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  • 8/4/2019 Photo History Part1

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    a brief history of

    photography

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    a brief history of

    photography

    part 1:

    where didphotography come

    from?

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    photography -

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    photography - light

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    photography - light +

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    photography - light writing +

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    photography - light writing +

    drawing with light

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    photography -

    camera -

    light writing +

    drawing with light

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    photography -

    camera -

    light writing +

    drawing with light

    room, or chamber - anenclosed space

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    camera obscura -

    photography -

    camera -

    light writing +

    drawing with light

    room, or chamber - anenclosed space

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    camera obscura -

    photography -

    camera -

    light writing +

    drawing with light

    room, or chamber - anenclosed space

    an enclosed

    space that is dark

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    (China, c. 470 - c. 391 BCE)

    Mo Di, or Mozi

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    (China, c. 470 - c. 391 BCE)

    earliest known mention of basicphotography concepts:

    Mo Di, or Mozi

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    (China, c. 470 - c. 391 BCE)

    Mozi discovered that while in a darkened room, a

    tiny opening in one wall projected an upside-down

    image of the scene outside onto the opposite wall.

    He referred to this as locked treasure room.

    earliest known mention of basicphotography concepts:

    Mo Di, or Mozi

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    (China, c. 470 - c. 391 BCE)

    Mozi discovered that while in a darkened room, a

    tiny opening in one wall projected an upside-down

    image of the scene outside onto the opposite wall.

    He referred to this as locked treasure room.

    earliest known mention of basicphotography concepts:

    Mo Di, or Mozi

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    Aristotle (Greece, 384 - 322 BCE)

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    Aristotle (Greece, 384 - 322 BCE)

    was sitting under a tree during a solar eclipse,and noticed that each gap in the leaves

    projected a mini-eclipse onto the ground

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    Aristotle (Greece, 384 - 322 BCE)

    a solar eclipse is when the moon passes

    between the Sun and the Earth - so that

    from the Earth, the moon looks like its

    covering up the sun

    was sitting under a tree during a solar eclipse,and noticed that each gap in the leaves

    projected a mini-eclipse onto the ground

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    Aristotle (Greece, 384 - 322 BCE)

    a solar eclipse is when the moon passes

    between the Sun and the Earth - so that

    from the Earth, the moon looks like its

    covering up the sun

    was sitting under a tree during a solar eclipse,and noticed that each gap in the leaves

    projected a mini-eclipse onto the ground

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    Aristotle (Greece, 384 - 322 BCE)

    a solar eclipse is when the moon passes

    between the Sun and the Earth - so that

    from the Earth, the moon looks like its

    covering up the sun

    was sitting under a tree during a solar eclipse,and noticed that each gap in the leaves

    projected a mini-eclipse onto the ground

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    Aristotle (Greece, 384 - 322 BCE)

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    Aristotle

    afterwards, he experimented letting light shine

    through different shapes of holes, but noticed

    that it always projected the sun as a circle (like

    it is in real life)

    (Greece, 384 - 322 BCE)

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    Aristotle

    afterwards, he experimented letting light shine

    through different shapes of holes, but noticed

    that it always projected the sun as a circle (like

    it is in real life)

    (Greece, 384 - 322 BCE)

    just likehow during a solar eclipse, evencircular holes will project eclipse-shaped light

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    Aristotle

    afterwards, he experimented letting light shine

    through different shapes of holes, but noticed

    that it always projected the sun as a circle (like

    it is in real life)

    (Greece, 384 - 322 BCE)

    just likehow during a solar eclipse, evencircular holes will project eclipse-shaped light

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    Aristotle

    afterwards, he experimented letting light shine

    through different shapes of holes, but noticed

    that it always projected the sun as a circle (like

    it is in real life)

    (Greece, 384 - 322 BCE)

    just likehow during a solar eclipse, evencircular holes will project eclipse-shaped light

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    Aristotle

    afterwards, he experimented letting light shine

    through different shapes of holes, but noticed

    that it always projected the sun as a circle (like

    it is in real life)

    (Greece, 384 - 322 BCE)

    just likehow during a solar eclipse, evencircular holes will project eclipse-shaped light

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    )/.-,%*(')'%*(')'%$#"!Alhazen

    Abu Ali al-Hasan Ibn al-Haitham

    (Iraq, 965 - c. 1040 CE)

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    )/.-,%*(')'%*(')'%$#"!Alhazen

    extensively studied light & optics, built the first

    (official) camera obscura, & scientificallyproved that light travels in straight lines -

    Abu Ali al-Hasan Ibn al-Haitham

    (Iraq, 965 - c. 1040 CE)

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    )/.-,%*(')'%*(')'%$#"!Alhazen

    extensively studied light & optics, built the first

    (official) camera obscura, & scientificallyproved that light travels in straight lines -

    Abu Ali al-Hasan Ibn al-Haitham

    (Iraq, 965 - c. 1040 CE)

    which is whyprojected images are

    upside down

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    )/.-,%*(')'%*(')'%$#"!Alhazen

    extensively studied light & optics, built the first

    (official) camera obscura, & scientificallyproved that light travels in straight lines -

    Abu Ali al-Hasan Ibn al-Haitham

    (Iraq, 965 - c. 1040 CE)

    which is whyprojected images are

    upside down

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    interestingly, Alhazen was also the first to

    realize the modern understanding of vision:

    light (for example, from the sun) reflects off ofthings, our eyes interpret that reflected light,

    and thats how we are able to see them

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    interestingly, Alhazen was also the first to

    realize the modern understanding of vision:

    light (for example, from the sun) reflects off ofthings, our eyes interpret that reflected light,

    and thats how we are able to see them

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    interestingly, Alhazen was also the first to

    realize the modern understanding of vision:

    light (for example, from the sun) reflects off ofthings, our eyes interpret that reflected light,

    and thats how we are able to see them

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    interestingly, Alhazen was also the first to

    realize the modern understanding of vision:

    light (for example, from the sun) reflects off ofthings, our eyes interpret that reflected light,

    and thats how we are able to see them

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    interestingly, Alhazen was also the first to

    realize the modern understanding of vision:

    light (for example, from the sun) reflects off ofthings, our eyes interpret that reflected light,

    and thats how we are able to see them

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    interestingly, Alhazen was also the first to

    realize the modern understanding of vision:

    light (for example, from the sun) reflects off ofthings, our eyes interpret that reflected light,

    and thats how we are able to see them

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    interestingly, Alhazen was also the first to

    realize the modern understanding of vision:

    light (for example, from the sun) reflects off ofthings, our eyes interpret that reflected light,

    and thats how we are able to see them

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    before this, it was actually the accepted belief

    that the human eye sent out rays which

    scanned objects

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    before this, it was actually the accepted belief

    that the human eye sent out rays which

    scanned objects

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    before this, it was actually the accepted belief

    that the human eye sent out rays which

    scanned objects

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    before this, it was actually the accepted belief

    that the human eye sent out rays which

    scanned objects

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    before this, it was actually the accepted belief

    that the human eye sent out rays which

    scanned objects

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    before this, it was actually the accepted belief

    that the human eye sent out rays which

    scanned objects

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    before this, it was actually the accepted belief

    that the human eye sent out rays which

    scanned objects

    L d d Vi i

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    Leonardo da Vinci (Italy, 1452-1519)

    L d d Vi i

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    Leonardo da Vinci

    regarded the camera obscura as an artificial eye

    was the first to realize that since the image seen in the

    camera obscura was upside-down, the HUMAN eye might

    see that way as well

    (Italy, 1452-1519)

    L d d Vi i

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    Leonardo da Vinci

    regarded the camera obscura as an artificial eye

    was the first to realize that since the image seen in the

    camera obscura was upside-down, the HUMAN eye might

    see that way as well

    (Italy, 1452-1519)

    da Vinci thought that maybe the human eye used lenses

    to flip our vision right side up

    L d d Vi i

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    Leonardo da Vinci

    regarded the camera obscura as an artificial eye

    was the first to realize that since the image seen in the

    camera obscura was upside-down, the HUMAN eye might

    see that way as well

    (Italy, 1452-1519)

    da Vinci thought that maybe the human eye used lenses

    to flip our vision right side up

    at this time, lenses (from the Latin word for lentil) were

    already being widely used as magnifiers and vision-

    correcting spectacles

    L d d Vi i

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    Leonardo da Vinci

    regarded the camera obscura as an artificial eye

    was the first to realize that since the image seen in the

    camera obscura was upside-down, the HUMAN eye might

    see that way as well

    (Italy, 1452-1519)

    da Vinci thought that maybe the human eye used lenses

    to flip our vision right side up

    at this time, lenses (from the Latin word for lentil) were

    already being widely used as magnifiers and vision-

    correcting spectacles

    L d d Vi i

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    Leonardo da Vinci

    regarded the camera obscura as an artificial eye

    was the first to realize that since the image seen in the

    camera obscura was upside-down, the HUMAN eye might

    see that way as well

    (Italy, 1452-1519)

    da Vinci thought that maybe the human eye used lenses

    to flip our vision right side up

    at this time, lenses (from the Latin word for lentil) were

    already being widely used as magnifiers and vision-

    correcting spectacles

    lens

    Leonardo da Vinci (I l 1452 1519)

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    Leonardo da Vinci

    regarded the camera obscura as an artificial eye

    was the first to realize that since the image seen in the

    camera obscura was upside-down, the HUMAN eye might

    see that way as well

    (Italy, 1452-1519)

    da Vinci thought that maybe the human eye used lenses

    to flip our vision right side up

    at this time, lenses (from the Latin word for lentil) were

    already being widely used as magnifiers and vision-

    correcting spectacles

    lens

    Leonardo da Vinci (It l 1452 1519)

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    Leonardo da Vinci

    regarded the camera obscura as an artificial eye

    was the first to realize that since the image seen in the

    camera obscura was upside-down, the HUMAN eye might

    see that way as well

    (Italy, 1452-1519)

    da Vinci thought that maybe the human eye used lenses

    to flip our vision right side up

    at this time, lenses (from the Latin word for lentil) were

    already being widely used as magnifiers and vision-

    correcting spectacles

    lens

    lentils

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    from 1550 through 1569, other Italian scientists followed

    da Vincis lead, adding lenses - as well as mirrors - to both

    FOCUS the image, and CORRECT the image (make it

    right-side up)

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    from 1550 through 1569, other Italian scientists followed

    da Vincis lead, adding lenses - as well as mirrors - to both

    FOCUS the image, and CORRECT the image (make it

    right-side up)

    Johannes Kepler (Germany, 1571-1630)

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    from 1550 through 1569, other Italian scientists followed

    da Vincis lead, adding lenses - as well as mirrors - to both

    FOCUS the image, and CORRECT the image (make it

    right-side up)

    came up with the name camera obscura and also

    was the first to invent one that was portable and

    could be taken from place to place

    Johannes Kepler (Germany, 1571-1630)

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    from 1550 through 1569, other Italian scientists followed

    da Vincis lead, adding lenses - as well as mirrors - to both

    FOCUS the image, and CORRECT the image (make it

    right-side up)

    came up with the name camera obscura and also

    was the first to invent one that was portable and

    could be taken from place to place

    Johannes Kepler (Germany, 1571-1630)

    (also, he was the first to guess that it was the BRAIN that

    flipped our vision right-side up - rather than lenses/

    mirrors that are used in a camera or camera obscura)

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    from 1550 through 1569, other Italian scientists followed

    da Vincis lead, adding lenses - as well as mirrors - to both

    FOCUS the image, and CORRECT the image (make it

    right-side up)

    came up with the name camera obscura and also

    was the first to invent one that was portable and

    could be taken from place to place

    Johannes Kepler (Germany, 1571-1630)

    (also, he was the first to guess that it was the BRAIN that

    flipped our vision right-side up - rather than lenses/

    mirrors that are used in a camera or camera obscura)

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    from 1550 through 1569, other Italian scientists followed

    da Vincis lead, adding lenses - as well as mirrors - to both

    FOCUS the image, and CORRECT the image (make it

    right-side up)

    came up with the name camera obscura and also

    was the first to invent one that was portable and

    could be taken from place to place

    Johannes Kepler (Germany, 1571-1630)

    (also, he was the first to guess that it was the BRAIN that

    flipped our vision right-side up - rather than lenses/

    mirrors that are used in a camera or camera obscura)this is Kepler (a crater on the

    moon) which was named after him

    t thi i t h t l i g thi

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    so at this point, what are people using this

    camera obscura thing FOR?

    t thi i t h t l i g thi

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    so at this point, what are people using this

    camera obscura thing FOR?

    Daniel Barbaro (Italy, 1514 - 1570)

    t thi i t h t l i g thi

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    so at this point, what are people using this

    camera obscura thing FOR?

    Close all the shutters and doors until no light enters the camera

    obscura except through the lens, and opposite hold a piece of paper

    which can move forward and backward until the scene appears in

    sharpest detail. There on the paper you will see the whole view as itreally is, with its distances, its colours and shadows and motion, the

    clouds, the water twinkling, the birds flying. By holding the paper

    steady you can trace the whole perspective with a pen, shade it and

    delicately colour it from nature.

    Daniel Barbaro (Italy, 1514 - 1570)

    so at this point hat are people sing this

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    so at this point, what are people using this

    camera obscura thing FOR?

    Close all the shutters and doors until no light enters the camera

    obscura except through the lens, and opposite hold a piece of paper

    which can move forward and backward until the scene appears in

    sharpest detail. There on the paper you will see the whole view as itreally is, with its distances, its colours and shadows and motion, the

    clouds, the water twinkling, the birds flying. By holding the paper

    steady you can trace the whole perspective with a pen, shade it and

    delicately colour it from nature.

    Daniel Barbaro (Italy, 1514 - 1570)

    so at this point what are people using this

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    so at this point, what are people using this

    camera obscura thing FOR?

    Close all the shutters and doors until no light enters the camera

    obscura except through the lens, and opposite hold a piece of paper

    which can move forward and backward until the scene appears in

    sharpest detail. There on the paper you will see the whole view as itreally is, with its distances, its colours and shadows and motion, the

    clouds, the water twinkling, the birds flying. By holding the paper

    steady you can trace the whole perspective with a pen, shade it and

    delicately colour it from nature.

    Daniel Barbaro (Italy, 1514 - 1570)

    so at this point what are people using this

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    so at this point, what are people using this

    camera obscura thing FOR?

    Close all the shutters and doors until no light enters the camera

    obscura except through the lens, and opposite hold a piece of paper

    which can move forward and backward until the scene appears in

    sharpest detail. There on the paper you will see the whole view as itreally is, with its distances, its colours and shadows and motion, the

    clouds, the water twinkling, the birds flying. By holding the paper

    steady you can trace the whole perspective with a pen, shade it and

    delicately colour it from nature.

    Daniel Barbaro (Italy, 1514 - 1570)

    so at this point what are people using this

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    so at this point, what are people using this

    camera obscura thing FOR?

    Close all the shutters and doors until no light enters the camera

    obscura except through the lens, and opposite hold a piece of paper

    which can move forward and backward until the scene appears in

    sharpest detail. There on the paper you will see the whole view as itreally is, with its distances, its colours and shadows and motion, the

    clouds, the water twinkling, the birds flying. By holding the paper

    steady you can trace the whole perspective with a pen, shade it and

    delicately colour it from nature.

    Daniel Barbaro (Italy, 1514 - 1570)

    so at this point what are people using this

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    so at this point, what are people using this

    camera obscura thing FOR?

    Close all the shutters and doors until no light enters the camera

    obscura except through the lens, and opposite hold a piece of paper

    which can move forward and backward until the scene appears in

    sharpest detail. There on the paper you will see the whole view as itreally is, with its distances, its colours and shadows and motion, the

    clouds, the water twinkling, the birds flying. By holding the paper

    steady you can trace the whole perspective with a pen, shade it and

    delicately colour it from nature.

    Daniel Barbaro (Italy, 1514 - 1570)

    Giovanni Battista della Porta (Italy, c. 1535 - 1615)

    so at this point what are people using this

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    so at this point, what are people using this

    camera obscura thing FOR?

    Close all the shutters and doors until no light enters the camera

    obscura except through the lens, and opposite hold a piece of paper

    which can move forward and backward until the scene appears in

    sharpest detail. There on the paper you will see the whole view as itreally is, with its distances, its colours and shadows and motion, the

    clouds, the water twinkling, the birds flying. By holding the paper

    steady you can trace the whole perspective with a pen, shade it and

    delicately colour it from nature.

    Daniel Barbaro (Italy, 1514 - 1570)

    Giovanni Battista della Porta (Italy, c. 1535 - 1615)

    wrote that the camera obscura made it possible for anyone ignorant

    in the art of painting to draw with a pencil or pen the image of any

    object whatsoever.

    f ti t h J h V (N th l d 1632

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    many famous artists such as Johannes Vermeer (Netherlands, 1632 -

    1675) likely used the camera obscura to compose paintings

    f ti t h J h V (N th l d 1632

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    many famous artists such as Johannes Vermeer (Netherlands, 1632 -

    1675) likely used the camera obscura to compose paintings

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    intermission