Featur ing Ar t i s t s’ Week F r 28.02.14 - S u 02.03.14

adela idefest iva l . com .au

F r 28.02.14Su 11.05.14

V I S U A LA R T SP RO G R A M

Presenting Partner:

Adelaide Festival 2014

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C o n t e n t s

The University of South Australia and Adelaide Festival continue their cultural partnership through the 2014 Adelaide International and Artists’ Week program.

The partnership supports UniSA’s standing as a leading provider of visual arts education in South Australia and showcases the cutting-edge exhibition programs

of the Samstag Museum of Art and SASA Gallery.

Welcomes (pg 04)

Exhibitions

Worlds in Collision (pg 06)Adelaide International 2014

Dark Heart (pg 10)2014 Adelaide Biennial of Australian Art

Four Rooms (pg 14)

Film

River of Fundament (pg 18)

Artists’ Week

Introduction (pg 22)

Day One

Object-Oriented Animism (pg 24)Space is the Place (pg 27)

In Ramallah, Running (pg 27)Into the Void (pg 28)

Imagining an Underground (pg 31)Coming Out (pg 31)

Day Two

Radical Enlightenment (pg 32)A project by Lars Bang Larsen

Day Three

Another Sort of Real (pg 36)Distortion, Reverb and Noise (pg 38)

Turn, Turn, Turn (pg 40)

More

Artists’ Week Special Events (pg 42)Access and Online (pg 45)

Staff and Supporters (pg 46)Map (pg 47)

Schedule (pg 52)

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WelcomeWelcome

R i c h a r d G r a y s o nC u r a t o r

2 0 1 4 A d e l a i d e F e s t i v a l V i s u a l A r t s P r o g r a m

In 2014 Artists’ Week returns with a series of talks and presentations that explore some of the ideas and approaches of the Adelaide Festival visual arts program and the Adelaide International exhibition Worlds in Collision. This year’s event features a section developed by writer and curator Lars Bang Larsen and the Radical Enlightenment project that he has developed with Yann Chateigné at the University of Geneva. This looks at narratives and methodologies that have perhaps been sidelined or overlooked by the Rationalist and Enlightenment approaches that determine our culture, to see if certain strands and ideas might be considered as providing an expanded means of understanding, giving us a richer and more complex picture of the world, its operations and new ways that we might negotiate it. An emphasis on alternative readings and radical models runs through the other events where over three days national and international speakers will explore a multitude of approaches, world views and histories, and explore ways these might shape or be reflected in contemporary visual arts practice. Themes to be explored include the visionary, the psychedelic, the digital horizon, undergrounds, the outsider, the marginalised and ideas of the alternative, and other issues shaping contemporary practice. The 2014 Adelaide Biennial of Australian Art: Dark Heart will explore both the negative and the positive characteristics of Australia’s cultural identity, this year curated by Nick Mitzevich.

Celebrating its 40th anniversary Tandanya will present an ambitious exhibition of collaborative works from Indigenous Australian and American contemporary artists. The 2014 visual arts program seeks to illuminate a spectrum of ideas and experiences. I hope that you enjoy the myriad of choices on offer.

It gives me great pleasure to welcome you to the Adelaide Festival’s visual arts program for 2014. The Adelaide International, a biennial event, returns with the incredible exhibition Worlds in Collision, curated by Richard Grayson. It has been a genuine pleasure working with Richard – like a trip to The Twilight Zone with a very well-informed and affable guide. I guarantee you’ll enjoy the show as much as I enjoyed it coming together. Moving between realms of outsider art practices and digital technologies, Worlds in Collision won’t just give you an insight into the minds of these amazing artists; you will be able to immerse yourself in an exceptional selection of works across four of Adelaide’s leading contemporary art spaces. From the abandoned home of Luke Skywalker to eerie near death experiences, Richard’s curation of the Adelaide International is a must-see. Artists’ Week also returns in 2014 with a wild reinterpretation of the model including a curated event by Lars Bang Larsen, a number of sessions that will include guests from the Adelaide Biennial, Tandanya’s Four Rooms and an exciting crossover into the festival’s contemporary music program.

The visual arts program would not be complete without the Adelaide Biennial. This year Art Gallery of South Australia’s own Nick Mitzevich will be curating Dark Heart, where you can delve into the heart of Australia’s leading contemporary artists. It’s another journey, this time into the artistic response from Australian artists to their own history. It is a fascinating and enlightening collection. Tandanya joins us again on their 40th anniversary with Troy-Anthony Baylis’ Four Rooms. I’m certain this show will be incredibly popular and I thank Troy and his artists for collaborating with the festival once more. Finally, it is a pleasure to present the Australian premiere of Matthew Barney’s film River of Fundament – an epic and extraordinary work from a truly visionary artist. A number of thanks need to be said to the curators for their hard work across this enormous program. Your expertise is valued and appreciated. My gratitude is also extended to the number of artists, speakers and galleries who so generously participate in the program. And of course I thank the festival’s visual arts team, Rayleen Forester and Monte Masi, for their enthusiasm and efforts throughout this project. I wish you happy travels.

D a v i d S e f t o nA r t i s t i c D i r e c t o r

Worlds in Collision

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Worlds in Collision

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Credit: Paul Laffoley, The Zodiac Wheel 1967, oil, acrylic and vinyl lettering on canvas, 126 x 126cm. Courtesy the artist and Kent Fine Art, New York

W o r l d s i n C o l l i s i o nA d e l a i d e I n t e r n a t i o n a l 2 0 14

CURATOR RiChARd GRAysOn

Benedict Drew (UK) Joana Hadjithomas & Khalil Joreige (LEB/FRA)

Susan Hiller (UK) Paul Laffoley (USA) Rä di Martino (ITA) Katie Paterson (UK)Fred Tomaselli (USA)

Artur Zmijewski (POL)

A r t i s t s

Presented by Adelaide Festival in collaboration with Anne & Gordon Samstag Museum of Art, Contemporary Art Centre of SA, Australian Experimental Art Foundation and SASA Gallery

Present ing Par tner

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Worlds in Collision

Where SASA Gallery Fri 28 – Sun 16 Mar (Daily 10am-5pm) Mon 17 Mar – Fri 28 Mar (Mon to Fri 11am-5pm)

Where Anne & Gordon Samstag Museum of Art Fri 28 Feb – Fri 28 Mar (Daily 10am-5pm) Contemporary Art Centre of SA Thu 27 Feb – Sun 16 Mar (Daily 10am-5pm) Tue 18 Mar – Sun 30 Mar (Tue to Fri 11am-5pm, Sat to Sun 1pm-5pm)

Australian Experimental Art Foundation Fri 28 Feb – Sun 16 Mar (Daily 10am-5pm) Tue 18 Mar – Sat 29 Mar (Tue to Fri 11am-5pm, Sat 2pm-5pm)

Digital Download the free Adelaide Festival app to enhance your experience. See page 45 for details

Tickets Free

Via app, page 4 5

Credit: Susan Hiller, Channels 2013, installation view at Matt’s Gallery, London, photograph by Peter White. Courtesy the artist, Timothy Taylor Gallery and Matt’s Gallery

Adelaide International 2014 features artists who suggest new ways of modelling and imagining the world, who map the edges of what is known, and who investigate the potentials of what might lie beyond. Worlds in Collision looks at technological, political, psychological and psychedelic exploration, and the ways artists imagine alternatives to arrive at new understandings of potential and transformation. Time travel, digital frontiers, abandoned Star Wars sets, near-death experiences, new physics and second moons herald the foundations of this diverse and extraordinary selection of artists and artworks, shown across four sites.

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Worlds in Collision

WORLDS IN COLLISION PUBLICATIONThe Adelaide International 2014 catalogue will be available for purchase from late February at exhibition venues and online at adelaidefestival.com.au

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Dark Heart Dark Heart

D a r k H e a r t2 0 14 A d e l a i d e B i e n n i a l o f

A u s t r a l i a n A r t CURATOR niCk MiTzeviCh

diReCTOR, ART GAlleRy Of sOUTh AUsTRAliA

Tony Albert, Brook Andrew, Del Kathryn Barton, Martin Bell,

Ian Burns, eX de Medici, Shoufay Derz, Julia deVille, Dale Frank, Tony Garifalakis, Fiona Hall, Brendan Huntley,

Kulata Project – Tjala Arts, Rosemary Laing, Richard Lewer, Fiona Lowry, Dani Marti, Trent Parke,

Ben Quilty, Caroline Rothwell, Alex Seton, Sally Smart, Ian Strange, Warwick Thornton,

Lynette Wallworth & Martumili Artists

with Patricia Piccinini’s Skywhale and The Studio, presented by Julia Robinson

A r t i s t s

Credit: Sally Smart, Choreographing Collage 2013 (detail), installation view, Breenspace, Sydney, mixed media, 332 x 1150cm

Presented by the Art Gallery of South Australia in association with Adelaide Festival

Principal Donor: The Balnaves Foundation

The Adelaide Biennial is supported by the Australian Government through the Australia Council, its arts funding and advisory body, and by the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments

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Dark Heart

Credit: Tony Garifalakis, Mob Rule (detail) 2013, enamel on offset print, 27 x 19.5cm. Courtesy the artist and Hugo Michell Gallery, Adelaide

The 2014 Adelaide Biennial of Australian Art: Dark Heart taps into the hearts and minds of the nation – probing the personal, political and psychological dimensions of contemporary issues in Australia. Dark Heart explores Australia’s cultural identity through the lens of some of Australia’s leading contemporary artists. Featuring photography, painting, sculpture, installation and the moving image, this Biennial offers audiences an emotive and immersive experience. Established in 1990, the Adelaide Biennial is the flagship exhibition of Australian contemporary art nationally.

Where Art Gallery of South Australia, North TerraceWhen Sat 1 Mar – Sun 11 May (Daily 10am-5pm)Tickets Free

Se lec ted t imes

LANDEDYes, there is a suburban home emerging from the North Terrace pavement! Come and experience Ian Strange’s Landed 24/7.

THE STUDIOHave you ever knocked on wood? Julia Robinson presents The Studio, an immersive and active art space full of superstitions. Open every day of the Biennial for art lovers of all ages, The Studio is sponsored by the James and Diana Ramsay Foundation.

DARK HEART PUBLICATIONDark Heart will be supported by an exhibition publication featuring an introductory essay by Australia’s most controversial expatriate, Germaine Greer, and art writing on each Biennial artist. Available in the Gallery Shop.

SANTOS MUSEUM OF ECONOMIC BOTANYBiennial artist Caroline Rothwell continues her investigation of our ecology in an installation in the Santos Museum of Economic Botany in the Adelaide Botanic Garden from Friday 11 April.

ADELAIDE CITY LIBRARYDelve into the underbelly of Australian art and culture with a Lunch and Learn exploration of the art and artists in the Biennial at the new Adelaide City Library on Tuesday 11 March. DEPARTUREEnjoy exclusive after-hours access to outstanding art, hear from curators and artists and enjoy live music, performances and great food and drinks on Friday 21 March. MOREadelaidebiennial.com.au

SPECIAL EVENTS

The exhibition’s public programs and special events will pivot around the idea of difficult conversations and adventurous ideas. See page 52 for the schedule of events on the

opening weekend, including ceremonial welcomes, artists’ talks and the landing of Patricia Piccinini’s Skywhale on the morning of Saturday 1 March.

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F o u r R o o m sCURATOR TROy-AnThOny BAylis

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Four Rooms

Room 1: Zane Saunders (QLD)Room 2: Jenny Fraser (QLD)

and James Luna (USA)Room 3: Gordon Hookey (QLD)

Room 4: Tess Allas (NSW)Charlie Schneider (USA) and Vernon Ah-Kee (QLD)

A r t i s t s

Credit: Tess Allas, Charlie Schneider and Vernon Ah-Kee, Andy Warhol on Aboriginal Art, photographic performance

Presented by Tandanya – National Aboriginal Cultural Institute and Adelaide Festival

Four Rooms is supported by Arts SA, Arts Queensland and the Australian Government through the Australia Council for the Arts, its arts funding and advisory body

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Like film, a work of visual art will often involve numerous creatives, sometimes explicitly acknowledged but generally not, who together contribute to the production of the work. Four Rooms takes its name from the 1995 anthology film where four narratives take place in four individual rooms, each story led by its own director and stitched together by a bellhop character. Four Rooms is a multi-sensory exhibition comprising four individual ˇroom environmentsˇ produced by some of Australiaˇs leading Aboriginal artists. The artists have collaborated with other visual arts practitioners, filmmakers, designers and manufacturers. Each room features new work, drawing on video, objects, sound and lighting to articulate alter/native responses to themes of space, time and authorship.

Where Tandanya - National Aboriginal Cultural Institute, 253 Grenfell Street

When Tue 25 Feb – Sun 6 Apr (Daily 10am-5pm)

Tickets Free

Credit: Jenny Fraser, name that beach movie (still) 2014, video installation, photographic image of the video Molokai 1999, dir. Paul Cox

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Four Rooms

R i v e r o fF u n d a m e n t

A f i l m b y M a t t h e w B a r n e y a n d

J o n a t h a n B e p l e r(United States)

Credit: Matthew Barney and Jonathan Bepler, KHU 2010, performance still, photo Hugo Glendinning, copyright Matthew Barney. Courtesy Gladstone Gallery, New York and Brussels

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River of Fundament

River of Fundament is presented worldwide on behalf of the artist by Manchester International Festival

(Written and directed by) Matthew Barney(Music written and directed by) Jonathan Bepler

(Produced by) Matthew Barney and Laurenz Foundation

(Cast)John Buffalo Mailer as Norman I

Milford Graves as Norman IIChief Dave Beautiful Bald Eagle as Norman III

Ellen Burstyn, Maggie Gyllenhaal and Madyn G. Coakley as Hathfertiti Paul Giamatti as Ptah-nem-hotep

Joan La Barbara as the Widow of NormanAimee Mullins and Matthew Barney

as the Ka of NormanJennie Knaggs as Nephthys

Herbert Perry and Eugene Perry as SetBrennan Hall as Horus

Stephen Payne as Usermare

(Musical performances by)Elaine Stritch, Shara Worden, Belita Woods, Lila

Downs, Dr. Lonnie Smith and Mystic River

River of Fundament

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Where Capri Theatre, 141 Goodwood Road, GoodwoodWhen Sun 2 Mar 10.30am Sun 2 Mar 6pm Mon 3 Mar 5pmDuration Approximately 5 hours (including intervals)

A radical reinvention of Norman Mailer’s novel Ancient Evenings, this epic film is the latest work by world renowned art visionary Matthew Barney in collaboration with composer Jonathan Bepler. Barney and Bepler fuse narrative cinema, live performance, sculpture and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of death alongside the rise and fall of the American car industry. Alluring, authentic and intense, this vast, multidimensional experience is interspersed with remarkable live performances filmed over six years.

Strictly 18+. Contains explicit material.

Australian Premiere Exclusive to Adelaide

Credit: Matthew Barney and Jonathan Bepler, performance still from REN 2008,copyright Matthew Barney, photo Chris Winget. Courtesy Gladstone Gallery, New York and Brussels

Tickets Adult $49, Friends $42, Concession $42, Fringe Benefits $30Bookings adelaidefestival.com.au or BASS 131 246

River of Fundament

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Artists’ Week Artists’ Week

A r t i s t s ’ W e e kS y m p o s i u m

COnveneRs RiChARd GRAysOn And lARs BAnG lARsen AssOCiATe RAyleen fOResTeR

Artists’ Week 2014 looks at visions of enlightenment, ways of imagining alternatives, art politics and subcultures, and considerations of technological and psychedelic thinking in a dynamic three-day forum. Speakers from across Australia and the globe including guests from the festival’s visual arts program present and converse on a multitude of subjects variously related to the themes Space is the Place, Imagining an Underground, Radical Enlightenment and Another Sort of Real.

This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, and by the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments

Present ing Par tner

Credit: Artur Żmijewski, Democracies 2009-2012, video stills. Courtesy the artist, Foksal Gallery Foundation Warsaw and Galerie Peter Kilchmann, Zurich

Where Allan Scott Auditorium, University of South Australia, 55 North TerraceWhen Fri 28 Feb – Sun 2 MarDigital Join us on Twitter and Instagram @adelaidefest #AdlFestVATickets Free – no bookings required

Selec ted sess ions . Request form s avai lab le at ade la idefes t iva l . com . au

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O b j e c t - O r i e n t e d A n i m i s mE r i k D a v i s (USA)

keynOTe

10am-11.15am

The world is exploding with technologies, products and material processes that challenge our notions of agency with their apparent intelligence and animation. Many contemporary theorists also argue that it is time to re-affirm the ontological claims of things in the world, while Bruno Latour’s influential actor-network theory points toward an emerging ‘democracy of objects’. Meanwhile, emerging anthropological accounts of Amazonian shamanism, an increasingly popular frame of reference around our increasingly psychedelic planet, offer perspectives on ways of engaging with plants, animals and spirits that challenge some fundamental assumptions of naturalism. Are we witnessing the rise of a speculative animism?

Erik Davis (USA) is an author, award-winning journalist, speaker and teacher based in San Francisco. He is the author, most recently, of Nomad Codes: Adventures in Modern Esoterica. He also wrote TechGnosis: Myth, Magic, and Mysticism in the Age of Information and The Visionary State: A Journey through California’s Spiritual Landscape. His essays on music, media, technoculture and spirituality have appeared in dozens of books, including Sound Unbound, AfterBurn: Reflections on Burning Man, Zig Zag Zen and Rave Culture and Religion.

RESPONDENT Julie Henderson (SA) is an interdisciplinary artist who completed her doctorate in 2011. Her practice often involves collaboration and can be seen as a choreographic and performative process that investigates spatial field relations negotiating the contextual edges between artist/audience makers and objects. She has exhibited in Stockholm, Glasgow, Graz, Shanghai, Baguio City (Philippines), Loughborough (UK), and nationally. She is currently Studio Head, Sculpture and Installation at the University of South Australia.

Day One Fri 28 Feb

Credit: Rä di Martino, No More Stars (Star Wars) 2010, lambda print, 30 x 30cm. Courtesy the artist

Artists’ Week Day One / Fri 28 Feb

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I n R a m a l l a h , R u n n i n gG u y M a n n e s - A b b o t t (UK)

1.30pm-2pm

Guy Mannes-Abbott is a writer, essayist and critic who lives and works in London. Mannes-Abbott will read from his recent highly-acclaimed book In Ramallah, Running.

He will screen related photographs and artworks made in response to his writing by artists including Francis Alÿs, Jananne Al-Ani, Emily Jacir,

Khalil Rabah and Paul Noble.Guy Mannes-Abbott appears courtesy of the Contemporary Art Centre of SA.

Credit: Joana Hadjithomas & Khalil Joreige, Restaged n° 0 2012, c-print, 70 x 100 x 5 cm, edition of 6 + 2 AP. Courtesy the artists and Galerie In Situ Fabienne Leclerc, Paris

S p a c e i s t h e P l a c eR ä d i M a r t i n o (ITA)

K h a l i l J o r e i g e (LEB/FRA)

R i c h a r d G r a y s o n (UK)

pAnel

11.30am-12.30pm

Rä di Martino (ITA) has studied at Chelsea College of Arts and the Slade School of Fine Art in London. Her film, video installations and photos have been included in Terre Vulnerabili, HangarBicocca, Milan (2010); Italics, MCA Chicago (2009) and the Palazzo Grassi, Venice (2008) and Altered, Stitched and Gathered, MOMA-PS1, New York (2006).

Richard Grayson (UK) is an artist, curator and writer. Recent exhibitions include His Master’s Voice, HMKV Dortmund, Germany (2013); the 1st Kiev Biennale (2012) and the 17th Biennale of Sydney (2010). Curatorial projects have included Revolver, Matts Gallery (with Robin Klassnik, 2013) and Polytechnic, Raven Row, London (2010). Richard was the Artistic Director of the 13th Biennale of Sydney (The World May Be) Fantastic (2002).

Khalil Joreige (LEB/FRA) works with Joana Hadjithomas. As filmmakers and artists they focus on representations, the writing of history and the fabrication of imaginaries. Their artwork has been shown at biennials and festivals around the world. Recent exhibitions have been held at the Mori Art Museum, Tokyo; Centre Georges Pompidou, Paris; San Francisco MOMA and the Victoria and Albert Museum, London.

Artists’ Week Day One / Fri 28 Feb

Artists’ Week Day One / Fri 28 Feb

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Credit: Lynette Wallworth, Nyanjilpayi - after the hunt 2013. Courtesy the artist

I n t o t h e Vo i dD a v i d H a i n e s & J o y c e H i n t e r d i n g (NSW)

Ly n e t t e W a l l w o r t h (NSW)

pAnel

2pm-2.45pm

People have sought ways of mapping realms of the invisible and the immaterial since the beginnings of culture. What are the fascinations of these spaces and how do they inflect our readings and understandings of spaces revealed by science and technology? What are the dreams and metaphors of space in the modern age?

David Haines and Joyce Hinterding (NSW) collaborate on large-scale art works that explore sensation across a variety of experimental, traditional and digital media. Their recent work with game technologies have produced the large scale immersive works Monocline, white cube and The Outlands, a work that won the Anne Landa Award for video and new media arts, Art Gallery of NSW (2011).

Lynette Wallworth (NSW) is an Australian artist whose practice spans video installation, photography and film. Her work has been presented at the Smithsonian National Air and Space Museum, USA (2013); Sydney Festival (2010); Lincoln Center for Performing Arts, New York (2008); Turbulence: 3rd Auckland Triennial (2007); In Between Time, Arnolfini, Bristol (2006) and Melbourne International Arts Festival (2004).

CHAIR Charlotte Day (VIC) is Director of Monash University Museum of Art, Melbourne. Day has curated a range of significant exhibitions including 2010 Adelaide Biennial of Australian Art: Before and After Science and 2008 TarraWarra Biennial Lost and Found: An Archaeology of the Present. In 2013 she curated The Space Between Us, Art Gallery of New South Wales, and Monika Sosnowska: Regional Modernities at the Australian Centre for Contemporary Art, Melbourne.

Artists’ Week Day One / Fri 28 Feb

Artists’ Week Day One / Fri 28 Feb

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W i l l i a m Ya n g (NSW)

pResenTATiOn

3.45pm-4.30pm

William Yang (NSW) moved from Brisbane to Sydney in 1969 and worked as a freelance photographer documenting Sydney’s social life which included the glamorous celebrity set and the hedonistic, sub-cultural, gay community. In 1989 he began to perform monologues with slide projection. They tell personal stories and explore issues of identity against a background of social history, and are peppered with icons of the scenes including gay subcultural figures David McDiarmid and Peter Tully, and artists and designers Brett Whiteley, Martin Sharp, Jenny Kee and Linda Jackson.

C o m i n g O u t S y d n e y a r t i s t i c c i r c l e s i n t h e s e v e n t i e s a n d e a r l y e i g h t i e s

William Yang, Self Portrait #5 2008, from Old New Borrowed Blue, inkjet print, photographer William Yang, assisted by John Fukuda, 43 x 65cm, edition of 20

G l e n n B a r k l e y (NSW)

pResenTATiOn

3pm-3.30pm

Glenn Barkley (NSW) The idea of an ‘Underground’ has been central to how artists, musicians and writers have imagined their work finding an audience, shaping understandings and having wider cultural effects. Glenn Barkley, senior curator at Museum of Contemporary Art Australia – whose major curatorial projects have included Making it New: Focus on Contemporary Australian Art and Avoiding Myth & Message: Australian Artists and the Literary World, both at MCA – presents an overview of Australian conceptualism and countercultural movements during the 1970s. Barkley examines how these movements have contributed to an understanding of ‘the underground’ in an Australian context, and how it is possible to imagine undergrounds today.

I m a g i n i n g a n U n d e r g r o u n d

Artists’ Week Day One / Fri 28 Feb

Artists’ Week Day One / Fri 28 Feb

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Day Two Sat 1 Mar

I l l u s t r a t e d I n t e r l u d e s

A playful event with a rhythmic structure, Radical Enlightenment will test the limits of discourse throughout Day Two with a number of unannounced illustrated interludes – visuals, sound and nourishment designed to

stimulate and enlighten.

For Lars Bang Larsen and research partner Yann Chateigné, the radical Enlightenment we never had includes aesthetic and scientific experiments,

counter-cultural movements, and entire modernities that have been disqualified as esoteric. The two have staged exhibitions and seminars,

most recently at the Palais de Tokyo in Paris.

At Artists’ Week 2014 Larsen curates a day of panels, presentations and ‘illustrated interludes’ over three sessions, with guests including Marco Pasi

(NED), Susan Hiller (UK), Julie Stephens (VIC), Suzanne Treister (UK) and Ramona Altschul (SUI) .

From mystical experiences and hermetic philosophies through to wayward cybernetics, network theories, electronic music, trans-humanism and futurology, this Adelaide symposium will invoke the spirit of a radical

Enlightenment by gauging exchanges between art, science and counter-culture.

A detailed schedule will be available in February at adelaidefestival.com.auCredit: ESP-Disk promotional poster, date unknown, espdisk.com

Radical Enlightenment is a project by Geneva University of Art and Design (HEAD – Genève). It is part of the research project Art, Science, Counter-Culture: Perspectives on a Radical Enlightenment

R a d i c a l E n l i g h t e n m e n tA p r o j e c t b y L a r s B a n g L a r s e n (DEN)

10am-6pm

Artists’ Week Day Two / Sat 1 Mar

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Credit: Suzanne Treister, HEXEN 2.0/Historical Diagrams/From ARPANET to DARWARS via the Internet 2011, archival giclée print on Hahnemuhle Bamboo paper, 29.7 x 42cm. Courtesy the artist, Annely Juda Fine Art, London and P.P.O.W. New York

Lars Bang Larsen (DEN) is an art historian at the University of Copenhagen. He has curated exhibitions such as A History of Irritated Material, Raven Row, London (2010) and Populism, Stedelijk Museum, Amsterdam (2005). He is a frequent contributor to Afterall, Artforum International, Frieze and Mousse, and has authored such publications as The Model: A Model for a Qualitative Society, 1968 (2010) and Art and Psychedelia (2013).

Marco Pasi (NED) is Associate Professor in History of Hermetic Philosophy and related currents at the University of Amsterdam. He has focused his research mainly on the relationship between modern esotericism, politics, and art and the history of the idea of magic. He is the editor in chief of the Aries Book Series and board member of the European Society for the Study of Western Esotericism.

Susan Hiller (UK) Hiller’s work often explores the repressed permeability of certain prized cultural constructs such as rationality and consciousness, aesthetic value and artistic canons. She refers to her practice as ‘paraconceptual’, just sideways of conceptualism and neighbouring the paranormal. With a practice extending over 40 years, she is considered one of the most influential artists of her generation.

Julie Stephens (VIC) is a Melbourne based author and academic. She is an Associate Professor in the School of Social Sciences and Psychology at Victoria University. Her books include Confronting Postmaternal Thinking: Feminism, Memory, and Care (Columbia University Press, 2012) and Anti-Disciplinary Protest: Sixties Radicalism and Postmodernism (Cambridge University Press, 1998).

Suzanne Treister (UK) Initially recognized in the 1980s as a painter, Suzanne Treister became a pioneer in the digital/new media/web based field from the beginning of the 1990s. Recent exhibitions include THE REAL TRUTH A WORLD’S FAIR at Raven Row, London (2012); HEXEN 2.0 at the Science Museum, London (2012) and Hartware MedienKunstVerein (HMKV), Dortmund, Germany (2012).

Ramona Altschul (SUI) is a graduate student at the Haute école d’art et de design (HEAD) in Geneva. Exhibitions include Cheaper and Faster, Geneva and Cüpli, Geneva and Paris. In 2013 she performed with Martina-Sofie Wildberger and Jeanne Macheret at the Swiss Performance Award, as well as at French Heritage Day in the Abbey of Sorde with the collective CENC. In addition to her visual work Altschul plays electronic music under the name Tuulikki with Niki Tiphticoglou.

Artists’ Week Day Two / Sat 1 Mar

Artists’ Week Day Two / Sat 1 Mar

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A n o t h e r S o r t o f R e a lC o l i n R h o d e s

keynOTe

10am-11.15am

At a time when contemporary art has institutionalised relational aesthetics and embraced a fluid heterodoxy of vision and approach, we have seen an apparently easy appropriation of art created away from official art world structures of training, consumption and critique. Previously left to languish in an ill-defined borderland, and variously labelled ‘Outsider’ or ‘Brut’, ironically the work in question is mostly neither self-critical nor rhetorical, but both single minded and homiletic. How then can contemporary artists and curators accommodate these singular visions without colonising them, or neutralising their individual hermeneutic intent? What part might Art brut play in narratives of contemporary art? And what does it have to teach us today?

Professor Colin Rhodes (NSW) holds the position of Dean, Professor of Art History and Theory, Sydney College of the Arts, the University of Sydney. His research is focused on those cultures of production that exist in the margins of the dominant art world. Rhodes’ books include the influential Outsider Art: Spontaneous Alternatives (2000) and Primitivism and Modern Art (1994). Rhodes is Director of STOARC (the Self-Taught and Outsider Art Research Collection), which is based at the University.

RESPONDENT Dr Anthony White (VIC) holds the position of Senior Lecturer, School of Culture and Communication, the University of Melbourne. His monograph Lucio Fontana: Between Utopia and Kitsch was published as part of the October Books series by MIT Press in 2011. He has written several articles in journals including October, Grey Room, Reading Room, EMAJ and The Journal of Art Theory and Practice.

Day Three Sun 2 Mar

Credit: Fred Tomaselli, Untitled 2013, mixed media and resin on wood panel, 152.4 x 152.4cm. Courtesy the artist and James Cohan Gallery, New York/Shanghai

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Credit: Benedict Drew, The Persuaders 2011-14, installation view at CIRCA Projects, Newcastle upon Tyne. Courtesy the artist and Matt’s Gallery, London

Ilan Volkov (ISR), curator of Tectonics music festival, made his debut with the Iceland Symphony Orchestra in 2003 and took on the post of Music Director and Chief Conductor in September 2011. He began his career as Assistant Conductor of the Boston Symphony Orchestra under Seiji Ozawa, and was Chief Conductor of the BBC Scottish Symphony Orchestra from 2003-2009.

Benedict Drew (UK) is an artist who works across video, sculpture and music. Recent solo exhibitions include The Onesie Cycle, Rhubarba, Edinburgh (2013); Now Thing, Whitstable Biennale (2012); This Is Feedback, Outpost, Norwich (2012); Gliss, Cell Project Space (2012) and The Persuaders, Circa Site/AV Festival, Newcastle (2012).

Marco Fusinato (VIC) Artist/Musician. Recent exhibitions include Soundings: A Contemporary Score, Museum of Modern Art, New York (2013); The Imminence of Poetics, 30th Sao Paulo Biennale (2012); The Glasgow International Arts Festival (2012) and Parallel Collisions, the 2012 Adelaide Biennal of Australian Art. Fusinato records and performs regularly in the international experimental music underground obliterating guitar/electronics into improvised noise-spit tsunamis.

CHAIR Dr Cat Hope (WA) is an academic with an active profile as a composer, sound artist, and musician. Her practices focus on low frequency sound, drone, noise, improvisation and digital graphic notations, and have been discussed in books such as Loading the Silence (Kouvaris, 2013), Women of Note (Appleby, 2012), and Sounding Postmodernism (Bennett, 2011). In 2013 she was awarded a Churchill Fellowship to study digital music notations internationally.

What is the relationship between sound, music and acoustics to contemporary visual art and wider political currents? In particular, how do various terms relating to the movement and manipulation of sound – noise, distortion and reverberation – relate to the production and circulation of images within culture? This panel examines the role that sound and musical performance can play in imagining and transforming both inner and outer worlds, in a dynamic panel featuring artists, theorists and performers.

Don’t miss Ilan Volkov and Marco Fusinato in Tectonics Adelaide – see page 44

D i s t o r t i o n , R e v e r b a n d N o i s eI l a n Vo l k o v (ISR)

B e n e d i c t D r e w (UK)

M a r c o F u s i n a t o (VIC)

pAnel

11.30am-12.30pm

Artists’ Week Day Three / Sun 2 Mar

Artists’ Week Day Three / Sun 2 Mar

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Tu r n , Tu r n , Tu r nR e /g e n e r a t i n g c o n t e m p o r a r y p r a c t i c e

Te s s A l l a s (NSW)

G o r d o n H o o k e y (QLD) J a m e s L u n a (USA)

pAnel

1.30-2.30pm

Credit: Gordon Hookey, Terraist Animation Still 1 a 2012. Courtesy the artist and Milani Gallery, Brisbane

Gordon Hookey (QLD) was born in Cloncurry, Queensland and belongs to the Waanyi people. Hookey’s work combines figurative characters, iconic symbols, bold comic-like text and a spectrum of vibrant colours. His work has been featured in the 2000 Adelaide Biennial of Australian Art: Beyond the Pale: Contemporary Indigenous Art and On Reason and Emotion, the 2004 Biennale of Sydney.

Tess Allas (NSW) has worked in the field of Aboriginal art and cultural practice since the early 1990s. Her publications include essays for the National Gallery of Australia, the Museum of Contemporary Art and the Kluge-Ruhe Aboriginal Art Collection (University of Virginia).

James Luna (USA) is a Luiseno Indian who resides on the La Jolla Indian Reservation. He addresses the mythology of what it means to be “Indian” in contemporary American society and exposes the hypocrisy of the dominant society, which trivialises Indian people as romantic stereotypes. Luna has exhibited across the US, Canada, Japan and the UK.

CHAIR Troy-Anthony Baylis (SA) is of Irish and Aboriginal heritage: a descendant of the Jawoyn people from Australia’s Northern Territory. Since the 1990s Baylis has been a curator, writer and artist exploring the cultural identities of Indignity, Australiana and sexuality through his visual strategies of drag performances, mimicry and landscape aesthetics.

A selection of Four Rooms first nations artists from Australia and the United States talk politics, hybrid practice and multi-media art, and provide visual narratives and discussions drawn from their individual artistic oeuvres. They offer insights into their inspirations and aspirations, and attempt to answer what it is about their identities and their practices that simultaneously agitates and fascinates.

Artists’ Week Day Three / Sun 2 Mar

Artists’ Week Day Three / Sun 2 Mar

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A r t i s t s ’ W e e k S p e c i a l E v e n t s

Special Events

K a t i e P a t e r s o n ’ s S e c o n d M o o n O n l i n e / W o r l d w i d e / A n n e & G o r d o n

S a m s t a g M u s e u m o f A r t

Co-produced by Adelaide Festival, Katie Paterson’s Second Moon project tracks the cyclical journey of a small fragment of the moon as it circles the earth on a man-made

commercial orbit. You can follow the Second Moon’s journey in the Anne & Gordon Samstag Museum of Art and download the free app from the App Store or Google Play.

B e n e d i c t D r e w F l o o r Ta l k

SASA Gallery

Sun 2 Mar, 3pm

To conclude Artists’ Week 2014, Adelaide International artist Benedict Drew will lead a discussion and guided tour of his Worlds in Collision installation at SASA Gallery.

E r i k D a v i s R e a d i n g Dark Horsey Bookshop, AEAF

Mon 3 Mar, 1pm

R e a d i n g R o o m Dark Horsey Bookshop, AEAF

Fri 28 Feb – Sat 29 Mar,

during gallery hours

For the 2014 Adelaide Festival the Dark Horsey Bookshop at the AustralianExperimental Art Foundation will be transformed into a Reading Room. Audiences are invited to spend time in the Dark Horsey space, engaging with signature publications by Artists’ Week participants along with other hard-to-find titles.

Credit: Katie Paterson, Second Moon 2013, image from Second Moon app. Photo © Locus+ Archive/the artist

B R O A D S H E E T M a g a z i n e

Be sure to pick up the festival edition of CACSA’s own CONTEMPORARY VISUAL ART+CULTURE BROADSHEET magazine featuring articles by Artists’ Week participants Richard Grayson, Lars Bang Larsen and Guy Mannes-Abbott. The internationally distributed magazine aims to promote and develop contemporary visual art practice, critical analysis, debate and writing.

Join American author and journalist Erik Davis for a conversation and special reading from his recent essay collection Nomad Codes: Adventures in Modern Esoterica.

Access We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check event pages in this guide and on the website for access symbols and session times. The Adelaide Festival website at adelaidefestival.com.au has font enlargement capabilities, audio versions of every event page and Auslan interpreted videos on selected event pages.Auslan Requests To request an Auslan interpreted Artists’ Week session visit adelaidefestival.com.au/access, email info@adelaidefestival.com.au or contact Adelaide Festival through the National Relay Service on 133 677 then 08 8216 4444 or via relayservice.com.au

Access Symbols

Wheelchair access

Audio description

Sign interpreting

May have music/sounds

No music/sounds

Audio Description

Audio Description of selected Worlds in Collision artworks will be available via the Adelaide Festival app from Thu Feb 27.

Download the app for free from iTunes or Google Play. Extra Worlds in Collision content including interviews and videos available.

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Available on

Android

/adelaidefestival

@adelaidefest

@adelwritersweek

@adelaidefestival

/festivalofarts

Join us online Make the most of your Adelaide Festival experience. For the latest news, up to date program information and giveaways, join us online at adelaidefestival.com.au

#AdlFestVA #AdlFest #AdlWW #LolasPergola

adelaidefestival.com.au

YO U RT I C K E T T O T H E

W O R L D

adelaidefestival.com.au or BASS 131 246

sAdeh21By Ohad Naharin

CURATed And COndUCTed By ilAn vOlkOv (isR)

Featuring the Adelaide Symphony Orchestra

and Artists’ Week guest Marco Fusinato

“Gloriously eclectic.”

The TeleGRAph

B AT S H E VA D A N C E C O M PA N Y

T E C T O N I C S A D E L A I D E

B AT S H E VA I S B A C K

Festival Theatre, 5-8 Mar

Grainger Studio and Queen’s Theatre, 9-10 Mar

“One of the most fascinating dancemakers on the planet.”

neW yORk TiMes

R I M E O F T H E A N C I E N T M A R I N E R

The TiGeR lillies (Uk) with visuals by Mark Holthusen

A U S T R A L I A N P R E M I E R E

E X C L U S I V E T O A D E L A I D E

Her Majesty’s Theatre, 12-14 Mar

“A haunting evening’s entertainment.” The TeleGRAph

AcknowledgementAdelaide Festival acknowledges that the event is held on the traditional lands of the Kaurna people and that their spiritual relationship with their country is respected.

Visual Arts Staff

Rayleen ForesterVisual Arts Manager

Richard GraysonVisual Arts Curator

Lucy GusterVisual Arts Manager (Maternity leave from Jun 2013)

Lisa HillProduction Coordinator

Monte Masi Visual Arts Coordinator

Brianna Meldrum Production Administrator

Adelaide Festival Staff

David Sefton Artistic Director

Karen Bryant Chief Executive

Hilary Abel Marketing Executive Mandy Armstrong Show Group Travel Manager

Tammy Bands IT Manager

Prue Bassett National Publicist

Matthew Bennett Marketing Coordinator

Wendy BennettSenior Finance Assistant

Sarah Catford Business Development Assistant

Koral Chandler Publicist

Bill Coleby Risk Management Consultant

Nathan D’AgostinoProduction Coordinator Michelle DelaneyFestival Venue Designer

Kate Donnelly Program Administrator

Duncan FraserMedia Relations Manager

Ross Ganf Club Creative Director

Jude Gun Associate Producer

Hollee Gunter Production Coordinator

Meredith Holden Finance Assistant

Adam Hornhardt Special Events Production Manager

Taren Hornhardt Production Director

Trevor Horskins Finance & AdministrationDirector

Anna Hughes Writers’ Week Coordinator

Damon JonesProduction Coordinator

Sam Jozeps Digital Marketing Executive

Travis Kalendra Club Executive Producer

Laura Kroetsch Director,Adelaide Writers’ Week

Victoria Lewis Business Development & Events Executive

Becci Love Writers’ Week Assistant

Stephanie Lyall Print Marketing Executive

Charné Magor Executive Officer

David McLeanProduction Coordinator

Gillian Mercer Business Development Director

Caitlin Moore Assistant to Artistic Director & Music Program

Lesley Newton Program Director

Maggie Oster Production AdministrationCoordinator

Roland PartisProduction Coordinator

Mark Pennington Technical Coordinator

Sarah PledgeMarketing Executive(Maternity leave from Jan 2013)

Michelle ReidMarketing and Communications Director(Job Share)

Ben SnodgrassProduction Coordinator

Wendy ToddClub Design & Construction Coordinator

Joey Ruigrok Van der WervenClub Designer

Kaye Weeks Marketing and Communications Director(Job Share)

Anne Wiberg Associate Producer

Sam WrightProgram Coordinator

Rohan YatesProduction Coordinator

The information contained in this guide is correct at the time of print (November 2013)

S t a f f a n d s u p p o r t e r s M a p

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SOUTH TERRACE

GILBERT STREET

STURT STREET

WRIGHT STREET

GOUGER STREET

GROTE STREET

FRANKLIN STREET

WAYMOUTH STREET

CURRIE STREET

HINDLEY STREET

NORTH TERRACE

RUNDLE MALL

GRENFELL STREET

PIRIE STREET

FLINDERS STREET

WAKEFIELD STREET

ANGAS STREET

CARRINGTON STREET

HALIFAX STREET

GILLES STREET

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1 ANNE & GORDON SAMSTAG MUSEUM OF ART/ALLAN SCOTT AUDITORIUM University of South Australia, 55 North Terrace 2 ART GALLERY OF SA North Terrace

3 AUSTRALIAN ExPERIMENTAL ART FOUNDATION/DARK HORSEY BOOKSHOP Lion Arts Centre, cnr North Terrace and Morphett Street

4 CAPRI THEATRE 141 Goodwood Road, Goodwood

5 CONTEMPORARY ART CENTRE OF SA 14 Porter Street, Parkside

6 SASA GALLERY University of South Australia, cnr Fenn Place and Hindley Street 7 TANDANYA NATIONAL ABORIGINAL CULTURAL INSTITUTE 253 Grenfell Street

4 8 4 9

Adelaide | Hong Kong | Londonwww.lipmankaras.com

Lipman Karas is a specialist legal practice

representing corporate, government and

private clients.

With offices in Adelaide, Hong Kong and

London, our team has a proven track record

of consistently outstanding results in some

of the most challenging, complex and high

profile commercial litigation in the Asia

Pacific region and internationally.

Lipman Karas is proud to be a Corporate Supporting Partner

EmErging Curator Exhibition Program

Art Pod is a twenty-four-seven art space showcasing the City’s emerging and established artists in 6 exhibitions over 12 months at 25 Pirie Street. Curated by the Emerging Curator, a new initiative for recent arts graduates, work shown will include 2D, 3D, installation, ephemeral, sound and projection artwork. Exhibitions will also be shown in the Adelaide Town Hall.

A place for the:

Visit www.adelaidecitycouncil.com/artpod for current exhibition details

ART POD25 PiRiE STREET, ADElAiDE

2014 Adelaide Festival proudly supported by

WORLDS INCOLLISION

Adelaide International 2014 Catalogue

Illustrated catalogue featuring text and images from artists included in the Adelaide International exhibition.

Editor Richard Grayson

Available from late February at exhibition venues and

online at adelaidefestival.com.au

Credit: Paul Laffoley, The Zodiac Wheel 1967, oil, acrylic and vinyl lettering on canvas, 126 x 126cm. Courtesy the artist and Kent Fine Art, New York

AdelAide fesTivAl’s CORpORATe hOspiTAliTy pACkAGes

With a program packed full of exclusive events, world premieres and incredible creative talent, Adelaide Festival uniquely offers an

evening of world class entertainment and unique experiences.

Whether you are a company seeking to host clients or colleagues, a social club or charity looking for opportunities to fundraise,

Adelaide Festival can help you coordinate an evening to remember.

Packages including pre or post show hospitality can cater

for as few as 10 to as many as 200 guests.

Contact our Business Development Executive on 08 8216 4481 or VLewis@adelaidefestival.com.au

S H A R E A N E X T R A O R D I N A RY

E X P E R I E N C E

Photo: Jody Shapiro

Photo: Jan Versweyveld

5 0 5 1Bendigo and Adelaide Bank Limited ABN 11 068 049 178 AFSL 237879. (S46441) (10/13)

YEARS

FES 03 Cover AW 20/9/05 12:11 PM Page 2

FES 03 Cover AW 20/9/05 12:11 PM Page 2

FES 03 Cover AW 20/9/05 12:11 PM Page 2 FES 03 Cover AW 20/9/05 12:11 PM Page 2

A D E L A I D E F E S T I V A L . C O M . A U

A D E L A I D E F E S T I V A L . C O M . A U

A D E L A I D E F E S T I V A L . C O M . A U

SUPPORTING YOUR ADELAIDE FESTIVAL

Major Partner

5 2

fRi 28 feB ARTisTs’ Week dAy One Allan Scott Auditorium

Keynote: Object-Oriented Animism Erik Davis 10am-11.15am

Panel: Space is the Place Rä di Martino, Khalil Joreige, Richard Grayson 11.30am-12.30pm

Reading: In Ramallah, Running Guy Mannes-Abbott 1.30pm-2pm

Panel: Into the Void David Haines & Joyce Hinterding, Lynette Wallworth 2pm-2.45pm

Presentation: Imagining an Underground Glenn Barkley 3pm-3.30pm

Presentation: Coming Out William Yang 3.45pm-4.30pm

sAT 1 MAR ARTisTs’ Week dAy TWO Allan Scott Auditorium

Radical Enlightenment Lars Bang Larsen, Marco Pasi, Susan Hiller, Julie Stephens, Suzanne Treister, Ramona Altschul 10am-12.30pm 1.30pm-4pm 4pm-6pm

See adelaidefestival.com.au for detailed schedule in February

sUn 2 MAR ARTisTs’ Week dAy ThRee Allan Scott Auditorium

Keynote: Another Sort of Real Colin Rhodes 10am-11.15am

Panel: Distortion, Reverb and Noise Ilan Volkov, Benedict Drew, Marco Fusinato 11.30am-12.30pm

Panel: Turn, Turn, Turn Tess Allas, Gordon Hookey, James Luna 1.30pm-2.30pm

A R T I S T S ’ W E E KS C H E D U L E

2014 AdelAide BienniAl Of AUsTRAliAn ART: dARk heART Art Gallery of South Australia

sAT 1 MAR Welcome: Martumili Artists Discussion: Martumili Artists and Lynette Wallworth 1pm

Artist talks: Brook Andrew and Del Kathryn Barton 2pm

Artist talks: ex de Medici and Alex Seton 3pm

sUn 2 MAR Welcome: Anangu artists from Tjala Arts Discussion: Jonathan Jones and senior lawmen about the Kulata Project 1pm

Artist talks: Warwick Thornton and Julia deVille 2pm

Artist talks: Ben Quilty and Ian Strange 3pm

speCiAl evenTs

sUn 2 MAR SASA Gallery

Floor Talk: Benedict Drew 3pm

MOn 3 MAR Dark Horsey Bookshop

Reading: Nomad Codes: Adventures in Modern Esoterica Erik Davis 1pm

N O T E S

T h e V i s u a l A r t s p r o g r a m i s p r o u d l y s u p p o r t e d b y

Sponsoring Adelaide Festival aligns your brand with an event that enjoys powerful public recognition locally, nationally and internationally. Whether you’re looking to share in our community spirit

or achieve tangible business outcomes we’d love to hear from you.

Please contact the Business Development Director on 08 8216 4412 or sponsorship@adelaidefestival.com.au

P R E S E N T I N G P A R T N E R

V I S u A l A R T S P A R T N E R G A l l E R I E S

T h A N k y o u T o o u R f o u N d A T I o N A N d f o R E I G N G o V E R N m E N T P A R T N E R S :

G o V E R N m E N T P A R T N E R S

o T h E R P A R T N E R S

A d E l A I d E I N T E R N A T I o N A l P A R T N E R G A l l E R I E S

SASA GALLERY

Supported by Arts SA and the South Australian Tourism Commission

Anne & Gordon Samstag Museum of Art (Erica Green, Erin Davidson)

Contemporary Art Centre of South Australia (Alan Cruickshank, Logan Macdonald)

Australian Experimental Art Foundation (Christine Morrow, Jul ie Lawton, Fulvia Mantell i)

SASA Gallery (Mary Knights, Keith Giles)

Dark Horsey Bookshop (Ken Bolton)

Matt’s Gallery, London (Robin Klassnik , Judith Carlton, Dai Jenkins, Matilda Strang)

Galerie In Situ Fabienne Leclerc, Paris (Läila Farah)

Kent Fine Art, New York (Douglas Walla, Asja Gleeson)

Locus+ ( Jon Bewley, Jonty Tarbuck , Hannah Kirkham, Aymie Backler)

James Cohan Gallery, New York ( Jessica Lin Cox, Kat Savage)

Foksal Gallery Foundation, Poland (Aleksandra Sciegienna)

Art Gallery of South Australia (Nick Mitzevich, Lisa Slade, Serena Wong)

Tandanya National Aboriginal Cultural Institute (Troy-Anthony Baylis)

Geneva University of Art & Design (Yann Chateigné)

Global Specialised Services (Terry Fahey)

Fraser Muggeridge

Monash University Museum of Art (Charlotte Day)

Australian Centre for the Moving Image, Melbourne

Stil ls Gallery, Sydney

Mosaic AV (Craig Will iams)

Show Group (Mandy Armstrong)

Theresa Willsteed

Klaus Fröhlich

Allpro Audio

o

T H A N K YO U

Level 9, 33 King William StreetPO Box 8221 Station Arcade

Adelaide SA 5000

T : +61 8 8216 4444 F : +61 8 8216 4455info@adelaidefestival.com.au

ABN 70 858 344 347