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    ROCOCOROCOCO

    PAINTINGPAINTING

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    RococoRococo 17th century - 18th century evolving

    from the Baroque era.

    Rococo comes from the word

    rocaille- This was a time full of optimism

    in French society and French

    politics. The style of the art- reflects the joyand optimism of the times.

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    Rococo painters were JeanAntoine Watteau, Francois

    Boucher & Jean-HonorFragonard.

    Style

    -It was meant to appeal to theemotions and themes- related tomythology, romance, fantasy and

    everyday life. Rococo Painting was light,entertaining and ornamental

    Rococo is often considered the

    http://www.spanisharts.com/history/barroco/i_barroco.html
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    Rococo is not concerned aboutreligious matters, it is an eminentaristocratic art.

    The elements that stand out inthis movement are gracefulness,femininity, light and furtive colors

    "feminized" version of theBaroque style,

    It is associated with the

    aristocracy.

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    Often, the paintings depict apeaceful natural setting withfeathery trees and sprays offoliage.Often, statues are depicted in

    these natural "parks (forexample, Venus and her sonCupid may approve of the

    flirtations going on).

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    Best Paintings OfBest Paintings Of

    The RococoThe Rococo&&

    Most InfluentialMost InfluentialPainters Of ThePainters Of The

    Rococo MovementRococo Movement

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    WatteauWatteau (1684(1684

    1721)1721)First great Rococo painter.One of the main figures of the Rococo

    movement.

    He had a great influence on later painters,including Franois Boucher (17031770) and

    Jean-Honor Fragonard (17321806)

    Watteaus work emphasizes the care free

    attitude of the times through his idyllic paintings.His work is know to epitomize the Rococo

    movement.

    Rococo pieces are noted most for the light

    colors, curvaceous forms, and graceful lines and-

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    CytheraCythera

    17171717

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    CYTHERACYTHERAThe painting represents a

    group of happy go lucky peoplestarting a pilgrimage to Cythera

    (the city were Venus was born)in search of love.

    Watteaus style mixed a lot ofreality & fantasy in his work.

    Reality was represented in theform of the aristocratic outingsof the time, like that of going on

    picnics, hunts, or even boat

    rides.

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    Jean-HonoreJean-HonoreFragonard (1732-Fragonard (1732-

    1806)1806)

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    The SwingThe Swing

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    THE SWINGTHE SWING

    Is a good example of thefrivolity, eroticism and

    gallantry of the paintings of

    the time.The painting shows

    intricate detail &

    ornamentation as was quitecommon to the Rococo

    period.

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    Francois BoucherFrancois Boucher

    (1703-1770)(1703-1770)

    One of the most renowned portraitartists

    Boucher is also known for hiswonderfully designed tapestries.

    He portrayed mainly members ofthe aristocrat society, dressed with

    sophisticated clothes.

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    PompadourPompadour

    17561756

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    The painter paid attention to allthe details in the fashions of thetime and the decorative styles.

    This is a typical Rococo portrait.The aristocratic woman, Louis

    XV's mistress, is elegant,

    beautifully dressed and coifed,and has the necessary lap dog.(Aristocratic males have large

    hunting dogs, poor people have

    mutts, and "ladies" have small

    MARQUISE DEMARQUISE DE

    POMPADOURPOMPADOUR

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    NEO-NEO-CLASSICCLASSIC

    PAINTINGPAINTING

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    Neo- ClassicismNeo- ClassicismNeoclassicism is an art style

    that affected the visual arts,literature, music, theatre, and

    architecture in the mid 18th and19th centuries.What Neoclassicism embodies

    was the classical and the art ofthe ideal.Most important exponent, Jean

    Jacques David

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    As opposed to Rococo (frivolity &opulence), the Neoclassicalstyle was simple & austere(Roman values) depictingsocietys rebellion against the

    lifestyle of nobility and the needof a democratic society.During Neoclassicism and

    especially during the FrenchRevolution, virtues and valuestraditionally associated to

    Ancient Rome such as heroism,

    R t tiR t t

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    RepresentativeRepresentat vePainting fromPainting from

    NeoclassicismNeoclassicism

    &&

    its Most Influentialits Most Influential

    PaintersPainters

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    Jacques LouisJacques Louis

    DavidDavid(1748-1825)(1748-1825)Introduced the neoclassical style in France

    The most noted painter of this period

    http://artsz.org/artsists-neoclassicism-david/jacques-louis-david-self-portrait-neoclassicism-period/http://artsz.org/artsists-neoclassicism-david/jacques-louis-david-self-portrait-neoclassicism-period/http://artsz.org/artsists-neoclassicism-david/jacques-louis-david-self-portrait-neoclassicism-period/
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    The Oath of HoratiiThe Oath of Horatii

    17851785

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    HORATIIHORATIIIt was considered to be the

    ideal of the new school of art.A style based on the ideas of

    a return to the classical.Every line and color is

    minimalist and there are no

    unneeded brush strokes oranything that might denote

    femininity.

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    Jean AugusteJean Auguste

    Dominique IngresDominique IngresHe is David's most talented and well

    known student, remained faithful to theNeo-Classic structure, if not the ideal.

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    Grande OdalisqueGrande Odalisque

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    ODALISQUEODALISQUE

    Is a strange mixture of

    artistic allegiances.The structure is Neo-Classic

    in its simple classicalelements: closed outline,

    compact composition, clarityand simplicity of design.

    Th D h f

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    The Death ofThe Death of

    MaratMarat

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    MARATMARATIn the Death Of Marat, David

    uses the classical elements: closedoutline, compact composition,

    clarity and simplicity of design, tocreate a dramatic and

    psychologically powerful statement.Marat, a personal friend of David

    and a leading revolutionary radical,was killed in his bath by a supporterof the monarchy, one Charlotte

    Corday. Here David has created a

    visual symbol/martyr of the

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    ROMANTICROMANTIC

    PAINTINGPAINTING

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    RomanticismRomanticism

    mid/end 18th until the 19thcentury.It was a movement thatrevolted against therationalism ofNeoclassicism, which gave

    great importance tofeelings.Romanticism is a way to feel

    and express nature, life and

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    Romanticism art is not signaled

    out in just one style, technique orattitude but rather characterizedby being imaginative,

    emotional and a dream-likequality about the romantic artistspaintings.The most important

    characteristics of Romanticismcame as opposition toNeoclassicism.

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    Subjectivism - objectivism.importance of order, rules,

    rationality and perfection fromNeoclassicism - Feelings, passion,imagination, creativity, originality

    and imperfectionFrenchEugene Delacroix, theEnglish William Turner, and the

    Spanish Francisco Goya.

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    Romantic PaintingRomantic Painting

    &&Best RomanticBest Romantic

    Painters:Painters:DelacroixDelacroix,, GoyaGoya &&

    TurnerTurner

    an erer a ovean erer a ove

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    an erer a ovean erer a ovethethe

    Sea of FogSea of Fog

    THE SEA OFTHE SEA OF

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    THE SEA OFTHE SEA OF

    FOGFOG

    Also known as WandererAbove the Mist.

    painted by Caspar DavidFriedrich in 1818, an oil on

    canvas work that is quitesymbolic of romanticism.

    This painting is a powerfulstatement of loneliness anddifficulties experienced by

    people who are intellectuals.

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    Eugene DelacroixEugene Delacroix

    a true Romantic artist, with his exotic

    subjects, vibrant colors, and emotionsthat he truly defined Romanticism

    through his paintings.

    His bright and beautiful colors inspiredartists around him and still amazepeople who look at his work today.

    He illustrates swirling emotions in his

    works such as death, agony, love, life or

    Death ofDeath of

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    Death ofDeath of

    SardanapalusSardanapalus

    SARDANAPALUSARDANAPALU

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    SARDANAPALUSARDANAPALUSS

    His subject was taken fromliterature from the poet Lord

    Byron that he admired greatly.

    His work showed a burst ofemotion in the dying and

    agonizing figures he portrayed.

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    Francisco GoyaFrancisco Goya

    His paintings are full of obscure imagesand change of tonalities expressing great

    drama.

    He portrayed the horrors of the war,through images full of suffering; pain and

    death, were the victims were alwayscommon people.

    e xecu on oe xecu on o

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    e xecu on oe xecu on othe Defenders ofthe Defenders of

    MadridMadrid

    J h M ll dJ h M ll d

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    Joseph MallordJoseph Mallord

    William TurnerWilliam Turner(1775-1851)(1775-1851)

    He was also known as the painter of light.English landscape painter, renowned for

    his vibrant and dramatic treatment ofnatural light and atmospheric effects in

    land and marine subjects, and whose workhad a direct influence on the development

    of impressionism.

    Th Fi htiThe Fighting

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    The FightingThe Fighting

    TemerarieTemerarie

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    TEMERARIETEMERARIEOne of his most important and

    beautiful paintings was titledThe Fighting Temerarie.

    Turner always referred to thispainting as My Darling. He

    never sold it and was emotionallyattached to it.

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    Expressi

    onism

    1905 to 1940's

    Expressionism is a style in which the intention is not to reproduce a

    subject accurately, but instead to portray it in such a way as to express

    the inner state of the artist. The movement is especially associated withGermany, and was influenced by such emotionally-charged styles as

    Symbolism, Fauvism, and Cubism.

    In the mid-20th century, Abstract Expressionism (in which there is no

    subject at all, but instead pure abstract form) developed into an

    extremely influential style in the United States.

    http://www.artcyclopedia.com/history/symbolism.htmlhttp://www.artcyclopedia.com/history/fauvism.htmlhttp://www.artcyclopedia.com/history/cubism.htmlhttp://www.artcyclopedia.com/history/abstract-expressionism.htmlhttp://www.artcyclopedia.com/history/abstract-expressionism.htmlhttp://www.artcyclopedia.com/history/cubism.htmlhttp://www.artcyclopedia.com/history/fauvism.htmlhttp://www.artcyclopedia.com/history/symbolism.html
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    It is a term used to denote the use of distortion and exaggeration for

    emotional effect, which first surfaced in the art literature of the earlytwentieth century. When applied in a stylistic sense, with reference in

    particular to the use of intense colour, agitated brushstrokes, and

    disjointed space. Rather than a single style, it was a climate that affected

    not only the fine arts but also dance, cinema, literature and the theatre.

    Unlike Impressionism, its goals were not to reproduce the impression

    suggested by the surrounding world, but to strongly impose the artist's

    own sensibility to the world's representation.

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    ent van Gogh

    Starry night

    Portrait of Dr. Gachet

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    Edvard

    Madonna

    Scream

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    Dadais

    m

    (1916 - 1924)

    Dada began as an anti-art movement, in the sense that it rejected the

    way art was appreciated and defined in contemporary art scenes.

    Founded in Zurich, Switzerland, the movement was a response toWorld War I. It had no unifying aesthetic characteristics but what

    brought together the Dadaists was that they shared a nihilistic attitude

    towards the traditional expectations of artists and writers.

    The word Dada literally means both "hobby horse" and "father", but

    was chosen at random more for the naive sound. What After finding its

    origins in Zurich, the Dada movement spread the Berlin, Cologne,

    Hanover, Paris, some parts of Russia, and New York city.

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    In Zurich, the movement was centered in Hugo Balls CabaretVoltaire, where many of the founding Dadaist gathered to express their

    ideas. Neutral during both World Wars, Switzerlandwas an ideal placefor objectors to the war, those avoiding military service, and those who

    wished to find a place for free expression.

    Other elements integral to the Dada movement were the non-attempt tounderlie work with any reference to intellectual analysis. Dada was also

    a reaction the bourgeois Victorian values of the late 19th and early 20th

    centuries. The work was also absurd and playfulbut at times intuitive

    and even cryptic. Methods of production were unconventional,

    employing the chance technique, and found objects. Dadaists rejectionof these values was an attempt to make a statement on the social values

    and cultural trends of a contemporary world facing a devastating period

    of war.

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    Leonard

    o daVinci

    Last supper

    Mona Lisa