photography lecture year zero 2013

106
Pictures We Know’ ( the Iconic photograph)

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Page 1: Photography Lecture Year Zero 2013

‘Pictures We Know’ ( the Iconic photograph)

Page 2: Photography Lecture Year Zero 2013

A little bit of history

Page 3: Photography Lecture Year Zero 2013

Sir John Herschel first used the

term ‘photography’ in 1839,

Derived from the Greek words for

light and writing.

Page 4: Photography Lecture Year Zero 2013

Photography is a mix of three ideas.

Camera Obscura (dark room)

Lens: Earliest over 3000 years old

Chemical developing : discovered in 1727

.

Page 5: Photography Lecture Year Zero 2013

The first successful picture was produced in June/July 1826 by Niépce,

using material that hardened on exposure to

light.

It required an exposure of eight hours

Page 6: Photography Lecture Year Zero 2013

View from a window at La Gras Niépce

Page 7: Photography Lecture Year Zero 2013

The French government bought the rights to the photographic process in

1839.

And made it public

Page 8: Photography Lecture Year Zero 2013

Louis Daguerre an (early pioneer) named it the Daguerreotype.

1837 Daguerre

Page 9: Photography Lecture Year Zero 2013

Two early examples

Edgar Allan Poe 1848

Abraham Lincoln 1846

Page 10: Photography Lecture Year Zero 2013

anyone could take a photograph with

no talent for drawing or painting,

the new invention was an

overnight success

Page 11: Photography Lecture Year Zero 2013

David Hockney’s Secret Knowledge

Page 12: Photography Lecture Year Zero 2013

Edward Steichen 1915

‘a different idea of beautiful photography’

What does Sontag mean by this?

Page 13: Photography Lecture Year Zero 2013

The epigraph of a book of Walker Evan’s photographs

uses a passage from Poet

Walt Whitman;

…I do not doubt there is far more in trivialities, insects,

vulgar persons, slaves, dwarfs, weeds, rejected

refuse, than I have supposed

Page 14: Photography Lecture Year Zero 2013

Today between us we take

1000’s of photos from family snapshots

to more professional work

using SLR-DSLR- compact digital

cameras, phones, ipods, ipads etc etc

Page 15: Photography Lecture Year Zero 2013

Mass Observation?

Page 16: Photography Lecture Year Zero 2013

The Mass observation movement

recorded the everyday.

1930s -

It asked people on chosen single days

to write diaries

and take photographs

to record the moment in history

Page 17: Photography Lecture Year Zero 2013

Humphrey Jennings

(a founder member) was asked to

take 900 photographs of Bolton in

1937

it became a study called

Worktown

Page 18: Photography Lecture Year Zero 2013

An audience of madam Butterfly

Page 19: Photography Lecture Year Zero 2013

A Day out at Blackpool arcades

Page 20: Photography Lecture Year Zero 2013

Fruit machines at Blackpool

Page 21: Photography Lecture Year Zero 2013

Blackpool beach

Page 22: Photography Lecture Year Zero 2013

Cow with 5 legs

Page 23: Photography Lecture Year Zero 2013

Working mans hair specialist

Page 24: Photography Lecture Year Zero 2013

Left: Children at Play.

Above: outside the polling station

Page 25: Photography Lecture Year Zero 2013

In the Pub

Page 26: Photography Lecture Year Zero 2013

Park bench

Page 27: Photography Lecture Year Zero 2013

Even professional photographers take family snapshots

From Richard Billingham’s family study Ray’s A Laugh

Page 28: Photography Lecture Year Zero 2013
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Martin Parr

Page 31: Photography Lecture Year Zero 2013

A few of Martin Devenney’s

Page 32: Photography Lecture Year Zero 2013

MARY and Tom

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Martin Devenney The Clock

Page 36: Photography Lecture Year Zero 2013

Most of us take photos of the everyday because its easier

we’re surrounded by it

but there are very few iconic images from the everyday

Page 37: Photography Lecture Year Zero 2013

Charles Emmet Lunch on the Rockefella centre 1932

Page 38: Photography Lecture Year Zero 2013

Walker Evans - Robert Frank

Evans

Frank

Good photographs of the every day –but not the most recognisable of images

Page 39: Photography Lecture Year Zero 2013

Robert Frank

The Americans 1958 Influenced by Walker Evans

took a trip across the USA and photographed it.

Part of the beat movement/

friend of Alan Ginsberg and Jack Kerouac

(who wrote the forward to the book)

Page 40: Photography Lecture Year Zero 2013

Why then do some photographs make the leap

to greater cultural significance?

Page 41: Photography Lecture Year Zero 2013

What is an icon?

Page 42: Photography Lecture Year Zero 2013

Icon

1.a. An image; a representation. b. A simile or symbol.

2. A representation or picture of a sacred or sanctified

Christian personage, traditional to the Eastern Church.

3. One who is the object of great attention and devotion; an

idol.

4. Computer Science. A picture on a screen that represents a

specific command.

Page 43: Photography Lecture Year Zero 2013

If something is ‘Iconic’

it represents a

whole cultural field

Page 44: Photography Lecture Year Zero 2013

Why are these images iconic? Iconic of what?

Page 45: Photography Lecture Year Zero 2013

London

45

Page 46: Photography Lecture Year Zero 2013

Religious Iconography and

Images of the Crucifixion

Page 47: Photography Lecture Year Zero 2013

Juan de Flandes, The Crucifixion, around 1519

47

Page 48: Photography Lecture Year Zero 2013

Rembrandt Slaughtered Ox 1683

Page 49: Photography Lecture Year Zero 2013

No coincidence that images of the crucifix

often become iconic photos’ in themselves

Page 50: Photography Lecture Year Zero 2013

Robert Capa Moment of Death 1937

Page 51: Photography Lecture Year Zero 2013

Nic Ut 1972 (Pulitzer prize)

Page 52: Photography Lecture Year Zero 2013

Abughraib torture photo

Page 53: Photography Lecture Year Zero 2013

The crucified pose

Page 54: Photography Lecture Year Zero 2013
Page 55: Photography Lecture Year Zero 2013

Madonna 2006

Page 56: Photography Lecture Year Zero 2013

Beckham

Page 57: Photography Lecture Year Zero 2013

Liam Gallagher (Mojo 2007)

Page 58: Photography Lecture Year Zero 2013

If an image is iconic it is regularly copied or repeated

in culture

Page 59: Photography Lecture Year Zero 2013

Iconic Art

Page 60: Photography Lecture Year Zero 2013
Page 61: Photography Lecture Year Zero 2013

The 'Great Wave off Kanagawa' is probably the

most famous Japanese woodblock print.

The Great Wave off Kanagawa - by Hokusai Katsushika, 1830 (ish)

first design for a series

of originally 36 famous

views of Mount Fuji,

Japan's sacred

mountain.

Page 62: Photography Lecture Year Zero 2013
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Che Guevara by Alberto Diaz Gutierrez,

(Korda)

original

Cropped 63

Page 64: Photography Lecture Year Zero 2013

Jim Fitzpatrick (1968)

64

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65

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Photograph by Manny Garcia

Page 68: Photography Lecture Year Zero 2013
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Iconic photographs used by Warhol

69

Page 70: Photography Lecture Year Zero 2013

Crime and the iconic image

David Bailey’s Box of Pin Ups

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Lewis Morley 1963 Christine Keeler

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Myra Hindley

Page 76: Photography Lecture Year Zero 2013

Marcus Harvey 1998

Page 77: Photography Lecture Year Zero 2013

Maureen Hindley and David Smith

Page 78: Photography Lecture Year Zero 2013

The iconic war photograph

Page 79: Photography Lecture Year Zero 2013

Gettysburg Timothy O’Sullivan 1863

Page 80: Photography Lecture Year Zero 2013

Aftermath of war in Charlston 1865

Page 81: Photography Lecture Year Zero 2013

Revealed in 1920 Photo’s by soldiers

Page 82: Photography Lecture Year Zero 2013

Dead on the Beach George Strock 1943 Life

Page 83: Photography Lecture Year Zero 2013

President Franklin D.

Roosevelt

was convinced that Americans

had grown too complacent

about the war, so he lifted the

ban on images depicting U.S.

casualties

Page 84: Photography Lecture Year Zero 2013

Quote from Life magazine about the

photo.

“Why print this picture, anyway, of three

American boys dead upon an alien

shore?” Among the reasons:

“words are never enough . . . words do

not exist to make us see, or know, or feel

what it is like, what actually happens.”

Page 85: Photography Lecture Year Zero 2013

Iwo Jima 1945 . Mount Suribachi. Joe Rosenthal

1945

Page 86: Photography Lecture Year Zero 2013

Raising the Flag

Page 87: Photography Lecture Year Zero 2013

Afghanistan

Page 88: Photography Lecture Year Zero 2013

Vietnam ( The first war of images)

Page 89: Photography Lecture Year Zero 2013

Napalm Nick Ut 1975. ‘The photo to end the war’

Page 90: Photography Lecture Year Zero 2013

Saigon Execution Eddie Adams 1968

Another Pulitzer prize

Page 91: Photography Lecture Year Zero 2013

Buddhist Monk sets himself alight 1963

Page 92: Photography Lecture Year Zero 2013

South of the DMZ Larry Burrows 1966

Page 93: Photography Lecture Year Zero 2013

Tiananman Square protests June 5, 1989, Jeff Widner

Page 94: Photography Lecture Year Zero 2013

The photo is the truth?

Page 95: Photography Lecture Year Zero 2013

Liberation of Buchenwald 1945

Page 96: Photography Lecture Year Zero 2013

Bosnia 1992. Penny Marshall (ITN) with her

cameraman Jeremy Irvin,

Page 97: Photography Lecture Year Zero 2013
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five photographs taken by Elsie Wright and Frances Griffiths 1917 The Cottingley Fairies

Page 99: Photography Lecture Year Zero 2013

Images by Brian Walski

Soldier from A Civilian From B

To create C

Page 100: Photography Lecture Year Zero 2013
Page 101: Photography Lecture Year Zero 2013

Microsoft ad American and Polish versions

Page 102: Photography Lecture Year Zero 2013

Notice the extra person behind the raised arm for this college prospectus

Page 103: Photography Lecture Year Zero 2013

Don’t have to photoshop you can just arrange photos to

be taken

Page 104: Photography Lecture Year Zero 2013

Iraq 2003 Hungry 1956

Page 105: Photography Lecture Year Zero 2013

War Crime

Celebrity Sport

Everyday life

Page 106: Photography Lecture Year Zero 2013

No one knows what photos will capture the imagination of the public

No one knows what photographs will stay and which will disappear with yesterdays newspapers

Once they stay They become part of our cultural language