pandora bmi
DESCRIPTION
Pandora BMITRANSCRIPT
OORIGINAL
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK
x BROADCAST MUSIC, INC.,
USDC SD~Y DOCL:\U::\T ELECTRO\IC \tLY FILED DOC#:
--------~~~---DATE FILED: )J/)9//3
I
Pet it iorler, 13 C 4037 (LLS)
- against Related to 64 Civ. 3787 (LLS)
OPINION & ORDER
PANDORA MEDIA, INC.,
SONY/ATV MUSIC PUBLISHING LLC, EMI MUSIC PUBLISHING, UNIVERSAL MUSIC PUBLISHING, INC.
Intervenors.
-x
This case grows out of a series of "withdrawals u of digital
s, by music publishers affiliated with Broadcast Music Inc
("BMIU) from Pandora Media, Inc. ("Pandora U ) and other "New
Media Services." BMI's petition seeks an order exercising the
Court's rate setting authority under article XIV of the BMI
Consent Dec , sett e music license terms and fees
after giving effect to the withdrawals, for performances of the
remainder of the compositions in BMI's ory.
1 United States v. Broadcast Mus c Trade Cas. (CCH) ~ 71,941 (S.D.N.Y. 1966), Trade Cas. (CCH) , 71,378 (S.D.N.Y. 1994).
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Case 1:13-cv-04037-LLS Document 74 Filed 12/19/13 Page 1 of 14
Moving for partial summary judgment, Pandora argues that
the withdrawals are ineffectual, because the antitrust consent
decree which BMI s requires BMI to of r a license
to Pandora to perform all of the compositions in the BMI
repertory as of January I, 2013, de te the fact that certain
music publishers have by agreement wi BMI withdrawn from BMI
the right to license their composit to so called "New a
Services u such as
However, the BMI Consent Decree res BMI to offer
a license to perform all of the compositions in its
When BMI no longer is authorized by music publisher
copyright holders to license their compositions to Pandora and
New Media Services, those composit are no longer el le
for inclusion in BMI's ory. BMI can no longer license
theIT. to Pandora or any other applicant.
ngly, Pandora's motion for summary judgment is
denied.
BACKGROUND
BMI is a non-profit performing rights organization ("PRO")
that licenses non-exclusive rights of ic ormance to a
variety of music users on behalf of affiliates who are the music
compositions' copyright holders. BMI's affiliates se
approximately 600,000 composers, songwriters and music
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Case 1:13-cv-04037-LLS Document 74 Filed 12/19/13 Page 2 of 14
publ ishers, and BMI' s consists mate 7.5
mill on musi compositions.
Pandora lS a streaming internet o service that plays
music compositions Ii directly ir copyright
holders, or through BMI and other PROs.
A. THE BMI CONSENT DECREE
BMI's ability to license public performance r s of
ts musical repertory is governed by the Consent Decree settl ng
t santi trus sui t brought the United States. An amendment
to the BMI Consent Decree e ishes s Court as a "rate
court, If which sets fees for licenses when BMI and applicants
cannot agree on a reasonable fee. BMI Consent Decree Art. XIII.
The Decree al so s cert condi tions and requirements on
BMI's issuance of licenses.
Sect on VTI(B) of the BMI Consent Decree states in relevant
"De shall, upon t request of any unl censed
aster, license the r s publi to perform l S
ory by broadcasting on either a per program or per
programming od basis, at defendant's option. 1f
Section IX(C) of the BMI Consent Decree states:
De endant shal not, connection with any ffer to license it the public performance of musi compositions by music users other than ste2..-S I re use to offer a license at a price or prices to be fixed by defendant with t~e consent of the copyr etor for the performance of such specific (i.e., per
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Case 1:13-cv-04037-LLS Document 74 Filed 12/19/13 Page 3 of 14
compositions, use which 1 be sted by ::.1:1e prospect licensee.
Although not icitly mentioned in the BMI Consent
Decree, "Traditionally, the BMI's license of choice has been a
'blanket license,' a license that s the licensee access to
3MI's entire ory in exchange for an annual United
States v. Broadcast Music
2001) . As defined by Section II(C) of the BMI Consent Decree,
\\'!Jefendant's ory' means those compositions, the right of
public of which defendant has or fter shall
the right to 1 icense or icense." BMI Consent Decree
Art. II (C) .
Section VIII des: "Def 11 not enter into,
ze as valid or perform any performing rights license
agreement whi shall result in disc nating in rates or terms
between licensees simil situated."
Section XIV (A) states:
ect to all provisions of this Final defendant shall, within nlne (90) days of its receipt of a written application from an applicant for a license for the right of public performance of any, some or all of the compositions in defendant's repertory, advise the applicant in writing of the fee which it deems reasonable for the license requested.
If BMI and an applicant cannot agree on a 1 icense fee,
either may apply to s Court for the rmination of a
reasonable license fee. Id.
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B. DEALINGS BETWEEN BMI & PANDORA
On June 30, 2005, Pandora and EMI entered into a standard
01 t form license agreement which allowed Pandora to stream
all music compositions in EMI's repertory. Kennedy Decl. ~~
8 9. In 2012, Pandora determined that the terms of this license
were no lo~ger appropriate fo~ its iness, and terminated it
effective December 31, 2012. Id. ~ 9. After the parties failed
to iate a new type of license, Pandora filed a written
cation with EMI for a f year bl license inning
January I, 2013, id., which it may later wholly or partly
withdrawn. While the parties were in iations, EMI fi ed
its pet tion with the Court for ion of reasonable
license fees on June 13, 2013 . No.1). EMI and Pandora
have negot ed erim icense fees to be in ef from
January I, 2013 until the parties negotiate an agreed ~ate or
the Court issues a final setting license terms and fees.
EMI Petition ~ 55.
C. PUBLISHER WITHDRAWALS OF NEW MEDIA LICENSING RIGHTS FROM BMI
Effective I, 2013, EMI allowed its affiliate
publishers (the intervenors and others) to elect D tal Rights
Withdrawal and modi their affil ion agreements to excl
EMI's right to license "New Media Transmissions by New Media
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Services,u 2 hereinafter re to as "New Media licensi
rights." Guidelines gital s thdrawal
1 sn), available at ht ://www.bmi.
The Digital Rights Withdrawal Addendum to BM-'s publisher affiliation provides the following definitions:
1. Definitions.
a. A "New Media Transmission" shall mean:
1. a digital audio transmission that, addit to requiring a public performance license, also
res the music user to comply with the license requirements 17 U.S.C. § 114, § 115 and/or § 106(1);
11. a gital transmission of a music video or useruploaded video (i.e., a vi uploaded to the service by the end-user) that, in addition to requiring a public license, also
res that the ce, in order to offer the music video or user-uploaded vi on or via the
ce, obtain a license directly from the owner or administrator of the ghts the musical composition(s) embodied therein for s other than the right of public performance (e.g., synchronization or mechanical rights) and/or
111. a digital transmission made from a tal music file either (a) uploaded by an end-user to the server and/or (b) matched from a file on enduser's or device to a digita music file on the server (such server, in either case, often re to as either the "cloud" or a "locker").
b. "New Media ServiceD shall mean a standa one service by which New Media Transmissions of musical compositions are made available or accessible (i) marily by means of the Internet, a wireless mobile telecommunications network, and/or acomputer network and (ii) to the public, whether or not, in
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com/entry/guidel s for_digit _rights_withdrawal (As of
September 16 1 2013). The modification was set in an
addendum which states:
This addendum ("Addendum") to the publisher affiliation will confirm the understanding of BMI and
("Publisher") with respect to Publi IS sire to withdraw the right to license certain digital transmissions (the "New Media Transmissions" as defined below) of musical works licensed to BMI (the "Publisher Works" as defined below) .
DiMona Decl' l Ex. G I D ital Rights Withdrawal Addendum l p.
The ies (BMI and publisher) Accepted and Agreed:
For the avoi of doubt I as of the Effective Date of Withdrawal I Publisher shall have the exclusive right to license New Media Transmissions of Identified Interests and Corresponding Interests in Publisher Repertoire Relatl
Repertoire and Administered Repertoire and BMI shall no longer have any right to license New Media Transmissions of Identified Interests and Corresponding Interests repertoire for the nder of Term.
l
Id. at p. 3.
BMI public announced:
s withdrawal does not affect any of BMI I s other licensing act ies. It does not affect BMI I S right to license traditional broadcast I e and satellite transmissions l or their related new media transmissions. BMI cont s to have the right to license I other dig al uses I even for publishers that have withdrawn from BMI the I ted digital rights defined above for new media services.
for a subscription feel other fee or i and whether or not such offering includes exposure to advertisements before during and/or after thel
transmission of such compositions .
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Scope of Digital Rights Withdrawal, available at
http://www.bmi.com/licensing/entry/drw (as of July
2013) Composit lic to BMI from affiliates other
t~an t withdrawing ishers are unaf cted,
"Cata"ogs that are subject to Di ta Rights Withdrawal
wi : be restored to the BMI re if they are acquired
or newly admi st by an Affiliate that has not e ected
igital Rights Withdrawal." de:ines p. 2.
In September 2012, Sony/EMI 3 became the first publisher to
announce its planned withdrawal of New Media licensing rights
from BMI. 's Motion p. 9. Pandora negotiated direct
licenses with Sony/EMI for the year 2013. Kennedy Decl. ~ 10.
On November I, 2013, filed this motion for ia:
summary judgment. Pandora seeks a determination that, as the
compositions are held in BMI's , BMI must offer to
Pandora without to publishers' ative withdrawals
of BMI's right to do so.
Sony/EMI and fellow publisher Universal Music Publi
Group's motions to intervene in t s case were granted on
November 4, 2013 (Dkt. No. 28).
3"Sony/EMI" refers to the corrbined catalogs of Sony and EMIj Sony/ATV became the administrator of EMI's catalog in July 2012.
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DISCUSSION
Pandora argues the publisher withdrawals do not affect
the scope of its license, and points to Sections VIII(A)
XIV{A) of the BMI Consent Decree whi ire BMI to grant a
continuing license to perform "all of the compositions in the
defendant's repertoryH rate proceedings or iations.
The BMI Consent Decree res t all compositions in the BMI
be offered to all applicants.
Under Section XIV of the BMI Consent Decree, when an
applicant requests a license for "any, some or all of the
compositions in defendant's repertory," BMI must grant a license
for performance of the requested composit which may range
from "anyH (a piece" license) to "all" (a blanket license).
Under the BMI Consent Decree, these opt ions are open to
icants with fees that do not discriminate betweenl
icants simil situated. By plac a composition in the
BMI repertory, the affiliate routinely authorizes its inclusion
in blanket licenses of BMI's whole to all applicants.
But if the withdrawal of its authority to do so by some
affi iates with to compositions for which they own or
ladmi ster the ghts is within those affiliateS ghts,
BMI cannot offer New Media licensing rights for those
compositions to New Media app icants, including f BMI
cannot offer those compositions to New Media applicants, their
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Case 1:13-cv-04037-LLS Document 74 Filed 12/19/13 Page 9 of 14
avail lity does not meet the standards of the BMI Consent
:Jecree, and t cannot be held in BMI's repertory. Since they
are not in BMI's repertory, BMI cannot deal in or license those
compositions to anyone.
As copyright holders, the publishers may divide their
copyrights pursuant to Section 106 of the Copyright Act, 17
U.S.C. § 106, which provides:
Subject to sections 107 through 122, the owner of copyr under this title has the exclusive rights to do and to authorize any of the lowing:
(3) to distribute copies or phonorecords of the copyr ed work to the public by sale or other transfer of ownership, or by rental, lease, or lendingi
(4) in the case of literary, musical, dramatic, choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform t copyrighted work publiclYi
(5 ) in the case sound recordings, to perform the work publicly by means of a digital oed
The publ ishers are priviI to license, or not license, the
performance of their compositions as see fit. In the
exercise of that right the publi have with BMI to
withdraw their New Media performance licensing rights from
Pandora and New Media Services. is well within their power
as copyright holders. See United States v. Am Soc' of
A.uthors & Publ ishers In re ication of Yahoo!
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Inc. 627 F.3d 64, 71 (2d Cir. 2010) ("The Copyright Act
confers upon t owner of a copyright a bundle of screte
exclus ghts, which may be ';:ransfe or retained
ely by the copyright owner. If) (citing and ing New
York Times Co. v. Tasini, 533 U.S. 483 (2001)) Buffalo Broad.
Co . v. Am. Soc' ers Authors & Publishers, 744 F. 2d
917, 920 (2d Cir. 1984) ("The Ac~ specifical accords the
copyright owner the right to authorize o~hers to use the various
rights recognized by the Act, including the performing right and
the reproduction right, and to convey t se rights ely." )
(citing Copyright Act). Thus, the copyright holders have the
r ~o withdraw from BMI i~s authority ~o license the
performance of their compositions by the New Media Services.
It is the BMI Consent Decree the antitrust law) which
rest c~ BMI ng In its yory compositions which
it can no longer offer to the New Media Services, who were up
until recent accepted as timate, qualified, licensed and
performing those works. BMI's repertory consists of
composi tions whose performance BMI "has the right to license or
icense" i it "shal upon the request of any unlicensed
broadcaster, license the rights publicly to perform its
ory" . BMI Consent Decree Arts. II(C) i VII{B). When
ions of t ght are withdrawn, the affected compositions
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ac
are no longer eligible membership in BMI's rtory, and it
cannot include them in a blanket license or license them at all.
BMI contends that its long-standing inability to license
the "grand right" (the right of public dramatic performance)
shows that t lS no universal to licenses to perform
all the compositions in its repertory. BMI Brief pp. 6 9. But
BMI has never offered grand er s. All applicants are
treated equally: BMI cannot licenses for grand theater
performances to anybody. They are a commodi in which BMI does
not deal. In contrast, New Media I icensing rights have until
recently been of to any and 1 applicants; they have been
by, licensed to and exercised by the New Media
Services, and (exc for those now withdrawn by some publishers
from New Media applicants) the affected compositions are still
offered by BMI to all applicants other than New ~edia. Indeed,
the withdrawal guidelines themselves recognize that when a
withdrawing publisher's catalog is transferred to another
affiliate who has not withdrawn their compositions from New
Media Services, compositions in the transferred catalog are
"restored to the BMI re." Guidel s p. 2. Thus, the
"grand r s" example has no analog in, and nothing to do with
the ssues in this case.
It is sirr.ilarly imrr.aterial that BMI cannot offer certain
synchronization rights (the to license musical
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composi t ions in conj unct with visual images) or rights for
jukebox licenses and noncommerci broadcasters, which are
statutorily excluded from BMI's purview because of t operation
the ght Act, 17 U.S.C. §§ 116, 118. The publishers are
free to license these rights to all music users. But BMI s
not of , nor has it ever offered, these rights to anybody.
BMI and the intervenors argue nothing in the BMI
Consent Decree prevents BMI from agree not to serve
particular customers. That puts matters backwards. Nothing in
the Consent Decree settling this antitrust case can be read to
allow one with BMI's market power to re to deal th certain
of its icants. The copyright law necessarily gives that
privil to the intervenors, but BMI cannot combine with them
by holding its ory compositions that come th an
invitation to a boycott attached. 4
The Department of Justice has submitted its views, which ore creation of any dable inconsistency between s
decision and the ier one of the Honorable se Cote, U.S.D.J., I ition of Pandora Media Inc., No. 12 Civ. 8035 (DLC) , slip. op. (S.D.N.Y. . 17, 2013). The inconsistency is just a difference of view of the power of the application of Section 106 and the copyright holders' rights under the Copyright Law, and will be resolved the Court of
Is for the Second Circuit or decree amendment procedures, or managed commercially.
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CONCLUSION
Pandora's motion is ed. relevant compositions are
not within B~I's ory, and it lacks the power to license
them to any applicant, lc.ding Pandora.
Nothing in this opinion af ts t right of licensees to
cont to perform withdrawn compositions under sently
existing licenses. They were legal when made, and the rights
they ed are not to be altered retroact y. As far as
this ru.L is concerned, t cont according to their terms
until ir expiration.
So ordered.
Dated: New York, New York December 18, 2013
t",."j I.. ~t...J;,. LOUIS L. STANTON
U.S.D.J.
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