paradigmas
DESCRIPTION
Essence of the ensemble of those meta-theoretical, theoretical and methodical constructs of the research directions.The behaviourism is our paradigma. Added to a bit of psychoanalysis.Ideas as absolute terms of comparison. Templates with which it's possible to decideif something is up to a conformation or not.By knowing who we are it is likely to define whether an action or a person is commonUNcommon.CommonUNcommon as lifestyle and wayto express yourself.As thoughts and actions. Creatures and creation.Pure poetic metaphor?Let's investigate among these brand new charachters, victims and murderers, to findout that only ideas can make time alive. COMMONUNCOMMON TeamTRANSCRIPT
UNCOMMONCOMMON
SEP 2009
05no.PA R A D I G M A S
www.lali.it - fw 2009 - 2010
http://www.lali.it
www.lali.it - fw 2009 - 2010
http://www.lali.it
Essence of the ensemble of those meta-theoretical, theoretical and methodical constructs of the research directions.
The behaviourism is our paradigma. Added to a bit of psychoanalysis.
Ideas as absolute terms of comparison. Templates with which it's possible to decideif something is up to a conformation or not.
By knowing who we are it is likely to define whether an action or a person is commonUN-common.
CommonUNcommon as lifestyle and wayto express yourself.As thoughts and actions. Creatures and creation.
Pure poetic metaphor?
Let's investigate among these brand new charachters, victims and murderers, to findout that only ideas can make time alive.
PA R A D I G M A S
commonuncommon team
coming next onCOMMONUNCOMMON
a film-noir for readers
Investigation:
Art House
a film-noir for readers
00
Mr. Time gets shot dead!
French sartorial dress, 70's at Art House
01
In here, don't knowwho I am.
Sartorial dress, 30's at Art House
In here, don't knowwho I am.
Sacred and profane,amidst his house,I shan't move.
02
He made you move, he knewwhat the movement is.Stay still. I'm your mind.
Sacred and profane,amidst his house,I shan't move.
French sartorial floral dress, 60's at Art House
I've been told to keep away fromhim. He swept everything away.Someone must've stopped him.
03
Time is a murderer. Meanwhile, he's been attacked.
French sartorial dress, 60's at Art House
Let's toast.He will never find us again.
Cheers!
Dress: Moschino, 80's at Art House
04
Let's toast.He will never find us again.
Cheers!
05
05 we get to know timebetter when he's beenstolen
I cannot stay. Can feel his presence, can recognize his other,he might be still alive.
09
07
We shouldn't have forced hisnature. I feel something weirdcoming up.
French sartorial dress, 70's at Art House
08
He was a liar. He wanted to beabsolute, well, poor thing, he wasonly scheduled to be a rule.
Dress: T. Mugler, 80's at Art House
09
10
10He was running faster.He was the meanest entityI had to face.He took all he could to stay alive.
11
Sartorial dress, 70's at Art House
12
As fast as a turbine, you become me and I becomeyou and her and him.
13
14
Yves Saint-Laurent Dress, 70's
15
French sartorial overalls, 70's
Refined mask, refined tricks,I must endeavor to flattenthe ages, the moments,the memories.
16
French sartorial Suit, 70's
May you master teach me howto travel without moving?
17
Jacket: Christian Dior (80's) Hat: Chanel (60's)
I 'm terrified. Someone saw him.Ghostly nightmares of today.
18
Re-vintage dress by A. Franco
What's going on? What...
Hat: Chanel, 70's
Scary landing. Scary as thesecounters... I'm trapped.
19
Scary landing. Scary as thesecounters... I'm trapped.
20
past presentfuturerepresent prejudice and'fataldisorders
21
Hats: Chanel (60's)
He's escaping... We've got tocatch him... Run...
No... Stop. He's dangerous.Unpredictably dangerous.
He's escaping... We've got tocatch him... Run...
22
Swimsuit: Versace (80's)
You haven't yet met me.Run, Sir. Run and go fast.I will catch you.
Don't ever think you're thevictim or the murderer.That is my job.
23
You're done for. You'd better start counting down.
24French sartorial overalls, 70's
I have to hide now.No one must look for me.
24
I have to hide now.No one must look for me.
As his representative,I have the gift to mash it all up,the story, the mistery andthe hours.
So now shuffle your thoughtsand abstract yourselves.
25
Overalls: Walter Albini, late 70's
26
Should be safe in here.If they come, I must turn into you.
27
28
Dress: Amen
29
Pic-nic bag: L'alì
29
Italian sartorial dress, Ungaro textile, 60's
What's this noise?
Storms, thunders, nature can be governed. I can shoutand everything gets its place.
30
Yves Saint-Laurent Dress, 70's
Radio bag: L'alì
31
32
Dress: De Valiè, 60's
if he hadneverexisted, fashionwould'velostits voice.
Sartorial dress: Galaxy Milano, 70's
There's something
33Sartorial dress: Galaxy Milano, 70's
There's something
34
clouds, figures,sparkle,burst into someone else's flowingtime.
35
Dress: Valentino Boutique, 60's
I'm tired of waiting for thisstrange phenomenon.I'm quitting.
Wait...
36
Wait...
37
Shoes: L''alì
38
39
Who knows if he knows.
Dress: Ritz Adler, 70's,
Who knows if he knows.
Dress: Marc Bohan, 70's
Ripped, consumed, transformed,he did the worst he could everimagine. Even after all, I survived him.
40
41
42
Sartorial dress, 30's at Art House
Can be "whenever"I want.
43
Ceremony Hat, 50's
Past, present and future live together.
44
Past, present and future live together.
45
45
Photographers at COMMONUNCOMMON:
Special thanks to:
L'Alìhttp://www.lali.it
Maria Luisa FrisaIUAV, director of the Fashion Design Course, Treviso
Giuseppe Vaccaro
Vanessa García Sacristán
http://www.flickr.com/photos/juseppe/
http://www.vanessagarciasacristan.es
via S.Tomaso, 57/A24121 Bergamo, Italy
T./F. +39.035.233338
vintage by
Art House
The quotes are taken from:
Alice's Adventures in Wonderland (1865),Lewis Carroll
1984 (1948), George Orwell
Lady Chatterley's Lover (1928),
Dr. Jekyll and Mr. Hyde (1886),
Madame Bovary (1857),
D.H. Lawrence
Robert Louis Stevenson
Gustave Flaubert
into thefuturecollecting : : collecting 3 treviso 2nd of july 2009
into thefuturecollecting : : collecting 3 treviso 2nd of july 2009
Accessories and "poor" materials have been the biggest highlight at the third collecting::collecting, both the public and the fashion experts were projected into those marvelsof collections with which students of IUAV Fashion ofTreviso presented warm and neutral tones, materials suchas woods, paper, yuta, creating a new design vision.Sustainable, innovative and interesting studies on hybridization of garments that become versatile andrenewable.
Check it out.
COMMONUNCOMMON
for more info:http://www.iuav.it/Facolta/facolt--di1/design/COLLECTING1/index.htm
Thursday, 10pm 17th of SeptemberAtomic Bar, Via F. Casati Milan, Italy