painting day one

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Week 1 Light and Contrast ltd palette, 4 colors Weeks 2-3 Light and Color – warm & cool, monochromatic Weeks 4-5 Space and Texture – landscape, palette knives Weeks 6-7-8 Style and Technique – master study & response Weeks 9-10-11 Process A series of 3+ paintings, any subject matter Week 12 Final crit

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Page 1: Painting Day One

Week 1

Light and Contrast ltd palette, 4 colors

Weeks 2-3

Light and Color –warm & cool, monochromatic

Weeks 4-5

Space and Texture –landscape, palette knives

Weeks 6-7-8

Style and Technique –master study & response

Weeks 9-10-11

ProcessA series of 3+ paintings, any subject matter

Week 12

Final crit

Page 2: Painting Day One

What is ‘style?’

Page 3: Painting Day One

Manet Monet Van Gogh

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Hiroshige

Manet

Rembrandt

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study of Stephen Brown and self-portrait in his style

Maggie Engebretson

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What’s the procedure?

Page 8: Painting Day One

thumbnail sketch first – block-in light & shadow

No detail

Then paint (but the painting doesn’t have to follow the sketch)

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The brush changes direction, following the contour of the shapes

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Work from thin to thick, allow each layer to dry, block in the whole composition, including the light and shadow

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Painting the background also redefines the edge of the shape

(e.g., behind the cheek)

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What is ‘glazing?’

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• GLAZING = transparent layers over each other

• Each layer is painted, then dried, before proceeding to the next

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Glazes Impasto

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Paul Wonner

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Claude Monet

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Helen Frankenthaler

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What is brush technique?

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How many ways are their to use a brush?

• Wet-in-Wet• Wet-over-dry• Stamping, Rolling, Scratching• Dry Brush

• Impasto• Transparent glazes

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John Singer Sargent Joan Mitchell

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Marie-Genevieve Bouliar

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Franz Hals

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Eduoard Manet

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Oskar Kokoschka, watercolor, 1930

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Claude Monet

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Is oil on canvas the only procedure?

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Deepa Goyal

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Deepa Goyal

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Elinor Cheung

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Elinor Cheung

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Florence McCafferty

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detail

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Why use ‘warm’ and ‘cool’ varieties of the same color?

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Chromatic scale

• Light to dark• Bright to dull• Warm to cool

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Dramatic light comes from the contrast of light and dark.

This is called “value” – the black-and-white version of the color.

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Georgia O’Keefe

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Monet

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Student study of Winslow Homer

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What is dramatic lighting?

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Monet

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Claude Monet

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Paul Wonner

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Elmer Bischoff

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Andrew Wyeth

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Maggie Engebretson

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Rebecca O’Neill

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tonight’s warm-up assignment

a tonal painting emphasizing “light”

using a limited palette

(black, white, blue and brown)

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Maggie Engebretson

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Ligia Zamara

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