paige e. sullivan

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S ELECTED W ORKS P ORTFOLIO P AIGE S ULLIVAN

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Selected works for graduate admission

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Page 1: Paige E. Sullivan

S e l e c t e d W o r k S P o r t f o l i o

P a i g e S u l l i v a n

Page 2: Paige E. Sullivan

education University of Wisconsin-Milwaukee, Milwaukee, WI 9/2010-Present • Seven semesters of classes relating to architecture, art history and general courses • Completion of five architectural studios

Hudson High School, Hudson, WI 9/2006-6/2010 • Introduction to Architectural Drafting • General studies

Work HiStory Security, University Housing, Milwaukee, WI 8/2010-Present • Met the needs of residents • Maintained a secure environment

Receptionist, Rite-Way Plumbing, St. Paul, MN 1/2009-8/2010 • Increased sales to guests through effective communication • Provided quality service through efficient time management

Junior Florist, Hudson Flower Shop, Hudson, WI 8/2008-7/2009 • Designed unique and creative floral arrangements • Assisted in wedding floral staging

CONTACT

P a i g e S u l l i v a nUW-Milwaukee / SARUP Undergraduate

a d d r e S S2020 E. Park Place / Milwaukee, WI 53211

t e l .715 - 781 - 4795

e m a i [email protected]

Adobe Photoshop / Adobe Illustrator / Adobe InDesign / AutoCAD / Revit / Google SketchUp

e x P e r i e n c e S

P r o f i l e

Page 3: Paige E. Sullivan

fundamentalS of arcHitectural deSign i fall 2011 • Formal concepts that order the production of architecture, using physical and virtual models, sketches, and drafted scaled, orthographic drawings • Issues related to site, function and environment

arcHitectural deSign ii SPring 2013 • Design projects explore complex contexts and programs • Solutions employ hybrid construction technologies, and codes for safety and accessibility; they also integrate interior and exterior spaces

HiStoric PreServation fall 2013 • Intermediate design studio emphasizing precedent analysis, historical analysis and historical preservation theories • Projects focusing on preservation as well as adaptive reuse in landmark settings

0 4 t H e r o o m

0 8 t H e g a l l e r y

1 0 J a z z c e n t e r

1 4 e S H c d B u i l d i n g

1 6 u n i t y t e m P l e

Adobe Photoshop / Adobe Illustrator / Adobe InDesign / AutoCAD / Revit / Google SketchUp

c H r o n o lo g i c a l

i n d e x

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Page 4: Paige E. Sullivan

WORKREST

STEAM CLEANSE DRESS

o B J e c t i v e

Design a room to be used as a temporary occupation space for a single person pausing after an

overnight transatlantic flight. Critically examine the activities

and their associated routines which occur in the room while

keeping the scale to that of the individual. The room must

include spaces for working, resting(no bed), steaming,

dressing, and cleansing.

Site constrictions: 200 square feet

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m c B r i d e / 2011

t H e r o o m

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r e P o S e

t H e r o o m

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S o l u t i o n

The integration of all necessary surfaces into a single ribbon-like ledge which wraps the entire perimeter of the space. The ribbon connects all activities during its transformation while distinguishing a clear procession through a continuous, circular path. Ground and ceiling height variations were used to define the spaces relating to each ritual.

Page 8: Paige E. Sullivan

GALLERY

GALLERY

STORAGELOADING

OFFICE RESTROOM RESTROOM

CLASSROOM

PATIO

o B J e c t i v e

Design a gallery for a collection of El Lissitzky works with careful

consideration of a gallery’s needs, such as the control of natural

light, façade in regards to datum, sequence, and space.

Site Constrictions: 25’ x 100’

S o l u t i o n

A single glass spine which begins as a vertical window pane that meets the passing individual

on the sidewalk. Upon entrance into the gallery the eye is drawn upward along the ceiling as the

aperture continues overhead until finally dropping vertically back to the wall, becoming the

threshold to a second level outdoor patio space. Lofting one small gallery above the

other, while keeping the large gallery a double height space.

This allows for open connection within the intimate site.

Page 9: Paige E. Sullivan

m c B r i d e / 2011

t H e g a l l e r y

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* El Lissitzky paintings: New Man, Interpenetrating Planes, c. 1925

Page 10: Paige E. Sullivan

o B J e c t i v e

Design a center for jazz appreciation and music study in

the historic Bronzeville district of Milwaukee, WI. The infill building

should promote community unification and progression

toward revitalization. Program must include a performance hall,

small practice rooms, a cafe, offices, and recording studios.

Page 11: Paige E. Sullivan

S c H m a l l i n g / 2013

J a z z c e n t e r

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Page 12: Paige E. Sullivan

B r o n z v i l l e

J a z z c e n t e r

CAFE

PATIO

PERFORMANCE HALL LOBBY

LOADING

STORAGE

BACKSTAGE SUPPORT

CLASSROOM CLASSROOM CLASSROOM CLASSROOM

REHERSAL REHERSAL REHERSAL RECORDING

PATIO

Page 13: Paige E. Sullivan

SECTION LOOKING EAST

SECTION LOOKING NORTH

S o l u t i o n

Planes of concrete rise from the earth folding back and forth to create floors, walls, ceilings/roof. All program elements are contained within a single bar, which is pushed to the north and pulled away from the street to allow for an open plan. The “programatic bar” wraps around the central performance hall on the first floor, then travels upward at the site’s west end and continues on the second floor before terminating as an overhanging element above the entrance. Glass curtain walls contain more open programming to allow for maximum natural illumination while showcasing the materiality of the neighboring buildings.

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Page 14: Paige E. Sullivan

B r o n z v i l l e

J a z z c e n t e r

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CLASSROOMSCAFE & PRACTICE ROOMS

APPROACH LOBBY

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Page 16: Paige E. Sullivan

SECTION LOOKING SOUTH

SECTION LOOKING EAST

o B J e c t i v e

Design a building for the East Side Commercial Historic District of

Milwaukee, WI that will bring life to the area, outside of normal

business hours. Specific programatic elements are

determined by the designer based on the needs of the

community.

S o l u t i o n

A multi-use building containing a boutique restaurant on the

ground floor, office/studio space on the second and third floors,

and four two level residential units beginning on the fourth.

A five story atrium space located on the north edge of

the building serves as an indoor street which connects at the second floor to the building

to the east. The atrium serves many functions as it adapts

to the needs of the building.

Page 17: Paige E. Sullivan

J a r o S z / 2013

eSHcd Buildi n g

RESIDENTIAL SPACE

ATRIUM SPACE

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Page 18: Paige E. Sullivan

o B J e c t i v e

Design an addition to Frank Lloyd Wright’s Unity Temple in Oak Park, IL. An existing apartment building located directly east of the Temple

may be utilized for the required program. Additional spaces

required by the congregation include multiple classrooms, offices, archival storage and

display, a kitchen, a cafe, and a main gathering space.

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J a r o S z / 2013

u n i t y t e m P l e

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Page 20: Paige E. Sullivan

GATHERING SPACE

a d d i t i o n

u n i t y t e m P l e

CAFE SPACE

SECTION LOOKING NORTH

Page 21: Paige E. Sullivan

NORTH ELEVATION

S o l u t i o n

The existing apartment building is transformed into a monolithic structure meant to evoke respect for the temple rather than distract from it. The building’s brick exterior is cut open to create cubic correspondence with the Unity Temple, then cladded with polycarbonate panels to simplify the facade. All existing windows are covered by the polycarbonate, with the exception of the upper two floors which contain a boutique hotel. The main gathering space extends beyond the renovated apartment building and has a floor level dug 12ft below grade. Slanted retaining walls hold the earth back. This allows for full glass walls which provide maximum light in an underground space. The submersion of this space gives the idea of the addition bowing down in honor of the temple, while the occupant looks up at the grand monument above.

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