obatalá obánlá

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  • 7/25/2019 Obatal Obnl

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    Obatal Obnl:

    This is another female Obatal whom some

    say comes to

    us from the Arara influence on the Yoruba in both Cuba and

    Nigeria;

    in their language, her name is Seyitenu, and it means the

    light

    who

    ga!e ho"e to our world# She is $nown as the godmother of

    the

    %oly

    City &l' &f', and ta$es a s"ecial interest in "rotecting

    that

    city

    and it(s "eo"le# &n her so"era should be some semi)"recious

    stones:

    four clear *uart+ and four rose *uart+# She is a !ery

    ele!ated

    s"irit, !ery "ure, and ta$es a lot of white flowers,

    es"ecially tuby

    roses# She is from the court of Odua, and it is !ery

    im"ortant that

    within eight years of their ocha, Obnl(s children recei!e

    Odua if

    they ho"e to li!e u" to their destinies# So tight is the

    "act that

    these two orishas ha!e that e!erytime Odua eats, she musteat with

    him# Also, Ochanla should eat with the two of them when Odua

    eats,

    and before recei!ing Odua the Obanla "riest should ha!e

    Ochanla as

    well# There are four orishas that the initiate of Obanla

    must recei!e

    before recei!ing Odua# Those four orishas are Ochanla,

    romu, rosia,

    and Aguidai; those four, "lus Odua, com"letes the ach' of

    theObanla

    "riest#

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    To clear u" some matters and misconce"tions# Obanla is a

    female

    as"ect of Obatala who among the Arrara is called Seyitenu#

    She is

    the light that a""ears and is &yanla -godmother. of &fe# %er

    tools

    are the same as Obatala(s but there is an addition of a sun

    with /0

    rays, a "recious stone, 1 more sna$es, and a blessed

    sacrament -un

    santisimo.#

    Obanla has 2 Osuns that are made to stand outside of her

    tureen# One

    of the Osuns is a sil!er cane with 3 crowns descending in

    si+e and

    the other an Osun with do!es at different heights# The

    latter must be

    charged which is something that is o!erloo$ed constantly

    when this

    orisha is recei!ed# There is also a small cane that is

    wra""ed in

    beads which ha!e a distinct "attern -/0 white beads, one

    green. this

    encases the cane as a whole# The cane is then mounted on a

    "iece of

    wood so it can stand or you can "lace it on the tureen# &

    ha!e"ersonally made se!eral sets of tools for this orisha and

    was

    thrilled to learn of their meaning, all of which a reci"ient

    of this

    orisha learns when they recei!e it# The nec$lace for Obanla

    is /0

    white beads, a trans"arent rose bead -rose *uart+., a green

    bead, and

    a trans"arent rose bead -rose *uart+., till a desired length

    is

    reached# There is also a Agboran -hand)car!ed doll. of awoman with

    a moon in her hand# She wears a s$irt of blue and mother of

    "earl

    white# The doll must also be charged with certain

    ingredients that

    once again is the realm of oriates and o+ainistas# This doll

    is then

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    fed 4ya tutu -fresh fish. and 4tun fun fun -white guinea

    hen. with

    Obatala and O+un# Obanla is the s"irit which accom"anies

    Obatala, if

    the "erson has Odduduwa then Obanla eats with him#

    The ceremony to recei!e this orisha is !ery solemn and !ery

    reminiscent of an Odduduwa ceremony# Needles to say this

    "ath of

    Obatala re*uires the usual set of animals and 5 additional

    white

    do!es# The ceremony for recei!ing the orisha also re*uires a

    s"ecial

    ceremony during the matan+a, which if not done or omitted

    then you do

    not ha!e the "act with Obanla and your Ori#

    Obanla also has an 4leggua that goes in her tureen and has

    some

    s"ecial ingredients in addition to the regular charge# This

    4leggua

    should be washed with Obanla and not in a se"arate omiero,

    as there

    are $ey differences between the omiero of the normal 4leggua

    and

    Obanla#