parsi culture in rohinton mistry's tales from firozsha baag

40
BACKGROUND KNOWLEDGE NEEDED TO UNDERSTAND ROHINTON MISTRY’S TALES FROM FIROZSHA BAAG

Upload: dhivya-silvester

Post on 27-Jun-2015

217 views

Category:

Education


3 download

DESCRIPTION

There is a correction in the presentation. V.S.Naipaul shows dark side of India like Rohinton Mistry.But he is not a parsi writer. He is an Indo-Caribean writer.

TRANSCRIPT

Page 1: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

BACKGROUND KNOWLEDGE NEEDED TO UNDERSTAND ROHINTON MISTRY’S TALES FROM FIROZSHA BAAG

Page 2: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

PARSI WOMEN

Page 3: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 4: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

Embroidery

Page 5: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

Parsi man

Page 6: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

BOMBAY PARSI CAFE

Page 7: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

Parsi women praying for the welfare of their families.

Page 8: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

Dadabai Nawroji –freedom fighter of India

Page 9: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

BEHRAM ROJE (PARSI NEW YEAR)

Page 10: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

PARSI PRIESTS BLESS SACRED FOOD, BOMBAY, C. 1969

Page 11: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 12: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

"THE NAVJOTE (PERSIAN: سدره پوشی, SEDREH PUSHI) CEREMONY IS THE RITUAL THROUGH WHICH AN INDIVIDUAL IS INDUCTED INTO THE ZOROASTRIAN RELIGION AND BEGINS TO WEAR THE SEDREH AND KUSHTI. THE TERM NAVJOTE IS USED PRIMARILY BY THE ZOROASTRIANS OF INDIA (THE PARSIS), WHILE SEDREH PUSHI IS USED PRIMARILY BY THE ZOROASTRIANS OF IRAN. THE WORD 'NAVJOTE' IS A LATINIZED FORM OF THE PARSI GUJARATI COMPOUND OF NAV "NEW" AND JOTE "RECITER [OF PRAYER]", "INVOKER", "SACRIFICER"

Page 13: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 14: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

ZOROASTRIAN SYMBOL; ZOROASTRIANISM IS THE ANCIENT, PRE-ISLAMIC RELIGION OF PERSIA. IT SURVIVES THERE IN ISOLATED AREAS BUT MORE PROSPEROUSLY IN INDIA, WHERE THE DESCENDANTS OF ZOROASTRIAN PERSIAN IMMIGRANTS ARE KNOWN AS PARSIS, OR PARSEES. IN INDIA THE RELIGION IS CALLED PARSIISM.

Page 15: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 16: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

CHICKEN DHANSAK IS ONE OF THE MOST FLAVOR SOME AND FAMOUS PARSI CURRY DISHES.

Page 17: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

THE ODD RITUAL OF THE PARSIS: SKY BURIAL (DAKHMA) IN INDIA. THE STORY ABOUT THE PIT OF BLOOD IS FAKE. THIS IS THE REAL IMAGE. THESE DAKHMA ACTUALLY EXIST

Page 18: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

PARSI COMMUNITY AT THE CENTENARY ANNIVERSARY OF JAL PHIROJ CLUBWALA DAR E MEHER, POPULARLY KNOWN AS FIRE TEMPLE, CHENNAI, INDIA.

Page 19: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 20: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

THE TOWER OF SILENCE ON MALABAR HILL, MUMBAI, INDIA - THE PARSIS ORIGINATED IN IRAN AND THEY BROUGHT THEIR BELIEFS TO INDIA IN THE EARLY 20TH CENTURY. THEIR FUNERAL RITES DICTATE THAT THE REMAINS ARE TO BE LEFT EXPOSED IN THE TOWER SO THAT FLESH-EATING BIRDS WILL CONSUME THEM - THIS TOWER IS STILL IN USE SO ACCESS TO WHERE THE REMAINS ARE IS RESTRICTED

Page 21: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

DADAR PARSI COLONY - MUMBAI, INDIA

Page 22: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 23: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

THIS IS THE OLDEST SURVIVING PARSI (ZOROASTRIAN) FIRE TEMPLE IN MUMBAI. IT WAS CONSECRATED IN 1733.

Page 24: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

TWO YOUNG PARSI MOBEDS(PRIESTS) AT AN ATASHKADEH (FIRE TEMPLE) IN INDIA."

Page 25: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 26: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 27: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

DHOBI GHAT (1890-95) - DHOBIWADA ROAD, MAHALUXMI. HANGING WAS THE PREDOMINANT METHOD OF EXECUTION IN BOMBAY

Page 28: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 29: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

PARSI WRITERS

Page 30: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 31: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 32: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 33: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 34: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 35: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 36: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 37: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 38: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag
Page 39: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag

CRAWFORD MARKET, BOMBAY

Page 40: Parsi culture in Rohinton Mistry's Tales from Firozsha Baag