p e k a 2000 2006 + in situ
TRANSCRIPT
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p e k a2000 - 2006
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in s
itu
Headquarter PraletonaLtd, Malmö – Flower Power - polyptych - mixed media – 4x100x100 - 2006
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in s
itu
Galerie L’Exception, Poitiers – Mozaïk Noursiland - polyptych - mixed media –150x175 - 2006
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in s
itu
3
in s
itu
Le Zénith, Valenciennes – Vagues Jaunes, Rouges et Bleues - 2006
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in s
itu
4
in s
itu
Galerie Van Weyenbergh, Los Angeles – Binôme 2.1. For Gerry
polyptych –mixed media on canvas 4x100x100 - 2004
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cycle > mozaïk
5
Mozaïk Bleue - polyptych - mixed media – 300x70 - 2006
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cycl
e >
moz
aïk
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cycl
e
Mozaïk Noursiland - polyptych - mixed media –150x175 - 2006
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cycl
e >
moz
aïk
-m
ixed
med
ia –
ca 2
10x2
50 -
2006
7
cycl
e
Dou
ble
Moz
aïk
Ora
nge
-po
lypt
ych
-
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cycle > mozaïk
8
Mozaïk Orange - polyptych - mixed media –250x140 - 2006
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cycle > éclatante mièvrerie
9
Eclatante Mièvrerie 1 & 2 - dyptych - acrylic on canvas - 100x100 - 2005
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écla
tant
e m
ièvr
erie
10
cycl
e >
écl
atan
te m
ièvr
erie
Eclatante Mièvrerie 2.1 - acrylic on canvas - 100x100 2005
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cycle > désencombrement
11Désencombrement #02 For Gerry - tryptych - mixed media - 250x150 - 2005
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Binôme 2.1.
mixed media on canvas
100x100
cycle > désencombrement
12
2004
Désencombrement 01- Diptych – mixed media - 200x100 2004
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dése
ncom
brem
ent
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cycl
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dés
enco
mbr
emen
t
Désencombrement #23-25 – mixed media - 100x100 2005
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cycle > désencombrement
14Désencombrement # 6, # 14, # 25 and # 24-25 – mixed media -100x100 2005
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cycle > désencombrement
15
Désencombrement #10-25 and #13-25 – mixed media -100x100 2005
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cycle > désencombrement
16Désencombrement # 2-25 and # 8-25 – mixed media - 100x100 2005
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cycl
e >
dés
enco
mbr
emen
t
17Désencombrement # 18-25 – mixed media - 100x100 - 2005
cycl
e >
dés
enco
mbr
emen
t
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cycle > désencombrement
18Désencombrement # 4, # 11 and #19-25 – mixed media -100x100 - 2005
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cycle > désencombrement
19Désencombrement # 1, # 3, # 9 and # 12-25 – mixed media -100x100 2005
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cycle > recta versi
20Recta Versi # 04, 03 et 05 - mixed media on canvas - 40x60 - 2005
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cycle > recta versi
21Recta Versi # 06, 01 et 02 - mixed media on canvas - 40x60 - 2005
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cycl
e >
pse
udo-
reto
urne
men
t
22Pseudo-retournement # 02 - mixed media on canvas - 80x10 - 2005
cycl
e >
pse
udo
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cycle > pour Elizabeth MD
23Pour Elizabeth MD # 01, 02 & 03 – mixed media - 50x60 - 2004
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cycle > pour Elizabeth MD
24Pour Elizabeth MD # 04, 05 & 06 – mixed media - 50x60 - 2004
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cycle > monté démonté
25Monté-démonté 1 & 2 - acryl on canvas - 54x64 -2005
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cycl
e >
pro
fata
mor
gana
26Pro fata Morgana # 01, 02, 03 & 04 - mixed media - 80x100 - 2004
cycl
e >
pro
fata
mor
gana
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cycle > trilogie für Irma Dauer
27Trilogie für Irma Dauer # 01, # 03 & # 02 – mixed media - 100x100 - 2004
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vagu
e bl
eue
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cycl
e >
vag
ue b
leue
Vague Bleue - triptych – mixed media -150x200 - 2004
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vagu
e ja
une
29Vague Jaune # B - techniques mixtes sur toile - polyptique 200x 200 - 2004
cycl
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vag
ue ja
une
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cycl
e >
trilo
gie
cogn
itive
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cycl
e >
trilo
gie
cogn
itive
Trilogie cognitive # 16 – mixed media - 70 x 90 - 2004
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cycl
e >
trilo
gie
cogn
itive
31Trilogie cognitive # 15 – mixed media - 100x100 - 2004
cycl
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trilo
gie
cogn
itive
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cycle > trilogie cognitive
Trilogie cognitive
32
Trilogie cognitive
# 14,13, 11 & 12
mixed media
100x100 - 2004
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cycl
e >
trilo
gie
cogn
itive
33Trilogie cognitive # 6 – mixed media - 100x100 - 2004
cycl
e >
trilo
gie
cogn
itive
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cycle > trilogie cognitive
Trilogie cognitive
34
Trilogie cognitive
# 7, 8, 9 &10
mixed media
100x100 - 2004
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cycle > trilogie cognitive
35Trilogie cognitive #1, 2 & 3 - mixed media - 100x100 - 2004
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cycle > le ceci selon ce que
36Le ceci selon ce que #02 - mixed media on canvas - 90x70 - 2004
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cycl
e >
bin
ômes
37Binôme 2.1. For Gerry – polyptych –mixed media on canvas – 100x100 - 2004
cycl
e >
bin
ômes
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cycl
e >
en
pens
ant à
Kar
in
38En pensant à Karin #03 - mixed media on canvas - 100x100 -2004
cycl
e >
en
pens
ant à
Kar
in
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cycle > bridges to infinity
39
Bridges to infinity # 02 & # 03 - acrylic on carton - 70x100 - 2004
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cycle > boustrophédon
40
Boustrephedon # 12 (60x60) & # 10 (100x100) - mixed media on canvas - 2004
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cycle > boustrophédon
41Boustrephedon # 15 (60x60), # 25 (60x60), # 17 (100x100) & # 14 (80x80) – mixed media on canvas - 2004
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cycle > boustrophédon
42
Boustrephedon # 21 (80x80), # 09 (100x100) & # 24 (60x60) – mixed media on canvas - 2004
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cycle > boustrophédon
Boustrophedon # 02 Polyptych -mixed media on canvas - 100x120 - 2003
43Boustrephedon # 13 – mixed media on canvas - 80x80 - 2004
Boustrophedon # 03 -mixed media on carton - 100 x 70 - 2004
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cycl
e >
arb
itrag
e
44Arbitrage # 02 - mixed media on canvas - 80x80 - 2003
cycl
e >
arb
itrag
e
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win
term
ärch
en
45
cycl
e >
win
term
ärch
en
Wintermärchen # 04 – mixed media on canvas - 70X70 - 2003
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cycle > wintermärchen
46Wintermärchen # 02 & # 01 – mixed media on canvas - 73X60 - 2003
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cycl
e >
sto
chas
tic fl
ight
47Stochastic Flight # 02 - mixed media on canvas - 70x70 - 2003
cycl
e >
sto
chas
tic fl
ight
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cycle > métalangage
48Métalangage # 02 (Nighthorse) - mixed media on canvas - 146 x 114 - 2003
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cycl
e >
mod
est p
ropo
sal
49
cycl
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mod
est p
ropo
sal
Modest proposal 02
mixed media on canvas
92x73
2003
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cycle > compositional system
50Compositional system # 04 - mixed media on canvas - 140x90 - 2002
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cycl
e >
son
g fo
r al
pha
wav
es
51Song for Alpha Waves # 08 - mixed media on canvas - 80x80 - 2002
cycl
e >
son
g fo
r al
pha
wav
es
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cycle > proposition ouverte
52Open Voorstel 02 - tar oil and oilstick on wood - 100x100 - 2002
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cycle > le plein est le vide
53
Fullness is emptyness #09 - mixed media on canvas - 180x120 - 2002
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cycle > le plein est le vide
54
Han effect, here and there - mixed media on carton - 100x80 -2002
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cycle > what you see is not what you get
55WYSI(N)WYG # 03 (100x95) & # 04 (110x110) - wax, pigments and oil stick on canvas - 100x95 - 2002
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cycl
e >
tao
etc.
56
cycl
e >
tao
etc.
Revisited Tao - mixed media on canvas -140x120 - 2002
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cycle > broken nikè
57Revisited Nikè -mixed media on canvas - 160x110 - 2002
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cycle > paradoxical composition
58
Paradoxical Composition #08 - gouache on carton - 100x70 - 2001
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cycle > astral banana
59
Astral Banana III 70x100
acrylic on canvas 2000
Astral Banana IV 80x120
acrylic on canvas 2000
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péka aka pol.knots -- born 1948 in Belgium -- self taught plastician --lyrical expressionism -- mixed media -- post internet aesthetica -- low tech - taoism – utopia -- cognitive sciences -- incorporated hazard
Solo exhibitions in Belgium, France, Poland, Netherland, Switserland & California. Private collections in Sweden, Belgium, France & USA
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Ça a démarré très lentement
D’abord le goût de la couleur. J’avais douze ans Et pendant de longues années, voir et revoir les installations, la vidéo, les curateurs entichés de tout et de rien, mais pas de peinture, considérée comme un genre à l’agonie.
Puis, très tard, à l’aube du troisième millénaire, les premières expos. Forcément dans des lieux confidentiels.Moi, j’avais passé pas mal de temps à rouler ma bosse, Un peu de Chine, un peu d’Afrique, beaucoup de voyages dans le cerveau, tout cela pour me fabriquer un petit univers bien rempli de taoïsme, de sciences cognitives et de stochastique, modèles mathématiques, philosophiques et scientifiques plus ou moins bien digérés pour en arriver à un espèce de chop choy culturel mondialiste. Je suis devenu un citoyen du monde sans m’en rendre compte, un artiste nomade qui ne se reconnaît pas dans la confrérie des artistes, un plasticien qui se voit produire un travail et non des œuvres.
Pourtant, c’est très facile de devenir peintre et nous sommes des millions à le faire.
61
Pourtant, c’est très facile de devenir peintre et nous sommes des millions à le faire.Il suffit d’enterrer les grand maîtres. Dire merci à Léonardo pour son sfumato. Ne pas oublier Pieter-Paulus et la discussion sur la préséance de la forme, de la ligne sur la couleur, à moins que ce ne soit l’inverse. Ne pas oublier que Vincent voulait peindre comme Puvis. Savoir que Marcel nous a fait dépasser le seuil de la rétine. Laisser Pablo à ses manières de faiseur cleptomane. Dénoncer Yves comme un mystificateur mystique. Ah oui, les glacis de Kaspar, diable, qu’est-ce qu’il faut en faire ?Et Malevitch qui se termine en paysan multicolore. Et devenir marxiste, tendance Groucho, bien loin de Cobra.C’est donc facile de devenir peintre. Même, et surtout, si la peinture, c’est un sport de vieux.
La complexité de l’univers et ses territoires ambigus, inconnus et imparfaits sont les questions qui m’occupent aujourd’hui . En 2006, j’explore les friches de la peinture. Je construis de grands puzzles, comme des mosaïques de petits formats pour revisiter encore et toujours le thème du plein et du vide. Et mon approche de l’abstraction balance plus que jamais entre construction et destruction. Les formes sont clairement découpées, mais chargées d’une gestuelle expressionniste. Et ça et là, les surfaces sont aléatoirement corrodées jusqu’à la toile.