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Paths to Enlightenment By the Buddhist, the Jew, and the Christian

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Paths to Enlightenment. By the Buddhist, the Jew, and the Christian. There are an amazing 20 plus different major languages existing in India today. There is a plethora of cultures and religions including: Buddhism, Hinduism, Taoism, Islam, etc. India and Pakistan. Indus Civilization. - PowerPoint PPT Presentation

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Page 1: Paths to Enlightenment

Paths to Enlightenment

By the Buddhist, the Jew, and the Christian

Page 2: Paths to Enlightenment

• There are an amazing 20 plus different major languages existing in India today.

• There is a plethora of cultures and religions including: Buddhism, Hinduism, Taoism, Islam, etc.

Page 3: Paths to Enlightenment

India and PakistanIndus Civilization

Mohenjo-daro

Page 4: Paths to Enlightenment

The artist used a local stone, which makes sense if you will, which is called steatite. Steatite is a soft soapstone that is easy to carve and manipulate.

Scholars compare this statuette to Sumerian sculpture because of the characteristic trefoil motif that denotes priest-kingship.

Robed Male Figure at Mohenjo-daro

2000-1900 BCE

Page 5: Paths to Enlightenment

Seal with seated Figure

2600-1900 BCE

These seals are similar to the stamp seals found in Mesopotamia.

Used for securing trade goods wrapped in textiles.

On the back is a boss with a hole permitting the insertion of a string so that the seal can be worn or hung on a wall.

Each animal is portrayed in strict profile, as we have seen only too many times

Page 6: Paths to Enlightenment

“The Way of Truth”Buddhism

• The Dharma• Karma• The Middle Way• Nirvana• The Buddha• The Sangha• The Irrelevance of God

• “Dharma was decided to be the name for the Buddha’s teachings, the Four Noble Truths and the Eightfold Path, or the path.

• Those on this path would be called “Sangha.” And Siddhartha would become known as “The Buddha,” the one who shows others the path in the world.

• The Middle Way is almost self-explanatory. It was a realization of

• Buddha; The Buddha realized that we all meet forms of Extremism, but that we should listen to both sides and choose a harmonious middle road.

• Karma, in short, is: “What goes around, comes around.”

• Nirvana is supreme enlightenment and is attained through meditation of the world around one’s self.

• Buddha, derived from the Sanskrit root budh, to awaken, is a title, not a name; like King, or Christ. As such, it means Awakened One Supremely Awakened.

• When asked about God, Heaven, and the immortality of the soul, the Buddha simply remained silent, because these theoretical matters didn’t affect his teachings. Buddhism isn’t about belief, but rather firsthand experience.

Page 7: Paths to Enlightenment

Maurya Dynasty

250 BCE

This one guy named Ashoka, the greatest Maurya ruler, made a bunch of columns with a legal code based on the Buddha’s dharma on them.

The pillars were thirty or forty feet tall. They were lined along pilgrimage routes. They were rooted deep in the ground connecting sky and earth – which was a pre-Buddhist concept called “axis of the universe.”

The finest of these capitols is the Lion Capitol at Sarnath where Buddha gave his first sermon and set the wheel of law in motion. Stylistically, it can be compared to Persepolis.

Lion Capitol of

column

Page 8: Paths to Enlightenment

Shunga, Andhra, and

Kushan Dynasties

Page 9: Paths to Enlightenment

Latin Vocabulary

• Circum – around

• Ambulat – walk

• Circumambulation – walk around- more specifically, in context, to walk around the perimeter of a stupa [the great stupa] in a clockwise direction in a reverential act [towards Buddha].

Page 10: Paths to Enlightenment

Great Stupa at Sanchi, India• This mound-shape design

was taken from earlier but not limited to South Asian burial mounds. It was not, however, used as a tomb; it housed relics of Buddha.

• It held the ashes of Buddha, and Buddhists can pay homage by circumambulation.

• Buddha is depicted in his jatakas (past lives), as footprints or an empty chair, but never in human form.

Page 11: Paths to Enlightenment

The Chaitya Hall at Karle, IndiaThis is a good, early example of a chaitya hall.

• It is cut out of living rock

• Dates around 100 CE

• Pillared hall 45’ high, 125’ long (larger than Ramses II)

• Stupa at one end with circumabulatories

• Precedent for eroticism in Indian art

Page 12: Paths to Enlightenment

A good example of Buddha in human form is this statue, carved of gray schist (a local stone), dating back to the second century CE.

He is seen in monk’s robes, in cross-legged yogic posture, hands upward in dhyana mudra, the gesture of meditation.

It shows Hellenism’s influence on their art.

Society’s perception of Buddha changed drastically during the first three centuries CE in the two Hellenized cities of the Kushan Empire of Gandhara and Mathura. Buddha was at first seen as an enlightened mortal, but was eventually turned into a sort of god.. This is where the modern misconception of Buddha’s divinity comes from. So, naturally, images of Buddha himself were in demand so that people could worship something tangible.

Meditating Buddha from Gandhara

Page 13: Paths to Enlightenment

The life and death of the Buddha Frieze from Gandhara

• Earliest example of narrative of Buddha • This frieze describes, from the left, Buddha’s

birth by Maya, his enlightenment, his first Sermon, and his unfortunate death.

Page 14: Paths to Enlightenment

Mathura• Although

Mathuran sculptures of Buddha were contemporaneous, they were different stylistically.

Page 15: Paths to Enlightenment

Seated Buddha

• This picture is the product of the merging styles of Gandhara and Mathura during the second half of the 5th century.

• It was during the new “gupta” period, the king was Chandragupta II and Pataliputra was the capitol

• The Guptas were great patrons of art and literature

• Statues like these become so popular that they were favored over the stupa as a place for worship

Page 16: Paths to Enlightenment

Buddhist and Hindu Coexistence – Unlike today!

• Buddhists and Hindus coexisted in India because unlike monotheism – these ways of life have many gods and paths for which to take. They meshed because each had some of each other’s elements

Page 17: Paths to Enlightenment

Vishnu Rescues the Earth• 13’ tall Vishnu as the incarnation

of Varaha, the boar.• He assumed this form when he

rescued the earth from being carried off to the bottom of the ocean.

• He stands with one foot resting on the coils of a snake king who represents the conquered demon that attempted to abduct the earth

• Rows of gods and sages form lines to witness the event

• It had a political purpose because it was about the Gupta King Chandragupta II who was fabled to have saved his kingdom and rid it of his enemies as Vishnu did.

• It’s an example of contemporary events in mythological guise much like the Greeks.

Page 18: Paths to Enlightenment

Dancing Shiva

• It depicts Shiva, the second major Hindu god, dancing a cosmic dance.

• A drummer accompanies the dance while Shiva’s son Ganesha (elephant) mimics his father

• Hindu deities are often represented with multiple body parts to show that they are more than human gods with supernatural powers

Page 19: Paths to Enlightenment

Shiva with Three Faces

• Image of Shiva as Mahadeva (“Great god, Lord of Lords”)

• On the right is a face of the female with framing curls (Uma – the creative aspect of Shiva)

• On the left is a grimacing male (Bhairava – the destructive side of Shiva)

Page 20: Paths to Enlightenment

Vishnu Temple at Deogarh

• One of the first Hindu temples constructed of stone blocks

• Has elaborately decorated door in the front and a relief in a niche on each of the three sides

• Sculpted guardians protect the doorway because it is the transition point between the dangerous outside and sacred interior

Page 21: Paths to Enlightenment

The Creation of the Universe

• Four-armed Vishnu dreams the universe into reality

• Surrounding Vishnu are important divinities such as Shiva on his bull

• Out of the six figures below the four at the right are personifications of Vishnu’s various powers and they defeat the two figures on the left who are armed demons

• Carved in the classic Gupta style

Page 22: Paths to Enlightenment

Shiva as Nataraja• It is representing the lord of the

dance• Standing on a dwarf that represents

ignorance• The flame symbolizes destruction• The drum is used to create the

universe to its rhythm • The holes in the base make it

possible to carry• *When worshipped it would be

dressed. • It was supposed to be treated as a

human being• It was not supposed be a symbol of

the god but the god himself• It was bathed, clothed, fed, taken on

outings and would get gifts like songs, incense, lights, and flowers.

• It would eat the essence of the food and leave the rest for the worshipper

Page 23: Paths to Enlightenment

Southeast Asia

Page 24: Paths to Enlightenment

The Sweet Giant Buddha a.k.a. Death of the Buddha

It is 46’ long, and was carved out of a rocky place at Gal Vihara in the eleventh or twelfth century.

Ananda, Buddha’s cousin and chief disciple, is the small figure to the left who is mourning the death.

The style is similar to the Gupta sculptures of India with the clinging clothes, round faces and stylized hair

Page 25: Paths to Enlightenment

The Borobudur• It is a Buddhist monument that

is 400’ at the base and 98’ tall.• Built on a small hill• The stairways are aligned with

the cardinal points• There are 500 life size Buddha

images, about 1000 relief panels and about 1500 stupas.

• It is supposed to be a spiritual place where worshippers go through various realms to get to ultimate enlightenment.

• Each stupa holds a sculpture of Buddha.

• It was influenced by Indian art, literature, and religion, but nothing in India is comparable to it.

Page 26: Paths to Enlightenment

Harihara, Cambodia

• It shows Vishnu as Harihara• Its divided vertically, with Shiva on

the right and Vishnu on the left• There were objects in the hands

at one time that helped to differentiate

• It was to be seen from all sides and it was unlike almost all Indian stone sculptures, which were reliefs, because this is in the round.

Page 27: Paths to Enlightenment

Vishnu Lying on the Cosmic Ocean

• The surviving portion is about 8’ long, making it one of the largest bronze sculptures of ancient or medieval times

• It originally had jewel and silver inlays and there was a separate miter on his head

• It’s only comparable in size to the sculpture of Constantine and Athena Parthenos

Page 28: Paths to Enlightenment
Page 29: Paths to Enlightenment

Angkor Wat?

• It was built by Suryavarman II (Khmer King)

• It was the largest Khmer temple complex

• Its purpose was to associate the king with his god, who is in this case Vishnu

• The five towers symbolize the five peaks of Mt. Meru, which is the “sacred center of the universe”

• There are reliefs that glorify Vishnu and the king

Page 30: Paths to Enlightenment

King Suryavarman II Holding Court

• This is one of the reliefs at Angkor Wat

• The kneeling people are smaller because they are less important (HELLOOOO!)

• Religion and politics are united.

Page 31: Paths to Enlightenment

Bayon

• Jayavarman VII, the son of Suryavarman II, built more while he was king than all the Khmer kings combined

• He turned to Buddhism from Hinduism, which the other kings liked, but may the Buddha and bodhisattva Lokeshavara (“Lord of the World”) divine prototypes of the king

• The faces might be of Lokeshavara or of Jayavarman VII himself.

Page 32: Paths to Enlightenment

Bibliography

• Kleiner and Mamiya. Gardner’s Art through the Ages. Thomson/Wadsworth. 2005.

• Gach, Gary. Understanding Buddhism. Alpha. 2004.

Page 33: Paths to Enlightenment

Grant Tally!

“If you will”

55 in 5 weeks “(H)uman”

50 in 5 weeks

Mispronunciations

60 in 5 weeks

“And so…”

65 in 5 weeks

Mercy Sakes Alive

5 in 5 weeks