pierrot Solos for Young Violinists Vol 1: Summy-BirchardTrad Hatikvah Essential Elements 2000 for Strings Violin Bk 2: Hal LeonardTrad Irish Washerwoman Fiddle Tunes for the Violinist (Amsco): EFS 198Trad Little Dance Classic Carse Bk 1 ed Cohen: Stainer & Bel

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Grade One: continued from previous page

Trad Old Slovak Folk Tune. [titled Czech inearlier editions]

Gypsy Jazz, Easy Level ed Waterfield and Kraemer: Faber

Trad Playing on the ol’ banjo Fiddle Time Runners: OUPTrad Russian Folk Song, Caterpillar!

Caterpillar!Solos for Young Violinists Vol 1: Summy-Birchard

Trad Scotch Folk Song, Lullaby Solos for Young Violinists Vol 1: Summy-BirchardTrad Shalom chaverim & Hannuka Song Essential Elements 2000 for strings Violin Bk 2: Hal LeonardTrad Somebody’s Knocking on your door Fiddle Time Runners: OUPTrad Stoodla pumpa All For Strings Bk 2: KjosTrad Swallowtail Jig Essential Elements 2000 for Strings Violin Bk 2: Hal LeonardTrad Swallowtail Jig Fiddlers Philharmonic: AlfredTrad Takin’ it easy Fiddle Time Runners: OUPTrad The Minstrel Boy The Corrs for Violin: WiseTrad Welsh Air, All Through the Night Solos for Young Violinists Vol 1: Summy-BirchardTrad arr Lanning Scarborough Fair Making the Grade Violin Grade 1: ChesterTrad arr Nelson Pease Pudding Hot with variations The Essential String Method Bk 3: Boosey & HawkesWagner, arr Meyer March of the Meistersingers String Explorer, Bk 1: AlfredWedgwood Hungarian Stomp Jazzin’ About: FaberWedgwood Song for Sue Jazzin’ About: FaberWilliams, arr Cohen Star Wars Theme Bags of Showbiz for Violin: FaberWohlfahrt Chromatic Etude All For Strings Bk 2: KjosWohlfahrt No 1 Allegro moderato in C 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 1 Allegro moderato in C 40 Studies Op 54: Peters / SchirmerWohlfahrt No 2 Allegro moderato in C 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 2 Allegro moderato in G 40 Studies Op 54: Peters / SchirmerWohlfahrt No 3 Moderato in G 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 4 Allegretto in G 60 Studies Op 45 Bk 1: Stainer & Bell / FischerWohlfahrt No 5 Allegro in C 40 Studies Op 54: Peters / Schirmer

3. Musicianship

4. Musical Knowledge

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64

Grade 2

1. Scales (ascending and descending)

Major D Two Octaves (shift to 3rd position on A string)F One Octave (first position)

Harmonic Minor D Two OctavesMelodic Minor F One Octave

Bowing Patterns: Separate bows (upper half)

� �� ��� � ���� � � ���� ��� �� 44

�� = 96 �� �

� � � � �� �

Slurred

�� � �� �� � � ��� � �� �� �44�� = 96��� � ���

� �� ��� �

Spiccato (off the string)

������etc.

��� = 9644

����� � �����

Martelé (mid bow to upper half)

�������� �� ��� ���

etc.

���� ����

� ���

� ��

� ����� �� 44

�� = 96

� ��� ������ ��

Major Arpeggios D Two Octaves (shift to 3rd position on A string)F One Octave

Minor Arpeggios D Two Octaves (shift to 3rd position on A string)F One Octave

Bowing Patterns: Détaché

�� etc.�34 �� = 84��� �

� ��Legato

� etc.�34� = 84 ���� �

����

2. Pieces

Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

Arlen Over the Rainbow What Else Can I Play 3: Faberarr Jones Bulgar from Odessa The Klezmer Fiddler: Boosey & Hawkesarr Jones Dance, Dance The Klezmer Fiddler: Boosey & HawkesBach, arrAppelbaum

Minuet No 17 Building Technique with Beautiful Music, Vol 3: Belwin

Bach Minuet No 2 BWV 116 Suzuki Violin Book, Vol 1: Summy-BirchardBach, arrSeely-Brown

Giguetta in C Solos for Young Violinists Vol 1: Summy-Birchard

Bach, arrSeely-Brown

Marche in D Solos for Young Violinists Vol 1: Summy-Birchard

Bach, arrSeely-Brown

Musette BWV 126 Solos for Young Violinists Vol 1: Summy-Birchard

Bailey Dainty Steps Jazzin’ Around for Strings: Kerin Bailey MusicBailey Rock on the Edge Jazzin’ Around for Strings: Kerin Bailey MusicBailey Shades of Night Jazzin’ Around for Strings: Kerin Bailey MusicBeethoven arrLambert

Minuet and Trio Op 8 First Solo Pieces Vol 1: Schott

Beethoven arr Seitz Sonatina in G 1st mvt Sheet Music to Print.comBeethoven, arrMoffat

Liebeslied Alte Meister für Junger Spieler Bk 1: Schott

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Bizet, arr Lanning Overture from Carmen The Classic Experience: CramerBlackwell Allegretto In G Fiddle Time Runners: OUPBlackwell Caribbean Sunshine Fiddle Time Runners: OUPBlackwell I got those Fiddle Blues Fiddle Time Runners: OUPBull, arr Radmall The Shepherdess Chester String Series Vol 2: ChesterCarse No 7 Allegro in G min Progressive Studies Bk 1: Stainer & BellCarse No 9 in D Progressive Studies Bk 1: Stainer & BellCarse No 12 in A min Progressive Studies Bk 1: Stainer & BellCarse No 13 Andante in Eb Progressive Studies Bk 1: Stainer & BellChamberlain Bumble Cat Step it up: AlfredCohen No 7 The Snake Charmer’s Lament Superstudies Bk 2: FaberCohen No 8 Fivepenny Waltz Superstudies Bk 2: FaberCohen. No 9 The Whirly Bird and the Hen Superstudies Bk 2: FaberCohen. No 10 Overnight Express Superstudies Bk 2: FaberCohen Headin’ Homewards Bags of Style for Violin: FaberCohen No 5 Heidi Hi! Superstudies Bk 2: FaberCohen No 6 Make it Snappy Superstudies Bk 2: FaberColledge Cossacks Shooting Stars: Boosey & HawkesColledge Moto perpetuo Shooting Stars: Boosey & HawkesColledge Stiffkey Blues Shooting Stars: Boosey & HawkesCorelli, arr Jones Govotte from Sonata in F Baroque Violin Pieces Bk 2: ABRSMCosyn, arr Radmall What you will Chester String Series Vol 2: ChesterDanbe Minuet in D, No 7 First Solo Pieces: SchottDancla No 1 Allegro moderato in C 15 Etudes Op 68: Petersde Keyser No 6 Dreaming Violin Playtime Studies: Faberde Keyser No 14 March Violin Playtime Studies: Faberde Keyser No 17 Rowing Violin Playtime Studies: FaberDvorák From Songs my Mother Taught Me Young Violinist’s Repertoire 2: FaberElgar, arr Lanning Enigma Theme from Nimrod The Classic Experience: CramerGossec Gavotte Suzuki Violin Book, Vol 1: Summy-BirchardHandel arrApplebaum

Gavotte with Variations No 17 Building Technique with Beautiful Music Vol 2: Belwin

Haydn, arr Sulyok German Dance No 9 Violin Music for Beginners Bk 1: EMBHuws Jones Hard Rock Café Got Those Position Blues: PetersHuws Jones L.A. Got Those Position Blues: PetersHuws Jones Miles Away Got Those Position Blues: PetersJones Banana Skin Got those Position Blues?: FaberJones Got those 3rd Position Blues & Hard Rock

CafeGot those Position Blues?: Faber

Jones No 4 Miles Away Got those Position Blues?: FaberJoplin arr Heger The Entertainer Let’s Rag: NoetzelJoplin arr Heger The Strenuous Life Let’s Rag: NoetzelJoplin arr Heger The Sycamore Let’s Rag: NoetzelKayser No 1 in C 36 Violin Studies Op 20: IMC / SchirmerKayser No 3 in F 36 Violin Studies Op 20: IMC / SchirmerKayser No 5 in A 36 Violin Studies Op 20: IMC / SchirmerKirnberger Carillon First Solo Pieces. Vol 1: SchottKroll Donkey Doodle Solos for Young Violinists Vol 1: Summy-BirchardLloyd-Webber, arrHuws Jones

Memory Going Solo Violin: Faber

Lully Gavotte No 10 Suzuki Violin Book, Vol 2: Summy-BirchardLumsden &Wedgwood

Jurassic Blue Jurassic Blue: Faber

Martini Gavotte Young Violinist’s Repertoire Bk 1: FaberMartin Jig Little Suite No 4: Stainer & BellMorley Alman Music for Violin: EMB Z6749Mozart, L Marcia No 1V/2 Music for Violin: EMB Z6749Mozart Lied Violin Music for Beginners Bk 1: EMBMozart arr. Duncan Allegro Solo Pieces for the Intermediate Violinist:: Mel BayNelson Jonathan’s Jig Moving Up: Boosey & HawkesNelson Swiss Waltz Technitunes for Violin: Boosey & HawkesNelson Toad in the Hole Technitunes for Violin: Boosey & HawkesNorton A Dramatic Episode Microjazz Collection Bk 2: Boosey & HawkesNorton Face in the Crowd Microjazz for Violin: Boosey & HawkesNorton Swan Song Microjazz Collection Bk 2: Boosey & HawkesPaganini arr. Suzuki Theme from Witches’ Dance Suzuki Violin Book, Vol 2: Summy-BirchardPepusch Sonata in C No 1, 1st & 2nd mvts Schott

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Puccini, arr Lanning Oh! Mio babbino caro The Classic Experience: CramerPurcell arr. Radmall Air & Hornpipe Chester String Series Vol 1: ChesterRameau Rigaudon The Young Violinist’s Repertoire Bk 1: FaberRieding Concerto Op 35 in B min, 1st mvt BosworthSchubert Allemande Violin Music for Beginners: EMBSchumann Military March Violin Music for Beginners: EMBShore Many meetings from the Fellowship of the

RingThe Lord of the Rings, Instrumental Solos: Alfred

Shore The Steward of Gondor from Return ofthe King

The Lord of the Rings, Instrumental Solos: Alfred

Strauss J, arr Jones Russian March The Fiddle Play Along Collection Vol 1: Boosey & HawkesTartini arr. Moffat Sarabande Alte Meister für Junger Spieler Bk 1: SchottTchaikovsky Old French Song The Essential String Method Bk 4: Boosey & HawkesThomas Gavotte from Mignon No. 9 Suzuki Violin Book, Vol 2: Summy-BirchardThorn Pizzicato Sevens Four Pieces for Violin: AMCTrad arr Cohen The Lark in the Clear Air Bags of Folk: FaberTrad arr Radmall Chanson favourite d’Henri 1V Chester String Series Vol 1: ChesterTrad El condor pasa The Latin American Fiddler: Boosey & HawkesTrad arr Cohen She Moved Through the Fair Bags of Folk: FaberTrad Fiddle Time Blues Fiddle Time Runners: OUPTrad Scottish Air and Reel No 5 Chester String Series Vol 1: ChesterTrad The Wraggle Taggle Gypsies What Else Can I Play Grade 2: IMP / FaberTrad, arr Nelson Skye Boat Song Moving Up Again: Boosey & HawkesWedgwood Ho Down - Show Down Jazzin’ About: FaberWedgwood The Next Time Jazzin’ About: FaberWeill arr. Reiter Lied der Jenny Kurt Weill songs for violin and piano: UniversalWohlfahrt No 6 Moderato in F 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 7 Allegro moderato in Bb 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 14 Allegro non tanto in D 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 15 Allegro in C 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 17 Moderato assai in D 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 20 Allegro in G min 60 Studies Op 45 Bk 1: Stainer & Bell / SchirmerWohlfahrt No 32 Allegro moderato in C 40 Studies Op 54: Peters / Schirmer Vol 926

3. Musicianship

4. Musical Knowledge

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Grade Three

1. Scales (ascending and descending)

Major C Two Octaves (start 2nd finger in 2nd position on G string)B♭ Two Octaves (start first finger on 2nd position on G string)

Harmonic Minor B♭ Two Octaves (first finger start on 2rd position on G string)Melodic Minor C Two Octaves (start 2nd finger in 2nd position on G string)

Bowing Patterns: Détaché (mid bow)

���etc.�� = 6644� � � ��

Legato (whole bow)

��� �etc.� = 6644� � ���Spiccato

��� �� ��

� etc.

��� ��

�� � ����

68

�� = 72

��� ��� ��

Martelé (mid bow to upper half)

�������� �� ��� ���

etc.

���� ����

���

� ��� �

���� 44

� = 60

� �

���

��

� ��Chromatic G One Octave (open string, separate bows)

� � �� �� � � � �� � � � �� �� � � ��� 44 ��� � �� � ��� ��Major Arpeggios C Two Octaves (start 2nd finger in 2nd position on G string)

B♭ Two Octaves (start first finger on 2nd position on G string)Minor Arpeggios C Two Octaves (start 2nd finger in 2nd position on G string)

B♭ Two Octaves (start first finger on 2nd position on G string)Bowing Patterns: Détaché

���� etc.68�� = 100

� �

� ��Legato

���� etc.

68�� = 100

� �

� ��Dominant Seventh C One Octave (commencing on open G and resolving on the tonic)

Diminished Seventh G One Octave (commencing on open G)Bowing Patterns: Détaché

������� = 10044� � ���

Slurred

� ���� ����� = 10044� � ��� �

2. PiecesThree pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

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Albrechtsberger Minuetto Die Alte Geige: UniversalBach Gavotte BWV 1012 Young Violinist’s Repertoire 3: FaberBailey Blue Notoriety Jazzin’ Around for Strings: Kerin Bailey MusicBailey Bossa Nouveau Jazzin’ Around for Strings: Kerin Bailey MusicBailey Fragile World (with shifts), Jazzin’ Around for Strings: Kerin Bailey MusicBecker Gavotte No 5 Suzuki Violin Book, Vol 3: Summy-BirchardBeethoven Minuet in G No 11 Suzuki Violin Book, Vol 3: Summy-BirchardBernstein America from West Side Story Making the Grade Violin Grade 3: ChesterBizet arr Blackwell Habanera Fiddle Time Sprinters: OUPBlackwell Chromatic cats Fiddle Time Sprinters: OUPBlackwell Hungarian folk dance Fiddle Time Sprinters: OUPBlackwell Mexican Fiesta Fiddle Time Sprinters: OUPBlackwell Round Trinidad Bay Fiddle Time Sprinters: OUPBlackwell Show Stopper Fiddle Time Sprinters: OUPBlackwell Wild West Fiddle Time Sprinters: OUPBoccherini Minuet & Trio Suzuki Violin Book, Vol 2: Summy-BirchardBrahms Lullaby Op 49 No 4 Universal Violin Album 2, UECarse Dance Scherzo Classic Carse 2, Stainer & BellCarse No 1 in G Progressive Studies Bk 4: Stainer & BellCarse No 2 in D min Progressive Studies Bk 4: Stainer & BellCarse No 3 in D min Progressive Studies Bk 3: Stainer & BellCarse No 5 in G Progressive Studies Bk 3: Stainer & BellChopin arrAppelbaum

Mazurka Building Technique with Beautiful Music Vol 3, Belwyn

Cohen Cappuccino at the Ice Rink Jazz Technique Takes Off: FaberCohen Carnival Parade Rhumba Jazz Technique Takes Off: FaberCohen No 1 Prelude Technique Takes Off: FaberCohen No 5 Helter Skelter Technique Takes Off: FaberCohen Tuesday Blues Day Jazz Technique Takes Off: FaberCorelli Allegro Die Alte Geige: UniversalCouperin La Lutine Classical & Romantic Pieces 3: OUPCullen An Evening Stroll Thirteen Ways of Getting There: SchottCullen Riding an ostrich Thirteen Ways of Getting There: SchottCullen White Water Rafting Thirteen Ways of Getting There: SchottDancla No 2 Moderato in F 15 Etudes Op 68: PetersDancla No 8 Maestoso in Eb 15 Etudes Op 68: PetersDancla No 9 Allegretto cantabile in G min 15 Etudes Op 68: PetersDiabelli Andante Cantabile Schott Violin Series: SchottDvorák Humoresque Violin School Vol 3: SuzukiGabriel Marie La Cinquantaine Solos for Young Violinists, Vol 1: Summy-BirchardGrieg arr Lindsay Anitra’s Theme First Recital Series for Violin: CurnowHandel Bourree from the Water Music First Violin Bk 2: ABRSMHandel arr Blackwell Hornpipe from the Water Music Fiddle Time Sprinters: OUPHandel Musette in G Classical & Romantic Pieces 2: OUPHerbert arr Alan Fantasy on Dagger Dance from Natoma First Recital Series for Violin: CurnowHotteterre Allemande Sheila Nelson’s Baroque Violinist: Boosey & HawkesHotteterre Gavotte Sheila Nelson’s Baroque Violinist: Boosey & HawkesHuber Concertino Op 8 No 4 in G maj Solos for Young Violinists, Vol 1: Summy-BirchardHuws Jones Second Stride Got Those Position Blues: FaberJohnson Excursion First Recital Series for Violin: CurnowJones Open Sesame Got Those Position Blues?: FaberJoplin, arr Cowles Magnetic Rag Ragtime Favourites: Fentone F852-400Joplin, arr Cowles New Rag Ragtime Favourites: Fentone F852-400Járdányi Hungarian Dance Music for Violin: EMB Z 6749Kayser No 7 Allegro Moderato in Bb 36 Violin Studies Op 20: IMCKern arr Jones Smoke Gets in Your Eyes Jazz, Blues and Ragtime: Boosey & HawkesKhachaturian Adagio from Spartacus The Classic Experience, CramerKüchler Concertino Op 15 in D, 1st mvt Allegro

ModeratoSolos for Young Violinists Vol 1: Summy-Birchard

Liadov Berceuse and Dance of the Mosquito First Solo Pieces Bk 2: SchottMacKay The Clown’s Dance Position Changing for the Violin: OUPMancini arr. Cohen The Pink Panther First Repertoire for Violin: FaberMozart, L Aria, No V11/5 Music for Violin: EMB Z6749Nelson Caprice Moving Up Again: Boosey & HawkesNelson Hurry on Down Piece by Piece Bk 2: Boosey & HawkesNelson Jumping Jack Moving Up Again: Boosey & HawkesNelson Morag’s Lament Piece by Piece Bk 2: Boosey & Hawkes

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Nelson Moto Perpetuo Moving Up Again: Boosey & HawkesNelson Skye Boat Song Moving Up Again: Boosey & HawkesNorman arr Cohen James Bond Theme Bags of Showbiz for Violin: FaberNorton Snow Dance Microjazz Collection Bk 2: Boosey & HawkesNorton Gentle Ride Microjazz Collection Bk 2: Boosey & HawkesNorton Hush Little Baby The Christopher Norton Collection for Violin: Boosey &

HawkesNorton Out West Microjazz Collection Bk 2: Boosey & HawkesNorton Rustic Dance Microjazz Collection Bk 2: Boosey & HawkesNorton Swanee River The Christopher Norton Concert Collection for Violin: Boosey

& HawkesPachelbel arrLanning

Canon The Classic Experience: Violin: Cramer

Papini, arrApplebaum

Theme & Variations Solos for Young Violinists, Vol 1:Summy-Birchard

Pearson Variations on Lulle Me Beyond Thee Schott Violin Series: SchottPiazolla Chanson de la Naissance 14 Tangos and other Pieces: SchottPiazolla Milonga 14 Tangos and other Pieces: SchottPlayford Mr Isaac’s Maggot Going Solo: FaberPortnoff No1 or 2 or 3 Russian Fantasia: BosworthProkofiev Troika from Lieutenant Kije Amazing Solos for Violin: Boosey & HawkesRadanovics Peggy, The Rubber Duck Jazzy Violin Bk 1: UniversalRadanovics Wand’ring that path of sadness and

wisdomJazzy Violin Bk 2: Universal

Saint-George Giga Stainer & BellSchubert Menuet Music for Violin: EMB Z6749Schumann The Two Grenadiers, No 7 Violin School Vol 2: SuzukiShearing arr Jones Lullaby of Birdland Jazz, Blues and Ragtime: Boosey & HawkesShekov Boogie Time Kaleidoskop Op 79: Robert LienauShostakovich Tanz Schostakowitsch Albumstucke: Peters 4794Sitt No 22 Allegro in F 100 Studies Op 32: Fischer / RicordiSitt No 24 Allegro moderato in G 100 Studies Op 32: Fischer / RicordiSitt No 26 Allegro in A 100 Studies Op 32: Fischer / RicordiSitt No 27 Moderato in D 100 Studies Op 32: Fischer / RicordiSmetana arr Meyer The Moldau String Explorer Bk 2: AlfredStone Intermezzo Eight Pieces in Third Position: NovelloStone Pastorale Eight Pieces in Third Position: NovelloSugár Pizzicato Music for Violin: EMB Z 6749Szelényi Overture and Rondino 24 Easy Little Concert Pieces Bk 2: EMBTartini arr vanBeringen

Sarabande Festive Baroque: de Haske

Tchaikovsky The Sleeping Beauty Waltz Red Hot Violin Grades 3 & 4: FaberTrad arr Alan The Water is Wide First Recital Series for Violin: CurnowTrad arr Hannickel Barbara Allen First Recital Series for Violin: CurnowTrad arr Huws Jones Song of the ghetto The Gypsy Fiddler: Boosey & HawkesTrad arr Stock Lady Meng Jiang, No 1 Chinese Violin Solos: SchottTrad arr Stock Purple Bamboo Melody Chinese Violin Solos: SchottTrott The Puppet Show Op 5 No 1 Solos for Young Violinists Vol 1: Summy-BirchardVivaldi Concerto Op 3 No 3/RV 310 in G, 2nd

mvt LargoViolin School Vol 5: Suzuki

Walther Choral con partite Music for Violin: EMB Z6749Waterfield arr Jones Hymn to Hestia Going Solo Violin: FaberWaterfield Through the Rainbow Gypsy Jazz: Easy Level: FaberWeber arrApplebaum

Waltz Building Technique with Beautiful Music Vol 3: Belwyn

Wedgwood Call it a Day After Hours for Violin and Piano: FaberWedgwood Falling After Hours for Violin and Piano: FaberWedgwood Just Passing By Jazzin’ About: FaberWedgwood Remember When After Hours for Violin and Piano: FaberWedgwood Rock-a-bow Baby Jazzin’ About: FaberWedgwood Sometime Maybe Jazzin’ About: FaberWeill arr Reiter Barbara Song Kurt Weill Songs for Violin and Piano: UniversalWohlfahrt No 3, Moderato in C 60 Studies Op 45 Vol 2: Schirmer 839Wohlfahrt No 22 Allegro in C 60 Studies Op 45 Vol 1: Schirmer 838Wohlfahrt No 30 Allegro in G 60 Studies Op 45 Vol 1: Schirmer 838Wohlfahrt No 32 Allegro in C 60 Studies Op 45 Vol 2: Schirmer 839Wohlfahrt No 33 Allegro moderato in G 60 Studies Op 45 Vol 2: Schirmer 839

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Grade Three: continued from previous page

Wohlfahrt No 35 Allegro in C 60 Studies Op 45 Vol 2: Schirmer 839Wohlfahrt No 44 Tempo di marcia in A min 60 Studies Op 45 Vol 2: Schirmer 839

3. Musicianship

4. Musical Knowledge

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Level 2 - Grades 4 and 5DescriptorsProcesses are moderate in range, established and familiar, employing basic operational skills using readily available information. These areapplied in directed activities which are supervised by the teacher. Learners have some responsibility for quantity and quality.

CriteriaExaminers will use these criteria in assessing all level 2 entrants.

• Comfortable and well balanced posture and comfortable relationship with the instrument.• Appropriate and comfortable hand and arm position with developing flexibility in the use of hands and arms.• Shifting action showing developing inner ear ability and increasing knowledge of the finger board.• Technical facility, sufficient to allow:

• Developing controlled co-ordination of the finger action and bowing movements• Rhythmic stability• Systematic fingering in scales and arpeggios• Well projected, resonant, full and clear sound quality

• Accurate and prompt performance of all technical work

• at the minimum tempo or faster with bowing patterns as specified in the Essential Technique for Violin - Edward Pople (availablefrom the NZMEB office).

• Performance from memory as listed in Essential Technique for Violin.• A developing sense of pulse to allow accurate performance of rhythmic figures

• Accurate and fluent performance of pieces• Effective use and control of dynamics and tempo• Awareness of phrasing.

Grade Four1. Scales (ascending and descending)

Major E, B Two OctavesHarmonic Minor E, B Two Octaves

Melodic Minor E, B Two OctavesBowing Patterns: Détaché (upper half)

���etc.�� = 12044

������ � � ��Spiccato

������etc.

��� = 12644

�������

M

� ������Hook Stroke

��

� ��

��� �etc.

��� ��� = 110

44������ �

�� ����

��

Seven Note Slur

�� ���� ��� �

� = 66

44������ �

WB

� � ���Chromatic G Two Octaves

� ��� ��� �� etc.�� �� �

� ��

����� 44

� = 112

� ���

�� ��

� �

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72

Major Arpeggios E, B Two OctavesMinor Arpeggios E, B Two OctavesBowing Patterns: Détaché

��� �etc.

68�� = 120����� �

� � �Legato

���� etc.

68�� = 120��� �

� ��Dominant Seventh E Two Octaves, resolving on the tonic

Diminished Seventh B Two OctavesBowing Patterns: Détaché

�� �� �� � ��� � ��� 44�� = 120 � �� �

Slurred

� �� ��� � � � ��� � ��� 44

�� = 120

��� �� �

2. Pieces

Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

arr Jones Tuxedo Junction Jazz, Blues & Ragtime: Boosey & Hawkesarr Jones Tuxedo Junction Jazz, Blues & Ragtime: Boosey & HawkesBach Menuet BWV 814 in A min Music for Violin: EMB Z6749Bailey Swing and Swang Jazzin’ Around for Strings: Kerin Bailey MusicBerto arr Jones La payanca The Tango Fiddler: Boosey & HawkesBizet, arr Cowles Toreador’s Song World Famous Melodies: Fentone / De HaskeBizet The Spinning Top First Solo Pieces Bk 2: SchottBridge Country Dance Stainer & BellBridge Meditation Stainer & BellBöhm Perpetual Motion in D, Little Suite No 6 Solos for Young Violinists Bk 3: Summy-BirchardCarse No 9 Allegro in C Progressive Studies Bk 3: Stainer & BellCarse No 12 Allegretto in C Progressive Studies Bk 3: Stainer & BellClebanoff Millionaire’s Hoedown Solos for Young Violinists Vol 2: Summy-BirchardCohen Charleston Jazz Technique Takes Off: FaberCohen No 2 Gossips in a London Street Technique Takes Off: FaberCohen No 4 Serenade Technique Takes Off: FaberCohen No 9 Carriage Parade Technique Takes Off: FaberCohen No 12 The Bee’s Knees Technique Takes Off: FaberCohen No 13 Will o’ the Wisp Technique Takes Off: FaberCorelli Sonata Op 5 No 5, 5th mvt Giga Sonatas Op 5 Vol 1: Wiener UrtextCorelli Sonata Op 5 No 8 in E min, Allemande IMC / Stainer & BellCorelli arr Jones Giga Baroque Violin Pieces Bk 2: ABRSMCorelli arr Jones Preludio Baroque Violin Pieces Bk 2: ABRSMCoulonges arrNorgaard

Ma rose d’Alsace French Tangos: Mel Bay

Dancla No 3 Allegro moderato 15 Etudes Op 68: PetersDancla No 5 Molto moderato 15 Etudes Op 68: PetersDancla No 6 Allegretto grazioso 15 Etudes Op 68: PetersDancla No 14 Andante cantabile 15 Etudes Op 68: Petersde Fesch arr Jones Largo & Allemande Baroque Violin Pieces Bk 2: ABRSMDittersdorf German Dance Violin School Bk 5: SuzukiDvorák Sonatina Op 100 in G Scherzo HenleEccles Air Round O Chester String Series Vol 3: ChesterEccles Jigg Chester String Series Vol 3: ChesterEccles Minuet No 5 Chester String Series Vol 3: ChesterEccles Trumpet Aire Chester String Series Vol 3: ChesterFarnaby Nobody’s Gigge Chester String Series Vol 3: ChesterFeijoo, arr Norgaard As de copas French Tangos: Mel Bay

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Grade Four: continued from previous page

Grieg, arr Cowles Anitra’s Dance World Famous Melodies: Fentone / De HaskeHajdu Rondo Music for Violin: EMB Z6749Handel Daphne’s Song Chester String Series Vol 3: ChesterHandel Sonata HWV 370 Op 1 No 12 in F, 1st &

2nd mvtsBarenreiter / Violin School Bk 5: Suzuki

Haydn arr Palaschko Serenade from String Quartet Hob III:17Op 3 No 5 in F

Schott

Huber Concertino Op 8 No 4 in G, Allegromoderato

Solos for Young Violinists Bk 1: Summy-Birchard

Huws Jones Adrienne Got those Position Blues?: FaberHuws Jones Banana Skin Got those Position Blues?: FaberJenkinson Elves Dance Solos for Young Violinists Bk 1: Summy-BirchardJoplin arr Cowles Fig Leaf Rag Ragtime Favourites: Fentone F852-400Joplin arr Cowles Maple Leaf Rag Ragtime Favourites: Fentone F852-400Joplin arr Cowles Ragtime Dance Ragtime Favourites: Fentone F852-400Joplin arr Cowles The Chrysanthemum Ragtime Favourites: Fentone F852-400Järnefelt Berceuse ChesterKayser No 9 Allegro assai in G 36 Violin Studies Op 20: IMCKayser No 13 Allegretto in G 36 Violin Studies Op 20: IMCKreutzer No 2 Allegro moderato in C 42 Studies for Violin: IMCKreutzer No 5 Allegro moderato in Eb 42 Studies for Violin: IMCMacDowell To a Wild Rose First Solo Pieces 1: SchottMazas No 2 The Sweeping Stroke Moderato in A

minEtudes brillantes Op 36: Peters / Universal

Mazas No 3 The Firm Stroke, Allegro moderatoin A min

Etudes brillantes Op 36: Peters / Universal

Mazas No 10 Allegro non troppo in A min/maj Etudes brillantes Op 36: Peters / UniversalMendelssohn Mosquito Dance Op 62 No 5 Solos for Young Violinists Bk 1: Summy-BirchardMendelssohn Spring Song Easy Violin Pieces: AshleyMendizabal arr Jones A la luzde los faroles The Tango Fiddler: Boosey & HawkesMollenhauer The Boy Paganini Solos for Young Violinists Bk 2: Summy-BirchardMuréna & Verchurenarr Norgaard

Tango pour madame French Tangos: Mel Bay

Nazareth, arr Jones Apenheite The Latin American Fiddler: Boosey & HawkesNorton, C King Boogie The Christopher Norton Concert Collection for Violin: Boosey

& HawkesNorton, C Put it all Together The Christopher Norton Concert Collection for Violin: Boosey

& HawkesNorton, C Twinkle The Christopher Norton Concert Collection for Violin: Boosey

& HawkesOrff, arr Cohen The Can Can Nifty Shifts: FaberPapini Un Soir a Portici, Op 86 Music from Romantic Era Gr 4-7: BosworthPepusch Sonata in G, No 6 any two mvts SchottPiazzolla Ausencias Vuelvo al sur - 10 tangos and other pieces: Boosey & HawkesProvence & Trichotarr Norgaard

Tango bleu French Tangos: Mel Bay

Purcell Rondeau Violin Favourites Vol 1: Fentone / De HaskeRebel Norwegian Dance Chester String Series Vol 3: ChesterRebel arr Radmall Norwegian Dance Chester String Series Vol 3: ChesterRogers Indian Rope Trick Switch on to Jazz: Fentone / De HaskeRuegger Sonata Miniature 1st mvt RubankSchubert arr Nelson The Brook Classical Violinist: Boosey & HawkesSchubert Minuet & Trio First Solo Pieces 1: SchottSchubert, arrRadmall

Waltz Chester String Series Vol 3: Chester

Schubert Sonatina D385/Op 137 No 2 in A min, 3rdmvt Minuet and Trio

Henle

Schumann F.A.E. Sonata 2nd mvt Intermezzo PetersSchumann, arrRadmall

Harvest Song Chester String Series Vol 3: Chester

Schumann Romance Chester String Series Vol 3: ChesterSeitz Concerto No 5 in D 1st mvt Violin School Vol 4: Suzuki / Schirmer Vol 950Seitz Concerto Op 13 No 2 in G 3rd mvt Violin School Vol 4: Suzuki / BosworthSeitz Concerto, Op 13 No 2 in G 1st mvt Henle / BosworthSitt No 45 Moderato 100 Studies Op 32Sitt No 46 Moderato 100 Studies Op 32Sugár Air Music for Violin: EMB Z6749

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Grade Four: continued from previous page

Sugár Valse Music for Violin: EMB Z6749Sulyok Variazioni Music for Violin: EMB Z6749Tchaikovsky Chanson Triste The Young Violinist’s Repertoire 4: FaberTchaikovsky Neopolitan Song The Young Violinist’s Repertoire 4: FaberTelemann Concerto in G, 1st mvt KunzelmannTelemann Largo & Allegro Sheila Nelson’s Baroque Violinist: Boosey & HawkesTelemann Sonata No 4 in G, 4th mvt Allegro Sechs Sonaten: SchottTelemann Sonatina No 2 in B flat Sechs Sonatinen: SchottTelemann Sonatina No 1 in G Sechs Sonatinen: SchottTelemann Sonatina No 6 in F Sechs Sonatinen: SchottTorme & Wells The Christmas Song What Else Can I Play 3: FaberTrad Slow Leaping Dance & Fast Csardas The Gypsy Fiddler arr Jones: Boosey & HawkesTrad, arr Cowles He’s Got the Whole World World Famous Melodies: Fentone / De HaskeTrad Bamboo Stem & Jasmine Flower Chinese Violin Solos: SchottTrad Song & Dance Melody 1 The Gypsy Fiddler arr Jones: Boosey & HawkesTrad, arr Hannickel In a French Café 1st Recital Series for Violin: Curnow MusicVeracini, arr Jones Largo Baroque Bk 2: ABRSMVerdu arr Norgaard Partir French Tangos: Mel BayVilloldo arr Jones El cachorrito The Tango Fiddler: Boosey & HawkesVivaldi Concerto RV356/Op 3 No 6 in A min, 3rd

mvt. No 5Violin School Bk 4: Suzuki

Vivaldi Concerto RV356/Op 3 No 6 in A min, 1stmvt No 4

Violin School Bk 4: Suzuki

Vivaldi Sonata Op 2 No 8 in G, 1st & 2nd mvts 12 Sonatas Op 2: SchottWedgwood Come Dance with Me After Hours - Violin: FaberWedgwood The Friends After Hours - Violin: FaberWeill arr Reiter Die Moritat von Mackie Messer (Ballad of

Mack the Knife)Kurt Weill Songs for violin and piano: Universal

Weill arr Reiter Zuhälterballade (Tango ballad) Kurt Weill Songs for violin and piano: UniversalWohlfahrt No 38 Moderato 60 Studies Op 45 Bk 2Wohlfahrt No 39 Moderato 60 Studies Op 45 Bk 2Wohlfahrt No 57 Moderato assai 60 Studies Op 45 Bk 2

3. Musicianship

4. Musical Knowledge

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Grade 5

1. Scales (ascending and descending)

Major G Three OctavesD♭ Two Octaves

Harmonic Minor G Three OctavesD♭ Two Octaves

Melodic Minor G Three OctavesD♭ Two Octaves

Bowing Patterns (three 8ves): Détaché

� �� � � ���� � � �

�� � �� � � � ��� = 6644 �

�� �

� � �� � � � �� � � �� �� � �4

� �� �

�� �� � �

Legato

� �� � �� ��� � � �

� � � � ��� � 44� = 66

� � � �� �

�� � �� � � � � � � �� � �4

� � �� � � � ���� �

Bowing Patterns (two 8ves): Détaché (upper half)

��� etc.�� = 12044������ � � ��Legato (whole bow)

��� �etc.� = 12044������ � ���Spiccato

������� etc.��� = 100

44������ �

�� � �����

Hook Stroke

���

��

��� �

etc.

��� ��

� = 110

44������ �

�� ����

��Chromatic A Two Octaves

Bowing Patterns: Détaché

�� � �� �� �etc.� � �

� �� �� � � �� ���Legato (12 note slur)

��� ��� � � � � �etc.

� �� �� � �� ����

Page 76: NZMEB VIOLIN SYLLABUSES · 5 Musicianship — NZMEB PERFORMANCE VIOLIN SYLLABUS ed 19.11 Examples: 3 3 3 4 5 9 8 5 • To name thetonic key andplay a given melody inthekeys of Bmajor,

76

Major Arpeggios G Three OctavesD♭ Two Octaves

Minor Arpeggios G Three OctavesD♭ Two Octaves

Bowing Patterns: Détaché

�� �etc

3

344�� = 120�� � ��

Martelé

����etc

3

3

��44�� = 120��

�� ����Legato

��� etc

3

344�� = 120�� � ��

Dominant Seventh E♭ Two Octaves, resolving on the tonicDiminished Seventh B♭ Two Octaves

Bowing Patterns: Détaché

� � ����� �� � � ��� ��� 44

� = 100 � � ��

Legato

� �� � �� � �

��� �� � � ��� 44� = 100 �� �

�� ��� �

Double Stops G Major 8ves One Octave (ascending and descending)Bowing in slurred broken step, then together as in the following examples:

� � etc.

�44

�� � � ���

2. Pieces

Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

Albinoni Sonata Op 6 No 6 in A min, 1st & 2ndmvts Adagio & Allegro

12 Violin Sonatas Op 6 Bk 2: Boosey & Hawkes

Albéniz arr Forbes Tango OUPBach Arioso from Cantata BWV 156 SchirmerBach Partita BWV 1006 in E, 6th mvt Gigue BärenreiterBeethoven Scherzo Sheila Nelson’s Classical Violinist: Boosey & HawkesBoyce Matalotte Old Masters for Young Players Bk 2: SchottBöhm Bolero SimrockCohen No 3 The Mill Wheel Technique Takes off!: FaberCohen No 7 Dragon Dance Technique Takes off!: FaberCohen No 8 Looping the Loop Technique Takes off!: FaberCohen No 10 Catch me if you can Technique Takes off!: FaberCohen No 11 Skaters’ Waltz Technique Takes off!: FaberCohen No 14 Romance Technique Takes off!: FaberCopland I Bought Me a Cat Copland for Violin: Boosey & Hawkes

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Grade Five: continued from previous page

Corelli Sonata Op 5 No 8 in E min, Sarabande &Gigue

IMC / Stainer & Bell

Corelli Sonata Op 5 No 9 in A, 1st & 2nd mvtsPreludio & Giga

IMC / Stainer & Bell

Corelli Sonata Op 5 No 10 in F, 1st & 2nd mvtsPreludio & Allemanda

IMC / Stainer & Bell

Corelli Sonata Op 5 No 10 in F, 3rd, 4th & 5thmvts Sarabande, Gavotte and Jig

IMC / Stainer & Bell

Corelli Sonata Op 5 No 11 in E, 1st and 2nd mvtsPreludio & Allegro

IMC / Stainer & Bell

Cui Orientale Op 50 No 9 SchauerDancla Fleuve du Tage 12 Easy Fantasias Op 86: FischerDancla La Cenerentola 12 Easy Fantasias Op 86: FischerDancla No 4 Allegro moderato in D 15 Etudes Op 68: Peters 1078Dancla No 5 Molto moderato in E min 15 Etudes Op 68: Peters 1078Dancla No 7 Allegro moderato in G 15 Etudes Op 68: Peters 1078Dancla No 11 Moderato cantabile in A 15 Etudes Op 68: Peters 1078Dancla No 15 Allegretto grazioso in D 15 Etudes Op 68: Peters 1078Dancla Polka No 19 Klein Melodien-Schule Vol 3: SchottDavid Study Op 44 No 26 in E min Zur Violinschule Op 44: Breitkopt & HärtelDe Bériot Air Varie No 14, G maj Solos for Young Violinists Vol 2: Summy-BirchardDe Falla, arrKochanski

Asturiana: No 2 Suite Populaire Espagnole: Chester

De Fesch Sonata Op 8 No 4 in G, 1st & 2nd mvtsLargo & Allemande

Baroque Violin Pieces Bk 2: ABRSM

Donizetti Non Giova il Sospirar Sheila Nelson’s Romantic Violinist: Boosey & HawkesDont Study Op 37 No 9 in A Peters EP3705Dvorák Romantic Piece Op 75 No 1 SimrockDvorák Waltz Op 54 No 1 in A Two Waltzes Op 54: BärenreiterDvorák Waltz Op 54 No 4 Universal Violin Album Vol 3: UniversalEccles Sonata in G min, 1st & 2nd mvts Suzuki Violin School Vol 8: Summy-BirchardElgar Chanson de Matin Op 15 No 2 NovelloElgar Salut d’amor, Op 12 PetersEssek Study Op 30 No 8 Slavisher Tanz in G min 30 Spezial-Etüden Op 30: HUG GH7442Fauré Sicilienne Op 78 PetersFauré, arr Howat Berceuse, Dolly Op 56, PetersGeminiani Compositione Op 9 No 3 The Art of Playing the ViolinGossec Tambourin Sheila Nelson’s Classical Violinist: Boosey & HawkesGounod Ave Maria SchottGrieg Solveig’s Song Concert Repertoire for Violin: FaberHandel arr Curran Arrival of the Queen of Sheba PetersHandel Sonata HWV 370 Op 1 in F, 2nd mvt HenleHandel Sonata HWV 373 Op 1 No 15 in E, 1st &

2nd mvtsBärenreiter

Haydn arr Lambert Trio Hob XV/25 in G, 3rd mvt Rondoall’ongarese

Schott

Janácek Romance BärenreiterJoplin, arr Cowles Pleasant Moments Ragtime Favourites: Fentone F852-400Joplin, arr Cowles The Entertainer Ragtime Favourites: Fentone F852-400Joplin, arr Fraser Peacherine Rag No 5 A Joplin Album: FentoneKabalevsky Scherzo Albumstücke: PetersKadosa Slow & Fast Music for Violin: EMB Z6749Kayser No 12 Allegro ma non tanto in G 36 Etüden Op 20: Schott Ed 4976Kayser No 14 Andante in Eb 36 Etüden Op 20: Schott Ed 4976Kayser No 16 Allegro in F 36 Etüden Op 20: Schott Ed 4976Kayser No 17 Andante quasi Allegretto in Bb 36 Etüden Op 20: Schott Ed 4976Kraemer Black Eyes Gypsy Jazz Intermediate Level: FaberKraemer Cossack Dance. Gypsy Jazz Intermediate Level: FaberKreisler Aucassin et Nicolette SchottKreisler Liebeslied SchottLeclair arr Geiringer Sonata in E min, Sarabande & Allegro Alte Meistersonaten / UniversalMartinu Intermezzo H261, 1st & 2nd mvts

Moderato & Poco allegroBärenreiter

Martinu Intermezzo H261, 3rd & 4th mvts Lento& Poco allegro

Bärenreiter

Mazas No 6 Allegro non troppo in G Melodious and Progressive Studies Op 36: Schirmer /HL50490035

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Grade Five: continued from previous page

Mazas No 8 Andante espressivo in E min Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 9 March in B min Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 15 Allegro moderato in C Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 21 Allegretto in A Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mlynarski Mazurka Op 7 No 1 in G FischerMollenhauer The Infant Paganini Fischer B746Mozart Allegro from Allegro & Menuetto Real Repertoire for Violin: FaberMozart ed Gingold Rondo in D Solos for the Violin Player: SchirmerParadis Sicilienne Solos for Young Violinists Vol 6: Summy-BirchardPortnoff Russian Fantasia No 3 in A min BosworthRameau Gavotte Suzuki Violin School Vol 6: Summy-BirchardRavel Berceuse sur le Nom de Gabriel Faure UMPRieding Concerto Op 24 in G, 2nd mvt Andante

SostenutoBosworth

Schubert Rosamunde Wonderful World of Schubert: MayhewSchumann Phantasiestiick Op 73 Sheila Nelson’s Romantic Violinist: Boosey & HawkesSchumann arrHerman

Garden Melody Op 85 No 3 Peters 2643

Seitz Concerto No 5 Op 22 in D Suzuki Violin School Vol 4: Summy-Birchard / Schirmer 950Senaille Allegro Spiritoso Solos for the Violin Player: SchirmerShostakovich Elegie from Albumstiicke arr Fortunatow PetersSibelius Romance Op 78 No 2 ChesterStanley Siciliana & Allegro Sheila Nelson’s Baroque Violinist: Boosey & HawkesSteibelt, arr Doflein Sonatine Op 33 No 1 in C, 1st mvt Allegro

ModeratoMusic for Violin & Piano Bk 2: Schott

Sugár Parlando Music for Violin: EMB Z6749Suk Melody Suk Compositions for Violin & Piano: BärenreiterTchaikovsky arrJones

Waltz Op 48 No 15 from Serenade forStrings

Going Solo, Violin: Faber

Tchaikovsky, arrKreisler

Andante Cantabile String Quartette Op 11: Schott

Telemann Sonatina No 4 in A SchottTen Have Bolero Op 11 Music from the Romantic era: Recital Pieces for Violin and

Piano Grades 4-7: BosworthVanhal Sonata Op 30 No 1 in B flat, 3rd mvt DoblingerVanhal Sonata Op 30 No 3 in G, 3rd mvt DoblingerVeracini Sonata in D min, 4th mvt Gigue Suzuki Violin School Vol 5: Summy-BirchardVeracini Sonata No 2 in G, 1st & 2nd mvts 3 Sonatas for Violin: BärenreiterVivaldi Concerto Op 12 No 1 (RV317, Fl No 52)

in G minIMC

von Weber Air Polonaise First Violin Bk 3: ABRSMvon Weber Country Dance, No 4 Suzuki Violin School Vol 5: Summy-BirchardWedgwood Sliding doors After Hours - Violin: FaberWedgwood Summer nights After Hours - Violin: FaberWieniawski Kujawiak SchottWohlfahrt No 43 Moderato in Eb 60 Studies Op 45: Peters 3327Wohlfahrt No 47 Andante Cantabile in A min 60 Studies Op 45: Peters 3327Wohlfahrt No 49 Allegro in C min 60 Studies Op 45: Peters 3327Wohlfahrt No 54 Allegro in D 60 Studies Op 45: Peters 3327

3. Musicianship

4. Musical Knowledge

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Level 3 - Grade 6

Descriptors

Processes require a range of developing skills within a range of familiar contexts. These are applied using relevant theoretical knowledge,interpretative skills, discretion and judgment within a range of known responses to familiar problems. Although activities are directed by theteacher, learners have significant responsibility for the quantity and quality of output.

Criteria

Examiners will use these criteria in assessing all level 3 entrants.

• Comfortable and well balanced posture demonstrating considerable ease in the relationship with the instrument.• Position changes showing sound inner ear ability and a developed knowledge of the finger board.• A well projected resonance, full and clear sound quality.• Technical facility, to allow:

• Accurate and prompt performance of all technical work

• at the minimum tempo or faster with bowing patterns as specified in the Essential Technique for Violin - Edward Pople (availablefrom the NZMEB office).

• Performance from memory as listed in Essential Technique for Violin.• Systematic fingering in technical work

• A developed control of co-ordination between left and right hands• Position changes showing knowledge of the fingerboard and a developing inner ear ability.

• Ability to use bow speed an bow division to enhance musical phrasing and expression.• A well developed sense of pulse to allow accurate performance of rhythmic figures.• Increased control of variations in tempo, tone and articulations.• A developing sense of phrasing, style and ornamentation as appropriate to each musical period.• Increased awareness of intonation and fine pitch discrimination.• A developed awareness of appropriate bow strokes at moderate tempi eg detaché legato, staccato, martelé spiccato, hook strokes, with the

addition of sautillé and up-bow staccato and saltato.• Able to tune the instrument with competence.• A developed awareness of vibrato as a tool for enhancing tone and musical expression.

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Grade 6

1. Scales (ascending and descending)

Major A♭, C Three OctavesHarmonic Minor A♭, C Three Octaves

Melodic Minor A♭, C Three OctavesBowing Patterns: Détaché

� ���3 33

3

�etc.

��� = 9244� � ����

Legato

� ����3 33

3

etc.

��� = 9244� � ����

Spiccato

��� �� ���etc.

��� �� ��� �� � ���� 44� = 152

� �� �� � ��� �Chromatic C Two Octaves

Bowing Patterns: Legato

� � � �� � ��etc.� � ��

� � ��� � � �� ��� Major Arpeggios A♭, C Three OctavesMinor Arpeggios A♭, C Three OctavesBowing Patterns: Détaché

��� etc.�� = 6068����� � ��Legato

��� etc.�� = 6068����� � ��Dominant Seventh D♭ Two Octaves, resolving on the tonic

Diminished Seventh A♭ Two OctavesBowing Patterns: Legato

� � �� � � � �� � � ��� ����� 44

� = 100 � � ��

Double Stops C Major in 3rds One OctaveE♭ Major in 6ths One OctaveA Major in 8ves Two OctavesBowing in slurred broken step, then together as in the following example:

� �etc.

�44� � � �� �2. Pieces

Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

Achron Hebrew Melody, ed Heifetz FischerAlbéniz Tango Op 165 No 2 OUPAnon arr. Waterfield& Kramer

Hora Gypsy Jazz, Intermediate Level: Faber

Anon arr. Waterfield& Kramer

Invitation to the Dance Gypsy Jazz, Intermediate Level: Faber

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Grade Six: continued from previous page

Arne Sonata in Bb OUPBach Sonata BWV 1014 in B min, 3rd & 4th

mvtsBärenreiter

Bach Sonata BWV 1015 in A, 1st mvt Dolce BärenreiterBach Sonata BWV 1019 in G, 1st mvt Allegro BärenreiterBach Sonata BWV 1019 in G, 5th mvt Allegro BärenreiterBartók An Evening in the Village Real Repertoire for Violin Grades 4 - 6: FaberBeethoven Variations on a Theme by Paisiello, ed

GringoldFrederick Harris Music

Benda Tempo di Menuetto Sheila Nelson’s Classical Violinist: Boosey & HawkesBohm Intro & Polonaise from Arabesquen, No

12Solos for Young Violinists Vol 2: Summy-Birchard

Bohm Sarabande in G min Solos for Young Violinists Vol 2: Summy-BirchardBrahms Hungarian Dance No 5 in G min SchottCohen No 1 Take to the Hills Technique Flies High: FaberCohen No 2 Wild Fire Technique Flies High, FaberCorelli Sonata Op 5 No 3 in C, 3rd & 5th mvts

Adagio & AllegroSchirmer

Corelli Sonata Op 5 No 6 in A min, 1st & 3rdmvts Grave & Allegro

Schirmer

Corelli Sonata Op 5 No 11 in E, 2nd & 3rd mvtsAdagio & Allegro

Schirmer

Cui Orientale Op 50 No 9 LengnickD’ambrosio Canzonetta Op 6 Sheila Nelson’s Romantic Violinist: Boosey & HawkesDancla No 1 Air varié sue un thème de Pacini Six Airs Variés Op 89: FischerDancla No 3 Air varié sue un thème de Bellini Six Airs Variés Op 89: FischerDancla No 4 Air varié sue un thème de Donizetti Six Airs Variés Op 89: FischerDebussy arr. Butorac Claire de lune ButoracDebussy arr. Roques La Plus que Lente DurandDrdla Souvenir BosworthDvorák Ballade Op 15 Barenreiter / Editio Supraphon PragueDvorák Sonatina Op 100 in G, 1st mvt Allegro

RisolutoSolos for Young Violinists Vol 2: Summy-Birchard / Breitkopf& Härtel

Dvorák Sonatina Op 100 in G, Scherzo & Trio Breitkopf & HärtelElgar Chanson de Nuit Op 15 No 1 Novello / Music SalesElgar Sospiri Violin Favourites Vol 1: Fentone / de HaskeEssek Study No 28 30 Spezial-Etüden Op 30: HUG GH7442Fauré Berceuse Op 16 Anthology of Original Pieces: PetersFiocco Allegro Suzuki Violin School Vol 6: Summy-BirchardFiorillo No 5 Allegro in Bb 36 Etudes or Caprices: IMC / PetersFiorillo No 6 Andante sciolto in Eb 36 Etudes or Caprices: IMC / PetersFiorillo No 10 Allegro in D 36 Etudes or Caprices: IMC / PetersFiorillo No 15 Allegro in G min 36 Etudes or Caprices: IMC / PetersFiorillo No 21 Moderato, Allegro vivace in A 36 Etudes or Caprices: IMC / PetersGlazounov Meditation in D, Op 32 BelaiefGlazounov Melodie arabe SchottGluck, arr Kreisler Melodie from Orpheus & Euridice Solos for Young Violinists Vol 4: Summy-BirchardHandel Sonata Op 1 No 10 HWV 368 in G min,

1st & 2nd mvts Andante & AllegroBärenreiter

Handel Sonata Op 1 No 12 HWV 370 in F, 1st mvt BärenreiterHandel Sonata Op 1 No 12 HWV 370 in F, 3rd &

4th mvts Largo & AllegroSuzuki Violin School Vol 6: Summy-Birchard

Handel Sonata Op 1 No 13 HWV 371, 3rd & 4thmvts Larghetto & Allegro

Bärenreiter

Handel Sonata Op 1 No 15 HWV 373 in E,Adagio & Allegro

Bärenreiter

Haydn arr. Nelson Presto Classical Violinist: Boosey & HawkesHess Theme from ‘Ladies in Lavender’ FaberHindemith Meditation SchottHubay Bolero Op 51 No 3 5 Morceaux Caratéristiques Op 51: BosworthJanácek Romance Works for Violin & Piano: BärenreiterKayser No 23 Allegretto in F min Etüden Op 20: Schott 4976Kayser No 27 Allegro in A Etüden Op 20: Schott 4976Kayser No 28 Allegro assai in A min Etüden Op 20: Schott 4976Kayser No 29 Moderato in C Etüden Op 20: Schott 4976Kayser No 31 Allegro molto agitato in Ab Etüden Op 20: Schott 4976Kayser No 33 Allegro moderato in C Etüden Op 20: Schott 4976

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Grade Six: continued from previous page

Komarovsky Concerto in E min No 1 PetersKreisler Rondino on a Theme of Beethoven Solos for Young Violinists Vol 4: Summy-BirchardKreisler Schon Rosmarin Boosey & HawkesKreisler Tempo di Menuetto Solos for Young Violinists Vol 3: Summy-BirchardKreutzer No 8 Allegro non troppo in E 42 Studies or Caprices: IMCKreutzer No 10 Allegro in G 42 Studies or Caprices: IMCKreutzer No 11 Andante in E 42 Studies or Caprices: IMCKreutzer No 13 Moderato in A 42 Studies or Caprices: IMCKreutzer No 15 Moderato in D 42 Studies or Caprices: IMCKreutzer No 16 Maestoso in Bb 42 Studies or Caprices: IMCLibon No 7 Moderato in E min 30 Caprices or Etudes Op 15: RicordiMartinu Moderato & Poco allegretto No’s 1 & 2 Five Madrigal Stanzas: Schirmer / Music SalesMartinu Scherzando No 4 Five Madrigal Stanzas: Schirmer / Music SalesMassenet arrMarsick

Meditation from Thais Solos for Young Violinists Vol 5: Summy-Birchard

Mazas No 20 Andantino in D Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 26 Polonaise in G Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 28 Allegretto in F Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 36 Allegro moderato assai in Bb Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 39 Allegro in G Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 41 Allegretto in A Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 42 Allegro in F Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Monti Czardas RicordiMozart Rondo K 485 in D HenleMozart Sonata K 304 in E min, 1st mvt Allegro HenlePiazzolla Milonga en re TonosRachmaninoff arrPress

Vocalise Op 34 No 14 Solos for Young Violinists Vol 6: Summy-Birchard

Ravel Berceuse sur le nom de Fauré DurandReger Romance in G Breitkopf & HärtelRimsky-Korsakovarr Kreisler

Song of India The Fritz Kreisler Collection Vol 2: Fischer

Rixner Ragamuffin Music from Romantic Era Grades 4-7: BosworthSchubert Sonatina D 384 in D, 3rd mvt Allegro

vivaceSchott

Schubert Sonatina D 385 in A min, Finale SchottSchubert Sonatina D 408 in G min, Minuet & Trio HenleSchumann arrKreisler

Romance in A The Fritz Kreisler Collection Vol 2: Fischer

Seitz Student Concerto Op 15 No 4 in D, 3rdmvt Allegretto

Fischer / Kalmus K03948

Sevcik Theme and Variations 1, 2 & 3 40 Variations Op 3: BosworthSevern Polish Dance Warner ChappellSevern Polish Dance Solos for Young Violinists Vol 4: Summy-BirchardShostakovich Elegy Schostakowitsch Albumstiicke: Peters 4794Stravinsky Gavotte & Two Variations Suite Italienne: Boosey & HawkesTartini Sonata in G min, 3rd & 4th mvts Largo &

Allegro comodoPeters

Tartini Sonata Op 1 No 10 in G min, 1st mvtDidone Abandonnata

Peters

Tchaikovsky, arrForbes

Barcarolle Op 37b Chester

Telemann Fantasia No 10 TWV 40:23 in D 12 Fantasias for Solo Violin: BärenreiterTelemann Sonatina No 5 TWV 41:E4 in E 6 Sonatinen: SchottVanhal Sonata Op 30 No 1 in Bb, 1st mvt DoblingerVanhal Sonata Op 30 No 3 in G, 1st mvt DoblingerVaughan Williams Fantasia on Greensleeves OUPVeracini Sonata No 1 in F, 1st & 2nd mvts Largo e

nobile & Allegro3 Sonatas for Violin: Bärenreiter / Hortus Musicus

Veracini Sonata No 1 in F, 4th mvt Allegro 3 Sonatas for Violin: Bärenreiter / Hortus Musicus

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Grade Six: continued from previous page

Vivaldi Concerto in A min, 1st mvt PetersVivaldi Sonata Op 2 No 1 RV 27 in G min, 1st &

2nd mvts Preludio & GigaSchott

Wallen Woogie Boogie Unbeaten Tracks: FaberWedgwood Survivor After Hours - Violin: FaberWieniawski Chanson polonaise Op 12 PWMWieniawski Le ménétrier Op 19 No 2 Two Mazurkas Op 19: SchottWieniawski Obertass Op 19 No 1 Two Mazurkas Op 19: Schott

3. Musicianship

4. Musical Knowledge

Level 4 - Grades 7, 8 and Performers Certificate

Descriptors

Processes require a wide range of technical skills involving a considerable choice of procedures in a variety of familiar and un-familiar contexts.The learning demands a broad knowledge base incorporating some theoretical concepts and analytical interpretation of information. Thelearning demand requires informed judgment within a range of innovative responses to concrete but often unfamiliar problems. Learners havecomplete responsibility for the quantity and quality of output under broad guidance and evaluation from their teacher.

Criteria

Examiners will use these criteria in assessing all level 4 entrants.

In addition to those criteria at level 1, 2, & 3 the entrants will demonstrate:

• Accurate and fluent performance throughout.• Rhythmic stability and vitality.• Secure position changes and finger placement showing a developed inner ear ability.• A full exploration of the dynamic range of the instrument.• A well projected, resonant, full and clear sound quality.• A confident projection of the style and character of chosen works• Sensitivity to subtleties of nuance, rubato and ornamentation• Accurate intonation and developed awareness of fine pitch discrimination.• Further development and refinement of specific bowing techniques eg detaché, legato, staccato, staccato jete, martelé, spiccato, hook

strokes, sautillé and up-bow staccato.• Knowledge of natural and artificial harmonics.• A competent use of vibrato as a tool for enhanced tone and musical expression.

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84

Grade 71. Scales (ascending and descending)

Major B, E♭ Three OctavesHarmonic Minor B, E♭ Three Octaves

Melodic Minor B, E♭ Three OctavesBowing Patterns: Détaché

� �� ��etc.���

� �� = 96

�� ����� 44 ���� �Legato

� �� � �etc.�� �

� � �� = 96

�� ����� 44 � ���Spiccato

������etc.

��� = 9644

�������� � �����

Hook Stroke (upper third of bow)

��� �� ���

etc.

����� = 96

44������ �

�� ���

�� � �Chromatic G Three Octaves

Bowing Pattern: Legato (12 note slur)

� ��� �� �etc.

�� � �� �� = 80� � �� �

Major Arpeggios B, E♭ Three OctavesMinor Arpeggios B, E♭ Three OctavesBowing Patterns: Détaché

� � �� � �

� � � �� � � ��� ����� 68�� = 100

�� � ��

Legato

� � �� � �

� � � �� � � ��� ����� 68�� = 100

�� � ��

Dominant Seventh C Three Octaves, resolving on the tonicDiminished Seventh G Three Octaves

Bowing Pattern: Legato

��� �etc.

��� = 7044� ��

Double Stops B♭ Major in 3rds Two OctavesG Major in 6ths Two OctavesA♭, Major in 8ves Two Octaves

Bowing Pattern:

�� �����etc.� ������ ��44��� �� � ���� �

2. PiecesThree pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus.

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Accolay Concertino No 1 in A min, AllegroModerato

Solos for Young Violinists Vol 3: Summy-Birchard

Alard Brindisi Sheila Nelson’s Romantic Violinist: Boosey & HawkesAldridge Tango for Gabriela PetersBach Concerto BWV 1041 in A min, 1st mvt

AllegroSuzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

Bach Concerto BWV 1041 in A min, 2nd mvtAndante

Suzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

Bach Concerto BWV 1041 in A min, 3rd mvtAllegro assai

Suzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

Bach Partita BWV 1004 in D min, Allemande BärenreiterBach Sonata BWV 1015 in A, 4th mvt Presto BärenreiterBach Sonata BWV 1021 in G, Adagio & Vivace

1st & 2nd mvtsBärenreiter

Bartók Roumanian Folk Dances, No’s 4 & 5 Solos for Young Violinists Vol 6: Summy-BirchardBartók (arr Gertler) Sonatina 1st & 2nd mvts EMBBeethoven Sonata Op 12 No 1 in D, 1st mvt Allegro

con brioHenle

Beethoven Sonata Op 12 No 1 in D, 2nd mvt Temacon variazioni

Henle

Beethoven Sonata Op 12 No 1 in D, 3rd mvt Rondo /Allegro

Henle

Beethoven Sonata Op 30 No 2 in C min, Scherzo HenleBeethoven Sonata Op 30 No 3 in G, 1st mvt HenleBenda Sonata in G, 1st & 2nd mvts Mezzo

Allegro & Andantino6 Sonatas: Henle

Benjamin San Domingo. Boosey & HawkesBeriot No 12 Study in G Etudes Melodiques: Carl FleschBoulanger Nocturne First Violin Bk 4: ABRSMBrahms, (arr Hubay) Hungarian Dance No 2 in D min Stainer & BellBrahms Sonata Op 100 in A, 3rd mvt Wiener urtextBridge Moto Perpetuo Stainer & BellBruni Aria can Variazioni. Boosey & HawkesCastelnuevo-Tedesco Capitan Fracassa ForlivesiCohen No 4 Making Waves Technique Flies High: FaberCohen No 5 Slow Boat to China Technique Flies High: FaberCohen No 6 Ground with Divisions Technique Flies High: FaberCohen No 7 Beneath the Stars Technique Flies High: FaberCopland Nocturne No 1 2 Pieces: Boosey & HawkesCorelli Sonata Op 5 No 2 in B♭, 4th & 5th mvts 12 Sonate per Violino e basso continuo: Boosey & HawkesCorelli Sonata Op 5 No 5 in G min, 1st & 5th

mvts Adagio & Giga12 Sonate per Violino e basso continuo: Boosey & Hawkes

Dancla Six Airs Varies Op 118 No 3 FischerDancla Six Airs Varies Op 118 No 4 Fischerde Falla No 4 Jota Suite of Spanish Folksongs: ChesterDebussy La Fille aux Cheveax de lin DurandDebussy The Girl with the Flaxen Hair. LeducDelius Sonata No 3, 3rd mvt Boosey & HawkesDvorák No 2 Allegro maestoso & No 3 Allegro

appassionataFour Romantic Pieces Op 75: Barenreiter

Fiocco Allegro Violin School Vol 6: Suzuki / SchottFiorillo No 11 Moderato in D 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 12 Moderato 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 13 Andante/Presto in B♭/C min 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 19 Allegretto In G min/E 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 31 Moderato in G 36 Etudes or Caprices: IMC / Peters / Stainer & BellFrancoeur(arrKreisler)

Siciliano & Rigaudon Schott

Geminiani Sonata in C min, 1st mvt Largo Eighteenth-Century Violin Sonatas Bk 2: ABRSMGlazunov, (arrKreisler)

Serenade Espagnole Op 20 No 2 Schott

Handel Sonata No 4 in D, 2nd mvt Suzuki Violin School Vol 6: Summy-BirchardHandel Sonata Op 1 No 3, HWV 361 in A, 1st &

2nd mvts Andante & AllegroSuzuki Violin School Vol 7: Summy-Birchard / Bärenreiter

Handel Sonata Op 1 No 14, HWV 372 in A, 1st &2nd mvts Adagio & Allegro

Sieben Sonaten für Violine und Generalbass: Henle

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Grade Seven: continued from previous page

Handel Sonata Op I No 13, HWV 371 in D, 1st &2nd mvts

Sieben Sonaten für Violine und Generalbass: Henle

Haydn Concert No 2 in G 1st mvt & cadenza Solos for Young Violinist Vol 4: Summy-BirchardHaydn Concerto Hob Vila/ 4 in G, 1st mvt &

cadenzaHenle

Haydn Concerto Hob Vila/4 in G, 2nd & 3rd mvts HenleHaydn Sonata No 8 in G, 1st mvt HenleHubay Bolero Op 51 No 3 BosworthIreland Cavatina Boosey & HawkesKayser No 30 Allegro moderato in D min 36 Etüden Op 20: Schott 4976Kayser No 32 Allegro molto agitato in A♭ 36 Etüden Op 20: Schott 4976Kayser No 34 Allegro in A min 36 Etüden Op 20: Schott 4976Kayser No 35 Allegro con fuoco in B min 36 Etüden Op 20: Schott 4976Kodaly Adagio Editio Musica BudapestKreisler Polichinelle-Serenade SchottKreisler Sicilienne & Rigaudon in the style of

FrancouerSolos for Young Violinists Vol 5: Summy-Birchard

Kreutzer Concerto No 13 in D, 1st mvt Allegro Peters / LeducKreutzer No 12 Allegro moderato in C 42 Studies or Caprices: IMCKreutzer No 14 Allegro non troppo in B♭ 42 Studies or Caprices: IMCKreutzer No 17 Moderato in G 42 Studies or Caprices: IMCKreutzer No 37 Allegretto in A 42 Studies or Caprices: IMCLloyd Webber, W Benedictus Stainer & BellMartinu Jazzrhythmus 7 Etudes RythmiqueMassenet Meditation PetersMazas No 18 Romance, Andante grazioso in E Melodious and Progressive Studies Op 36: Schirmer /

HL50490035Mazas No 45 Springing Bows, Allegro non

troppo in E minMelodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 50 Bowing Exercise, Moderato assaiin Eb

Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 51 Lifting the Bow, Allegro in C Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mazas No 53 Bowing Exercise, Moderato assaiin G min

Melodious and Progressive Studies Op 36: Schirmer /HL50490035

Mendelssohn, arrKreisler

Song Without Words Op 62 No 1 playedon the G string

Schott

Mlynarski Mazurka Op 7 No 2 37 Violin Pieces You Like to Play: SchirmerMozart Concerto K 207 in Bb, 3rd mvt Presto BärenreiterMozart Sonata K 301 in G, 1st mvt Allegro con

spiritoHenle

Mozart Sonata K 301 in G, 2nd mvt Allegro HenleMozart Sonata K 304 in E min, 1st mvt Allegro HenleMozart Sonata K 454 in Bb, 3rd mvt Allegretto HenleMozart Sonata K 526 in A, 1st mvt HenlePaganini Cantabile, MS 109 Romantic Violinist: Boosey & HawkesPiazzolla Café 1930 Histoire du tango: Henry LemoinePiazzolla No 3 Molto marcato e energico Tango-études for flute or violin: Henry LemoinePotstock Souvenir de Sarasate, Fantasia Espagnole Solos for Young Violinists, Vol 3: Summy-Birchard / FischerProkofiev, arrHeifetz

Gavotte, Piano Pieces Op 32 Jascha Heifetz collection Vol 3: Fischer

Prokofiev, arrHeifetz

March from Love for Three Oranges Fischer

Pugnani Largo Espressivo No 5 Suzuki Violin School Vol 8: Summy-BirchardRaff Cavatine Op 85 No 3 3 Recital Pieces: PetersReger Wiegenlied, Capriccio & Burla Op 79d Three pieces: SikorskiRode Concerto No 7 Op 9 in A min, Finale IMCRode No 10 Allegretto in C♯ min 24 Caprices For Violin Solo: IMCRode No 17 Vivacissimo in Ab 24 Caprices For Violin Solo: IMCRode No 18 Presto in F min 24 Caprices For Violin Solo: IMCSarasate Playera Op 23 No 1 Spanish Dances Bk 3: SimrockSchubert Sonatina D384 in D, 1st mvt HenleSchumann Phantasiestücke Op 73, 1st & 2nd mvts Romantic Violinist Sheila Nelson: Boosey & HawkesSchumann Phantasiestücke Op 73, 1st & 3rd mvts Romantic Violinist Sheila Nelson: Boosey & HawkesSeitz Concerto Op 12 No 3 in G min, 1st mvt

Allegro risolutoSolos for Young Violinists Vol 2: Summy-Birchard

Shostakovich Frühlingswalzer Schostakowitsch Albumstiicke: Peters 4794

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Grade Seven: continued from previous page

Shostakovich Romanze in D Schostakowitsch Albumstiicke: Peters 4794Stravinsky Chanson Russe Boosey & HawkesTartini, arr Talluel Fugue No 5 BillaudotTartini Sonata Op 1 No 10 in G min, Didone

Abandonata 1st mvtRicordi

Telemann Fantasia No 1 TWV 40:14 in B♭, 1st &2nd mvts Largo & Allegro

Zwölf Fantasien für Violine ohne Baß1735

Telemann Fantasia No 7 TWV 40:20 in E♭, 1st &2nd mvts Dolce & Allegro

Zwölf Fantasien für Violine ohne Baß1735

Telemann Fantasia No 9 TWV 40:22 in B, 1st & 2ndmvts Siciliano & Vivace

Zwölf Fantasien für Violine ohne Baß1735

Ten Have Allegro Brilliante, Op 19 Solos for Young Violinists Vol 4: Summy-BirchardVieuxtemps No 1 Allegro moderato in C 36 Studies, Op 48 Vol I: EMBVieuxtemps No 2 Andante in C 36 Studies, Op 48 Vol I: EMBVieuxtemps No 3 Allegro in C 36 Studies, Op 48 Vol I: EMBViotti Concerto No 22 in A min, 3rd mvt IMCViotti Concerto No 23 in G, 1st or 3rd mvt IMCVivaldi Concerto Op 3 No 6, RV 376 in A min, 1st

mvtPeters

Vivaldi Concerto Op 3 No 6, RV 376 in A min,3rd mvt Presto

Peters

Vivaldi Concerto Op 8 No 1 in E Spring, Allegro PetersVivaldi Sonata in C min RV6, 1st & 2nd mvts

Preludio & CorrentePeters

Von Weber, arrBurmester

Waltz in D Solos for Young Violinist Vol 5: Summy-Birchard

Wieniawski Concerto Op 22 No 2 in D min, 2nd mvt IMCWilliams Theme from Schindler’s List Three Pieces from Schindler’s List: MCA / Music SalesYanshenov No 3 The Spinning Wheel in G 3 Morceaux Op 26

3. Musicianship

4. Musical Knowledge

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88

Grade 8

1. Scales (ascending and descending)

Major D, F Three OctavesHarmonic Minor D, F Three Octaves

Melodic Minor D, F Three OctavesBowing Patterns: Détaché

� � �� � �etc.�

6

6

6�� �

�� �� = 80

�� �� 44 � ���Legato (three octaves per bow)

�� �� ��etc.

6

6

6� � ���

� = 80

�44 � ���� ��� �Spiccato

������

etc.

��� = 8044

����� � �����

Chromatic A♭ Three OctavesBowing Pattern: Legato

�� � �� � � � � etc.

� � �� � ��� � = 80

�� ��� �� Major Arpeggios D, F Three OctavesMinor Arpeggios D, F Three OctavesBowing Patterns: Détaché

� � �� � � � � �� � �� � � ��� �� 98

�� = 120

�� � ��

Legato

�� � �� � � � �� � �� � � ��� �� 98

�� = 120

���� �

Dominant Seventh G Three Octaves, resolving on the tonicDiminished Seventh D Three Octaves

Bowing Pattern: Legato

� ��� �etc.���� = 7044� � ���

Double Stops D Major in 3rds Two OctavesE♭ Major in 6ths Two OctavesF Harmonic Minor in 6ths Two OctavesG Harmonic Minor in 8ves Two Octaves

Bowing Pattern: Legato

�� ����� etc.� ������ ��44��� �� � ���� �

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2. Piece

Three pieces to be chosen by three different composers. Two pieces must be from the list below. One alternative “own choice” work may besubstituted and should be at a similar level to those already in the syllabus. Three pieces to be chosen by three different composers. Two piecesmust be from the list below. One alternative “own choice” work may be substituted and should be at a similar level to those already in thesyllabus.

Albéniz Pavana-Capricho Op 12 Union Musical Ediciones / Music SalesBach Concerto BWV 1042 in E, 3rd mvt BärenreiterBach Partita BWV 1004 in D min, Sarabande &

GigueBärenreiter

Bach Partita BWV 1006 in E, Gavotte enRondeau

Bärenreiter

Bach Sonata BWV 1023 in E min, Allemande& Gigue

Bärenreiter

Bach Sonata No 2 BWV 1015 in A, 1st & 2ndmvts

Bärenreiter

Bach Sonata No 3 BWV 1016 in E, 1st & 2ndmvts

Bärenreiter

Bach Sonata No 3 BWV 1016 in E, 3rd & 4thmvts

Bärenreiter

Bartók (arr Szekely) Roumanian Folk Dances, No’s 1, 2, & 6. Solos for Young Violinists, Vol 6: Summy-BirchardBeethoven Concerto Op 61 in D, 2nd mvt Breitkopf & HärtelBeethoven Romance Op 40 No 1 in G BärenreiterBeethoven Romance Op 50 No 2 in F BärenreiterBeethoven Sonata Op 24 in F Spring 1st mvt HenleBeethoven Sonata Op 24 in F Spring 4th mvt HenleBrahms Sonata Op 100 in A, 1st mvt Allegro

amabileWiener Urtext

Brahms Sonata Op 100 in A, 3rd mvt Allegrettograzioso (quasi Andante)

Wiener Urtext

Brahms Sonatensatz Op posth IMCCopland Hoe Down from Rodeo Boosey & HawkesCorelli Sonata Op 5 No 4 in F, 1st, 2nd & 3rd

mvts12 Sonatas Op 5 Vol 1: Schott

Corelli Sonata Op 5 No 4 in F, 3rd, 4th & 5th mvts 12 Sonatas Op 5 Vol 1: SchottDancla No 1 Allegro appassionata e moderato in

G min20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079

Dancla No 2 Rêverie Andante cantabile in G 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 4 Allegro vivo molto in F♯ min 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 8 Moderato cantabile in F 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 9 Allegro agitato in F min 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 13 Vivace molto in D 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla No 15 Allegro vivo e con brio in D 20 Etudes brilliantes et caracteristiques, Op 73: Peters 1079Dancla Six Airs Varies Op 89 No 5, Theme by

WeigelSolos For Young Violinists Vol 3: Summy-Birchard

De Falla (arrKochanski)

Ritual Fire Dance from El Amor Brujo Music for the Violin: Chester

De Falla Canción No 6 Suite of Spanish Folksongs: ChesterDe Falla El Paño moruno No 1 Suite of Spanish Folksongs: ChesterDe Falla Seguidilla murciana No 2 Suite of Spanish Folksongs: ChesterDont No 2 Presto in A min Etudes and Caprices Op 35: IMCDont No 3 in E min Etudes and Caprices Op 35: IMCDont No 5 Allegro appassionata in G min Etudes and Caprices Op 35: IMCDont No 13 Vivace assai in D min Etudes and Caprices Op 35: IMCFauré Romance Op 28 UMPFiorillo No 26 Allegro in A min 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 28 Allegro assai in D 36 Etudes or Caprices: IMC / Peters / Stainer & BellFiorillo No 29 Grave/Moderato in D min/maj 36 Etudes or Caprices: IMC / Peters / Stainer & BellFranck Sonata in A, 4th mvt Allegretto poco

mossoHenle

Gershwin Summertime & A Woman is a SometimeThing

Selections for Violin from Porgy & Bess: Chappell / Faber

Gershwin-Heifetz It Ain’t Necessarily So The Heifetz Collection; Heifetz plays Gershwin: FisherGrieg Sonata Op 45 in C min, 2nd mvt

Allegretto espressivo alla RomanzaPeters

Handel Sonata Op 1 No 13 HWV 371 in D, 1st &2nd mvts

Sieben Sonaten für Violine und Generalbass: Henle

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Haydn Concerto Hob Vlla:3 in A, 1st mvtModerato

Henle

Hubay Hejre Kati BosworthJanácek Sonata JW Vll/7, 1st mvt Con moto UniversalKreisler Liebesfreud SchottKreisler Praeludium & Allegro SchottKreutzer No 26 Grave in E min 42 Studies or Caprices: IMCKreutzer No 30 Andante in F 42 Studies or Caprices: IMCKreutzer No 34 Allegro in E min 42 Studies or Caprices: IMCKreutzer No 35 Allegro vivace in F min 42 Studies or Caprices: IMCKreutzer No 38 Moderato in Bb 42 Studies or Caprices: IMCLeclair Sonata Op 9 No 3 in D, 1st & 2nd mvts

Un Poco Andante & Allegro/AdagioSchirmer 1/722

Leclair Sonata Op 9 No 3 in D, 3rd & 4th mvts,Sarabanda & Tambourin

Schirmer 1/722

Léonard No 1 in D Six Solos Op 41: BillaudotLéonard No 2 in E min Six Solos Op 41: BillaudotMartinu Impromptu Barenreiter / Editio Supraphon PragueMendelssohn Concerto Op 64 in E min, 2nd mvt

AndanteSchirmer 2117

Mlynarski Mazurka in G Solos for Young Violinists Vol 3: Summy-BirchardMonti Czárdás Solos for Young Violinists Vol 5: Summy-BirchardMozart Concerto K 211 in D, 1st mvt with

cadenzaBärenreiter

Mozart Concerto K 218 in D, 1st mvt withcadenza

Bärenreiter

Mozart Sonata K 305 in A, 1st & 2nd mvts HenleNardini, Sonata in D, Adagio & Allegro con Fuoco Peters / FischerNeruda Sonata in A min, 2nd & 3rd mvts Andante

& PrestoBohemian Violin Sonatas Vol 1: Henle

Poliakin The Canary CranzPoulenc (arr Heifetz) Presto in B flat SalabertProkofiev Five Melodies Op 35b, any three Boosey & HawkesProkofiev (arrHeifetz)

Masks Heifetz Collection Bk 1: Fischer

Prokofiev Sonata No 2 Op 94a in D, 3rd mvt Boosey & HawkesRavel Sonata in G, 2nd mvt Blues (Moderato in

Ab)Durand

Ries Perpetuum Mobile Ries & Erler / IMCRimsky-Korsakov(arr Heifetz)

The Bumble Bee Fischer

Rode Concerto No 8 in E min, 1st mvt PetersRode No 1 Cantabile in C 24 Caprices For Violin Solo: IMCRode No 2 Allegretto in A min 24 Caprices For Violin Solo: IMCRode No 4 Siciliano in G 24 Caprices For Violin Solo: IMCRode No 5 Moderato in D 24 Caprices For Violin Solo: IMCRode No 6 Adagio/Moderato in B min 24 Caprices For Violin Solo: IMCRode No 8 Moderato assai in F♯ min 24 Caprices For Violin Solo: IMCRode No 9 Adagio/Allegretto in E 24 Caprices For Violin Solo: IMCRode No 15 Vivace assai in D♭ 24 Caprices For Violin Solo: IMCRode No 21 Tempo giusto in B♭ 24 Caprices For Violin Solo: IMCRode No 22 Presto in G min 24 Caprices For Violin Solo: IMCRode No 24 Introduzione/Agitato e con fuoco in

D min24 Caprices For Violin Solo: IMC

Schubert Duo Op 162, 1st mvt Allegro moderato PetersSchubert Duo Op 162, 4th mvt Allegro vivace PetersSchumann Sonata Op 105 in A min, 1st mvt mit

leidenschaftlichem AusdruckHenle

Shostakovich Romanze in C Schostakowitsch Albumstiicke: Peters 4794Shostakovich Three Fantastic Dances Nos 2 & 3 Boosey & Hawkes / Anglo-Soviet Music PressSpohr Concerto No 2 in D min, 1st mvt Allegro

moderatoPeters

Spohr Concerto No 8 in A min, 1st & 2nd mvtsup to Andante

Peters

Stravinsky Pastorale SchottSuk Quasi Ballata No 1 Four Pieces Op 17: SimrockSuk Un Poco Triste No 3 Four Pieces Op 17: Simrock

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Svendsen Romance Op 26 SchottTakemitsu Distance de Fee SchottTartini Sonata B.D12 in D, Larghetto & Giga

(Allegretto espressivo)Sonatas Vol 3: Peters

Tartini (arr Kreisler) Variations on a Theme of Corelli SchottTchaikovsky Melodie No 3 Souvenir d’un lieu cher, Op 42: IMC / FaberTchaikovsky Scherzo No 2 Souvenir d’un lieu cher, Op 42: IMC / FaberTelemann Fantasia No 1 TWV 40:14 complete 12 Fantasias for Solo Violin: BärenreiterTelemann Fantasia No 5 TWV 40:18 complete 13 Fantasias for Solo Violin: BärenreiterTelemann Fantasia No 10 TWV 40:23 complete 14 Fantasias for Solo Violin: BärenreiterVeracini Concerto in E min, 1st & 2nd mvts Peters / Suzuki Violin School Vol 8: Summy-BirchardVieuxtemps No 4 Allegro energico in A min 36 Studies Op 48 Vol 1: EMBVieuxtemps No 5 Allegro moderato in G 36 Studies Op 48 Vol 1: EMBVieuxtemps No 7 Agitato in E min 36 Studies Op 48 Vol 1: EMBVieuxtemps Reverie No 3 3 Recital Pieces Op 22: PetersVivaldi Sonata Op 2 No 12 RV32 in A min, 1st &

2nd mvtsWieniawski Legende Op 17 Schott

3. Musicianship

4. Musical Knowledge