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    POP ART

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    Marcel Duchamp

    Fernand Lger

    Predecessors

    To isolate the object or the fragment of anobject and to present it on the screen in

    close-ups of the largest possible scale.

    Enormous enlargement of an object orfragment gives it a personality it never hadbefore and in this way it can become a vehicle

    of entirely new lyric and plastic power.

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    British Pop

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    1950s London

    Lawrence Alloway

    Independent Group

    Origins

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    Eduardo Paolozzi

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    Eduardo Paolozzi

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    Eduardo Paolozzi

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    Eduardo Paolozzi

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    Richard Hamilton

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    Richard Hamilton

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    Richard Hamilton

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    Richard Hamilton

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    Richard Hamilton

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    Richard Hamilton

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    Peter Blake

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    Peter Blake

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    Richard Smith

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    Richard Smith

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    Richard Smith

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    Richard Smith

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    Richard Smith

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    d k

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    David Hockney

    d k

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    David Hockney

    d k

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    David Hockney

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    OP ART

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    1964- Time Magazine

    The Responsive Eye

    Victor Vasarely

    Origins

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    Victor Vasarely

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    Victor Vasarely

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    Victor Vasarely

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    Victor Vasarely

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    Victor Vasarely

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    Victor Vasarely

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    Victor Vasarely

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    M.C. Escher

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    M.C. Escher

    Y A

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    Yaccov Agam

    Y A

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    Yaccov Agam

    Y A

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    Yaccov Agam

    Y A

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    Yaccov Agam

    B id t Ril

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    Bridget Riley

    B id t Ril

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    Bridget Riley

    B id t Ril

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    Bridget Riley

    B id t Ril

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    Bridget Riley

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    http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg
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    http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg
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    http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg
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    http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg
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    http://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpghttp://2.bp.blogspot.com/_99U_pO3l2-Y/SR25IqAYJtI/AAAAAAAAAMs/X4IS5MJLhjg/s1600-h/op.jpg
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    AmericanPop

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    Origins Jasper Johns

    Robert Rauschenberg

    My experience of life is that its veryfragmented; certain kinds of things happen,

    and in another place, a different kind of

    thing occurs. I would like my work to havesome vivid indication of those differences.

    "...it's not a negation, it's a celebration."

    Jasper Johns

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    Jasper Johns

    Jasper Johns

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    Jasper Johns

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    Jasper Johns

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    Jasper Johns

    Jasper Johns

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    Jasper Johns

    Jasper Johns

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    Jasper Johns

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    R b R h b

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    Robert Rauschenberg

    R b R h b

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    Robert Rauschenberg

    R b R h b

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    Robert Rauschenberg

    R b R h b

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    Robert Rauschenberg

    R b R h b

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    Robert Rauschenberg

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    Andy Warhol

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    Andy Warhol

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    Andy Warhol

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    Andy Warhol

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    Andy Warhol

    "It wasn't called the Factory for nothing. It waswhere the assembly line for the silkscreenshappened. While one person was making asilkscreen, somebody else would be filming a

    screen test. Every day something new.

    http://en.wikipedia.org/wiki/Screen_testhttp://en.wikipedia.org/wiki/Screen_testhttp://en.wikipedia.org/wiki/Assembly_linehttp://en.wikipedia.org/wiki/Assembly_line
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    Roy Lichtenstein

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    Roy Lichtenstein

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    Roy Lichtenstein

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    Roy Lichtenstein

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    Roy Lichtenstein

    Tom Wesselmann

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    Tom Wesselmann

    Tom Wesselmann

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    Tom Wesselmann

    Tom Wesselmann

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    Tom Wesselmann

    Tom Wesselmann

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    I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material

    used. There does seem to be a tendency to usesimilar materials and images, but the different ways

    they are used denies any kind of group intention

    Tom Wesselmann

    Tom Wesselmann

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    I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material

    used. There does seem to be a tendency to usesimilar materials and images, but the different ways

    they are used denies any kind of group intention

    Tom Wesselmann

    Tom Wesselmann

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    I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material

    used. There does seem to be a tendency to usesimilar materials and images, but the different ways

    they are used denies any kind of group intention

    Tom Wesselmann

    Tom Wesselmann

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    I dislike labels in general and 'Pop' in particular,especially because it overemphasizes the material

    used. There does seem to be a tendency to usesimilar materials and images, but the different ways

    they are used denies any kind of group intention

    Tom Wesselmann

    James Rosenquist

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    James Rosenquist

    James Rosenquist

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    James Rosenquist

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    James Rosenquist

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    James Rosenquist

    James Rosenquist

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    Ja es ose qu st

    James Rosenquist

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    J q

    James Rosenquist

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    q

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    Claes Oldenburg

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    I am for the art of red and white gasoline pumps, and blinking biscuit signs...I am for Kool-Art,7-Up Art, Pepsi Art, Sunkist Art, Dro-Bomb Art, Pamryl Art, San-O-Med Art, 39 cents Art and

    9.99 Art.

    Claes Oldenburg

    Claes Oldenburg

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    Claes Oldenburg

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    Claes Oldenburg

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    Claes Oldenburg

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    Claes Oldenburg

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    Claes Oldenburg

    Claes Oldenburg

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    Claes Oldenburg

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    Claes Oldenburg

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    Claes Oldenburg

    Ed Ruscha

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    He hasnt been stagnant at any time, the work hascontinued to evolve and surprise us. What he has done is puttogether a real career of work. If one of the measures of

    greatness is that you sustain your work and your creativityand your imagination and your achievement over a lifetime,well he really rates very, very high. We live in a culture of 15

    minutes of fame, Ed has anything but that. He has atremendously inventive body of work over several decades.

    Ed Ruscha

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    He hasnt been stagnant at any time, the work hascontinued to evolve and surprise us. What he has done is puttogether a real career of work. If one of the measures of

    greatness is that you sustain your work and your creativityand your imagination and your achievement over a lifetime,well he really rates very, very high. We live in a culture of 15

    minutes of fame, Ed has anything but that. He has atremendously inventive body of work over several decades.

    Ed Ruscha

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    Ed Ruscha

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    Ed Ruscha

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    Ed Ruscha

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    Ed Ruscha

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    Ed Ruscha

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    Marisol Escobar

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    Marisol Escobar

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    Belgian Evelyne Axell

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    g y

    Belgian Evelyne Axell

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    g y

    Belgian Evelyne Axell

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    g y

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    Sister Corita Kent

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    I am not brave enough to not pay my income tax andrisk going to jailBut I can say rather freely what I wantto say with my art.

    Sister Corita Kent

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    Marjorie Strider

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    j

    Marjorie Strider

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    Relevance

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    Relevance inspiration

    techniques

    subject matter political commentary/protest

    perspective

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