of the people': a choral symphony for soprano, alto ...€¦ · 72-25,503 brandon, seymour,...
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'OF THE PEOPLE': A CHORAL SYMPHONY FORSOPRANO, ALTO, TENOR, AND BASS SOLOISTS,
MIXED CHORUS BRASS, PERCUSSION, AND ORGAN
Item Type text; Dissertation-Reproduction (electronic)
Authors Brandon, Seymour, 1945-
Publisher The University of Arizona.
Rights Copyright © is held by the author. Digital access to this materialis made possible by the University Libraries, University of Arizona.Further transmission, reproduction or presentation (such aspublic display or performance) of protected items is prohibitedexcept with permission of the author.
Download date 31/01/2021 02:31:01
Link to Item http://hdl.handle.net/10150/290305
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University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106
A Xerox Education Company
72-25,503
BRANDON, Seymour, 1945-QF THE PEOPLE: A CHORAL SYMPHONY FOR SOPRANO,
ALTO, TENOR, AND BASS SOLOISTS, MIXED CHORUS BRASS, PERCUSSION, AND ORGAN. [Original Music]
The University of Arizona, A.Mus.D., 1972 Music
University Microfilms, A XEROX Company, Ann Arbor. Michigan
IHIS DISSERTATION HAS BEEN MICROFIMED EXACTLY AS RECEIVED.
OF THE PEOPLE
A Choral Symphony for Soprano, Alto, Tenor, and Bass Soloists,
Mixed Chorus, Brass, Percussion, and Organ
by
Seymour Brandon
An Original Composition Submitted In Lieu of Dissertation To the Faculty of the
SCHOOL OF MUSIC
In Partial Fulfillment of the Requirements For the Degree of
DOCTOR OF MUSICAL ARTS
In the Graduate College
THE UNIVERSITY OF ARIZONA
19 7 2
THE UNIVERSITY OF ARIZONA
GRADUATE COLLEGE
I hereby recommend that this composition prepared under my
direction by Seymour Brandon
entitled Of The People - A Choral Symphony for Soprano. Alto.
Tenor and Bass Soloists. Mixed Chorus. Brass. Per
cussion, and Organ
be accepted as fulfilling the dissertation requirement of the degree
of Doctor of Musical Arts •
Dissertation Director
/f (Mr. (97
Date
After Inspection of the final copy of the dissertation, the
following members of the Final Examination Committee concur in
its approval and recommend Its acceptance:*
"Ky wi-yy— 1 8 < t M i l .
n k yu
*Thls approval and acceptance Is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination. The incluslcjp of this sheet bound Into the library copy of the dissertation Is evidence of satisfactory performance at the final examination.
PLEASE NOTE:
Some pages may have
indistinct print.
Filmed as received.
University Microfilms, A Xerox Education Company
STATEMENT BY COMPOSER
This composition has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited In the University Library to be made available to borrowers under rules of the Library.
Brief quotations from this cbmpositlon are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript In whole or In part may be granted by the head of the major department or the Dean of the Graduate College when in his Judgment the proposed use of the material is in the interest of scholarship. In all other Instances, however, permission must be obtained from the composer.
SIGNED:
TABLE OF CONTENTS
ABSTRACT
An Original Composition: OF THE PEOPLE
, I. Declaration of Independence
II. Gettysburg Address
III. Prelude to the Future
iii
ABSTRACT
Of The People is a choral symphony for soprano, alto, tenor, and
bass soloists, mixed chorus, brass, percussion, and organ. The text
Is taken from the Declaration of Independence, Abraham Lincoln's
Gettysburg Address, and John F. Kennedy's First Inaugural Address.
The composition consists of three movements, each divided into
sections by the use of different thematic material. The themes of each
section are developed by the use of counterpoint, variation techniques,
or changes in orchestration.
The style of the symphony is tonal, but does not use the tra
ditional major and minor systems. Modes are sometimes used as a
basis of melodic construction. The harmony is derived from the hori
zontal movement of voices. The third movement departs briefly from
the established style with the use of atonality and polntallism at the
beginning and end.
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