paul hardy's session tunebook 2013 · this tunebook contains tunes that i have learned to play...

171
21 May, 2014 Paul Hardy’s Session Tunebook 2013 © 2013 cc byncsa 1 Paul Hardy’s Session Tunebook 2013 Introduction This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around Cambridge, England and Redlands, California. They should also be playable on other folk melody instruments such as fiddle, whistle, flute, mandolin or dulcimer. Most are traditional tunes from the British Isles, many of Celtic origin, including many Irish dance tunes, but others are from an eclectic mix of sources. Some have been adapted from Internet resources, in abc, midi or visual score formats. Others have been learned by ear or handouts from various sessions in the UK and US. All are believed free of current copyright (unless noted explicitly), or else appear to have been placed in the public domain as part of the ongoing live folk music tradition. Please let me know if you are the owner of any that are under access restrictions and I’ll remove them. I have tried to present simple versions of most tunes, without much decoration and interpretation, so add your own triplets, grace notes and variations. I have included guitar chords, often based on computer generated ones − use these as guidance, not definitive! Tunes in 4/4 time that have the rhythm indication "Hornpipe" should usually be ’swung’ − lengthen the first and shorten the second in every pair of quavers as in "Thursday". Elsewhere these are sometimes written as ’dotted quaver, semiquaver’, but that ratio of 3:1 seems too high − perhaps try for around 2:1. This tunebook has been prepared using the abcm2ps software, with help from abc2midi, abcmus, Melody Assistant, ABCexplorer, and EasyABC. A big thank you goes to those creative and dedicated people who give their time to create and maintain low−cost or free and open source software for abc music editing and output. Particular thanks also go to Greenshoots (www.greenshootsmusic.org.uk) for the slow sessions near Cambridge in England that let me learn many of these tunes; the Chiltinas concertina group near Bedford in England that gave me playing confidence and concertina technique; the Ceili House Band in Redlands in California that opened my ears to the range of Irish music; to the celtic jam sessions at Green Valley Lake in the nearby San Bernadino Mountains that broadened my repertoire; and the Ceol Galore young musician practice sessions in my home village of Comberton that are carrying traditional music forward to the next generation. The current version of this tunebook, in ABC and in PDF forms, is downloadable for free from Paul’s web site at www.paulhardy.net, or you can order there a printed and bound copy from Lulu.com. See also Paul Hardy’s Annex Tunebook for new and improved tunes since last major release of the Session Tunebook, and Paul Hardy’s Xmas Tunebook with about 60 Christmas tunes and carols. Copyright Paul Hardy ([email protected]) 2004−2013. This work is licenced under a Creative Commons "Attribution Non−Commercial Share Alike" cc by−nc−sa licence. See http://creativecommons.org/licenses/by−nc−sa/3.0/ − Contact Paul Hardy for commercial licensing terms. Original version published July 2004. This 2013 edition is of 27 February 2013, with minor revisions to 21 May 2014.

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Page 1: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 1

Paul Hardy’s Session Tunebook 2013Introduction

This tunebook contains tunes that I have learned to play on my English concertina, that are played atfolk music sessions, particularly around Cambridge, England and Redlands, California. They shouldalso be playable on other folk melody instruments such as fiddle, whistle, flute, mandolin or dulcimer.Most are traditional tunes from the British Isles, many of Celtic origin, including many Irish dancetunes, but others are from an eclectic mix of sources. Some have been adapted from Internet resources,in abc, midi or visual score formats. Others have been learned by ear or handouts from various sessionsin the UK and US. All are believed free of current copyright (unless noted explicitly), or else appear tohave been placed in the public domain as part of the ongoing live folk music tradition. Please let meknow if you are the owner of any that are under access restrictions and I’ll remove them.I have tried to present simple versions of most tunes, without much decoration and interpretation, soadd your own triplets, grace notes and variations. I have included guitar chords, often based oncomputer generated ones − use these as guidance, not definitive! Tunes in 4/4 time that have the rhythmindication "Hornpipe" should usually be ’swung’ − lengthen the first and shorten the second in everypair of quavers − as in "Thursday". Elsewhere these are sometimes written as ’dotted quaver,semiquaver’, but that ratio of 3:1 seems too high − perhaps try for around 2:1.This tunebook has been prepared using the abcm2ps software, with help from abc2midi, abcmus,Melody Assistant, ABCexplorer, and EasyABC. A big thank you goes to those creative and dedicatedpeople who give their time to create and maintain low−cost or free and open source software for abcmusic editing and output.Particular thanks also go to Greenshoots (www.greenshootsmusic.org.uk) for the slow sessions nearCambridge in England that let me learn many of these tunes; the Chiltinas concertina group nearBedford in England that gave me playing confidence and concertina technique; the Ceili House Band inRedlands in California that opened my ears to the range of Irish music; to the celtic jam sessions atGreen Valley Lake in the nearby San Bernadino Mountains that broadened my repertoire; and the CeolGalore young musician practice sessions in my home village of Comberton that are carrying traditionalmusic forward to the next generation.The current version of this tunebook, in ABC and in PDF forms, is downloadable for free from Paul’sweb site at www.paulhardy.net, or you can order there a printed and bound copy from Lulu.com. Seealso Paul Hardy’s Annex Tunebook for new and improved tunes since last major release of the SessionTunebook, and Paul Hardy’s Xmas Tunebook with about 60 Christmas tunes and carols.

Copyright Paul Hardy ([email protected]) 2004−2013.This work is licenced under a Creative Commons "Attribution Non−Commercial Share Alike" cc by−nc−sa licence.See http://creativecommons.org/licenses/by−nc−sa/3.0/ − Contact Paul Hardy for commercial licensing terms.

Original version published July 2004. This 2013 edition is of 27 February 2013, with minor revisions to 21 May 2014.

Page 2: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Abbots Bromley Horn Dance

2 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 60

Abbots Bromley Horn Dance Trad.England, Thaxted

Em B7 Em B7 Em Em B7 Em B7 Em

86

Am D Em D Em C D B7 Em

3Em Am Em Am Em B7 Em Em Am Em Am Em B7 Em

Reel= 140

Aiken Drum Trad. Before 1820ScotlandWillie Wood

There’s a Man Came to our TownD G D E7 A7 D G A7 D

44

D G D Em A7 D G A7 D

Polka= 140

Albert Farmer’s Bonfire Tune Trad.England, Surrey

D G A7 D

44

G A7 D

D A7 G D

G A7 D

Page 3: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Alexander’s Hornpipe

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 3

Hornpipe= 160

Alexander’s Hornpipe Trad.IrelandSandlark Hornpipe

33 3

3D A Em D A D

44

3

D A Em D A D

3

D G A D

3

D G A G A D

March= 90

All in a Garden Green Trad.EnglandHarwood Hall

G D Em G C Am D C G Am D7 G

22

G C D7 G Em Am D7 G

Am Bm C Am D G

Waltz= 100

Amazing Grace Carrell and Clayton 1831USA

Words by Newton 1779

G D7 Em C G D7 D

43

3G C G Em D G

Page 4: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 American Patrol

4 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 160

American Patrol F. W. Meacham 1885USA

Made popular by Glen Miller

3 G D C Am

44

3G Am Bm D G

C D Bm Am G D

C G C

G D C G C Bm

G C G C D G

Polka= 100

Angeline the Baker Trad.USAAngelina Baker

D G D G D

22

D G D G D

Waltz= 90

Ar Eirinn Trad.IrelandFor Ireland, I Won’t Say Her Name

G Am7 G Em D

43

G C G C D C D G

G C Em G Em D

G C G C D Am7 D G

Page 5: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Archibald MacDonald of Keppoch

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 5

Air= 120

Archibald MacDonald of Keppoch Trad.Scotland

Em C G D Em C Bm Em

43

C G Am Em G C Bm Em

Em Em G D Em C Bm Em

Waltz= 120

Archie’s Fancy Billy Pigg 1902−1968England, Borders

3 3

G C D7 C G

43

G C Am D G

3 3

G Am D Am D G

G Em Am D Am D G

Waltz= 90

Arran Boat Trad.Scotland

Em D Em D Em

43

Em G D Em G C

Em G D Em D Em

Page 6: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Ash Grove, The

6 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Waltz= 100

The Ash Grove Trad.Wales

D G C D G C G D G

43

G D7 G Em D A D

G C D G C G D G

Air= 80

Ashokan Farewell Jay Ungar 1983USA

D D7 G Bm D G A7

43

D D7 G Bm D A7 D

D G D Bm G A7

D C G D A7 D

Page 7: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Atholl Highlanders, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 7

March= 100

The Atholl Highlanders Trad.Scotland

A Bm A Bm A

86

A Bm A D A

A D A Bm A

A D A D A

A A A Bm A

A D A

A Bm A Em

A Bm A D A

Reel= 200

Aunt Hessy’s White Horse Trad.South AfricaAunt Hessie; Aunt Hassie

G D7 G G D7 G

44

G G C G D7 D7 G

March= 70

Away to the Maypole Trad.EnglandAll Around The Maypole, How They Trot

D G D A D D G D A D

22

D A D G D A D

Page 8: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Ballydesmond Polka 1

8 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Polka= 200

Ballydesmond Polka 1 Trad.Ireland

Am G Am G G/Am

22

Am G Am G Am/G

Polka= 200

Ballydesmond Polka 2 Trad.Ireland

Am G F Em G Am G Am G Am G Am

22

Am G Am G Am G Am G Am

Jig= 100

Banish Misfortune Trad.Ireland

D C D C D C

86

Am C D Am D

D Am

D Am D C D

D C D C D C D

C D C D

Page 9: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Barley Mow, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 9

Jig= 100

The Barley Mow TradEngland

G D G C Am D7

86

G D G C D7 G

G C G G C G D

G C G A7 D7

G D G C Am D7

G D G C D7 G

Waltz= 70

Battle of the Somme Pipe Major William Laurie (1882−1916)Scotland

D G D G D A

89

D G D G D A D

A D G D A

D G D G D A D

Page 10: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Bear Dance

10 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Polka= 100

Bear Dance Trad.Flanders

Em G D Em D Em

42

Em D Em D Em D Em

Am C G Am G Am

Am G Am G Am G Am

Reel= 140

Beatrice Hill’s Three−Handed Reel Trad.England

D A G A7 D A7

44

D A G A7 D

D A7 A7 D

D A7 A7 D

Page 11: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Bielbie’s Hornpipe

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 11

Hornpipe= 140

Bielbie’s Hornpipe Trad.England, Northumberland

G Am G

44

G Am G G1 2

G D7 G D G

G D7 G D G G1 2

Slide= 160

Big Ship Trad.England via CanadaGlise de Sherbrooke

La Grande ChaineG Am G

44

G D G

C G Am G

C G D G

Jig= 80

The Black Nag Trad. Playford 1657England, Ickwell Maypole

Am Em Am Dm Am Em Am

86

Em Am

Em Am Em Am

Page 12: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Black Velvet Band, The

12 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Waltz= 150

The Black Velvet Band Trad.England

G D

43

G Em Am D G

Hornpipe= 120

Blackberry Blossom Trad.USA

G D C G C G D

44

G D C G C G D G

Em Bm Em D G D

Em Bm Em D G D G

Jig= 90

The Blackthorn Stick Trad.Ireland

D7 G C G D G D G D

86

G C G D G D G

G Am D7

G C G D G D G

Page 13: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Blarney Pilgrim

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 13

Jig= 100

Blarney Pilgrim Trad.Ireland.

G C G C Am D7

86

G C G C D7

G Am Em G C D7

G Am Em Em Em

D Em D G C Am D7

D Em D G C D7

Jig= 120

Blaydon Races Trad.England

G D7 G G7 C G A7 D7

86

G D7 G G7 C G D7 G

G D7/A C A7 D7 G G7 C D7 G G C A7 D D7

G C C A7 D7 G G7 C D7 G E7 Am D7 G

Air= 120

Blind Mary Turlough O’Carolan (1670−1738)Ireland

D G D Bm A D G D A D

22

D A Bm A D F m Bm G D A D

Page 14: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Blowzabella

14 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 100

Blowzabella Trad. 18CEngland, Lancashire

G C G D G

86

G C G D G

G C G D G

G D G D G

G C G D G

Hornpipe= 120

The Blue Eyed Rascal Trad.Ireland

3

3 33 3 3 3

Bm G C G D A D

44

33 3 3 3

3 3 3 3

G C G C D G

3 3 3 3 3

G Em B Em G Em B Em G D A D A D

33

3 3 3 3

G C G D A D

33 3 3 3

3 3 3 3

G C G C D G

Page 15: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Blue Eyed Stranger

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 15

Reel= 160

Blue Eyed Stranger Trad.England

G C G D7 C D7 G

44

G C D7 G D7 G

G C D7 G D7 C D7 G

Polka= 140

Bluebell Polka Trad.Scotland

3 3

A G C G D7 G

22

G C G D7 G

D A7 D

D A7 D

3

G C G D7 G

G C G D7 GFINE

C G7 C

C G7 C D.C.

Page 16: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Bobby Shaftoe

16 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 200

Bobby Shaftoe Trad.England

G D G C D G

44

G D7 G C D G

Waltz= 130

Boda Waltz Trad.Sweden

Em C B7 Em

43

C D7 Em B7 Em FINE

C G D7 G

C G D7 G D.C.

March= 140

Bodmin Riding March Trad.England

D

22

G D Em A

A G A D

3 3

A D

Page 17: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Bonaparte Crossing The Alps

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 17

Hornpipe= 120

Bonaparte Crossing The Alps Trad.ScotlandNapoleon Crossing the Rhine

Am C G Am C G

44

Am C G Am C Am

Am C Am G Am C G

3Am C G Am C Am

March= 180

Bonnie Kate Trad.Scotland via Ireland

G D G C D G G Em AmD7 G C D

44

G D G7 C D G Em Bm Em Am D G

Waltz= 120

Bonny At Morn Trad.England, Northumberland

Em D Em D Em

43

Em D Em Bm Em

Em D Bm Em Bm Em

Page 18: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Bonny Green Garters

18 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

JigA.(AB)4

= 90

Bonny Green Garters Trad. MorrisHeadington England

A G C G D D1 2

86

B G C D G Em

G C G D G

Waltz= 100

Boolavogue TradIrelandEochaill

G C G Em Am C D7

43

G C G Em D7 G

G Bm C G Em Am C D7

G C G Em D7 G

Reel= 260

The Boyne Hunt Trad.Ireland

D Em D

44

D Em D

D Em D

Page 19: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Boys of Bluehill

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 19

Hornpipe= 120

Boys of Bluehill Trad.IrelandBeaux of Oakhill

3 3

D A D A7 G

44

3

D Em D A7 D

3

D Em D G

3

D Em D A7 D

Polka= 180

Breeches Full of Stitches Trad.IrelandOh Those Britches Full of Stitches

G Am D7 G Am C G Am D7 G C Am D

22

G Am D7 G Am C G Am D7 C Em Am D

March= 100

Brian Boru’s March Trad.Ireland

Bm A

86

Bm

D A

Bm

Bm A

Bm

Page 20: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Brighton Camp

20 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 180

Brighton Camp Trad.EnglandThe Girl I Left Behind Me

G C G D7 G C D7 G

44

G D7 G D7 G Em C D7 G C D7 G

March= 180

British Grenadiers Trad.England

G D G D7 G G D7 G D7 G

44

G C Am G D G D G C G D7 G

Jig= 90

Bryony Lemon’s Jig Trad.IrelandPatsy Geary’s

G D G C D

86

G D G C D G

Am G C D

Am G C D G

Page 21: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Bucks of Oranmore, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 21

Reel= 320

The Bucks of Oranmore Trad.IrelandThe Hearty Bucks

D Em D Bm

44

D Em D Bm

D Em D Bm

D Em D Em

D Em D Em D Em D Em

D Em D Em D Bm D Bm

D Em D Bm D Em D Bm

D Em D Bm D Bm D Bm

D Bm D D Bm

D Em D Bm D Bm

Page 22: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Burning of the Piper’s Hut, The

22 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 120

The Burning of the Piper’s Hut Trad.Scotland

Am G

44

Am G Am

Am G

Am G Em Am

.Hornpipe= 160

Butchers Hornpipe Trad.England

G D

44

C G D Em C G D G

G Am G Em D G

C G D Em C G D G

Polka= 180

Buttered Peas Trad.England

D G D Em A

22

D G D Em D

D A D Em A

D A D A7 D

Page 23: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Butterfly, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 23

Slipjig= 120

The Butterfly Trad.Ireland

Em D Em D Em D G D

89

Em D Em G D

Em D Em G D

Waltz= 100

Caitlin Triall Turlough O’Carolan (1670−1738)Ireland

G Em C G Em C D7 G1 2

43

G Em G Em G Em C D7

3G Em C G D7 C G

Reel= 180

Campbell’s Farewell to Redcastle Trad.ScotlandFarewell to Red Gap

A G A G A

44

A G A

A G A G A

Page 24: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Campbells are Coming, The

24 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 110

The Campbells are Coming Trad.Scotland

G D G D7 G Em Am D7

86

G D G G G C G D7

G D G D7 G Em C D7

G C D7 Em G C G D7

Jig= 100

Captain Lanoe’s Quick March Trad.England, SussexCaptain Nemo

G D G D G G D G D G

86

Em C G Em C G D8 G

Jig= 60

Captain O’Kane Turlough O’Carolan (1670−1738)IrelandPlanxty O’Kane

The Wounded HussarEm D Bm Em

86

Em D Bm Em

Em D Am Em

Em G D Bm Em

Page 25: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Carolan’s Concerto

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 25

March= 120

Carolan’s Concerto Turlough O’Carolan (1670−1738)Ireland

3

D A D A D E A

44

D A D G D Em A

G D Em A

D A D G D A D

3

D A D A G D A D

A G D A G

D A D Em

D G A D A D

Page 26: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Carolan’s Draught

26 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 120

Carolan’s Draught Turlough O’Carolan (1670−1738)Ireland

G Bm Em G Em D C Am

44

G Bm Em A G Am A7 D

D G Em C Em G D Em

G D C Bm Em

Em Am Em G C D G A7 D

Em D G Am G D G

Hornpipe= 120

Castles in the Air Trad.ScotlandBonny Jean of Aberdeen

3 3 3G D7 G G7 C G A7 D7

44

3G D7 G G7 C G D7 G

3D7 G D7 G C G A7 D7

3G D7 G G7 C G D7 G

Page 27: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Cheshire Rounds

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 27

Waltz= 160

Cheshire Rounds Trad.England: Cheshire

Em A G D

43

G A G D

March= 75

Chestnut Trad., Playford 1651EnglandDove’s Figary

Am E Am Dm E7

22

C G7 C Am G7 C

C F Dm E7 Am Dm E7 Am

March= 80

Childgrove Trad. Playford 1701England

Dm Gm Am Dm Gm A7 Dm

22

F C Dm Am F C Dm A7 Dm

March= 90

Chinese Breakdown Trad.USA

D A7 D A7

42

D D7 G A7 D

D A7 D A7

D D7 G A7 D

Page 28: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Cock O’ The North

28 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 120

Cock O’ The North Trad.Scotland

D G D A7

86

D G D A D

D G D G Bm C

D G D G D A D

March= 100

Coilsfield House Nathaniel Gow, around 1800Scotland

G Am D G Em C G D G

44

G C G D G C D G

G C G D G C G D G

Reel= 120

Colored Aristocracy Trad.USA, SouthSouthern Aristocracy

3G Em C

44

3

3

G A7 D7 D7 G1 2

G Em C Em C

3

G A7 D7 D7 G1 2

Page 29: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Connaught Man’s Rambles, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 29

Jig= 90

The Connaught Man’s Rambles Trad.Ireland

D Bm D Bm

86

D Bm Em Bm

Bm D Bm G Bm D Bm Em

Bm D Bm Em Bm G

Jig= 85

Constant Billy Trad.EnglishNone So Pretty

G C D7 G C D7 G

86

G C D7 G C D7 G

G C D7 G G7 C D7

G C D7 G C D7 G

Page 30: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Cooley’s Reel

30 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 140

Cooley’s Reel Trad.Ireland

3 3Em D

44

Em D Em

Em Bm

Em D Em

Polka= 140

Corn Riggs are Bonny Trad.ScotlandCorn Rigs

G D7 G D7 G D7 G D7 C D7 G

22

G D7 G D7 G D7 G C Am D7 C D7 G

G D7 G D7 G C Am D7 C D7 G

Page 31: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Cotillion, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 31

Rigaudon= 80

The Cotillion Trad.FranceChain Cotillion

G D G C G Bm G

22

Em Bm G C D7 G

D G D G Em D G Bm

Em G C G C G Bm G

Em Bm G C D G

G D G

G D G

G Am G D

G D G D G

Page 32: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Cream Pot, The

32 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 95

The Cream Pot Trad.EnglandKern Staff

G Em G D

86

C D G D7 G D

D A D Em D A

G A D A7 D A G C1 2

G D C G D

C D G D7 G

March= 70

Cuckoo’s Nest Trad.England, Sherborne, Morris

Am G Em A G Am

22

Am E G Bm D

Am G Em A G Am

Page 33: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Cumberland Square Eight

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 33

Reel= 120

Cumberland Square Eight Trad.ScotlandMy Love She’s but a Lassie Yet

D A D G A7 D

44

D A D Bm A7 D

D Em D Bm A7 D

D Em D Bm A7 D

Reel= 140

The Curly−headed Ploughboy Trad.England

D7 G C G D7 G D7 G C G D7 G

44

D A7 D A7 D A7 D G A7 D

Waltz= 150

Cushie Butterfield Trad. SongNewcastle EnglandPretty Polly Perkins of Paddington Green

D A7 D A Bm A

43

D Em D Em A7 D

D Em D Em A7 D

Page 34: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Da Slockit Light

34 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Air= 95

Da Slockit Light Tom Anderson, 1969Scotland, Shetland

D G D Em A7

44

D Bm G A7 D

D A7 Bm A D E7 A

D A7 G D Em A7 D

D A7 Bm G D G A

D A Bm G A7 D

Waltz= 120

Dance To Your Daddy Trad.England, Northumberland

D A D A A7 D D A D A A7 D

43

D A D A A7 D D A D A A7 D

Air= 180

Danny Boy Trad.IrelandLondonderry Air

C F C Am D7 G7

44

C C7 F G7 C G7 C G7

C F G7 C G7 C F A7 D7 G7

C F C Am7 F G7 C G7 C

Page 35: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Dargason

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 35

Jig= 90

Dargason Trad. Playford 1651WalesSedauny; Sedany

D Em A7

86

D Bm Em A7

Polka= 160

Dark Girl Dressed in Blue Trad.England

D G D A D D G D A D

22

FINE

D A G A D A D D A G A C G

Air= 100

The Dark IslandIan MacLachlan 1958, or by Allan MacCormack 1930?ScotlandDr. Mackay’s Farewell to Creagorry

Eilean Dorcha; Away to the WestwardAm Em C G Em Am D7

43

Am Em C G D7 C G

CHORUSG Em C G Em Am D7

Am Em C G D7 C G

Page 36: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Dashing White Sergeant, The

36 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 160

The Dashing White Sergeant Trad.Scotland

D Em

44

D A D A1 2

A Bm Bm A Em A

D Em Em D

Polka= 160

Davy Davy Knick Knack Trad.England

G D7

42

G C D7 G

C G Em D7

G Em D7 G

Page 37: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Delia

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 37

March= 100

Delia Samuel Howard (1710−1782)USAThe Amorous Goddess

D A7 Bm Em D A7 D D7 G D Em D A7

44

D A7 Bm Em D A7 D D7 Em D A7 D

A7 D A Bm E7 A D A Bm E7

A D A Bm E7 A Bm A E7 A

D A Bm Em D A7 D D7 G D Em D A7

D A Bm Em D A7 D D7 Em D A7 D

Slide= 100

Denis Murphy’s Slide Trad.Ireland

D G D Em G D G A D

812

D G D G D Em A D G D G A D

March= 140

Dennington Bell Trad.England, Suffolk

D Em A7 D

44

D Em A7 D

Em D Em A

D Em A7 D

Page 38: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Dennis Murphy’s Polka

38 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Polka= 200

Dennis Murphy’s Polka Trad.Ireland

D Bm Em A7 D Bm Em A7 D

22

D G D A7 D G A7 D

Slipjig= 90

Dever the Dancer Trad.IrelandThe Humours Of Whiskey

Em D Em G Em Bm

89

G Am Em G Bm Em G Am Em G Em Bm

Reel= 120

The Devil Among the Tailors Trad.ScottishDe’il Amang the Tailors

G C

44

G C D7 G

G C

G C D7 G

Jig= 110

Dingle Regatta Trad.Ireland

G D G D G

86

D G D G D G D G

G D G D G D G

Page 39: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Doncaster Races

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 39

Jig= 100

Doncaster Races Trad.Wales

G D G C

86

G D G

D G D G

C G C D G

Hornpipe= 120

Donkey Riding Trad. ShantyEngland

G Am G Am G Am G Am G D7 G

42

Em G Am G G Am G Am Em G Am G D7 G

Jig= 80

Donnybrook Fair Trad.Ireland.The Joy of My Life

G D Em D G Am D

86

G D Em D G D G D G1 2

Em D C D Em D Em

G D C D G D G

Em D C D G Em

G D Em D G D G

Page 40: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Doon the Brae

40 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 120

Doon the Brae Trad.ScotlandThe Old Crossroads

Em Bm Em D Bm

44

Em Bm Em D Bm Em Bm Em1 2

Em Bm D Bm

Em Bm Em D Bm Em Bm Em1 2

Reel= 160

Dorset Four Hand Reel Trad.England

G C G D G C G D7 G

44

C G D G C G D7 G

G C G D7 G C D7 G

G C G D7 G C D7 G

March= 180

Double Lead Through Trad. via William KimberEngland, Headington

G D7 G C D7 G

22

D A7 D A7 D71 2

G D7 G C D7 C

D7 G C G C D7 C D7 G1 2

Page 41: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Drops of Brandy

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 41

Slipjig= 110

Drops of Brandy Trad.Ireland

D A7 D Em A7

89

D A7 D Em A7

Reel= 140

Drowsy Maggie Trad.Ireland

Em D Em G D

44

Em D Em G D

D A7 D Bm D A7 G D

D A7 D Bm G D G D Em

Hornpipe= 150

Drunken Sailor Trad.EnglandWhat Shall We Do

Em D Em Bm D Em

44

Em D Em Bm D Em

Hornpipe= 60

Dunkirke Trad. Playford 1657EnglandDunkerque

Am G Am

22

G Am G Am

Page 42: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Durham Rangers

42 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 120

Durham Rangers Trad.England, Northumberland

D G D Em A7

44

D Bm Em A7 D

D G D Em A7

D Bm Em A7 D

Reel= 160

Earl Grey Trad.England, NorthumberlandChicken Pecking

G Em C D G Em C G

44

3 3

C D C D G

Reel= 130

The Earl’s Chair Trad. O’Neill’s 1850Ireland

Bm D

44

Bm D Em D

3

Em Bm Em Bm Em D Bm D

Em Bm Em D Bm D Bm D

Page 43: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 East Neuk of Fife

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 43

Reel= 160

East Neuk of Fife Trad.Scotland

G Am D Em

44

G Am G Em

G Em Am D Am

G Em G Am G Em

Polka= 120

Egan’s Polka Trad.Ireland

D Bm G A7 D G Em A7 D

22

D Bm G A7 D Bm G Em A7 D

Reel= 160

Eighth Of January Trad.USABattle of New Orleans

D G Em A7 D

44

D G A7 D

Air= 110

Eleanor Plunkett Turlough O’Carolan (1670−1738)Ireland

Em G Em G EmAm D Em

43

G D Em G Em G Em Am D

Page 44: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Endearing Young Charms

44 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Waltz= 260

Endearing Young Charms Music Trad. 17CIrelandBelieve Me if All those Endearing Young Charms

My Lodging is on the Cold Ground Words by Thomas Moore 1808

D Bm G D A7 D A7

43

D Bm G D A7 D

D G D A7 D A7

D Bm G D A7 D

March= 140

Enrico Trad.EnglandJacob

Thomas Hardy favourite

D Em A7

44

D G A7 D

F m Bm Em A A7

D A D A D A7 D

Page 45: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Eric’s Waltz

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 45

Waltz= 120

Eric’s Waltz Eric ElsenerFrance

G Bm C D G Em C D

43

G Bm C D G D G D G Bm

C D G Em C D G Bm

C D G Em D D G D G

Waltz= 160

Expectation Waltz Trad.RussiaOzhidanie

Em B7 B7

43

Em Em

D7 G B7 Em B7 Em .Fine.

Em Am

B7 Em B7 Em

D7 G E7 Am

Am D7 G D7 G .DC.

Page 46: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Fairy Dance, The

46 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 160

The Fairy Dance Nathaniel Gow, 1812Scotland

G G G D G C D G

44

G C D7 G Em Am D7 G D7 G1 2

Jig= 80

Fakenham Fair Trad.England

G D G C G Em

86

G D G C G D G

C Bm G Em

G D G C G D G

Air= 100

Farewell to Whiskey Niel Gow 1799ScotlandFarewell to Whisky

G Am G Bm C G Am D7 G D7 G

44

G Am D7 G C C G Am D7 G D7 G

Page 47: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Father Kelly’s Reel

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 47

Reel= 240

Father Kelly’s Reel P J KellyIrelandThe Rossmore Jetty

G Em G Am D

44

G Em G D G

G C D G D

G Am G D G

Jig= 130

Fiery Clock Face Trad. Song, 1888Newcastle EnglandThe Coal−hole

G F D7 G C D7 G

86

G C D D7 G Am D7 G

Hornpipe= 160

Fisher’s Hornpipe Trad.Ireland

A D G D G D G D A

44

D G D G D A D

A D A E A

G D G A D

Page 48: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Flop−Eared Mule

48 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 108

Flop−Eared Mule Trad.USA

G D7 G G

22

D7 G D AFINE

D D A D D.C.

March= 100

Floral Dance Katie Moss 1911, after Trad.England, HelstonHelston Furry Dance

G D7 G D7 G G D7 D7 G G7

22

C G D7 G G7 C G D7 G D7 G

Reel= 120

The Flowers of Edinburgh Trad.Scottish

G Em G D D7 C

44

G Em G C G D7 G

G B7 Em

G C A7 G D7 G

Page 49: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Flowers Of The Forest, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 49

Air= 80

The Flowers Of The Forest Trad. (before 1615 Skene ms)Scottish

D D Bm G G D

86

D Bm D G D Am

C G D D D Bm D

Hornpipe= 140

Foul Weather Call Trad.England, Sussex

G A G D G Em A

44

G A G D G A D

G D Bm D Bm Em A

G A G D G A7 D

Polka= 240

Four Pound Cheque Trad.IrelandThe 42 Pound Check

Variant of Dennis Murphy Polka

D Em D A D

42

D Em A D Em A7 D

Page 50: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Four Up

50 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 140

Four Up Barry Goodman, 2001England, Morris

Em Am D Em

44

Em Am D Em

C Em Am D Em

C Em Am D Em

Jig= 120

Fourpence Halfpenny Farthing Trad.England

D Em D A D Em D A7 D

86

D A D A D A G D A D A D A7 D

Slipjig= 100

The Foxhunter’s Jig Trad.England

D G D A D G D A

89

G D G A D G D G D A

D G D A D G D A

G D G A D G D G A

Page 51: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 French−Canadian Waltz

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 51

Waltz= 120

French−Canadian Waltz Trad.CanadaLouis Waltz

D G Em A7 D A7

43

D G Em A7 D

A7 D A7 D D7

G A7 D Bm G A7 D

Hornpipe= 220

The Friendly Visit Trad.Ireland

3

3

G C D7 G C Am D7

44

3

3

G C D7 G D7 G

3

3 3

G Am D A7 D7 G

3

3

G C D7 G D7 G

March= 160

Gairsay Trad.Orkney, Scotland

D A7 D G A7 D D A7

44

D A7 D G A7 D D Em A7 D

A7 D G D A

D A7 D G A7 D G D Em A7 D

Page 52: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Galopede

52 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 140

Galopede Trad.EnglandYarmouth Reel

G D G C G C Am D

44

G D Em G Am D7 G

G C Am7 D G Am D

G C Am7 D G D7 G

G C D

G G C D7 G

Hornpipe= 240

Galway Hornpipe Trad.IrelandMcDermott’s No.1

D C D A

44

D C A D

D G E A

D G A D

Page 53: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Garryowen

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 53

Jig= 95

Garryowen Trad.Ireland

G D

86

G D

G C

G D

Waltz= 120

Gentle Maiden Trad.Ireland

G D G Em G D C D

43

G D G Em G D G

G Em C C G Am C D

G D G Em G D G

Reel= 110

George Brabazon Turlough O’Carolan (1730)IrelandPlanxty George Brabazon

G Am D7

44

G C G D G

G B Em Am D7

G B Em Am D7 G

Page 54: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 George Green’s College Hornpipe

54 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 120

George Green’s College Hornpipe Trad.England, East Anglia

3 3 3G D G D C D Am D

44

3G D G D C D G

3Bm C Am D Am D

3G D G D C D G

Hornpipe= 160

Gilsland Hornpipe Trad.England, Northumberland

D Bm D Em

44

D Bm D D

D G D Em

D Bm D D

Reel= 160

Girl With the Blue Dress on Trad.England

G D7 G D7 G D7 G D7 G D7 G

44

G C D7 G D G C D7 G

Page 55: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Glen Aln

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 55

Hornpipe= 110

Glen Aln Will Atkinson (1908−2003)England, Northumberland

3

3 3 3

G C G C G D G D7

44

3

33

G C G C G D D7 G

3 3 3 3

G C G Am C G

3

33

G C G C G D D7 G

Polka= 120

The Glen Cottage Trad.Ireland

Am G Am G Am

42

Am G Em Am G Am

Jig= 60

Glorishears Trad.England, Oxfordshire, Field TownLeapfrog

G Em Am D Am D7 G

86

C G D C Em D7 G

C D C Am C Am G D

C G C G Am D7 G

Page 56: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Gloucester Hornpipe

56 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 140

Gloucester Hornpipe Trad.England; Gloucestershire

3G C G Am

44

G C G D G

G C G Am

G C G D G

Reel= 160

Goathland Square Eight Trad.EnglandGoatland Square Eight

3

G Am D7

44

G Am D7 G

G C Am D

Em A7 D G A7 D7 G

Reel= 200

Golden Slippers James A. Bland (1879)USADem Golden Slippers

D A7

44

A D

D G Em A

A D A7 A D1 2

Page 57: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Goodby Dolly Gray

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 57

March= 120

Goodby Dolly Gray Paul Barnes 1898England

D A D Bm D A D A Bm A

44

D A D Bm F A D Bm A7 D

MarchA((AB)2C2)2C

= 120

Grandfather’s Clock Henry C. Work 1876USA

A G D G Am G D G G

44

B G Em C D G G A7 D D

3G D G Am G D G G

C G Em G Em G Em G Em

3G D G Am G D G

Reel= 210

Grandfather’s Tune Trad.EnglandSheepshearing

D Em A D Em D

44

Em A D Em D

Reel= 160

The Great North Run Robert Whitehead, 1986England, Northumberland

G D G C G A7 D7 G D G C G D7 G

44

Em Bm C G Am G D7 G D G C G D7 G

Page 58: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Greensleeves

58 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Air= 120

Greensleeves Trad. 16CEngland

Em G D Bm Em B Em

43

Em G D Bm Em B Em

G D Bm Em B G

G D Bm Em B Em

Reel= 160

Grogan’s Favourite Trad.IrelandEileen O’Callaghan’s Reel

G D G D

44

G D G D

G D G Em D

G D G D

Polka= 200

Harper’s Frolic Trad.IrelandHarpers Frolick

D A D

22

D A D

D Em D E A

D Em D A D

Page 59: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Harvest Home

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 59

Reel= 120

Harvest Home Trad.IrelandCork Hornpipe

D G A7

44

D G A7 D G D D G D1 2

3 3

33A7 G A7

D G A7 D G D D G D1 2

Jig= 90

Haste to the Wedding James Oswald, 1750ScotlandSmall Pin Cushion

Carrick FergusD G A7 D Bm Em A7

86

D G A7 D A7 D

D G A7 D Bm Em A7

D Bm Em A7 D A7 D

Page 60: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Heel and Toe Polka

60 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Polka= 100

Heel and Toe Polka Trad.England

G D C G C G D

42

G D C G C G

Em G Em D Em G D Em

G C G A D

G C G D G

March= 200

High Germany Trad.EnglandFlowers of Manchester

Em G Am Em G G C G Em

44

G Bm G Am Em G Am Em

Reel= 160

High Reel TradIreland

A G

44

A Em A G

3

3

3A G

3A Em A G

Page 61: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Highland Mary

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 61

Reel= 140

Highland Mary Trad.England, Morris

G C G C G A D

44

G C G C G D7 G

G C D G A D

G D G C G D7 G

Reel= 150

Hobarts Transformation Trad.USA

Hobart (B.1775) was early American Bishop

Am Em

44

Am Em Am

Am Em Am Am Em

Am

Minuet= 100

Hole in the Wall Playford 1698, after Purcell 1695EnglandAbdelazer Hornpipe

G D7 Em B7 C G D7 G

23

Em B7 Em B7 Em

C D7 G D7 G D7 G

Page 62: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Horse’s Brawl

62 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 80

Horse’s Brawl From Arbeau, Orchesographie, 1689FranceBranle des Chevaux

G C G C D G C G D G

22

G C G D G C G D G

Gm D D D Gm D D D Gm

Jig= 100

Humours of Glendart Trad.Ireland

D A

86

D G A D

D A D Em

D A D A D

Jig= 90

Hunsdon House Trad. PlayfordEngland

D A Bm A E7 A

86

F m Bm Em Bm A

Bm Em D Em A7 D

Page 63: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Hunt the Squirrel

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 63

Jig= 120

Hunt the Squirrel Trad.England,Sussex

G D G D

86

G D G

C Em

G D G

Slipjig= 100

Hunting the Hare Trad. O’Neills 1850Ireland

D G A7 D G A7 D

89

D G Em7 A7 D G D A7 D

Reel= 160

Huntsman’s Chorus Trad. after Carl von Weber 1821England

G D G G C G D G

44

G Em C D G C G D G

Polka= 200

I’ll Tell Me Ma Trad.Ireland

G C G D7 G C G D7 G

22

G G7 Am G D7 G G7 C G D7 G

Page 64: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 If You Will Not Have Me, You May Let Me Go

64 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Triple Hornpipe= 80

If You Will Not Have Me, You May Let Me Go Trad.England, North

Bm A Bm Bm A Bm

23

Bm A G Bm A Bm

Bm Em Bm Em F m Bm

G F m Em Em F m Bm

Waltz, Air= 85

Inisheer Thomas WalshIrelandInis Oirr

G Bm C D G Bm C D G

43

C G Em Bm Em C G Em D G

C G Em Bm Em C G D G

Jig= 100

The Irish Washerwoman Trad.England, then Ireland

G D

86

G D G

G D

C G C G D G

Page 65: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Iron Legs Hornpipe

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 65

Hornpipe= 140

Iron Legs Hornpipe Trad.EnglandIron League Hornpipe

D A D A D G Bm A

44

D A D A D G A D

D A D A Bm A Bm F m

G D G D G A D

Waltz= 120

Iron Legs Waltz Trad.EnglandIron League Waltz

Also as Hornpipe

G D7 G D7 G C D7

43

G D7 G D7 G C D7 G

G D7 Em Bm7 C G D7 G

C G D7 G C D7 G G

March= 120

It’s a Long Way to Tipperary Jack Judge 1912England

D D7 G D A7 D E7 A7

44

D G F 7 A7 D G D E7 A7 D

Page 66: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Jack Robinson

66 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 150

Jack Robinson Trad.England

G C D G

44

C G Am D G Am D G

G C C D G C Am D

G C D D G

March= 160

Jack the Horse Courser Trad.England

G C D G D G D

44

G C D Am G D G

G D Em Am D Am D Am

G D Em Am C G D G

Reel= 180

Jamaica Trad. Playford 1665England

G C G D G G C G D G

44

G D C G G D A D G D C G C G D G

Page 67: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Jenny Lind

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 67

Polka= 200

Jenny Lind Anton Wallerstein, 1845USA

G C G D7 G D7

22

G C G D7 G

C G D7 G

C G D7 G

Hornpipe= 140

Jessie’s Hornpipe Trad.England

G D7 D7 G Em Am D7 G

44

G C G C G Am D7 G C G C G D7 G

Reel= 200

Jimmy Allen Trad.England, NorthumberlandJamie Allen

G Am C G G Em G G Am G

44

G Em C D Em G Em G Am G

Hornpipe= 150

John Peel Trad.EnglandD’ye Ken John Peel

G G D7 D7

44

G C G C G D7 G

Page 68: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Juliana

68 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 100

Juliana Trad.England

G D

86

G D G C G D7 G

D G D G

C G C G D7

G C G C G A D D7

G C G C G D D7 G

Jig= 100

Jump at the Sun John KirkpatrickEngland

Em B

86

Em Am B7 Em

Em B7 Em B B7

Em B7 Em Am B7 Em

March= 120

Katyusha Matvei Blanter 1938, after earlier trad.Russia

Em B7 Em

42

Em C G E7 Am Em Am Em B7 Em

Page 69: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Keel Row, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 69

Reel= 120

The Keel Row Trad.England, Tyneside

G Am G D G Am G G

42

G Em G D G Em G G

March= 120

Keep the Home Fires Burning Ivor Novello 1914England

G Bm D Em Bm Em Bm Em G Em A7 D

44

G Bm D Em Bm Em Bm Em G Em D7 G

Reel= 100

Keep Your Feet Still Trad.England, NorthumberlandGeordie Hinnie

D G D A

22

D G A7 D

A7 D A7

D G D A7 D

March= 160

The Keeper Would a Hunting Go Trad.England

D G A D G A D A D

44

D G A D A D

D G A D G A D G A D A G A D

Page 70: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Kerfunten, The

70 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 100

The Kerfunten Colin Hammy Hamilton, abt 1980IrelandKerfunken Jig; Kerfunteun

Bm D Em

86

Bm D Bm D1 2

Bm

Bm D D Bm1 2

Jig= 100

The Kesh Trad.Ireland

G C D G C D

86

G D C G D G

G C G D

G C G C D C G

Page 71: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Kid on the Mountain, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 71

SlipJig= 100

The Kid on the Mountain Trad. O’Neills 1850Ireland

Em C D

89

G D G D7 G D G C D

Em D7 Em C D

Em D Em C D

G D7 G G D7 G D7 G C D

Reel= 120

Killarney Boys of Pleasure Trad.Ireland

3Em Bm Em C Bm

44

3Em Bm Em C Bm D

3

Em D D Bm D

3

Em D Bm D Em

Page 72: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 King of the Fairies, The

72 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 120

The King of the Fairies Trad.Ireland

Am Em

44

Am Em Am

Am Em Am Em

Am Em Am Em Am

Am Em Am Em Em Am Em Am

Am

Hornpipe= 140

Kirkgate Hornpipe Trad.England, Northumberland

G C Am Bm

44

G D Bm Em D

C Am Bm G Bm Em Am

Em G Bm G D G

Page 73: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 La Russe

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 73

Polka= 200

La Russe Trad.England

G C Am D7 G C D7 G

44

D A7 D A7 D A7 D

JigAAB(CB)2

= 100

Ladies Pleasure Trad.England, Bledington

A

G C G D G C G

86

B

Am C Am C Am Bm Em G G C G

C G C G Am D7 G

83

86

83

86

Reel= 120

Lads of Laois Trad.Ireland

Em D Em D

22

Em A D Em D Em

Em D Em D

3

Em G D Em C D Bm

Page 74: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Lady in the Boat, The

74 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 80

The Lady in the Boat Trad.Ireland

D Bm Em A7

86

D D A7 D

D A7 D Bm Em A7

D A7 D A7 D

Hornpipe= 120

Lamplighters Hornpipe Trad.New England, after IrelandMerry Soldier

G Em Am D7

44

G D7 G

G D7 G Em Am D7

G D7 G D7 G

Page 75: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Lark in the Morning, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 75

Jig= 100

The Lark in the Morning TradEngland

D G D Bm

86

D G D Bm

D Bm

D G D Em

D Bm

D G D Em

D Bm

D G D Em

= 100 Laura and Lensa Trad. William Clarke of Feltwell MS 1858England, Norfolk

D A D G

22

D A D G D

A D A D

A D A D

Page 76: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Leaving of Liverpool, The

76 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Air= 120

The Leaving of Liverpool Trad. SongEngland

D D7 G D A7 D Bm Em A7

42

D D7 G D A7 D Bm Em A7 D

A7 G D A7 D Bm E7 A7

D D7 G D A7 D Bm Em A7 D

March= 180

Liberty Trad.USA

D G

22

D G A7 D

D A7

D G A7 D

Page 77: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Liberty Bell

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 77

Jig= 100

Liberty Bell John Philip Sousa, 1893USAMonty Python

G Am D D7 G D7 G D7

86

G A A7 D A7 D7

G D7 G C D7 G D7 G D A7 D7

C B7 Em B C G D7

C G G GdimG

C Cdim C G D7 G G7 F C G C1 2

Jig= 110

Lillibulero Purcell, 1689, after trad.Ireland

G D G C D G

86

G C G G D

C G C G C Am D G

Page 78: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Lilting Banshee, The

78 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 80

The Lilting Banshee Trad.IrelandThe Butcher’s March

Am Em G

86

Am Em D Am

Am G Em G

Am G Em D Am

Air= 100

Lily Marlene Norbert Schultze 1938GermanyLili Marleen

Sung by both sides in World War II

G Am D Am D7 G

44

C G D7 G

D7 Am Em G G Am G

Hornpipe= 160

Linehope Lope Trad.Northumbria EnglandLinhope Loup

D G D Em G A

44

D G D Em G D

D G A D

D G A D D1 2

Page 79: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Linnen Hall

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 79

Jig= 100

Linnen Hall Trad. before 1782England

G Am D7 G Am D7 G

86

G C G C G D G Em A7 D

Hornpipe= 120

Liverpool Hornpipe Trad.England

D G A G D Em A7

44

D G A D A7 D

3

D A G G D Em A7

D G A D A7 D

3

D A G G D Em A7

D G A D A7 D

Reel= 160

Liza Jane Trad.USA

A D A D E A

44

A D D E D E A

Page 80: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Log Cabin

80 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 160

Log Cabin Trad.USA

G D7 G C G D7 G Em Am D7

44

G D7 G C G D7 G Em Am D7 G D7 G7

C G D7 G Em Am D7

G D7 G C G D7 G Em Am D7 G D7 G

Hornpipe= 120

London Hornpipe Trad.England

G Em Bm Am G Am D

44

C D G Bm G D7 G

G D Em Bm Am G Am D

C D G Bm G D7 G

Slip Jig= 110

The Long Room of Scarborough Trad.England, Yorkshire

G D G Em C D

89

G Em D C G D G Em D C G D

G D7 G D G D7 Em C D

Page 81: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Longford collector, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 81

Reel= 130

The Longford collector Trad.IrelandThe Langford collector

G Em G Am Em

44

G Em Bm G Am Em

G Em Bm G Am Em

Waltz= 120

Lord Inchiquin Turlough O’Carolan, 1691?IrelandPlanxty Inchiquin

D G D Bm D G A

43

D G D D Bm D A D

A D A D A D A

D A D Em E7 A7

D Bm D G D A7 D A D

Page 82: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Lord of the Dance

82 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 120

Lord of the Dance Trad. Shaker tuneUSA, New EnglandSimple Gifts

Words by Sydney Carter

A7 D Bm F m Bm Em Em A7

44

D Bm F m Bm Em A7 G D

D Bm D Bm D Em A7

D G D A7 D Em A7 D G D

March= 85

Lord Zouche’s Maske Giles Farnaby circa 1600England

D

22

A G D A D

D G A D A D A7 D

A G D A7 D

March= 120

Love, Lie Beside Me Trad.Ireland

G Am G Am G G Am Em G C

22

G Am G Am G G Am Em G C

Page 83: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Lumps of Plum Pudding

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 83

JigA.AB.(CB)2

= 100

Lumps of Plum Pudding Trad. Morris DanceBledington, England

A G G G Em Am D7

86

G D7 G G D7 G

B G G Am Am

D7 G D7 G G D7 G

C

G G Em D7 G D7 G Em A7 D

83

86

D7 G D7 G G D7 D7 G

83

86

Polka= 160

Maggie in the Woods Trad.Ireland

G Em G D G Em G D G

22

G Em G D G Em G D G

Page 84: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Maid Behind the Bar, The

84 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 110

The Maid Behind the Bar Trad.Ireland

D G D A

44

D G A D A D1 2

D Em

D G A D A D1 2

Reel= 190

Mairi’s Wedding Trad.ScotlandMairie’s Wedding

G C D7 G C D7

44

G Em A7 D D7 Em Am D7

Waltz= 140

The Man in the Moon Trad.England

G D7 G C G D7 G

43

G Am G C D7

G Bm G C G D7 G

Page 85: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Man of the House

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 85

Reel= 140

Man of the House Trad. O’Neill’s 1850Ireland

Em Em D Em G Em

44

Em D Em D Em

Em D Em

Hornpipe= 120

Manchester Hornpipe Trad.EnglandRickett’s Hornpipe

3

D A7 D G A7

44

D A7 D A7 D

D Bm Em A7 D G E7 A7

D A7 D A7 D A7 D

Jig= 100

March of the Concertinas Alan Day, 2013England

G Em G C G D

42

G Em G Am G D G

D G Am D G D

G Em G Am G D G

Page 86: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 March of the Kings of Laois

86 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 60

March of the Kings of Laois Trad.IrelandRory of the Hills; Rory O’Moore; Ruairi Og O Mordha

D G D C D G D C

86

D G D C D

G D G D C

D G D C D

March= 120

The March of the Men of Devon Trad.Wales (despite the title!)

D A Bm D G

44

D A Bm A7 D

D A Bm D G

D A Bm A7 D

Waltz= 120

Margaret’s Waltz Pat ShawEngland

G Em C D7 G Em D7 G

43

G Em C D7 Em Bm C D7

G Em Am D7 G Em D7 G

Page 87: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Marquis of Lorne

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 87

Hornpipe= 100

Marquis of Lorne Trad.IrelandSligo Fancy

33

G Am D7 G D7

44

G Em Am D7 G

3 3G G Am Am D7

3G G Em Am D7 G

Reel= 140

The Mason’s Apron Trad.Ireland

A Bm

44

A D Bm E A

A Bm E

A D Bm E A

Jig= 100

The Matelot Trad.England

D G D Em A

86

D A G A D

D A G Em A

D A G D

Page 88: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 McLeod’s Reel

88 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 140

McLeod’s Reel Trad.ScotlandMcCloud’s; Miss McLeods; Hop High Ladies

G D

22

G C D

G D

G C D

Barndance= 120

Meillionen Trad.Wales

G D G D G D G D7 G

44

G D G D7

C G D7 G D7 G

Slide= 110

Merrily Danced the Quaker’s Wife Trad.ScotlandMerrily Kiss the Quaker

G C Em G D G C Em G D G

812

G C G C G D G C G C G D G

G D G G D C D G G D G

Page 89: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Merry Blacksmith, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 89

Reel= 140

The Merry Blacksmith Trad.Ireland

D G

44

D A D

D G A

D G A D

Jig= 90

The Merry Month of May Trad.England

G Am C G A7 D7

86

G Am C G D7 G

D7 C G G D7

G Am C G D7 G

Waltz= 100

Michael Turner’s Waltz Mozart KV 536#2 1788Germany, England

G D7 G C G D7

43

G D7 G Am7 D7 G

G D7 D7 G Em

C G C D7 G

Page 90: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Minstrel Boy, The

90 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Air= 100

The Minstrel Boy Trad.Ireland

G D7 G D Em D C G G D7 G

42

G D7 G D Em D C G D7 G

Em B7 Em A7 D A7 D Em Bm Em A7 D7 G

G D7 G D Em D C G D7 G

Reel= 130

Miss McLeod’s Reel Trad. O’Neills 1850Ireland

G D Am

44

G Em G Am

G Em G Em D Am

G Em G Em C G G

Hornpipe= 160

Miss Menager’s Hornpipe Trad.England, Suffolk, William Clarke of FeltwellMiss Meragers

G C G C

44

G C G D G

G C G D

G C G D G

Page 91: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Mist Covered Mountains

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 91

Air= 140

Mist Covered Mountains Trad.ScotlandChi Mi Na Morbheanna

Am C Em G Bm Am

43

Am G C Em Am G Am

Am G Am G Bm Am Bm

Am G Em Am G Am

Jig= 110

Moll In the Wad Trad. O’Neill’s 1850IrelandMoll in the Wood

Em D

86

Em G D

G D

G Em C G D

Reel= 160

Mona’s Delight Trad.Isle of Man

G D G D

44

G D G D7 G

D C G D

D C G D7 G

Page 92: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Monk’s March

92 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 120

Monk’s March Trad. (Monck marched in 1660)EnglandGeneral Monck’s March

G D7 G G G D7 G C G

42

G Bm C D7 G Bm G D7

G D7 G G G D7 G C G

March= 100

The Morning Star Trad. MorrisEngland

G Em Am D7 G Em Am D7 G D G1 2

44

G Em C D7 G Em C D7

G Em Am D7 G Em Am D7 G

Reel= 140

Morpeth Rant William Shields (1748−1829)England, Northumberland

A D G A D A7

44

D G A D D D1 2

D Em G D

D Em A D D1 2

Page 93: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Morrison’s Jig

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 93

Jig= 120

Morrison’s Jig Trad.IrelandStick Across the Hob; Tom Carmondy’s Favourite

Whelan’s FancyEm D Em D

86

Em D G D G D

Em D Em D

Em D Em D

Em D Em D

G D G Em D G D

Reel= 120

Mother And Child Trad.IrelandMother’s Little Pet

D Em D A D

44

A D A D

March= 140

Mount Hills Trad. Playford 1701England

G D G Am G D Am D G

44

D C G D G Em Am G D G

Page 94: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Mourisque, La

94 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 180

La Mourisque Tielman Susato 1551FlemishBasse danse 5

G Em Am7 D G D G

44

G C G Em Am D7 G C G D G

March= 50

Mrs Saggs Chris Wood 1990England

G D G C G Am7 G D

22

G Am G Am G C D G

C G D G Am G D

C G D G Am G

Jig= 120

Muckin’ o’ Geordie’s Byre Trad.Scotland, HebridesMucking Out the Byre

D G D G

86

D G A D

Em D Em A7 D G

D G D A7 D

Page 95: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Mudgee Waltz

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 95

Waltz= 140

Mudgee Waltz Trad.Australia

D Em A7 D A

43

D Em A A7 D A

D G Em A D A

D G Em A D

Jig= 80

The Mug of Brown Ale Trad.IrelandClare Jig; Paddy in London

Am G

86

Am G Am

Am G

Am G Am

Reel= 130

The Musical Priest Trad. O’Neill’s 1748Scotland, then Ireland

Bm A Bm A Bm

44

3

Bm A Bm A Bm

3 3Bm A Bm A Bm

Page 96: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 My Darling Asleep.

96 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 80

My Darling Asleep. Trad.Ireland

D A7 G A7 D Bm Em A7

86

D A7 G A7 D A7 D

D G D G D Bm Em A7

D A7 G A7 D A7 D

March= 160

My Lord Cutts Delight Trad. before 1694England, Northumberland

G Am D G Am D G

44

D G D G Em Am D Em

G Em Am D G Em D Em D G

March= 120

My Old Man, Said Follow the Van Fred W. Leigh 1919EnglandDon’t dilly dally on the way

G Em D G A A7 D

44

G D G Am D G

Page 97: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Nantwich Fair

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 97

Jig= 120

Nantwich Fair Trad.England, Cheshire

D A D A

86

G D G D A

A D D7 G

Em A D G A7 D

Lament= 40

Nathaniel Gow’s Lament for the Death of His BrotherNathaniel Gow (1763−1831)ScotlandGallowglass

Am Em

86

Am

Am Em

Am

Am Em

Am Em Am Em Am

Page 98: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Navvie on the Line

98 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 140

Navvie on the Line Trad.England

G D G

44

G D C G

D G D G

G D C G

Air= 120

Ned Of The Hill Trad.IrelandEamonn an Chnoic

G Em G C G Em C Em

43

G Em G C G Em D G

C G Em Bm G Em C Em

G Em G C G Am D G

Reel= 150

New Rigged Ship Trad.Scotland, Shetland

Am G D

44

A E7 A E7 A E7 A

Am G Am Em Am G Am

Page 99: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 New York Girls

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 99

Polka= 170

New York Girls Trad.EnglandCan’t You Dance The Polka?

G C D G G C D7 G

22

G C D G G C D7 G

Hornpipe= 160

Newcastle Trad. Playford 1651England

G D7 G G C G C G D7 G

44

G C G C G Am D7 G

Air= 40

Niel Gow’s Lament for the Death of his Second Wife Niel Gow 1805ScotlandNeil Gow’s Lament

D Bm Em G D Em D G

86

D Bm Em G D G G Em7 D

3 3D A G Em D Bm Em7

3D A G Em D G D Em7D

D A G D G D Em A7

D Bm Em G D G G Em7 D

Page 100: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Nonesuch

100 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 90

Nonesuch Trad. Playford 1651England

Dm Dm Dm Dm F Dm F Dm

22

C Dm Am Dm C Dm Am Dm

Waltz= 160

Northern Lights of Old Aberdeen Trad. SongScotland

D F m G D Em A7 D D D7 F m G D Em A7 D

43

G D D7 G G F m D F m G D Em A7 D A7

D Bm Em A7 D D7 G A7 D G EmA7 D Bm E7 A7

D Bm Em A7 D G G D G Ddim D Bm E7 A7 D

Polka= 100

Not For Joe Trad.England, HerefordshireDilwyn

G D G D G D D7 G

44

G C G D G C D G

Reel= 90

Nutting Girl Trad.England, Morris

G D G C Am G Em C D G

22

G D G D G C G Am C D

G D G C Am G Em C D G

Page 101: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 O’Carolan’s Welcome

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 101

Air= 90

O’Carolan’s Welcome Turlough O’Carolan (1670−1738)Ireland

Em Am Bm Em Am Bm Em

43

Em Am Bm G C Bm Em

Em D7 G Am G Bm Em

C G D Em Am Bm Em

Slide= 120

O’Keefe’s slide Trad.IrelandDan O’Keefe’s slide

Em D Em D Em D Em

812

Em D Em

Jig= 100

Off She Goes Trad.EnglandHumpty Dumpty

D G A D D G D A7

86

D G A D G A7 D

D G D A

D G D G A7 D

Page 102: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Off to California

102 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 120

Off to California Trad.Ireland

3

3

3G D G C G C D C

44

3

G D G C G C D G

3

3D G Em G Em D C

3

3

3G D G C G C D G

Polka= 100

Oh Joe, the Boat is Going Over Trad.England, East Anglia

D A G A G A D

42

D A G A D

D A G A D

D A G A G A D

March= 220

Oh Susanna Stephen Foster, 1847USA

G D7 G D7 G

44

C G D7 G D7 G

Page 103: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Old Joe Clark

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 103

Reel= 200

Old Joe Clark Trad.USA, South

A E A G A

44

A G A G A

Jig= 90

Old Joe’s Jig Trad.USA

D G D G D Bm A

86

D G D G D G A7 D

D A D F m G

D A G D G A7 D

Triple Hornpipe= 100

Old Lancashire Hornpipe Trad.England

G D Em D Em D

23

G D G A Em G D G A D

G D A D Em D

Jig= 100

The Old Mole Trad. Playford 1651England

Em D Em D

86

Em D Em G

Page 104: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Old Morpeth Rant

104 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 160

Old Morpeth Rant Trad.England, NorthMorpeth Rant − Old

G C D G D7

44

G C D G D7 G

G D7 G Em Am G D Dm

C Am D G D7 G

Waltz= 140

Orange in Bloom Trad.EnglandSherborne Waltz

G Em G Am Em G D7 G

43

G G Am G Em Am G

Em G Am Em G D7 G

Waltz= 140

Orataba Waltz Trad.Australia

G Am D G D

43

G Am D G

G Am D G D

G D G G

Page 105: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Oscar Woods Jig

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 105

Jig= 100

Oscar Woods Jig Trad. via Oscar WoodsEngland, NorthumberlandTiger Smith’s Jig

G D7

86

G D7 G

G C G D7

G C G D7 G

Jig= 100

Out on the Ocean Trad.England

G C G D G C G D G

86

Em D G C G D G

Em D G C G D G

March= 140

Over the Hills and Far Away Trad.ScotlandJack the Piper

D Bm D Em

44

D G D Em

D G D Em

D G D Em

Page 106: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Over the Water to Charlie

106 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 120

Over the Water to Charlie Trad.Scotland

G Em G D G

86

G Em G D G

G Em G Em D

G Em G D G

Reel= 100

Over the Waterfall Trad.USA

D A D D A D D A D C G

22

D G D D A D D G D D A7 D

Jig= 120

The Oyster Girl Trad.EnglandKingsbury Jig

G D G D

86

G D C G D7 G

G C D7 G

G D C G D7 G

Page 107: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Pack Up Your Troubles in Your Old Kitbag

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 107

March= 120

Pack Up Your Troubles in Your Old Kitbag Felix Powell 1915England

D G Em D D Em F m A

42

D A Em D A D A7 D

Reel= 140

Parsons farewell Trad. Playford 1650England

Am G Am Em

44

Am Am Am G G Am Em Am

March= 100

Pastime With Good Company Henry VIII, around 1513England

Am G Am B G E7 A

44

Am G C Am G C G Am G C Am G C G E7 A

Reel= 80

Peggy Perkins Trad.Leeds, England

D Em D A

22

D Em D D

D Em D Em D A

A Em D Em A D

Page 108: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Pigeon on the Gate, The

108 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 120

The Pigeon on the Gate Trad.Ireland

Em D

22

Em D Bm Em

Em D

Em D Bm Em

Waltz= 120

Plaisir D’Amour Jean−Paul Martini (Schwarzendorf) (1785)France

G D G C G D

43

C D G C G D G

Jig= 100

The Plane Tree U Hornby after J−F HeintzenFranceMominette; Schottische a Bethanie

Em Am Em Am Bm Am Em

86

Em Am Em Am Bm Am Em

Em Bm Am Bm Am Em

Em Bm Am Bm Am Em

Page 109: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Planxty Fanny Power

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 109

Jig= 70

Planxty Fanny Power Turlough O’Carolan (1732)IrelandFanny Poer

G C Am D7 D7

86

G Am D D7 G

G Em C D7

G C D7 G D7 G

Jig= 70

Planxty Irwin Turlough O’Carolan (1713)IrelandColonel John Irwin

G C G Em C G D7

86

G C G Em Am G C D7 G

G D7 D7 G D7 A7 D7

G C G Em Am G C D7 G

Hornpipe= 140

Portsmouth Trad. Playford 1709England

G C G Em D G C G D G

44

G G G Em D G C G D G

Page 110: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Prince William

110 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 80

Prince William Trad. 1731England

G D7 G D G D A7 D

22

G C D7 C D G D7 G C G D7 G

March= 120

Princess Royal Turlough O’Carolan (1670−1738)IrelandMiss MacDermott

Em Am Em

44

D Bm Em D Em

C Am C Em D

Em D Em Am Em Am

D Bm Em D Em

March= 160

Princess Royal (Morris) Turlough O’Carolan (1670−1738)Ireland, then Major version as Morris dance, Abingdon England

G C G

44

Am D G D G

C G D

G D G C D C

Am D G D G

Page 111: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Proudlocks’s Hornpipe

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 111

Hornpipe= 120

Proudlocks’s Hornpipe Trad.England

3

3G D7 G C G D7 G D7

44

3

3G D7 G C G D7 G

3G Em Am D7 G Em A7 D7

3

3G D7 G C G D7 G

Jig= 100

The Queen’s Delight Trad.England

G D7 G D7 G D7 G1 2

86

C D7 G C A7 D7

G C D7 G D7 G

Jig= 180

Radstock Jig Trad.England, Somerset

C Am G Am G Am

44

Am G Am Em Am

G Em C G Am Em Am

Em G D C Em Am

Page 112: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Raglan Road

112 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Waltz= 140

Raglan Road Trad.IrelandDawning of the Day

Fainne Geal an Lae Poem by Patrick Kavanagh (1904−67)

G D C G C G

43

C G G Em Am

C G G Em D D7

G C G C G

Jig= 100

The Rakes of Kildare Trad.Ireland

Am G Em

86

Am G Am

Am G

Am G Am

Polka= 120

The Rakes Of Mallow Trad.Ireland

G D

42

G D7 G

G D

G D7 G

Page 113: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Random Notes

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 113

Jig= 90

Random Notes Trad.England, Northumberland

D A G A

86

D A G A D

D G D A

D Bm E7 A

D G A D G A

D G A D G A D

Polka= 160

Rattling Bog Trad.Ireland

D D7 G D E7 A7 D D7 G D A7 D

22

D A7 D A7 D E7 A7 D A7 D A7 D A7 D

March= 100

Red River Valley James Kernigan, 1896USA

G D7 G G7 C G D7

42

G G7 C C dim D7 G C G

Page 114: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Redesdale Hornpipe

114 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 160

Redesdale Hornpipe Trad.England

A

3 3 3

D7 G D7 G D7 G D7

44

3

G D7 G Em Am D7 G

G G Am D7 G

G G Am D7 G

Reel= 180

The Redhaired Boy Trad. O’Neill’S 1748ScotlandGilderoy; An Gille Ruadh

G C G F Dm

44

G C G D7 G

Dm G F Dm

G C G D7 G

Polka= 90

Redowa Polka Trad.England

G D Am D G

22

G Am D Am G Am D G

Page 115: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Redwing

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 115

Polka= 120

Redwing Trad. (Bawdy)USAIndian Maid; Union Maid

G C G Am D7 G Em A7 D7 A7 D7 G1 2

22

C G D7 G G1 2

Reel= 100

Reel of the Burl Trad.IrelandReel with the Birl/Beryle

Em D

44

Em Bm Em D

Bm D Bm D

Hornpipe= 120

The Rights of Man Trad.Ireland

Em D

44

Em Bm Em

Em D

Em Bm Em

Page 116: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Road to Lisdoonvarna, The

116 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 120

The Road to Lisdoonvarna Trad.IrelandLisdoonvarna Jig

Em Bm D

86

Em Bm A Em

Em Bm A Bm

Em Bm A Em

March= 110

Road to the Isles John McLellan, 1891Scotland; DunoonBens of Jura

D G D Em A7

44

D G D A7 D G D

D G D Em A7

D G D A7 D G D

Reel= 180

Rochdale Coconut Dance Trad. Morris DanceEngland, Rochdale

Em Am G D Em

44

G D G D G

G D G Am G

Page 117: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Roddy McCorley

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 117

March= 120

Roddy McCorley Trad. SongIrelandSean South

G C G C G Em Am D

44

G C G Em Am D G C Am G

Jig= 100

Roman Wall Trad.England, Northumberland

G C G D

86

G C G D G

C D C G C G

D C D C G C G D G

Polka= 180

The Rose Tree Trad.England

D A7 A

22

D A7 D

D D7 Em A7

D A7 D

Page 118: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Rosie Finn’s Favourite

118 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Slide= 110

Rosie Finn’s Favourite Trad.Ireland

G C G D G C G

86

G Am D G Am D G

Jig= 90

Rosin the Bow Trad.IrelandOld Rosin the Beau

G Em

86

G Em G D7 G

G Em G Em

G Em C G D7 G

Air= 72

Roslin Castle Trad.ScotlandRoslyn Castle; Rosslyn Castle; Rosslin Castle

The House of GlamisEm Am D Em D Bm

44

Am Bm Em B7 Em Bm Em B7 Em

Em B7 Em B7

C Bm Em B7 Em Bm Em B7 Em

Page 119: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Roxborough Castle

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 119

Reel= 140

Roxborough Castle Trad.Scotland

G C G C G Am D7

44

G C G D7 G

G C G Am D7

G C G D7 G

Reel= 180

Rufty Tufty Trad. Playford 1651England

D A7 D G A7 D

44

G C D G D C D7 G

D7 G C G D7 G C G D C D7 G

March= 100

Rule Britannia Thomas Augustine Arne (1740)England

Words by James Thomson (1700−48)

D A D D A D A

24

A E A D G G A

D A D D Em A D A D

Page 120: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Russian March

120 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 160

Russian March Trad. William Clarke of Feltwell MS 1858England, Norfolk

C G C F C G

44

C G C G C

G C F C G

C F C G C

Polka= 120

Ryan’s Polka Trad.IrelandJohn Ryan’s; Meg Ryan’s; Jack Ryan’s

D Bm D Bm E7 A7

42

D Bm D A7 D D1 2

D G A D E7 A7

D G A D A7 D D1 2

Jig= 100

Sadler’s Balloon Trad.England, Northamptonshire

James Sadler made first English balloon ascent in 1784

D G A Em

86

D Em A A7 D

A D A Em D A

D A D Em D A A7 D

Page 121: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sailor’s Hornpipe, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 121

Hornpipe= 140

The Sailor’s Hornpipe Trad. ShantyBritainCollege Hornpipe

G A7 D

44

C G C D C D G C G

G C A7 D

C Am C D C D G C G

Reel= 120

Saint Anne’s Reel Trad.Canada, then Shetland

D G D

44

D G A7 G D

D D7 G A7

D G A7 D

Reel= 100

Sally Gardens Reel Trad.England

G Em G Em Am D7

44

G Em G Em D7 G

G Em Am D7

G Em G Em D7 G

Page 122: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sally Gardens, Down by the

122 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 50

Sally Gardens, Down by the Trad.IrelandMaids of the Mourne Shore

C G F C F G C C G F C F G C

22

Em Am G C F D C C G F C F G C

Reel= 200

Salmon Tails up the Water Trad.England, Northumberland

G D C D G D G

44

G C G D G D G C Em C D G

G C G D G D G D G

Reel= 110

Sandy Boys Trad.USA

A E A

22

A D A A E A

March= 160

Sandy River Belle Trad.USA

D Em A7 D A7 D G A7 D

44

D A7 D G D G A7 D

Page 123: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Saucy Little Bird on Nelly’s Hat, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 123

Hornpipe= 120

The Saucy Little Bird on Nelly’s Hat Trad. Music Hall SongEngland

3 3 3 3G D G D G

44

3G D G G D G

3G Am C Am G

3G D G D G

Reel= 160

Scan Tester’s No 1 Scan TesterEngland

G Am G Am G Am D

44

G Am G Am Em G D7 G

G C Am C G C G D7 G

Reel= 160

Scan Testers No 2 Scan TesterEngland

G Am D Bm Bm G D Bm G

44

G Am D Am G G G Am D Am G G

Waltz= 120

Scarborough Fair Trad.England

Em D Em A Em

43

G D Em D G D Em

Page 124: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Scotland the Brave

124 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 120

Scotland the Brave Trad.Scotland

D G D D7 G D E7 A7 D

42

G D D7 G D Bm E7 A7 D

A7 D Bm F m E7 A7

D G D D7 G D Bm Em A7 D

Jig= 90

Scottish Reform Trad.Scotland

D D G D Bm Em A7

86

D D G A7 D

D G A7 D Em A7

D G A7 G A7 D A7

D G A7 D Em A7

D A G D G A7 D

March= 180

Seneca Square Dance Trad.USAWaiting for the Federals

G Em C G D G

22

G Em C G Em D G

Page 125: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Seven Stars

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 125

Jig= 220

Seven Stars Trad.EnglandThe Moon And Seven Stars

D G D G A

86

D G D G A D

A G D

G D G D G A D

Jig= 80

Shandon Bells Trad.Cork, Ireland

D A7 G A7

86

D A7 G A7 D

D A7

D G A7 D

Reel= 190

She’ll be Coming Round the Mountain Trad.USA

D E7 A7

44

D D7 G Gm D E7 A7 D

Page 126: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sheffield Hornpipe

126 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 120

Sheffield Hornpipe Trad.England

D G D A D Em A7

44

D G D G A7 D

A D G Em A7

D G D G A7 D A7 D

Shanty= 80

Shenandoah Trad.England

G Am C G C G D G D

44

Em Bm D Em D7 G D Bm G C D7 G

Reel= 120

Shepherd’s Hey Trad. Morris DanceEngland

G C G D7 G C D7 G

42

G C G D7 G C D7 G

March= 160

Shoes and Stockings Trad.USA

G C D G D G C D G D G

22

G D G C G D G D G C G D G

Page 127: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Shove the Pig’s Foot a Little Closer to the Fire

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 127

Reel= 160

Shove the Pig’s Foot a Little Closer to the Fire Trad.USA

G C G D G C G D G

44

G C G C D G C G D G

March= 90

Shrewsbury Lasses Trad.England

3

D A D Em A7 D BmE7 A Bm E7 A

44

3 G Am D Bm A7

3G D G D Bm A7 D

Waltz= 100

Si Bheag Si Mhor Turlough O’Carolan, 1691IrelandSheebeg and Sheemore

D D7 G D G A7 D D7

43

G D Bm D G A7 D D

D D7 G D G D Em7 A7

D D7 G D Em7 A7 G D

Page 128: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Silver Spear

128 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 120

Silver Spear Trad.Ireland

D Bm D Bm

44

D Bm Em Bm Bm Bm1 2

D Bm Em Bm D Bm Em Bm

D Bm Em Bm Em Bm Bm

Polka= 140

Silverton Polka Trad.England

G D7 G C D7 G D7 G C D7 G

44

G C D7 G G C D7 G

3 3G C D7 G G C D7 G

G D7 G C D7 G

Slipjig= 110

Sir Roger de Coverley Trad. Playford 1685EnglandRoger de Coverly

G D G D G C D

89

G C G D G C G G C D

G Am D G D G C D

Page 129: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sir Sidney Smith

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 129

March= 120

Sir Sidney Smith Trad.England

G b c b a g C D7 G D G

44

G D Em Bm Em A7 D

D c b a G G7 f e d C

C G D G C G D G

c b a g c b a g c b a g C A7 D7

G c b a g C D7 G D G

G D Em D C D Em D

C D Em D C D7 G

Reel= 180

The Sloe Trad.England, East Anglia

D A D G D G D

44

D A D G D

3

A D A D A G D

A D A D

Page 130: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Smash the Windows

130 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 95

Smash the Windows Trad.IrelandRoaring Jelly

D A G D Em A7

86

D Bm A G A7 D

D Em A7

D A7 D G D A7 D A7

D Em A7

D A7 D G D A7 D

Reel= 180

Soldier’s Joy Trad.England/Scotland/IrelandThe King’s Head

D A

44

D A D

D A D A

D A D A D

Page 131: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 South Downs

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 131

Jig= 70

South Downs Jim Harding, 1984Sussex

D G C D Em Am D

86

D G C D D Em D7 G

G Am G Am G Am G Am D

D Am D Em D7 G

Waltz= 120

South Winds Trad.Ireland

G D G C G

43

3

G D G C G

3

G Em C G Em Am D

G Em C G D C G

Jig= 90

Spancil Hill Trad.Ireland

Am G Am Am G

86

Am G Am G Am

Page 132: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Speed the Plough

132 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 120

Speed the Plough Trad.England

G C G D

44

G C G D G

G C G D

G C G D G

Jig= 110

Spirit of the Dance Trad.England, Dorset

D Bm G A

86

D Bm G A7 D

A G D Em D A G Bm

A G Bm A G D A7 D

Page 133: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Spootiskerry

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 133

Reel= 120

Spootiskerry Ian Burns, 1980Shetland, Scotland

G D G Em C D

44

G C Am D7 G

Em C G Em A7 D7

Em C G C D G

Em C G Em A7 D7

G C Am D7 G

Hornpipe= 120

The Stack Of Barley Trad.IrelandLittle Stack Of Barley

C Bm Am D7 G Em Am D

44

C Bm Am D7 G D7 G C G

3

G G A7 C Em Bm Am D7

3

A7 B7 Em G D7 G D7 G C G

Page 134: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Star of Munster, The

134 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 140

The Star of Munster Trad.Ireland

Am G Am G Am G

44

Am G Am G Am G Am

3

Am G

Am G

March= 160

The Star Of The County Down Trad.Irish

Em G D Em D Em G D Em D Em

44

G Am G Em D Em G D Em D Em

Waltz= 130

Starry Nights of Shetland Trad.ScotlandStarry Night in Shetland

D Em A A A7 D

43

D Em A A7 D 1 2

G D Bm Em A7

D Em A A7 D 1 2

Page 135: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Staten Island

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 135

Reel= 140

Staten Island Trad.Scotland

D G D Em A7

44

D D A7 D G D

D A D A C

D A D A D A7 D G D

Hornpipe= 160

The Steamboat Trad.IrelandThe Good Natured Man

3

G G C Am D7

44

G G C D7 G

G Am D7 G A7 D7

G G C D7 G

.Hornpipe= 140

Stoney Steps Trad.England

G C Am C G

44

G C Am D G

G D C G Am G A D

G C Bm C G

Page 136: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Stop The Cavalry

136 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Polka= 180

Stop The Cavalry Trad.EnglandRub−a−dub

Stockport PolkaG D7 G D7 G D7 G D7 G

22

D G D7 G D G D7 G

Air= 120

Streets of Laredo Trad.Scotland, then Ireland, then USABanks of the Devon

Bard of ArmaghG C G D7 G C G D7

43

G C G D7 G C G D7 G

Am D7 G G Am C G D7

G C G D7 G C G D7 G

Reel= 130

Strike the Bell Henry Clay Work, 1865USARing the Bell Watchman

Click Go The ShearsG C G D7

44

G C D7 G

D G C G D7

G C D7 G

Page 137: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sullivan’s Polka

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 137

Polka= 120

Sullivan’s Polka Trad.IrelandBill Sullivan’s Polka

G C G C G C G D G C G C G D G

42

G C G D G C G D G

March= 80

Sun Assembly Trad. 1750England

G Am C D G A7 D A7 D

42

G Am C D C D7 G D7 G

G C G C G C G C D D7

C D C Am7 D C G D D7 G

Air= 80

Suo Gan Trad.WalesWelsh Lullaby

D Em D Em D

44

D G D D Bm D

D Em D Em D

Page 138: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sustead Schottische

138 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 120

Sustead Schottische Trad.England, Norfolk

3

D G Em A

44

3

D G Em A D

3

D G Em A

3

D G Em A D

Jig= 110

Swallowtail Jig Trad.Ireland

Em D

86

Em Bm D Em

Em D

Em Bm D Em

Polka= 160

Swansea Town Trad.WalesHoly Ground

G D7 G Am D7 G C Em C D7 G C D7

22

G D7 G Em D7 G D7 G C G Em G D7 G

G D7 G Em D7 G D7 G C G Em G D7 G

Page 139: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sweep’s Hornpipe

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 139

Hornpipe= 160

Sweep’s Hornpipe Trad.England

3

D A

44

3

D A D A D

Em G D A

G D A D A D

3 3 3 3 3

3

3 3 3 3 3 3

D G A

3 3 3 3 3

3 3 3D G A D A D

Waltz= 160

Sweet Betsy from Pike Trad.USA after EnglandVillikins and his Dinah

G D G D G Bm D

43

G Bm C D G C G D G

Waltz= 120

Sweet Jenny Jones John Parry 1804WalesCadair Idris

D G A D G D A D

43

D A G A D A G D

D G A D G D A D

Page 140: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Sweets Of May, The

140 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 90

The Sweets Of May Trad.Ireland

G D7 G Am7D7 G D7 G D7 G

86

Am Em Am Em Am

D7 C D7 G Am D7 G

Air= 120

Tabhair Domh Do Lamh Ruairi Dall O’Cathain, c. 1570−c.1650IrelandTake My Hand

C G C G C G Em G

43

C G C Am7 C G C G

C G D G C G Am7 G

C G C Am7 G Em C D

C G C G Em C Am7 D

C G Em D G G7 C Am7

G Em D G G C1 2

G C G C G D7 G

Page 141: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Tam Lin

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 141

Reel= 140

Tam Lin Trad.ScotlandTamlin; Tamlyn; Tam Lynn’s

Em C D

44

Em C D Em

Em D

Em C D Em

Reel= 120

The Tarbolton Trad.Ireland

3Em G D

44

Em Bm Em

3 3

Em D

Em

Fling= 120

Teahan’s Fling Trad.Ireland (after Scotland?)Terry Cuz Teahans; Teehans

Bm Em Bm D Em Em Bm Em

44

Bm Em Bm D Em Em Bm Em

Bm Em G D Em Em Bm Em

Bm Em G D Em Bm Bm Em Bm Em1 2

Page 142: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Teetotaller’s Reel

142 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 150

Teetotaller’s Reel Trad.IrelandTemperance Reel

3G Em D7

44

G Em D7 G

Em D

Em D Em D7 G

Waltz= 100

The Tennessee Waltz King & Stewart 1948USA, Tennessee

D Dmaj7 D7 G D G D A

43

D Dmaj7 D7 G D A7 D

D F 7 G D G D G D E7 A

D Dmaj7 D7 G D A7 D

Jig= 100

The Tenpenny Bit Trad.IrelandThe Three Little Drummers

Am Em Am Em G

86

Am Em G Am

Am Em Am Em

Am Em G Am

Page 143: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Theme Vannitaise (TV)

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 143

Reel= 140

Theme Vannitaise (TV) Trad.France, Vannes

Em D Bm Em

44

Em D Bm Em

Em Bm D

Em D Em

Reel= 160

Three Around Three Trad.England

G D G C G Am D

44

G D G C D G

G Em C G D

G Em C C D G

Page 144: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Three Captains

144 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 120

Three Captains Trad.EnglandThe Three Sea Captains

3 3

3 3

33

G D G C D G Am D

44

3 3

3 3

33

G D G C D G Am D G

3 33 3 3

3 3

G Am D G Am D G D

3 3 3 3

33

3A D C G Am D G D

3

3 3

33

G C D G Am D G

March= 140

Timothy March Judi Morningstar 1985USAMarch of St. Timothy

D A7 Bm A7 G D Em A7

44

D A7 Bm A7 G D Em A7 D

A7 D A7 D

A7 D G D Bm Em A7 D

Page 145: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Tobin’s Favourite

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 145

Jig= 100

Tobin’s Favourite Trad.Ireland

D A D G A7

86

D A D G A7 D

D G D G A7

D A D G A7 D

Hornpipe= 80

Tom Tolley’s Trad.EnglandTom Tollins Hornpipe

G C D7 C D7 C G C D G D7 G

44

Em D7 G Em D G G G

Em Am D C G D7 G

Waltz= 170

Tombigbee Waltz Trad.USA

G D7 C D7 G

43

G C G D7 C D7 G

Page 146: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Tommy Beadle’s Polka

146 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Polka= 140

Tommy Beadle’s Polka Trad.England, Northumberland

D G D A D

22

D G D A D D1 2

3D G D A D

3D G D A D D1 2

Jig= 110

Top of Cork Road Trad. O’Neill’sIrelandFather O’Flynn

D G A Bm Em Bm A

86

D G A Bm Em Bm

Bm D A A Bm Bm A A

G D Bm Em Bm G

Page 147: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Toss the Feathers

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 147

Reel= 130

Toss the Feathers Trad.Ireland

Em Bm Em D Em Bm Bm

44

Em Bm Em D Em Bm D

33 3

Bm Em Bm Em Bm Em

3

Bm Em Bm D Bm D Em Bm

Hornpipe= 160

Trade Wind Hornpipe Trad.EnglandNavy Lark Theme

G Bm G Am Bm

44

C Bm Em G Bm G

C Bm G Am G

C Bm G Am G

March= 100

Trip to Brighton Trad.England

G Am G D C G D G

22

G Am D Am G Am G G D A D

G Am D Am G Am G C G D G

Page 148: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Tripping Up the Stairs

148 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 110

Tripping Up the Stairs Trad.IrelandTripping Upstairs

D G D A D G

86

D G D A D

Bm A

Bm A D

Polka= 140

The Triumph Trad.England

G C D G C G C D G D G

44

D G D G D G D G

G D G D G

Hornpipe= 130

The Trumpet Hornpipe Trad.EnglandCaptain Pugwash

3 33 3

G D

44

3 3G G D A D

3 3

G Em C D

3 3 3 3G Bm Em Cm D C G

Page 149: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Tunbridge Beauties

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 149

Polka= 85

Tunbridge Beauties Trad.England

Em G Am Em G D Em

22

G D G D Am Bm G Am Bm Em D Em

Reel= 140

Turkey in the Straw Trad.USA

A7 D A7

44

D D A7 D

D G D A7 D A7D

Polka= 100

Uncle Bernard’s Trad.England

G D7 G D7 G G D7 G D7 G

22

C G D7 G C G D7 G

Waltz= 120

The Unquiet Grave Trad.Ireland

Am C Am Dm AmDm Am Dm Am C Am G

43

Am C Am Dm AmDm Am Dm Am C Am F

C Am Dm Am Dm AmDm Am DmAm C Am G

Am C Am Dm AmDm Am Dm Am C Am

Page 150: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Valiant, The

150 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Jig= 110

The Valiant Simon Ritchie abt1998England, Essex

G D Em D C D Em D7

86

G D Em G C Em D7 Em D G

G C D G D G C D G D7 G

C D G D C Em D7 G

Polka= 200

Vandals of Hammerwich Trad. Morris DanceEngland

G G D G

22

G Em G C G D G

Waltz= 160

Violate Me, in the Violet Time Trad. Bawdy songEngland

C Am C F C Em G

43

C Am C F C G7 C

G C G C E

C Am C F C G7 C

Page 151: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Wait for the Waggon

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 151

March= 90

Wait for the Waggon Trad.USA 1851

D G D A D

22

D Bm A D A D

Jig= 100

The Walls Of Liscarrol Trad.Ireland

Dm C Dm C Am

86

Dm C Dm C Am Dm

Dm C Dm Am C Am

Dm C Dm Am C Am Dm

Polka= 140

Walter Bulwer’s Polka #1 Trad.England

G Am D7 G D7

44

G Am D7 G

D Em A7 D

D Em A7 D

Page 152: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Walter Bulwer’s Polka #2

152 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

PolkaABACA

= 110

Walter Bulwer’s Polka #2 Trad.England

A

G C D7 G G C D7 G G1 2

42

B

D G D A7 D D G D A7 D−> A

C

C G7 C

C F G7 C

Waltz= 150

Waltz for the Valeta Trad, via Percy BrownEngland, Suffolk

C C Am C Am C Em Am F Am C

43

C G C Am C F C G F C Am C G C G C1 2

C Bm Em Am C F C G C EmAm C

C C C Bm Em Am C F C Am C G C G C

Page 153: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Watson’s Hornpipe

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 153

Hornpipe= 160

Watson’s Hornpipe Trad.England, Norfolk

D G D G Em A

44

D G D G A D

D A D G Em A

D G D G A D

March= 160

Wayfaring Stranger Trad.USA

Am Dm Am Dm Am

22

Am Dm Am Dm Am

Am F C F Am

E7 Am Dm Am Dm Am

March= 70

Weavers March Trad. 18CScotland

D G A G A G A D G A G A A7 D

22

D A D A G A G A D G A G A A7 D

Page 154: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Weshin Day, The

154 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Polka= 120

The Weshin Day Trad. songEngland, North EastNae Luck Aboot the Hoose

G C G Am G C G

42

G Am G Am G C G

Waltz= 120

Westering Home Trad. Words Hugh Roberton (1874−1952)ScotlandTrasna na dTonnta

D A D G A7

43

D A7 D

D Bm Em A7 D Bm Em A7

D Bm Em A7 D A7 D G

Waltz= 120

Westmoreland Waltz Trad.England

G D Em D Am G Em D

43

G C Am G D G

G D Em G C G D D7

G Am D G D7 G

Page 155: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Westphalia Waltz

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 155

Waltz= 120

Westphalia Waltz Trad.Poland,Germany,Texas

G Bm Em Bm G E Am D

43

Am D D7 G G1 2

G Bm Em Bm G Am D

Am Em C D G G1 2

Jig= 100

Wheatsheaf Tavern Trad.WalesTafarn y Wheatsheaf

G C G Am G D G

86

G C G Am G Am G

G C Am G D

G Am D G C D G Am Bm1 2

Jig= 110

When Johnny Comes Marching Home Trad.Ireland, then USAJohnny I Hardly Knew Ye

Words by Patrick Gilmore 1863 (Civil War)

Am C Am E

86

Am G Am Em Am

Page 156: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Whiskey Before Breakfast.

156 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Reel= 120

Whiskey Before Breakfast. Trad.England

D G D A7

22

D G D A7 D

D A

D A G D G D A7 D

Hornpipe= 100

Whitchurch Hornpipe Trad.England, Shropshire

G Am G D C D

22

G Am G C G D G

G C Am D

G G D G

G Am D

G C D G

Page 157: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 White Cockade, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 157

March= 200

The White Cockade Trad.Scotland

G Em Am D7

22

G Em C D7 G

G D7 G Em Am D7

G Em C D7 G

Jig= 120

Wi’ a Hundred Pipers Trad.Scotland

A D A E7

86

A D A E7 A

A D A E7

A D A E7 A

Reel= 100

Wild Mountain Thyme Trad.ScotlandWill you go Lassie go

Braes o BalquhidderG C G C G C Bm Em

44

C G C G C G C G

C Bm Em C G C G C G

Page 158: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Willafjord

158 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

March= 60

Willafjord Trad.Shetland

Hazel & Bryony workshop

D G D A7

22

D G A7 D

D A7 G D A7

D A G A7 D

Hornpipe= 130

William Taylor’s Tabletop Hornpipe Dave Shepherd 1984England

Am Em Am G Em G

44

Am Em Am Em Am

Am G Am Em G

Am G Am Em Am

Reel= 100

Wiltshire Six Hand Reel Trad.England, Wiltshire

D A7 A A7 D

22

D G A7 D G A7 D

Page 159: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Wind that Shakes the Barley, The

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 159

ReelABA

= 80

The Wind that Shakes the Barley Trad.Ireland

A

D Bm D Em G

22

D Bm D Em G FINE

B

D G D A7 D Em F m G

D G Bm D Em F m A7D.C.

March= 120

Winster Gallop Trad.England

G Am G C G D G

42

Em Am D G

March= 160

Winster Processional Trad.England

G D7 G D7 G D7 G

44

C G D7 G G7

Page 160: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Woodland Flowers

160 Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa

Hornpipe= 130

Woodland Flowers Felix Burns 1864−1920ScotlandMrs Kenny’s Barn Dance

3

3 3

3C Dm Dm C

44

3

C Dm Dm C

3 3 3 3 3 3

G Am D G

3 3 3 3

G Am D G

3

Em G Am D

33

G D Am G

Hornpipe= 140

Yarmouth Breakdown Trad.England, East Anglia

D A

44

D A D

D Em A D A

D Em A D

March= 140

Year of Jubilo Trad.USAKingdom Coming; Jubilee

D A7 D G D A7 D

44

G D A7 D G D A7 D

Page 161: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

21 May, 2014 Young Collins

Paul Hardy’s Session Tunebook 2013 © 2013 cc by−nc−sa 161

Hornpipe= 180

Young Collins Trad. Morris DanceEngland

G C D G C G D G

44

C Em D G D G C D

G C D G C G D G

Page 162: Paul Hardy's Session Tunebook 2013 · This tunebook contains tunes that I have learned to play on my English concertina, that are played at folk music sessions, particularly around

Index

4942 Pound Check, The . . . . . . . . . . . . . . . . 2Abbots Bromley Horn Dance . . . . . . . . . . . . . .

61Abdelazer Hornpipe . . . . . . . . . . . . . . . . . 2Aiken Drum . . . . . . . . . . . . . . . . . . . 2Albert Farmer’s Bonfire Tune . . . . . . . . . . . . . . 3Alexander’s Hornpipe . . . . . . . . . . . . . . . . 7All Around The Maypole, How They Trot . . . . . . . . . . . 3All in a Garden Green . . . . . . . . . . . . . . . . 3Amazing Grace . . . . . . . . . . . . . . . . . . 4American Patrol . . . . . . . . . . . . . . . . . .

37Amorous Goddess, The . . . . . . . . . . . . . . . . 4Angelina Baker . . . . . . . . . . . . . . . . . . 4Angeline the Baker . . . . . . . . . . . . . . . . . 4Ar Eirinn . . . . . . . . . . . . . . . . . . . . 5Archibald MacDonald of Keppoch . . . . . . . . . . . . . 5Archie’s Fancy . . . . . . . . . . . . . . . . . . 5Arran Boat . . . . . . . . . . . . . . . . . . . 6Ash Grove, The . . . . . . . . . . . . . . . . . . 6Ashokan Farewell . . . . . . . . . . . . . . . . . 7Atholl Highlanders, The . . . . . . . . . . . . . . . . 7Aunt Hessie; Aunt Hassie . . . . . . . . . . . . . . . 7Aunt Hessy’s White Horse . . . . . . . . . . . . . . . 7Away to the Maypole . . . . . . . . . . . . . . . . 8Ballydesmond Polka 1 . . . . . . . . . . . . . . . . 8Ballydesmond Polka 2 . . . . . . . . . . . . . . . . 8Banish Misfortune . . . . . . . . . . . . . . . . .

136Banks of the Devon . . . . . . . . . . . . . . . . . 136Bard of Armagh . . . . . . . . . . . . . . . . . .

9Barley Mow, The . . . . . . . . . . . . . . . . . 94Basse danse 5 . . . . . . . . . . . . . . . . . . 43Battle of New Orleans . . . . . . . . . . . . . . . . 9Battle of the Somme . . . . . . . . . . . . . . . .

10Bear Dance . . . . . . . . . . . . . . . . . . . 10Beatrice Hill’s Three-Handed Reel . . . . . . . . . . . . . 19Beaux of Oakhill . . . . . . . . . . . . . . . . . . 44Believe Me if All those Endearing Young Charms . . . . . . . . .

116Bens of Jura . . . . . . . . . . . . . . . . . . . 11Bielbie’s Hornpipe . . . . . . . . . . . . . . . . . 11Big Ship . . . . . . . . . . . . . . . . . . . .

137Bill Sullivan’s Polka . . . . . . . . . . . . . . . . . 11Black Nag, The . . . . . . . . . . . . . . . . . . 12Black Velvet Band, The . . . . . . . . . . . . . . . . 12Blackberry Blossom . . . . . . . . . . . . . . . . . 12Blackthorn Stick, The . . . . . . . . . . . . . . . . 13Blarney Pilgrim . . . . . . . . . . . . . . . . . . 13Blaydon Races . . . . . . . . . . . . . . . . . . 13Blind Mary . . . . . . . . . . . . . . . . . . . 14Blowzabella . . . . . . . . . . . . . . . . . . . 14Blue Eyed Rascal, The . . . . . . . . . . . . . . . . 15Blue Eyed Stranger . . . . . . . . . . . . . . . . . 15Bluebell Polka . . . . . . . . . . . . . . . . . . 16Bobby Shaftoe . . . . . . . . . . . . . . . . . . 16Boda Waltz . . . . . . . . . . . . . . . . . . . 16Bodmin Riding March . . . . . . . . . . . . . . . . 17Bonaparte Crossing The Alps . . . . . . . . . . . . . . 17Bonnie Kate . . . . . . . . . . . . . . . . . . . 17Bonny At Morn . . . . . . . . . . . . . . . . . . 18Bonny Green Garters . . . . . . . . . . . . . . . . 26Bonny Jean of Aberdeen . . . . . . . . . . . . . . . 18Boolavogue . . . . . . . . . . . . . . . . . . . 18Boyne Hunt, The . . . . . . . . . . . . . . . . . 19Boys of Bluehill . . . . . . . . . . . . . . . . . .

157Braes o Balquhidder . . . . . . . . . . . . . . . . 62Branle des Chevaux . . . . . . . . . . . . . . . . . 19Breeches Full of Stitches . . . . . . . . . . . . . . .

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19Brian Boru’s March . . . . . . . . . . . . . . . . . 20Brighton Camp . . . . . . . . . . . . . . . . . . 20British Grenadiers . . . . . . . . . . . . . . . . . 20Bryony Lemon’s Jig . . . . . . . . . . . . . . . . . 21Bucks of Oranmore, The . . . . . . . . . . . . . . . 22Burning of the Piper’s Hut, The . . . . . . . . . . . . . 78Butcher’s March, The . . . . . . . . . . . . . . . . 22Butchers Hornpipe . . . . . . . . . . . . . . . . . 22Buttered Peas . . . . . . . . . . . . . . . . . . 23Butterfly, The . . . . . . . . . . . . . . . . . .

139Cadair Idris . . . . . . . . . . . . . . . . . . . 23Caitlin Triall . . . . . . . . . . . . . . . . . . . 23Campbell’s Farewell to Redcastle . . . . . . . . . . . . . 24Campbells are Coming, The . . . . . . . . . . . . . . 99Can’t You Dance The Polka? . . . . . . . . . . . . . . 24Captain Lanoe’s Quick March . . . . . . . . . . . . . . 24Captain Nemo . . . . . . . . . . . . . . . . . . 24Captain O’Kane . . . . . . . . . . . . . . . . . .

148Captain Pugwash . . . . . . . . . . . . . . . . . 25Carolan’s Concerto . . . . . . . . . . . . . . . . . 26Carolan’s Draught . . . . . . . . . . . . . . . . . 59Carrick Fergus . . . . . . . . . . . . . . . . . . 26Castles in the Air . . . . . . . . . . . . . . . . . 31Chain Cotillion . . . . . . . . . . . . . . . . . . 27Cheshire Rounds . . . . . . . . . . . . . . . . . 27Chestnut . . . . . . . . . . . . . . . . . . . . 91Chi Mi Na Morbheanna . . . . . . . . . . . . . . . . 42Chicken Pecking . . . . . . . . . . . . . . . . . . 27Childgrove . . . . . . . . . . . . . . . . . . . 27Chinese Breakdown . . . . . . . . . . . . . . . . . 95Clare Jig; Paddy in London . . . . . . . . . . . . . . .

136Click Go The Shears . . . . . . . . . . . . . . . . 47Coal-hole, The . . . . . . . . . . . . . . . . . . 28Cock O’ The North . . . . . . . . . . . . . . . . . 28Coilsfield House . . . . . . . . . . . . . . . . . .

121College Hornpipe . . . . . . . . . . . . . . . . . 109Colonel John Irwin . . . . . . . . . . . . . . . . . 28Colored Aristocracy . . . . . . . . . . . . . . . . . 29Connaught Man’s Rambles, The . . . . . . . . . . . . . 29Constant Billy . . . . . . . . . . . . . . . . . . 30Cooley’s Reel . . . . . . . . . . . . . . . . . . 59Cork Hornpipe . . . . . . . . . . . . . . . . . . 30Corn Riggs are Bonny . . . . . . . . . . . . . . . . 30Corn Rigs . . . . . . . . . . . . . . . . . . . 31Cotillion, The . . . . . . . . . . . . . . . . . . 32Cream Pot, The . . . . . . . . . . . . . . . . . . 32Cuckoo’s Nest . . . . . . . . . . . . . . . . . . 33Cumberland Square Eight . . . . . . . . . . . . . . . 33Curly-headed Ploughboy, The . . . . . . . . . . . . . . 33Cushie Butterfield . . . . . . . . . . . . . . . . . 67D’ye Ken John Peel . . . . . . . . . . . . . . . . . 34Da Slockit Light . . . . . . . . . . . . . . . . . .

101Dan O’Keefe’s slide . . . . . . . . . . . . . . . . . 34Dance To Your Daddy . . . . . . . . . . . . . . . . 34Danny Boy . . . . . . . . . . . . . . . . . . . 35Dargason . . . . . . . . . . . . . . . . . . . 35Dark Girl Dressed in Blue . . . . . . . . . . . . . . . 35Dark Island, The . . . . . . . . . . . . . . . . . 36Dashing White Sergeant, The . . . . . . . . . . . . . . 36Davy Davy Knick Knack . . . . . . . . . . . . . . .

112Dawning of the Day . . . . . . . . . . . . . . . . . 38De’il Amang the Tailors . . . . . . . . . . . . . . . . 37Delia . . . . . . . . . . . . . . . . . . . . . 56Dem Golden Slippers . . . . . . . . . . . . . . . . 37Denis Murphy’s Slide . . . . . . . . . . . . . . . . 37Dennington Bell . . . . . . . . . . . . . . . . . . 38Dennis Murphy’s Polka . . . . . . . . . . . . . . . .

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38Dever the Dancer . . . . . . . . . . . . . . . . . 38Devil Among the Tailors, The . . . . . . . . . . . . . .

100Dilwyn . . . . . . . . . . . . . . . . . . . . 38Dingle Regatta . . . . . . . . . . . . . . . . . . 96Don’t dilly dally on the way . . . . . . . . . . . . . . 39Doncaster Races . . . . . . . . . . . . . . . . . 39Donkey Riding . . . . . . . . . . . . . . . . . . 39Donnybrook Fair . . . . . . . . . . . . . . . . . 40Doon the Brae . . . . . . . . . . . . . . . . . . 40Dorset Four Hand Reel . . . . . . . . . . . . . . . . 40Double Lead Through . . . . . . . . . . . . . . . . 27Dove’s Figary . . . . . . . . . . . . . . . . . . 35Dr. Mackay’s Farewell to Creagorry . . . . . . . . . . . . 41Drops of Brandy . . . . . . . . . . . . . . . . . . 41Drowsy Maggie . . . . . . . . . . . . . . . . . . 41Drunken Sailor . . . . . . . . . . . . . . . . . . 41Dunkerque . . . . . . . . . . . . . . . . . . . 41Dunkirke . . . . . . . . . . . . . . . . . . . . 42Durham Rangers . . . . . . . . . . . . . . . . . 98Eamonn an Chnoic . . . . . . . . . . . . . . . . . 42Earl Grey . . . . . . . . . . . . . . . . . . . . 42Earl’s Chair, The . . . . . . . . . . . . . . . . . 43East Neuk of Fife . . . . . . . . . . . . . . . . . 43Egan’s Polka . . . . . . . . . . . . . . . . . . . 43Eighth Of January . . . . . . . . . . . . . . . . . 35Eilean Dorcha; Away to the Westward . . . . . . . . . . . 58Eileen O’Callaghan’s Reel . . . . . . . . . . . . . . . 43Eleanor Plunkett . . . . . . . . . . . . . . . . . . 44Endearing Young Charms . . . . . . . . . . . . . . . 44Enrico . . . . . . . . . . . . . . . . . . . . 18Eochaill . . . . . . . . . . . . . . . . . . . . 45Eric’s Waltz . . . . . . . . . . . . . . . . . . . 45Expectation Waltz . . . . . . . . . . . . . . . . .

112Fainne Geal an Lae . . . . . . . . . . . . . . . . . 46Fairy Dance, The . . . . . . . . . . . . . . . . . 46Fakenham Fair . . . . . . . . . . . . . . . . . .

109Fanny Poer . . . . . . . . . . . . . . . . . . . 23Farewell to Red Gap . . . . . . . . . . . . . . . . 46Farewell to Whiskey . . . . . . . . . . . . . . . . 46Farewell to Whisky . . . . . . . . . . . . . . . . . 47Father Kelly’s Reel . . . . . . . . . . . . . . . . .

146Father O’Flynn . . . . . . . . . . . . . . . . . . 47Fiery Clock Face . . . . . . . . . . . . . . . . . . 47Fisher’s Hornpipe . . . . . . . . . . . . . . . . . 48Flop-Eared Mule . . . . . . . . . . . . . . . . . . 48Floral Dance . . . . . . . . . . . . . . . . . . . 49Flowers Of The Forest, The . . . . . . . . . . . . . . . 48Flowers of Edinburgh, The . . . . . . . . . . . . . . . 60Flowers of Manchester . . . . . . . . . . . . . . . . 4For Ireland, I Won’t Say Her Name . . . . . . . . . . . .

49Foul Weather Call . . . . . . . . . . . . . . . . . 49Four Pound Cheque . . . . . . . . . . . . . . . . . 50Four Up . . . . . . . . . . . . . . . . . . . . 50Fourpence Halfpenny Farthing . . . . . . . . . . . . . . 50Foxhunter’s Jig, The . . . . . . . . . . . . . . . . 51French-Canadian Waltz . . . . . . . . . . . . . . . . 51Friendly Visit, The . . . . . . . . . . . . . . . . . 51Gairsay . . . . . . . . . . . . . . . . . . . . 97Gallowglass . . . . . . . . . . . . . . . . . . . 52Galopede . . . . . . . . . . . . . . . . . . . . 52Galway Hornpipe . . . . . . . . . . . . . . . . . 53Garryowen . . . . . . . . . . . . . . . . . . . 92General Monck’s March . . . . . . . . . . . . . . . . 53Gentle Maiden . . . . . . . . . . . . . . . . . . 69Geordie Hinnie . . . . . . . . . . . . . . . . . . 53George Brabazon . . . . . . . . . . . . . . . . . 54George Green’s College Hornpipe . . . . . . . . . . . . .

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114Gilderoy; An Gille Ruadh . . . . . . . . . . . . . . . 54Gilsland Hornpipe . . . . . . . . . . . . . . . . . 54Girl With the Blue Dress on . . . . . . . . . . . . . . 55Glen Aln . . . . . . . . . . . . . . . . . . . . 55Glen Cottage, The . . . . . . . . . . . . . . . . . 11Glise de Sherbrooke . . . . . . . . . . . . . . . . 55Glorishears . . . . . . . . . . . . . . . . . . . 56Gloucester Hornpipe . . . . . . . . . . . . . . . . 56Goathland Square Eight . . . . . . . . . . . . . . . 56Goatland Square Eight . . . . . . . . . . . . . . . . 56Golden Slippers . . . . . . . . . . . . . . . . . .

135Good Natured Man, The . . . . . . . . . . . . . . . 57Goodby Dolly Gray . . . . . . . . . . . . . . . . . 11Grande Chaine, La . . . . . . . . . . . . . . . . . 57Grandfather’s Clock . . . . . . . . . . . . . . . . . 57Grandfather’s Tune . . . . . . . . . . . . . . . . . 57Great North Run, The . . . . . . . . . . . . . . . . 58Greensleeves . . . . . . . . . . . . . . . . . . 58Grogan’s Favourite . . . . . . . . . . . . . . . . . 58Harper’s Frolic . . . . . . . . . . . . . . . . . . 58Harpers Frolick . . . . . . . . . . . . . . . . . . 59Harvest Home . . . . . . . . . . . . . . . . . . 3Harwood Hall . . . . . . . . . . . . . . . . . .

59Haste to the Wedding . . . . . . . . . . . . . . . . 21Hearty Bucks, The . . . . . . . . . . . . . . . . . 60Heel and Toe Polka . . . . . . . . . . . . . . . . . 48Helston Furry Dance . . . . . . . . . . . . . . . . 60High Germany . . . . . . . . . . . . . . . . . . 60High Reel . . . . . . . . . . . . . . . . . . . 61Highland Mary . . . . . . . . . . . . . . . . . . 61Hobarts Transformation . . . . . . . . . . . . . . . 61Hole in the Wall . . . . . . . . . . . . . . . . . .

138Holy Ground . . . . . . . . . . . . . . . . . . . 62Horse’s Brawl . . . . . . . . . . . . . . . . . . 38Humours Of Whiskey, The . . . . . . . . . . . . . . . 62Humours of Glendart . . . . . . . . . . . . . . . .

101Humpty Dumpty . . . . . . . . . . . . . . . . . 62Hunsdon House . . . . . . . . . . . . . . . . . . 63Hunt the Squirrel . . . . . . . . . . . . . . . . . 63Hunting the Hare . . . . . . . . . . . . . . . . . 63Huntsman’s Chorus . . . . . . . . . . . . . . . . . 63I’ll Tell Me Ma . . . . . . . . . . . . . . . . . . 64If You Will Not Have Me, You May Let Me Go . . . . . . . . . .

115Indian Maid; Union Maid . . . . . . . . . . . . . . . 64Inis Oirr . . . . . . . . . . . . . . . . . . . . 64Inisheer . . . . . . . . . . . . . . . . . . . . 64Irish Washerwoman, The . . . . . . . . . . . . . . . 65Iron League Hornpipe . . . . . . . . . . . . . . . . 65Iron League Waltz . . . . . . . . . . . . . . . . . 65Iron Legs Hornpipe . . . . . . . . . . . . . . . . . 65Iron Legs Waltz . . . . . . . . . . . . . . . . . . 65It’s a Long Way to Tipperary . . . . . . . . . . . . . . 66Jack Robinson . . . . . . . . . . . . . . . . . . 66Jack the Horse Courser . . . . . . . . . . . . . . . .

105Jack the Piper . . . . . . . . . . . . . . . . . . 44Jacob . . . . . . . . . . . . . . . . . . . . . 66Jamaica . . . . . . . . . . . . . . . . . . . . 67Jamie Allen . . . . . . . . . . . . . . . . . . . 67Jenny Lind . . . . . . . . . . . . . . . . . . . 67Jessie’s Hornpipe . . . . . . . . . . . . . . . . . 67Jimmy Allen . . . . . . . . . . . . . . . . . . . 67John Peel . . . . . . . . . . . . . . . . . . .

120John Ryan’s; Meg Ryan’s; Jack Ryan’s . . . . . . . . . . . 155Johnny I Hardly Knew Ye . . . . . . . . . . . . . . . 39Joy of My Life, The . . . . . . . . . . . . . . . . . 68Juliana . . . . . . . . . . . . . . . . . . . . 68Jump at the Sun . . . . . . . . . . . . . . . . .

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68Katyusha . . . . . . . . . . . . . . . . . . . . 69Keel Row, The . . . . . . . . . . . . . . . . . . 69Keep Your Feet Still . . . . . . . . . . . . . . . . . 69Keep the Home Fires Burning . . . . . . . . . . . . . . 69Keeper Would a Hunting Go, The . . . . . . . . . . . . . 70Kerfunken Jig; Kerfunteun . . . . . . . . . . . . . . . 70Kerfunten, The . . . . . . . . . . . . . . . . . . 32Kern Staff . . . . . . . . . . . . . . . . . . . 70Kesh, The . . . . . . . . . . . . . . . . . . . 71Kid on the Mountain, The . . . . . . . . . . . . . . . 71Killarney Boys of Pleasure . . . . . . . . . . . . . . . 72King of the Fairies, The . . . . . . . . . . . . . . . .

160Kingdom Coming; Jubilee . . . . . . . . . . . . . . . 106Kingsbury Jig . . . . . . . . . . . . . . . . . . 72Kirkgate Hornpipe . . . . . . . . . . . . . . . . . 73La Russe . . . . . . . . . . . . . . . . . . . . 73Ladies Pleasure . . . . . . . . . . . . . . . . . . 73Lads of Laois . . . . . . . . . . . . . . . . . . 74Lady in the Boat, The . . . . . . . . . . . . . . . . 74Lamplighters Hornpipe . . . . . . . . . . . . . . . . 81Langford collector, The . . . . . . . . . . . . . . . . 75Lark in the Morning, The . . . . . . . . . . . . . . . 75Laura and Lensa . . . . . . . . . . . . . . . . . 55Leapfrog . . . . . . . . . . . . . . . . . . . . 76Leaving of Liverpool, The . . . . . . . . . . . . . . . 77Liberty Bell . . . . . . . . . . . . . . . . . . . 76Liberty . . . . . . . . . . . . . . . . . . . . 78Lili Marleen . . . . . . . . . . . . . . . . . . . 77Lillibulero . . . . . . . . . . . . . . . . . . . 78Lilting Banshee, The . . . . . . . . . . . . . . . . 78Lily Marlene . . . . . . . . . . . . . . . . . . . 78Linehope Lope . . . . . . . . . . . . . . . . . . 78Linhope Loup . . . . . . . . . . . . . . . . . . 79Linnen Hall . . . . . . . . . . . . . . . . . . .

116Lisdoonvarna Jig . . . . . . . . . . . . . . . . . 133Little Stack Of Barley . . . . . . . . . . . . . . . . 79Liverpool Hornpipe . . . . . . . . . . . . . . . . . 79Liza Jane . . . . . . . . . . . . . . . . . . . . 80Log Cabin . . . . . . . . . . . . . . . . . . . 80London Hornpipe . . . . . . . . . . . . . . . . . 34Londonderry Air . . . . . . . . . . . . . . . . . . 80Long Room of Scarborough, The . . . . . . . . . . . . . 81Longford collector, The . . . . . . . . . . . . . . . . 81Lord Inchiquin . . . . . . . . . . . . . . . . . . 82Lord Zouche’s Maske . . . . . . . . . . . . . . . . 82Lord of the Dance . . . . . . . . . . . . . . . . . 51Louis Waltz . . . . . . . . . . . . . . . . . . . 82Love, Lie Beside Me . . . . . . . . . . . . . . . . . 83Lumps of Plum Pudding . . . . . . . . . . . . . . . 83Maggie in the Woods . . . . . . . . . . . . . . . . 84Maid Behind the Bar, The . . . . . . . . . . . . . . .

122Maids of the Mourne Shore . . . . . . . . . . . . . . . 84Mairi’s Wedding . . . . . . . . . . . . . . . . . . 84Mairie’s Wedding . . . . . . . . . . . . . . . . . 84Man in the Moon, The . . . . . . . . . . . . . . . . 85Man of the House . . . . . . . . . . . . . . . . . 85Manchester Hornpipe . . . . . . . . . . . . . . . .

144March of St. Timothy . . . . . . . . . . . . . . . . 85March of the Concertinas . . . . . . . . . . . . . . . 86March of the Kings of Laois . . . . . . . . . . . . . . 86March of the Men of Devon, The . . . . . . . . . . . . . 86Margaret’s Waltz . . . . . . . . . . . . . . . . . 87Marquis of Lorne . . . . . . . . . . . . . . . . . 87Mason’s Apron, The . . . . . . . . . . . . . . . . . 87Matelot, The . . . . . . . . . . . . . . . . . . . 88McCloud’s; Miss McLeods; Hop High Ladies . . . . . . . . . . 52McDermott’s No.1 . . . . . . . . . . . . . . . . .

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88McLeod’s Reel . . . . . . . . . . . . . . . . . . 88Meillionen . . . . . . . . . . . . . . . . . . . 88Merrily Danced the Quaker’s Wife . . . . . . . . . . . . . 88Merrily Kiss the Quaker . . . . . . . . . . . . . . . . 89Merry Blacksmith, The . . . . . . . . . . . . . . . . 89Merry Month of May, The . . . . . . . . . . . . . . . 74Merry Soldier . . . . . . . . . . . . . . . . . . 89Michael Turner’s Waltz . . . . . . . . . . . . . . . . 90Minstrel Boy, The . . . . . . . . . . . . . . . . .

110Miss MacDermott . . . . . . . . . . . . . . . . . 90Miss McLeod’s Reel . . . . . . . . . . . . . . . . . 90Miss Menager’s Hornpipe . . . . . . . . . . . . . . . 90Miss Meragers . . . . . . . . . . . . . . . . . . 91Mist Covered Mountains . . . . . . . . . . . . . . . 91Moll In the Wad . . . . . . . . . . . . . . . . . . 91Moll in the Wood . . . . . . . . . . . . . . . . .

108Mominette; Schottische a Bethanie . . . . . . . . . . . . 91Mona’s Delight . . . . . . . . . . . . . . . . . . 92Monk’s March . . . . . . . . . . . . . . . . . . 77Monty Python . . . . . . . . . . . . . . . . . .

125Moon And Seven Stars, The . . . . . . . . . . . . . . 92Morning Star, The . . . . . . . . . . . . . . . . .

104Morpeth Rant - Old . . . . . . . . . . . . . . . . . 92Morpeth Rant . . . . . . . . . . . . . . . . . . 93Morrison’s Jig . . . . . . . . . . . . . . . . . . 93Mother And Child . . . . . . . . . . . . . . . . . 93Mother’s Little Pet . . . . . . . . . . . . . . . . . 93Mount Hills . . . . . . . . . . . . . . . . . . . 94Mourisque, La . . . . . . . . . . . . . . . . . .

160Mrs Kenny’s Barn Dance . . . . . . . . . . . . . . . 94Mrs Saggs . . . . . . . . . . . . . . . . . . . 94Muckin’ o’ Geordie’s Byre . . . . . . . . . . . . . . . 94Mucking Out the Byre . . . . . . . . . . . . . . . . 95Mudgee Waltz . . . . . . . . . . . . . . . . . . 95Mug of Brown Ale, The . . . . . . . . . . . . . . . . 95Musical Priest, The . . . . . . . . . . . . . . . . . 96My Darling Asleep. . . . . . . . . . . . . . . . . . 44My Lodging is on the Cold Ground . . . . . . . . . . . . . 96My Lord Cutts Delight . . . . . . . . . . . . . . . . 33My Love She’s but a Lassie Yet . . . . . . . . . . . . . 96My Old Man, Said Follow the Van . . . . . . . . . . . . .

154Nae Luck Aboot the Hoose . . . . . . . . . . . . . . . 97Nantwich Fair . . . . . . . . . . . . . . . . . . 17Napoleon Crossing the Rhine . . . . . . . . . . . . . . 97Nathaniel Gow’s Lament for the Death of His Brother . . . . . . . 98Navvie on the Line . . . . . . . . . . . . . . . . .

147Navy Lark Theme . . . . . . . . . . . . . . . . . 98Ned Of The Hill . . . . . . . . . . . . . . . . . . 99Neil Gow’s Lament . . . . . . . . . . . . . . . . . 98New Rigged Ship . . . . . . . . . . . . . . . . . 99New York Girls . . . . . . . . . . . . . . . . . . 99Newcastle . . . . . . . . . . . . . . . . . . . 99Niel Gow’s Lament for the Death of his Second Wife . . . . . . . 29None So Pretty . . . . . . . . . . . . . . . . . .

100Nonesuch . . . . . . . . . . . . . . . . . . . 100Northern Lights of Old Aberdeen . . . . . . . . . . . . . 100Not For Joe . . . . . . . . . . . . . . . . . . . 100Nutting Girl . . . . . . . . . . . . . . . . . . . 101O’Carolan’s Welcome . . . . . . . . . . . . . . . . 101O’Keefe’s slide . . . . . . . . . . . . . . . . . . 101Off She Goes . . . . . . . . . . . . . . . . . . 102Off to California . . . . . . . . . . . . . . . . . . 102Oh Joe, the Boat is Going Over . . . . . . . . . . . . . 102Oh Susanna . . . . . . . . . . . . . . . . . . . 19Oh Those Britches Full of Stitches . . . . . . . . . . . . . 40Old Crossroads, The . . . . . . . . . . . . . . . .

103Old Joe Clark . . . . . . . . . . . . . . . . . .

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103Old Joe’s Jig . . . . . . . . . . . . . . . . . . . 103Old Lancashire Hornpipe . . . . . . . . . . . . . . . 103Old Mole, The . . . . . . . . . . . . . . . . . . 104Old Morpeth Rant . . . . . . . . . . . . . . . . . 118Old Rosin the Beau . . . . . . . . . . . . . . . . . 104Orange in Bloom . . . . . . . . . . . . . . . . . 104Orataba Waltz . . . . . . . . . . . . . . . . . . 105Oscar Woods Jig . . . . . . . . . . . . . . . . . 105Out on the Ocean . . . . . . . . . . . . . . . . . 105Over the Hills and Far Away . . . . . . . . . . . . . . 106Over the Water to Charlie . . . . . . . . . . . . . . . 106Over the Waterfall . . . . . . . . . . . . . . . . . 106Oyster Girl, The . . . . . . . . . . . . . . . . . . 45Ozhidanie . . . . . . . . . . . . . . . . . . .

107Pack Up Your Troubles in Your Old Kitbag . . . . . . . . . . 107Parsons farewell . . . . . . . . . . . . . . . . . . 107Pastime With Good Company . . . . . . . . . . . . . . 20Patsy Geary’s . . . . . . . . . . . . . . . . . .

107Peggy Perkins . . . . . . . . . . . . . . . . . . 108Pigeon on the Gate, The . . . . . . . . . . . . . . . 108Plaisir D’Amour . . . . . . . . . . . . . . . . . . 108Plane Tree, The . . . . . . . . . . . . . . . . . . 109Planxty Fanny Power . . . . . . . . . . . . . . . . 53Planxty George Brabazon . . . . . . . . . . . . . . . 81Planxty Inchiquin . . . . . . . . . . . . . . . . .

109Planxty Irwin . . . . . . . . . . . . . . . . . . 24Planxty O’Kane . . . . . . . . . . . . . . . . . .

109Portsmouth . . . . . . . . . . . . . . . . . . . 33Pretty Polly Perkins of Paddington Green . . . . . . . . . . .

110Prince William . . . . . . . . . . . . . . . . . . 110Princess Royal (Morris) . . . . . . . . . . . . . . . . 110Princess Royal . . . . . . . . . . . . . . . . . . 111Proudlocks’s Hornpipe . . . . . . . . . . . . . . . . 111Queen’s Delight, The . . . . . . . . . . . . . . . . 111Radstock Jig . . . . . . . . . . . . . . . . . . . 112Raglan Road . . . . . . . . . . . . . . . . . . . 112Rakes Of Mallow, The . . . . . . . . . . . . . . . . 112Rakes of Kildare, The . . . . . . . . . . . . . . . . 113Random Notes . . . . . . . . . . . . . . . . . . 113Rattling Bog . . . . . . . . . . . . . . . . . . . 113Red River Valley . . . . . . . . . . . . . . . . . . 114Redesdale Hornpipe . . . . . . . . . . . . . . . . . 114Redhaired Boy, The . . . . . . . . . . . . . . . . . 114Redowa Polka . . . . . . . . . . . . . . . . . . 115Redwing . . . . . . . . . . . . . . . . . . . . 115Reel of the Burl . . . . . . . . . . . . . . . . . . 115Reel with the Birl/Beryle . . . . . . . . . . . . . . . 85Rickett’s Hornpipe . . . . . . . . . . . . . . . . .

115Rights of Man, The . . . . . . . . . . . . . . . . . 136Ring the Bell Watchman . . . . . . . . . . . . . . . 116Road to Lisdoonvarna, The . . . . . . . . . . . . . . . 116Road to the Isles . . . . . . . . . . . . . . . . . 130Roaring Jelly . . . . . . . . . . . . . . . . . . . 116Rochdale Coconut Dance . . . . . . . . . . . . . . . 117Roddy McCorley . . . . . . . . . . . . . . . . . . 128Roger de Coverly . . . . . . . . . . . . . . . . . 117Roman Wall . . . . . . . . . . . . . . . . . . . 86Rory of the Hills; Rory O’Moore; Ruairi Og O Mordha . . . . . . .

117Rose Tree, The . . . . . . . . . . . . . . . . . . 118Rosie Finn’s Favourite . . . . . . . . . . . . . . . . 118Rosin the Bow . . . . . . . . . . . . . . . . . . 118Roslin Castle . . . . . . . . . . . . . . . . . . . 118Roslyn Castle; Rosslyn Castle; Rosslin Castle . . . . . . . . . 47Rossmore Jetty, The . . . . . . . . . . . . . . . .

119Roxborough Castle . . . . . . . . . . . . . . . . . 136Rub-a-dub . . . . . . . . . . . . . . . . . . . 119Rufty Tufty . . . . . . . . . . . . . . . . . . .

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119Rule Britannia . . . . . . . . . . . . . . . . . . 120Russian March . . . . . . . . . . . . . . . . . . 120Ryan’s Polka . . . . . . . . . . . . . . . . . . . 120Sadler’s Balloon . . . . . . . . . . . . . . . . . . 121Sailor’s Hornpipe, The . . . . . . . . . . . . . . . . 121Saint Anne’s Reel . . . . . . . . . . . . . . . . . 121Sally Gardens Reel . . . . . . . . . . . . . . . . . 122Sally Gardens, Down by the . . . . . . . . . . . . . . 122Salmon Tails up the Water . . . . . . . . . . . . . . .

3Sandlark Hornpipe . . . . . . . . . . . . . . . . . 122Sandy Boys . . . . . . . . . . . . . . . . . . . 122Sandy River Belle . . . . . . . . . . . . . . . . . 123Saucy Little Bird on Nelly’s Hat, The . . . . . . . . . . . . 123Scan Tester’s No 1 . . . . . . . . . . . . . . . . . 123Scan Testers No 2 . . . . . . . . . . . . . . . . . 123Scarborough Fair . . . . . . . . . . . . . . . . . 124Scotland the Brave . . . . . . . . . . . . . . . . . 124Scottish Reform . . . . . . . . . . . . . . . . . . 117Sean South . . . . . . . . . . . . . . . . . . . 35Sedauny; Sedany . . . . . . . . . . . . . . . . .

124Seneca Square Dance . . . . . . . . . . . . . . . . 125Seven Stars . . . . . . . . . . . . . . . . . . . 125Shandon Bells . . . . . . . . . . . . . . . . . . 125She’ll be Coming Round the Mountain . . . . . . . . . . . 127Sheebeg and Sheemore . . . . . . . . . . . . . . . 57Sheepshearing . . . . . . . . . . . . . . . . . .

126Sheffield Hornpipe . . . . . . . . . . . . . . . . . 126Shenandoah . . . . . . . . . . . . . . . . . . . 126Shepherd’s Hey . . . . . . . . . . . . . . . . . . 104Sherborne Waltz . . . . . . . . . . . . . . . . . 126Shoes and Stockings . . . . . . . . . . . . . . . . 127Shove the Pig’s Foot a Little Closer to the Fire . . . . . . . . . 127Shrewsbury Lasses . . . . . . . . . . . . . . . . . 127Si Bheag Si Mhor . . . . . . . . . . . . . . . . . 128Silver Spear . . . . . . . . . . . . . . . . . . . 128Silverton Polka . . . . . . . . . . . . . . . . . . 82Simple Gifts . . . . . . . . . . . . . . . . . . .

128Sir Roger de Coverley . . . . . . . . . . . . . . . . 129Sir Sidney Smith . . . . . . . . . . . . . . . . . 87Sligo Fancy . . . . . . . . . . . . . . . . . . .

129Sloe, The . . . . . . . . . . . . . . . . . . . 59Small Pin Cushion . . . . . . . . . . . . . . . . .

130Smash the Windows . . . . . . . . . . . . . . . . 130Soldier’s Joy . . . . . . . . . . . . . . . . . . . 131South Downs . . . . . . . . . . . . . . . . . . 131South Winds . . . . . . . . . . . . . . . . . . . 28Southern Aristocracy . . . . . . . . . . . . . . . .

131Spancil Hill . . . . . . . . . . . . . . . . . . . 132Speed the Plough . . . . . . . . . . . . . . . . . 132Spirit of the Dance . . . . . . . . . . . . . . . . . 133Spootiskerry . . . . . . . . . . . . . . . . . . . 133Stack Of Barley, The . . . . . . . . . . . . . . . . 134Star Of The County Down, The . . . . . . . . . . . . . 134Star of Munster, The . . . . . . . . . . . . . . . . 134Starry Night in Shetland . . . . . . . . . . . . . . . 134Starry Nights of Shetland . . . . . . . . . . . . . . . 135Staten Island . . . . . . . . . . . . . . . . . . 135Steamboat, The . . . . . . . . . . . . . . . . . . 93Stick Across the Hob; Tom Carmondy’s Favourite . . . . . . . .

136Stockport Polka . . . . . . . . . . . . . . . . . . 135Stoney Steps . . . . . . . . . . . . . . . . . . 136Stop The Cavalry . . . . . . . . . . . . . . . . . 136Streets of Laredo . . . . . . . . . . . . . . . . . 136Strike the Bell . . . . . . . . . . . . . . . . . . 137Sullivan’s Polka . . . . . . . . . . . . . . . . . . 137Sun Assembly . . . . . . . . . . . . . . . . . . 137Suo Gan . . . . . . . . . . . . . . . . . . . .

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138Sustead Schottische . . . . . . . . . . . . . . . . 138Swallowtail Jig . . . . . . . . . . . . . . . . . . 138Swansea Town . . . . . . . . . . . . . . . . . . 139Sweep’s Hornpipe . . . . . . . . . . . . . . . . . 139Sweet Betsy from Pike . . . . . . . . . . . . . . . . 139Sweet Jenny Jones . . . . . . . . . . . . . . . . . 140Sweets Of May, The . . . . . . . . . . . . . . . . 140Tabhair Domh Do Lamh . . . . . . . . . . . . . . . 155Tafarn y Wheatsheaf . . . . . . . . . . . . . . . . 140Take My Hand . . . . . . . . . . . . . . . . . . 141Tam Lin . . . . . . . . . . . . . . . . . . . . 141Tamlin; Tamlyn; Tam Lynn’s . . . . . . . . . . . . . . 141Tarbolton, The . . . . . . . . . . . . . . . . . . 141Teahan’s Fling . . . . . . . . . . . . . . . . . . 142Teetotaller’s Reel . . . . . . . . . . . . . . . . . 142Temperance Reel . . . . . . . . . . . . . . . . . 142Tennessee Waltz, The . . . . . . . . . . . . . . . . 142Tenpenny Bit, The . . . . . . . . . . . . . . . . . 141Terry Cuz Teahans; Teehans . . . . . . . . . . . . . . 20The Girl I Left Behind Me . . . . . . . . . . . . . . .

118The House of Glamis . . . . . . . . . . . . . . . . 130The King’s Head . . . . . . . . . . . . . . . . . . 24The Wounded Hussar . . . . . . . . . . . . . . . .

143Theme Vannitaise (TV) . . . . . . . . . . . . . . . . 2There’s a Man Came to our Town . . . . . . . . . . . . .

143Three Around Three . . . . . . . . . . . . . . . . 144Three Captains . . . . . . . . . . . . . . . . . . 142Three Little Drummers, The . . . . . . . . . . . . . . 144Three Sea Captains, The . . . . . . . . . . . . . . . 105Tiger Smith’s Jig . . . . . . . . . . . . . . . . . 144Timothy March . . . . . . . . . . . . . . . . . . 145Tobin’s Favourite . . . . . . . . . . . . . . . . . 145Tom Tolley’s . . . . . . . . . . . . . . . . . . . 145Tom Tollins Hornpipe . . . . . . . . . . . . . . . . 145Tombigbee Waltz . . . . . . . . . . . . . . . . . 146Tommy Beadle’s Polka . . . . . . . . . . . . . . . . 146Top of Cork Road . . . . . . . . . . . . . . . . . 147Toss the Feathers . . . . . . . . . . . . . . . . . 147Trade Wind Hornpipe . . . . . . . . . . . . . . . . 154Trasna na dTonnta . . . . . . . . . . . . . . . . . 147Trip to Brighton . . . . . . . . . . . . . . . . . . 148Tripping Up the Stairs . . . . . . . . . . . . . . . . 148Tripping Upstairs . . . . . . . . . . . . . . . . . 148Triumph, The . . . . . . . . . . . . . . . . . . 148Trumpet Hornpipe, The . . . . . . . . . . . . . . . . 149Tunbridge Beauties . . . . . . . . . . . . . . . . . 149Turkey in the Straw . . . . . . . . . . . . . . . . . 149Uncle Bernard’s . . . . . . . . . . . . . . . . . . 149Unquiet Grave, The . . . . . . . . . . . . . . . . . 150Valiant, The . . . . . . . . . . . . . . . . . . . 150Vandals of Hammerwich . . . . . . . . . . . . . . . 139Villikins and his Dinah . . . . . . . . . . . . . . . . 150Violate Me, in the Violet Time . . . . . . . . . . . . . . 151Wait for the Waggon . . . . . . . . . . . . . . . . 124Waiting for the Federals . . . . . . . . . . . . . . . 151Walls Of Liscarrol, The . . . . . . . . . . . . . . . . 151Walter Bulwer’s Polka #1 . . . . . . . . . . . . . . . 152Walter Bulwer’s Polka #2 . . . . . . . . . . . . . . . 152Waltz for the Valeta . . . . . . . . . . . . . . . . . 153Watson’s Hornpipe . . . . . . . . . . . . . . . . . 153Wayfaring Stranger . . . . . . . . . . . . . . . . . 153Weavers March . . . . . . . . . . . . . . . . . . 137Welsh Lullaby . . . . . . . . . . . . . . . . . . 154Weshin Day, The . . . . . . . . . . . . . . . . . 154Westering Home . . . . . . . . . . . . . . . . . 154Westmoreland Waltz . . . . . . . . . . . . . . . . 155Westphalia Waltz . . . . . . . . . . . . . . . . .

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41What Shall We Do . . . . . . . . . . . . . . . . . 155Wheatsheaf Tavern . . . . . . . . . . . . . . . . . 93Whelan’s Fancy . . . . . . . . . . . . . . . . . .

155When Johnny Comes Marching Home . . . . . . . . . . . . 156Whiskey Before Breakfast. . . . . . . . . . . . . . . . 156Whitchurch Hornpipe . . . . . . . . . . . . . . . . 157White Cockade, The . . . . . . . . . . . . . . . . 157Wi’ a Hundred Pipers . . . . . . . . . . . . . . . . 157Wild Mountain Thyme . . . . . . . . . . . . . . . . 157Will you go Lassie go . . . . . . . . . . . . . . . . 158Willafjord . . . . . . . . . . . . . . . . . . . 158William Taylor’s Tabletop Hornpipe . . . . . . . . . . . .

2Willie Wood . . . . . . . . . . . . . . . . . . . 158Wiltshire Six Hand Reel . . . . . . . . . . . . . . . . 159Wind that Shakes the Barley, The . . . . . . . . . . . . . 159Winster Gallop . . . . . . . . . . . . . . . . . . 159Winster Processional . . . . . . . . . . . . . . . . 160Woodland Flowers . . . . . . . . . . . . . . . . . 160Yarmouth Breakdown . . . . . . . . . . . . . . . . 52Yarmouth Reel . . . . . . . . . . . . . . . . . .

160Year of Jubilo . . . . . . . . . . . . . . . . . . 161Young Collins . . . . . . . . . . . . . . . . . .