pkokoras asphyxia - percussion...
TRANSCRIPT
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44 46Percussion II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●•••●●●●●●●●●●●●●●●●●●●●●●●●●●●••••••••••..........!
Hummingbird Trap
pulsive
p
q = 78hold the roll in the middle with 110º angle and move circularlycircular pulsepaper roll
cymbal
.! Œchuffed
slow down the speed of the rotation
! !pulsive chuffed
1
mz
44Perc. II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●................ •••4 !
pulsive
2
! Ólet ring !hold the roll in the middle with 100º angle and move circularly
p pos pulsive chuffed
3
47 44Perc. II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●••••••........●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●7 ! ! .!
pulsive saturated pulsive
4to produce higher partials, touch the roll with the other hand close to its tip and push gently
!chuffed
5
46 44Perc. II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● •••••••••••••................●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●10
! Π!noisy
!pulsive
6
!chuffed
45Perc. II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● •••••••••••••••••••••••..............13 !
saturated
f
6
!pulsive
~resonant~
! .!
44 43 44Perc. II 33333333333333••••••••••••••••••••• ••••••••••••••••••••••••••••
16 .! ‰ ! ! ! !gobble shake
p pos
hold the tube in the middle and move your arm (like you open the keydoor) the bottom contact area opeing should altenrate
! ! ! ! ! ! ! ! !f
squeaky
7
!,8
ßsqueaky pulsive
hold the tube 1-2inch from the bottom with 50 degrees angle and stab on the cymbal producing a squeaky, saturated, harmonic sound
circular pulse
45Perc. II
••••••••• ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●....19 ! .!
saturated
f! "
9
L.V."
44Perc. II ........●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
22 Ó . ! !10
pulsive
! ! ‰L.V.
fsaturated
!ßsqueaky
11
saturated
fstab
AsphyxiaPanayiotis Kokoras
©2017 Panayiotis Kokoras, All Rights Reserved
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Perc. II
25 .! ! ‰L.V. !̆ !̆ !̆ !̆ !̆
5:8
12
f pos L.V.
squeaky stab
!
ß f harmonicssqueakysaturated
13
stab
Perc. II
28 ! ! !
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
31 ! !chuffed
p!
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
34 !p pos
!Pseudo-relaxation14 .! Œ
Perc. II•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●......... ●●●●●●●●●●●●●●●●●●●●●●●
37 !pulsive
p pos
hold the roll in the middle with 110º angle and move circularlycircular pulse
!15
! chuffed
43 46Perc. II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●333333333333333 ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
40 ! "16
very fast flat bowing medium pressureright after muffle the string with left hand
! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !gobble shake
f psaturated
circular friction
sound gesture streched
44Perc. II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●3333333333333 ●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●
43 ! ‰ ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !Eagle's Nest
gobble shake
f pos
grunt
sound gesture streched
! ! ! ! ! ! ! ! ! Œsaturated
circular friction
L.V.
short friction gestures; tube doesn't get off the cymbal as it returns back
43 44Perc. II 33
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●33 333333 3333 33 33 ●●●●●●●●●●●●●●●●●●●●
46 " !> ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
f pos grunt
short friction gestures; tube doesn't get off the cymbal as it returns back
sound gesture strechedstab
! ! ! ! ! !
mz
circular friction
2
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45Perc. II 3 3 3 3 3 3 3 3 333 ●●●●●●●●●● ●●●●●●●●●●●● ●●●●●●●●●●●● ●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●● ●●●●●●●●●● ●●●●●●●●●●●● ●●●●●●●●●●●●●●v v vv vv vv
49 !>! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !17
short friction gestures; tube doesn't get off the cymbal as it returns back
f pos gruntstab
sound gesture streched! ! ! ! ! ! !chuffed
! ! ! ! !
44Perc. II 3 3 3 3 3 3 3 3 333 xxxx
52 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !18
f pos grunt
sound gesture streched ! ! ! ! ! ! ! ! ! ! allow high freq resonate! ! ! ! !squeaky
Perc. IIc c c ccc cc ccc cccc ccccccccc cccccccc cccccccccc
cccccccccccccc ccccccccccc
55 ! ! ! ! !squeakyraspy
! ! ! !press the tube at the right angleto get more squeaky sounds ! !squeaky
Perc. II ccccccccccccc cccccccccccccc cccccccccc
58 ! !
mz
19the bow remains on the string for upbow ! ! circular friction!
20
touch the cymbal to muffle resonance
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
61 !pnoisy
!21
!pulsive
Perc. II
64 Œ ‰ œo ˙Extinguisher Deer Call
mz
slideup the extinguisher's slidekeep nmuted the lower opening
moaning
don't slide all the way up
w ïRequiem for a Dream
wrap the lower end of the extinguisher with you fingers and close the opening gradually creating a filtering effect
22
œ œo ‰ Œ ‰ œomzmoaning
Perc. II
67 w ïslideup the extinguisher's slidekeep nmuted the lower opening w œ œo ‰ ‰ œï œ
moaning
Perc. II
70 ! omove the slide slightly higher this time .! ! Œ .˙ oï
moaning
3
-
Perc. II
73 ! move the slide slightly higher this time .! Œ Œ .ï̇moan
Perc. II
76
! oRapid's Hole23
! !
Perc. II
79
! ï Œ Ó " .!ï .!24
close the tube by wraping your hands around the tube’s end creating a chamber
! o
47 44Perc. II
82
! !ï ‰ wï !o ï !.,
!. !. !. !. !. !. !.25
start each grunt using diaphragm
grunt!. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !.
Perc. II
85
!. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !.o !.ï !. !. !. Œ ȯ ï
26
moan
! o ï
46Perc. II
88
!.ñ !. !. !. !. !. !. !. !. !. !. !. !. !. !. !.
grunt
!.
!.
!.
!.
!.
!.
!.
!.
!.
!.
!.
!.
!.
!.
!.
!.27
!.
!.
!.
!.
!.
!.
!.
!.
o !.
!.
!.
!. ‰ !ï ! o !
.!
.!
.!
. ‰groan grunt
f
44Perc. II
kkkk
91
!ot !ï!o!ï!o!!!!!!!!!!!!! ‰ . !.ñ !. !. !. !. !. !. !.12 12
Straightjacket Farmwrap your hands around the tube’s end creating a chamber & lift the 4 fingers on one hand up & down
hand ocarina purr
f pos mzgruntpurr
!.
!.
!.
!.
!.
!.
!ï !ñ " ! .! o ï"groan
Ó ‰ . ! ! o ï
Perc. II
94 ‰ !.ñ !. !. !. !. !. !. !. !. !. ‰ !mz
grunt groan
!ñ ‰ ‰ !ï .!o ï" Œ !. !. !. !. !. !. !. !. !. !. !. !. !. !. !. !.p pos
grunt
short tongued attacks
4
-
43 44Perc. II
kkkkkYYYYv v v v YYvY
97
!. !. !. !. .!ï o !o!ï!o!ï!o!!!!!!!!!! .!ï12 1228
f pos
hand ocarina purr
growl purr bark!o®" ‰ ‰ !
. !. !. !. !. !. !. !. !. !. !.
5
p pos grunt
short tongued attacks
f pos !. !. !. !. !. !. !. !. Œ ‰ !ï o
growl
Perc. II
YYYv v v
100
!.
!.
!.
!.
!.
!.
!.
!.
!.ñ Œ ‰ !ï5
29
f pos grunt p pos moan
w ogrowl
Ó . ! ñ30
moan
ff pos
Perc. II
YYYv vmmmmmmmmmmm YYvvvmmmmmmmmmmmmmm
103
ȯ ñ !ï o,
.! "f pos p
abrasive
overblow while closed andallow distorted sound Ó . !ï o
31
f pos abrasive
! ! ï‰ ‰ !ñ ! of sheepbleat
Perc. II
vvvmmmmmmmmmmmmm v vmmmmmmmmm vvvvmmmmmmmmmmmmmmmmmmm
106 ! J! ñ j!ï o,
! .! ï"slideup the extinguisher's slidekeep nmuted the lower opening
f pos abrasive
Ó Œ !ï o! ‰ j!ï o!Donkey Brutalism
abrasive
f pos f pos abrasive
Perc. II
vvvvvvvvvvvvvmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmYYYYYYYYYYYYYYY mmmmmmmmmmmmmmmmmmmmmmvvvvvYYYYYYY
109
! ï Œ !ïf pos
abrasive
! ! o ‰ ‰ !ï !f pos
abrasive
Perc. II
mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmvvvvvvvvvvYYYYYYYYYYYYYY vvvvmmmmmmmmmmmmmmmmmmvvvvvvvvmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmv v v v v v v
112
! !o " .!ï o! .! "f pos abrasive
" .! oñ .!f pos abrasive
45 44Perc. II
mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmYYYYYYYYYYYYYYYYYvvvvvvvvvvvv
115
.! " Œ " .!ñ !f pos
abrasive! .! o " #
Dr. Guillotin
Perc. II xxxxxxd x
118 Œ .!ï32
Bird Water Whistle
f
overblow at 45° angle
very high sine toneC#6 no tweetstreat pitch flexibly
close hole
!change the angle to 0°, reduceair pressure to allow tweeting
open hole
!꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊o ‰ . Œ Œ !ï
33
tweets
f
overblow at 20° angle
close hole
5
-
45 46Perc. II
xx xx x
121 ! ! ! !o꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ ‰ .no tweets
change the angle to 0°, reduceair pressure to allow tweeting
tweetshigh harmonic tone
open holeŒ ! .œ " Œ Œ
34
slow tweet
overblow at 45° angle .!ï !o꞊꞊꞊ ꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊꞊ .! "35
fvery high sine toneno tweets
change the angle to 0°, reduceair pressure to allow tweeting
tweets
close hole open hole
44Perc. II
xx
124 #36
!>37
ftweets
change the angle gradually and reduce air pressure!
Perc. II
xxxxxxxxx
127 wwhistle tone
wp pos
.! ‰ œ> "38
mz
tweets
articulate like you pronounce "choo"
Perc. II
130 Ó Œ œ> ‰ .ftweets
œ> " ‰ Œ œ> " œ> " ‰ œ>39 Straightjacket Cage
! !> ‰ Œ Œ ‰ œ> "3
Perc. II
133 Ó Œ œ> " ‰40
Œ œ> " œ> " Œ ‰ ‰ œ>3 Œ œ> " ‰ Œ ‰ . œ>
Perc. II
136 Œ ‰ œ œ> " ‰ Œf
œ œ> " ‰ œ> " œ> " ‰ Œf
œ> .œ œ " ‰ ‰ œ> œ œ œ> "
Perc. II
139 Œ " œ> œ œ œ> ‰ Œ œ> " ‰ ‰ œ> " œ> " ‰ œ> " ‰41
‰ ‰ œ> œ> " ‰ ‰ .œ> œ> ‰ . œ>3
45Perc. II
142 Œ " œ> " œ>
" " . œ>
Œ Ó ! ! !42
fno tweets tweets
20° angle 0° angle! - - - - - - !, ! ! - --
f tweets
20° angle
p
0° anglearticulate like you pronounce "choo"
6
-
44Perc. II
145 ! ‰ . Œ Ó " "43
Perc. IIggggggggggggggggggg
ggggggggggggggggggg
ggggggggggggggg
148 Œ ! œ ‰ .44
0° angle
tweetsmz
Œ ! œ ‰0° angle
tweetsmz
Ó ! .œ #0° angle
tweets
mz
Perc. IIggggggggggggggggggggggggg
ggggggggggggggggggggggggggggggg
151 Ó !
p
blow softly œ Œ Œ !0° angle ! œ ‰ ŒRooni the Pig
p
0° angle
Perc. IIgggggggggggggggggggggggggggggggggggggggggg
154 Π.!
p
0° angleœ œ ‰ Ó Œ œ> # ‰ Óftweet
articulate like you pronounce "choo"
Perc. II
157 Œ œ> # ‰ ‰ œ> # Œftweet tweet
Ó ‰ œ> # Œftweet
"
46 44Perc. II
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●ccccccccccc
160 " "45
paper rollCymbal Π.!chuffed
p
circular friction
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●................ ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●............ccccccccccccc ccccccccccccccccccccccccc
163 !chuffed
harmonics
! Π!Unreasonable Complaints
p
circular friction
pulsive
!chuffed
harmonics
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●.... ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
166 .! Œpulsive
‰ ! .!46
chuffed
p
circular friction !
7
-
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
169 Ó !chuffed
p
circular friction ! .! Œ
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
172 ‰ ! .!chuffed
p
circular friction ! Ó !47
chuffed
p
circular friction
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
175 ! ! !pulsive
Perc. II●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●cccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccc
178 !noisy
! !
Perc. IIccccccccccccccccccccccccccccccccccccccccccccccccccc
181
! Ó !Mediteranean Siesta
" "
Perc. IIggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg
184 Œ ‰ ! !48
air
p pos
sssss...
! !
Perc. IIgggggggggggggggggggggggggggggggggggggggggggggggggggggggggggg
187
!
49 ! Ó "
8