photo 1 midterm review 2016

8/10/2019 Photo 1 Midterm Review 2016

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PHOTO 1MIDTERM REVIEW!


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THESE TOPICS

WILL BE ON THE EXAM & ARECOVERED IN THIS REVIEW

1. Parts of theCamera2. Shutter speed3. Aperture4. Depth of field5. Light metering6. Bracketing

7. Equivalent exposures8. Easels9. Parts of the enlarger

10. Processing film11. Darkroom chemistry12. Principles of

Composition


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parts of the camera


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1. 2.

3. 4.

5.

6.


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1. 2.

3. 4.

5.

6.


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1. 2.

3. 4.

5.

6.


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1. 2.

3. 4.

5.

6.


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1. 2.

3. 4.

5.

6.


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1. 2.

3. 4.

5.

6.


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1. 2.

3. 4.

5.

6.


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7.

8. 9.

10.

11.12.


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7.

8. 9.

10.

11.12.


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7.

8. 9.

10.

11.12.


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7.

8. 9.

10.

11.12.


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7.

8. 9.

10.

11.12.


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7.

8. 9.

10.

11.12.


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7.

8. 9.

10.

11.12.


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shutter speed


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What is this?


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What is this?

shutter speed dial


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What is this?

What does it do?

shutter speed dial


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What is this?

What does it do?

shutter speed dial

controls how long the shutter isopen - in fractions of a second


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What is this?

What does it do?

What does shutter speed TECHNICALLY control inyour photograph?

shutter speed dial



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What is this?

What does it do?


What does shutter speed CREATIVELY control inyour photograph?

shutter speed dial


how long the shutter is open - how much LIGHT gets in


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What is this?

What does it do?


What does shutter speed CREATIVELY control inyour photograph?

shutter speed dial


how long the shutter is open - how much LIGHT gets in

a sense of MOVEMENT or MOTION


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What does the B stand for?


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bulb


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What does it do?

bulb


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What does it do?

bulb

lets you have complete controlover shutter speed


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What does it do?

bulb


How?


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What does it do?

bulb


the shutter stays open as long as you are pushing theshutter release button

How?


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What does it do?

When would you use this?

bulb


the shutter stays open as long as you are pushing theshutter release button

How?


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What is this?


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What is this?

a tripod


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What is this?

a tripod

When do you use this?


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What is this?

a tripod


at shutter speeds of 1/60 or below


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What is this?

a tripod


at shutter speeds of 1/60 or below

What happens if you dont?it will be blurry and you will be disappointed. I promise.


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If you wanted to take a picture of a running man sothat the action would be frozen - what shutterspeed might you try?


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If you wanted to take a picture of a running man sothat the action would be frozen - what shutterspeed might you try?

1/1000


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What if you wanted to show movement - how wouldyou do that?


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What if you wanted to show movement - how wouldyou do that? the slower the better - try at least 1 second

if possible (movement will look blurred)


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You can also show movement using panning - what ispanning?


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You can also show movement using panning - what ispanning?

using a slow shutter speed (1/30 or below), move(pan) your camera to follow the moving subject

as you take the picture


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aperture


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What is this?

Wh h ?


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aperture ring

What is this?


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Wh i hi ?


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What does it do?

aperture ring

controls the size of the aperture,measured in -stops

What is this?

Wh i hi ?


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What does it do?

aperture ring


What is this?

A low -stop number = a _______ size aperture.

Wh i hi ?


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What does it do?

aperture ring


What is this?

A low -stop number = a _______ size aperture.LARGE

Wh i hi ?


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What does it do?

What does aperture size TECHNICALLY control inyour photograph?

aperture ring


What is this?


Wh t i thi ?


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What does it do?


aperture ring


how large an aperture - how much LIGHT gets in

What is this?


Wh t i thi ?


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What does it do?


What does aperture size CREATIVELY control inyour photograph?

aperture ring



What is this?


Wh t i thi ?


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What does it do?


What does aperture size CREATIVELY control inyour photograph?

aperture ring



DEPTH OF FIELD

What is this?



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depth of field

Depth of Field


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Depth of Field

/16

/2

/8

Depth of Field


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Depth of Field

/16

/2

/8

the wall of focus

Depth of Field


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Depth of Field

/16

/2

/8

the wall of focus how much (forwards and backwards of your subject)

of your image will be in focus

Depth of Field


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p

Depth of Field


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Depth of Field


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If you want a greatdepth of field, what

size aperture shouldyou use?

Depth of Field


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size aperture shouldyou use? SMALL

Depth of Field


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Such as?

SMALL

Depth of Field


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/16



Such as?

SMALL

Depth of Field


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/16



Such as?

SMALL

Depth of Field


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/16



If you want a shallowdepth of field, what


Such as?

SMALL

Depth of Field


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/16





Such as?

SMALL

LARGE

Depth of Field


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/16





Such as?

Such as?

SMALL

LARGE

Depth of Field


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/16

/2





Such as?

Such as?

SMALL

LARGE


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A POINT TO EMPHASIZE


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SHUTTER SPEED


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SHUTTER SPEED

Physically/Technically controls:


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SHUTTER SPEED


Creatively controls:


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SHUTTER SPEED



AMOUNT OF LIGHT


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SHUTTER SPEED



AMOUNT OF LIGHT

(how long shutter is open)


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SHUTTER SPEED


Creatively controls: MOVEMENT

AMOUNT OF LIGHT



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SHUTTER SPEED


Creatively controls: MOVEMENT(blurry or sharpness)

AMOUNT OF LIGHT



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SHUTTER SPEED

APERTURE



AMOUNT OF LIGHT



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SHUTTER SPEED

APERTURE




AMOUNT OF LIGHT



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SHUTTER SPEED

APERTURE





MOVEMENT(blurry or sharpness)

AMOUNT OF LIGHT


SHUTTER SPEED


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SHUTTER SPEED

APERTURE






AMOUNT OF LIGHT

AMOUNT OF LIGHT


SHUTTER SPEED


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SHUTTER SPEED

APERTURE






AMOUNT OF LIGHT

AMOUNT OF LIGHT

(size of aperture)


SHUTTER SPEED


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SHUTTER SPEED

APERTURE




Creatively controls: DEPTH OF FIELD


AMOUNT OF LIGHT

AMOUNT OF LIGHT

(size of aperture)


SHUTTER SPEED


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SHUTTER SPEED

APERTURE




Creatively controls: DEPTH OF FIELD


(the wall of focus)

AMOUNT OF LIGHT

AMOUNT OF LIGHT

(size of aperture)



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light metering


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Remember that your camera can not guess how you

want the picture to come out.

sorry


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sorry.

sorry


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sorry.

Meter directly fromyour subject. Its a good idea toget UNCOMFORTABLY CLOSEto your subject,

meter, then back up and re-compose the frame. This isalways important - but especially if your subject isbacklit (has a strong source of light coming frombehind it.)

hi!


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How does the camera talk to you?

hi!

hi!


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hi!

What does that look like?

hi!


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hi!

That depends on what KIND of LIGHTMETER your camera has.

What does that look like?

4 Categories of LIGHT METERS:


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1. Goldilocks



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1. Goldilocksthese settings have TOO MUCH light!these settings have TOO LITTLE light!

these settings are JUST RIGHT!



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1. Goldilocks



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1. Goldilockstoo much light (overexposed)too little light (underexposed)

just right (well exposed)



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Goldilocks PRO



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Goldilocks PRO too much/little... by exactly THIS MUCH



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1. Goldilocks

2. Aperture Priority

too much light (overexposed)too little light (underexposed)





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1. Goldilocks




YOU select aperture, then:camera suggests a good shutter

speed




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1. Goldilocks


3. Shutter Speed Priority




speed




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1. Goldilocks






speed

YOU select shutter speed, then:

camera suggests a good aperture




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1. Goldilocks



4. Multiple options/combination




speed






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1. Goldilocks



4. Multiple options/combination




speed




the camera gives you achoice (see above

options)in how it light

meters


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hey you. listen. you

are a total photorock star. everythingis going to be

GREAT.


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What is bracketing?


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What is bracketing?taking the same photograph at different exposures


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taking the same photograph at different exposures



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Why would you do this?




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to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you



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How do you bracket?



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How do you bracket?1. light meter



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2. choose which setting you want to keep (apertureor shutter speed)



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3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)


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How do you bracket?


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How do you bracket?


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How do you bracket?

1. light meter


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g

How do you bracket?

1. light meter


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g

250

/8

How do you bracket?

1. light meter


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g

250

/8


How do you bracket?

1. light meter


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g

250

/8


How do you bracket?

1. light meter


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g

250

/8



How do you bracket?

1. light meter


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g

250

/8



500


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How do you bracket?

1. light meter


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250

/8



4. take the three photographs

500 125

How do you bracket?

1. light meter


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250

/8



4. take the three photographs

500 125

/8 at 1/500 /8 at 250 /8 at 125


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equivalent exposures

Equivalent Exposures


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What are equivalent exposures?



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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)



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Why do they matter?



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Why do they matter?

to help you make use of your CREATIVE controls(depth of field and the sense of movement) while stillgetting a properly exposed image


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USING Equivalent Exposures


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Lets say you are asked to shoot a



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Let s say you are asked to shoot aphotograph of a pinwheel in

motion, for the OMG itsSPRING!!! issue of a local magazine.




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You find a pinwheel that is moving,and your cameras light meter tells

you that you should use 1/500 and/2. This is the picture you get:




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/2 and 1/500 sec




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/2 and 1/500 sec

Youre really happy with the

exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.




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/2 and 1/500 sec

Youre really happy with the

exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.

What should you do?



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/2 and1/500 sec



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/2 and1/500 sec

What setting was responsible for

freezing the motion of themoving pinwheel?


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/2 and1/500 sec


freezing the motion of themoving pinwheel? shutter speed

What could you do to create thesense of motion in your

photograph?



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/2 and1/500 sec




photograph? lower the shutter speed


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Since you got the EXPOSURE right, that means youre happy withthe relationship between your settings, you just need to use the

lowest possible shutter speed you can.

Use an Equivalent Exposure chart to figure out what aperture andshutter speed pair you could use which would give you the sameLIGHT as the original settings, but let you use the lowest possibleshutter speed.

/2 and1/500 sec




photograph? lower the shutter speed

Equivalent Exposure Chart


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camera, what settingssho ld I se?


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should I use?


camera, what settingsshould I use? 2 & 500


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should I use? 2 & 500




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hey friend. you can use anypair of settings you want, solong as they are equivalent.





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2




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should I use? & 500

500

2




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should I use?

500

2

more light




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should I use?

500

2

more light




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should I use?

500

2

more light

more light



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Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings but let you use the lowest possible shutter speed



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original settings, but let you use the lowest possible shutter speed.

Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings but let you use the lowest possible shutter speed



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Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed



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/2500

Use an Equivalent Exposure chart to figure out what aperture and shutterspeed pair you could use which would give you the same LIGHT as theoriginal settings, but let you use the lowest possible shutter speed.



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/2500




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/2500

500

/2




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/2500

250500

/2


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g g , y p p

/2500

250 125 60500

/2


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g g , y p p

/2500

250 125 60 30 15500

/2




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g g y p p

/2500

250 125 60 30 15 8500

/2




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g g y p p

/2500

250 125 60 30 15 8500

/2

4




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g g y p p

/2500

1000 250 125 60 30 15 8500

/2

4




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g g y p p

/2500

1000 250 125 60 30 15 8

x

500

/2

4




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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8

4


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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6

4


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193/406

/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11

4




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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

4




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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

4

/22


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197/406

/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

4

/22


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199/406

/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

/224

4

/22




200/406

/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

/224

4

/22




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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

/224

4

/22




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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

/224

these images areequivalent exposures

4

/22




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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

/224


4

/22




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/2500

1000 250 125 60 30 15 8

x

500

/2 /2.8 /4 /5.6 /8 /11 /16

/224


USE A

TRIPOD

4

/22



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camera, whatsettings shouldI ?


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I use?


camera, whatsettings shouldI ?

8 & 125


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I use?


camera, whatsettings shouldI e?

8 & 125


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I use?


camera, whatsettings shouldI use?

8 & 125


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I use?

8



8 & 125


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I use?

125

8



8 & 125


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I use?

125

8

more light



8 & 125


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I use?

125

8

more light



8 & 125


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I use?

125

8

more light

more light



8 & 125


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I use?

125

8

more light

more light

5.6



8 & 125


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I use?

125

8

more light

more light

5.6 4



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.8



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.811



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.81116



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.8111622



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.8111622

250



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.8111622

250 500



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.8111622

250 500 1000



8 & 125


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I use?

125

8

more light

more light

5.6 4 2.8111622

250 500 100060



8 & 125


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use

125

8

more light

more light

5.6 4 2.8111622

250 500 10006030



8 & 125


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125

8

more light

more light

5.6 4 2.8111622

250 500 1000603015



8 & 125


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125

8

more light

more light

5.6 4 2.8111622

250 500 1000603015

e q u a l


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125

8 5.6 4 2.8111622

250 500 1000603015


229/406

125

8 5.6 4 2.8111622

250 500 1000603015

e q u a l


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q

125

8 5.6 4 2.8111622

250 500 1000603015


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125

8 5.6 4 2.8111622

250 500 1000603015


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what do Iwant to DO?


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125

8 5.6 4 2.8111622

250 500 1000603015


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what do Iwant to DO?

I cannot decide for you.

125

8 5.6 4 2.8111622

250 500 1000603015


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125

8 5.6 4 2.8111622

250 500 1000603015


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125

8 5.6 4 2.8111622

250 500 1000603015


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239/406

125

8 5.6 4 2.8111622

250 500 1000603015


240/406


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125

8 5.6 4 2.8111622

250 500 1000603015


242/406

125

8 5.6 4 2.8111622

250 500 1000603015


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125

8 5.6 4 2.8111622

250 500 1000603015


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245/406



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Equivalent Exposure Chart camera, whatsettings shouldI use?


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Equivalent Exposure Chart camera, whatsettings shouldI use?5.6 & 60


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250/406

5.6



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60

5.6



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60

5.6

more light



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60

5.6

more light



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60

5.6

more light

more light



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60

5.6

more light

more light

4



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60

5.6

more light

more light

4 2.8



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60

5.6

more light

more light

4 2.8 2



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60

5.6

more light

more light

4 2.8 28



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60

5.6

more light

more light

4 2.8 2811


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262/406

60

5.6

more light

more light

4 2.8 281116

125 250



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60

5.6

more light

more light

4 2.8 281116

125 250500



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60

5.6

more light

more light

4 2.8 281116

125 25050030



265/406

60

5.6

more light

more light

4 2.8 281116

125 2505003015



266/406

60

5.6

more light

more light

4 2.8 281116

125 25050030158



267/406

60

5.6

more light

more light

4 2.8 281116

125 25050030158

e q u a l



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60

5.6

more light

more light

4 2.8 281116

125 25050030158

60

5.6 4 2.8 281116

125 250 50030158


269/406

60 125 250 50030158

60

5.6 4 2.8 281116

125 250 50030158

l


270/406

60 125 250 50030158

e q u a l

60

5.6 4 2.8 281116

125 250 50030158


271/406

60 125 250 50030158

60

5.6 4 2.8 281116

125 250 50030158


272/406

60 125 250 50030158

60

5.6 4 2.8 281116

125 250 50030158


273/406

60 125 250 50030158

60

5.6 4 2.8 281116

125 250 50030158


274/406

60 125 250 50030158

60

5.6 4 2.8 281116

125 250 50030158


275/406

60 125 250 50030158

60

5.6 4 2.8 281116

125 250 50030158


276/406

60 125 250 50030158

60

5.6 4 2.8 281116

125 250 50030158


277/406

60 125 250 50030158


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the easels

Easels


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Easels

This is a ________ easel.


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281/406

Easels


It is used when making:

CONTACT


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283/406

Easels



contact sheetsh l

CONTACT


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contact sheets pinhole positives

Easels



contact sheetsh l

CONTACT


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contact sheets pinhole positives collage negatives

Easels



contact sheetsi h l i i

CONTACT


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co t ct s eets pinhole positives collage negatives photograms

Easels




CONTACT


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pinhole positives collage negatives photograms

EaselsThis is a ________ easel.



CONTACT


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This is a __________________ easel.



contact sheetspi h l p i i

CONTACT


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This is a __________________ easel.PRINTING / MASKING


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contact sheetspi h l p iti

CONTACT


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It is used when making: enlargements from negatives



contact sheets pi h l p iti

CONTACT


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It helps your prints have:



contact sheets pi hole positi es

CONTACT


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It helps your prints have: neat, white borders



contact sheets pinhole positives

CONTACT


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It helps your prints have: neat, white borders regular sizes


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parts of the enlarger


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Parts of the Enlarger


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lamphouse {


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lamphouse {


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lamphouse {


300/406


lamphouse {


301/406


bellows {

lamphouse {


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bellows {

lamphouse {


303/406


bellows {

lamphouse {


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bellows {lens

lamphouse {


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bellows {lens

lamphouse {negative carriergoes here


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bellows {goes here

lens



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bellows {g

easel goes here

lens



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bellows {g

easel goes here

lens

(but which easel??)



309/406


bellows {g

easel goes here

lens

(but which easel??)


heightadjustmentknob


310/406


bellows {g

easel goes here

lens

(but which easel??)



moves EVERYTHINGup and down


311/406


bellows {g

easel goes here

lens

(but which easel??)





312/406


bellows {g

easel goes here

lens

(but which easel??)

lamphouse {

{negative carriergoes here




313/406


bellows {g

easel goes here

lens

(but which easel??)

lamphouse {





314/406


bellows {g

fine focus

easel goes here

lens

(but which easel??)

lamphouse {





315/406


bellows {g

fine focusmoves the bellows

up and down

easel goes here

lens

(but which easel??)

lamphouse {





316/406


bellows {g

fine focusmoves the bellows

up and down

easel goes here

lens

(but which easel??)

lamphouse {





317/406


bellows { fine focusmoves the bellows

up and down

easel goes here

lens

(but which easel??)

lamphouse {





318/406



up and down

easel goes here

grain focuser

lens

(but which easel??)

lamphouse {





319/406



up and down

easel goes here

grain focuser

lens

(but which easel??)

lamphouse {





320/406



up and down

easel goes here

grain focuserused to get the sharpest possible print

lens

(but which easel??)

lamphouse {





321/406



up and down

easel goes here


lens

(but which easel??)

lamphouse {





322/406



up and down

easel goes here


lens

(but which easel??)


323/406

processing film

Loading Your Film:What goes into the changing bag?


324/406


tank (including lid & post)


325/406


tank (including lid & post)


326/406


tank (including lid & post) 2 reels


327/406




328/406



can opener


329/406



can opener


330/406



can opener your film


331/406

your film



can opener your film


332/406

your film

Processing Your Film (the SUPER condensed version)


333/406


1. Water Rinse


334/406


1. Water Rinse

2. Developer


335/406


1. Water Rinse

2. Developer

3. Stop Bath


336/406


1. Water Rinse

2. Developer

3. Stop Bath


337/406

4. Fixer


1. Water Rinse

2. Developer

3. Stop Bath


338/406

4. Fixer

5. Water Rinse


1. Water Rinse

2. Developer

3. Stop Bath


339/406

4. Fixer

5. Water Rinse

6. Perma Wash


1. Water Rinse

2. Developer

3. Stop Bath


340/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse


1. Water Rinse

2. Developer

3. Stop Bath


341/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


342/406


1. Water Rinse

2. Developer

3. Stop Bath


343/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


1. Water Rinse

2. Developer

3. Stop Bath


344/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


1. Water Rinse

2. Developer

3. Stop Bath


345/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


1. Water Rinse

2. Developer

3. Stop Bath


346/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


1. Water Rinse

2. Developer

3. Stop Bath


347/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


1. Water Rinse

2. Developer

3. Stop Bath


348/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


1. Water Rinse

2. Developer

3. Stop Bath


349/406

4. Fixer

5. Water Rinse

6. Perma Wash

7. Water Rinse

8. Wetting Agent


350/406

darkroom chemistry


351/406


352/406


353/406

sink


354/406

sink

name:


355/406

sink

name: developer


356/406

sink

name: developer


357/406

sink

name: developer stop bath


358/406

sink

name: developer stop bath


359/406

sink

name: fixerdeveloper stop bath


360/406

sink

name: fixerdeveloper stop bath


361/406

sink

name: fixer waterdeveloper stop bath


362/406

sink



363/406

sink

what do I do?



364/406

sink

what do I do?develops the paper

(oxidizes silver)(pH 11 or 12 = base)



365/406

sink



stops thedeveloping(low pH = acid,neutralizes the

developer)



366/406

sink




developer)

stabilizesthe image

(removes unexposedsilver from the paper)



367/406

sink




developer)

stabilizesthe image


cleans the print(washes off allthe chemicals)



368/406

sink




developer)

stabilizesthe image



I should bereplaced when...



369/406

sink




developer)

stabilizesthe image



I should bereplaced when...

if I am a darkyellowish orangecolor, sort of like

this but not exactly



370/406

sink




developer)

stabilizesthe image



I should be

replaced when...





371/406

sink




developer)

stabilizesthe image



I should be

replaced when... if I am a darkpurple color





372/406

sink




developer)

stabilizesthe image



I should be

replaced when... if I am a darkpurple color





373/406

sink




developer)

stabilizesthe image



I should be

replaced when... if I get cloudy whenyou drip hypo check inif I am a darkpurple color





374/406

sink




developer)

stabilizesthe image



I should be

replaced when... if I get cloudy whenyou drip hypo check inif I am a darkpurple color





375/406

sink




developer)

stabilizesthe image



I should be

replaced when... N/Aif I get cloudy whenyou drip hypo check inif I am a darkpurple color





376/406

sink

snapshot vs. composed


377/406

principles of composition

p pand

What is the difference between a snapshot and a

composed photograph?


378/406



Snapshot


379/406



Snapshot

A casual recordof some event, person, object or place.


380/406



Snapshot


Usually a very quick response to a situation.


381/406



Snapshot



Unorganized, no attention has been paid to details.


382/406



Snapshot





383/406

Only the photographerhas an emotional connection to the photo



Snapshot





384/406


vs. Composed Photograph



Snapshot





385/406


vs. Composed Photograph An artistic interpretationof an event, person, object, or place.



Snapshot





386/406



A process where care is taken to consider the elements and principlesthat exist

within the frame of the composition.



Snapshot





387/406





Organized frame, where attention has been paid to expressing an emotionor

telling the viewer something about its subject.



Snapshot





388/406





Organized frame, where attention has been paid to expressing an emotionor

telling the viewer something about its subject.

A universal appeal orsense of interest- ability to connect to many viewers

Principles of Photographic Composition


389/406


1. Light


390/406


1. Light

2. Rule of Thirds


391/406


1. Light

2. Rule of Thirds3. Using the Edges of the Frame


392/406


1. Light

2. Rule of Thirds3. Using the Edges of the Frame4 FrameWithin a Frame


393/406

4. Frame Within a Frame


1. Light



394/406


5. Line


1. Light



395/406


5. Line6. Point of View


1. Light



396/406


5. Line6. Point of View7. Fill the Frame / Cropping


1. Light


8/10/2019 Photo 1 Midterm R

photo 1 midterm review 2016

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