op art pop
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POP ART
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Marcel Duchamp
Fernand Lger
Predecessors
To isolate the object or the fragment of anobject and to present it on the screen in
close-ups of the largest possible scale.
Enormous enlargement of an object orfragment gives it a personality it never hadbefore and in this way it can become a vehicle
of entirely new lyric and plastic power.
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British Pop
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1950s London
Lawrence Alloway
Independent Group
Origins
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Eduardo Paolozzi
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Eduardo Paolozzi
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Eduardo Paolozzi
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Eduardo Paolozzi
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Richard Hamilton
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Richard Hamilton
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Richard Hamilton
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Richard Hamilton
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Richard Hamilton
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Richard Hamilton
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Peter Blake
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Peter Blake
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Richard Smith
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Richard Smith
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Richard Smith
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Richard Smith
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Richard Smith
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d k
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David Hockney
d k
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David Hockney
d k
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David Hockney
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OP ART
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1964- Time Magazine
The Responsive Eye
Victor Vasarely
Origins
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Victor Vasarely
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Victor Vasarely
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Victor Vasarely
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Victor Vasarely
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Victor Vasarely
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Victor Vasarely
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Victor Vasarely
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M.C. Escher
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M.C. Escher
Y A
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Yaccov Agam
Y A
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Yaccov Agam
Y A
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Yaccov Agam
Y A
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Yaccov Agam
B id t Ril
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Bridget Riley
B id t Ril
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Bridget Riley
B id t Ril
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Bridget Riley
B id t Ril
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Bridget Riley
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http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg -
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http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg -
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http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg -
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http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg -
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http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg -
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AmericanPop
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Origins Jasper Johns
Robert Rauschenberg
My experience of life is that its veryfragmented; certain kinds of things happen,
and in another place, a different kind of
thing occurs. I would like my work to havesome vivid indication of those differences.
"...it's not a negation, it's a celebration."
Jasper Johns
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Jasper Johns
Jasper Johns
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Jasper Johns
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Jasper Johns
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Jasper Johns
Jasper Johns
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Jasper Johns
Jasper Johns
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Jasper Johns
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R b R h b
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Robert Rauschenberg
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Robert Rauschenberg
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Robert Rauschenberg
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Robert Rauschenberg
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Robert Rauschenberg
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Andy Warhol
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Andy Warhol
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Andy Warhol
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Andy Warhol
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Andy Warhol
"It wasn't called the Factory for nothing. It waswhere the assembly line for the silkscreenshappened. While one person was making asilkscreen, somebody else would be filming a
screen test. Every day something new.
http://en.wikipedia.org/wiki/Screen_testhttp://en.wikipedia.org/wiki/Screen_testhttp://en.wikipedia.org/wiki/Assembly_linehttp://en.wikipedia.org/wiki/Assembly_line -
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Roy Lichtenstein
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Roy Lichtenstein
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Roy Lichtenstein
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Roy Lichtenstein
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Roy Lichtenstein
Tom Wesselmann
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Tom Wesselmann
Tom Wesselmann
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Tom Wesselmann
Tom Wesselmann
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Tom Wesselmann
Tom Wesselmann
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I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material
used. There does seem to be a tendency to usesimilar materials and images, but the different ways
they are used denies any kind of group intention
Tom Wesselmann
Tom Wesselmann
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I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material
used. There does seem to be a tendency to usesimilar materials and images, but the different ways
they are used denies any kind of group intention
Tom Wesselmann
Tom Wesselmann
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I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material
used. There does seem to be a tendency to usesimilar materials and images, but the different ways
they are used denies any kind of group intention
Tom Wesselmann
Tom Wesselmann
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I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material
used. There does seem to be a tendency to usesimilar materials and images, but the different ways
they are used denies any kind of group intention
Tom Wesselmann
James Rosenquist
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James Rosenquist
James Rosenquist
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James Rosenquist
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James Rosenquist
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James Rosenquist
James Rosenquist
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Ja es ose qu st
James Rosenquist
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J q
James Rosenquist
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q
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Claes Oldenburg
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I am for the art of red and white gasoline pumps, and blinking biscuit signs...I am for Kool-Art,7-Up Art, Pepsi Art, Sunkist Art, Dro-Bomb Art, Pamryl Art, San-O-Med Art, 39 cents Art and
9.99 Art.
Claes Oldenburg
Claes Oldenburg
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Claes Oldenburg
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Claes Oldenburg
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Claes Oldenburg
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Claes Oldenburg
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Claes Oldenburg
Claes Oldenburg
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Claes Oldenburg
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Claes Oldenburg
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Claes Oldenburg
Ed Ruscha
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He hasnt been stagnant at any time, the work hascontinued to evolve and surprise us. What he has done is puttogether a real career of work. If one of the measures of
greatness is that you sustain your work and your creativityand your imagination and your achievement over a lifetime,well he really rates very, very high. We live in a culture of 15
minutes of fame, Ed has anything but that. He has atremendously inventive body of work over several decades.
Ed Ruscha
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He hasnt been stagnant at any time, the work hascontinued to evolve and surprise us. What he has done is puttogether a real career of work. If one of the measures of
greatness is that you sustain your work and your creativityand your imagination and your achievement over a lifetime,well he really rates very, very high. We live in a culture of 15
minutes of fame, Ed has anything but that. He has atremendously inventive body of work over several decades.
Ed Ruscha
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Ed Ruscha
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Ed Ruscha
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Ed Ruscha
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Ed Ruscha
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Ed Ruscha
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Marisol Escobar
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Marisol Escobar
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Belgian Evelyne Axell
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g y
Belgian Evelyne Axell
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Belgian Evelyne Axell
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g y
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Sister Corita Kent
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I am not brave enough to not pay my income tax andrisk going to jailBut I can say rather freely what I wantto say with my art.
Sister Corita Kent
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Marjorie Strider
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j
Marjorie Strider
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Relevance
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Relevance inspiration
techniques
subject matter political commentary/protest
perspective
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