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Plaster-of-Paris and Plaster Technique Ashish Tripathi ,Intern, Dept. of Orthopaedics, BPKIHS

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Page 1: Plaster of Paris

Plaster-of-Parisand

Plaster Technique Ashish Tripathi ,Intern, Dept. of Orthopaedics,

BPKIHS

Page 2: Plaster of Paris

Contents:

Plaster-of-Paris:1) Historical Background2) Uses of POP3) Types of Plaster Cast4) Steps in Application of POP

Cast5) Common errors in Application

of POP Cast6) Complications of POP Cast7) After Care

Page 3: Plaster of Paris

Orthopaedic Uses of Cast1) To support fractured bones, controlling

movement of the fragments and resting the damaged tissues

2) To stabilise and rest joints in ligamentous injury

3) To support and immobilise joints and limbs post-operatively until healing has occurred

4) To correct a deformity5) To ensure rest of infected tissues6) To make a negative mould of a part of body.

Page 4: Plaster of Paris

Materials available for casting

Plaster-of-Paris Plaster-of-Paris with melamine

resins Materials which undergo

polymerisation: a. water activated b. non-water activated Low-temperature

thermoplastics

Page 5: Plaster of Paris

PLASTER-OF-PARIS The name POP is derived from an

accident to a house built on a deposit of Gypsum, near Paris. The house burnt down. When rain fell on baked mud of the floors it was noted that footprints in mud set rock-hard.

Plaster-of-paris bandages were first used by Matthysen, a Dutch military surgeon in 1952.

Page 6: Plaster of Paris

The POP bandage consists of a roll of muslin stiffened by dextrose or starch and impregnated with the hemihydrate of calcium sulfate.

When water is added, the calcium sulfate takes up its water of crystallization:

2 (CaSO₄. ½ H₂O) +3H₂O 2 (CaSO₄. 2H₂O ) + ∆

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Setting time: time taken to change from powder form to crystalline form.

Drying time: time taken to change from crystalline form to anhydrous form.

Average setting time: 3-9 minutes Average drying time: 24-72 hours

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Factors decreasing setting time: 1) Hot water 2) Salt

3) Borax 4) Resin

Factors increasing setting time:

1)Cold water 2)sugar

Page 9: Plaster of Paris

POP … various forms

Slab: only a part of circumference of limb is incorporated.

Cast: encircle whole circumference of the limb.

Spica Brace

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Advantages Cost-effective Non-allergic Easily moulded to different forms

Disadvantages: 1) Radio-opaque so may occlude # lines 2) Heavy 3) Easily breaks when comes in contact

with water

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Rules of application of POP casts

Padding: This is placed from distal to proximal with a 50% overlap, a minimum two layers, and extra padding at the fibular head, malleoli, patella, and olecranon.

Plaster: Cold water will maximize the molding time.

8 inch width for thigh6 inch width for leg4 inch width for arm and forearm

Page 13: Plaster of Paris

Rules of application of POP casts 8 inch for thigh,6 inch for leg and 4 inch

for forearm. One joint above and one joint below. Moulded with palm and not with fingers

to avoid indentation. Joints should be immobilized in functional

position. Not too tight or too loose i.e. adequate

padding Dip pop vertically in water till air bubble

ceases to come Uniform thickness of plaster is preferred.

Page 14: Plaster of Paris

Plaster Technique

Plaster casts can be divided into 3 types:

1) Badly padded plaster2) Unpadded plaster3) Padded plaster

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It is loose on the limb and therefore cannot fix the fragments.

Badly padded plaster

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Unpadded Plaster

Made by applying the turns of wet bandage directly to the skin without using any textile. (used by Böhler)

For practical purposes, if stockinet is used the resulting plaster can still be regarded as an unpadded cast.

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The closeness of its application to the limb and actual adhesion to the skin, is believed to enhance fixation of a fracture.

Considerably easier to learn than padded plaster technique.

Bandage should never be pulled tight .

Bandage should be made to roll itself round the limb.

Unpadded Plaster

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Page 19: Plaster of Paris

Should be applied by laying the wet roll of plaster on the skin and pushing it round the curves of limb with flat of hand.

The roll of plaster should not be lifted off the limb and pulled.

Unpadded Plaster

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Recommonded in 3 condition by sir Charnley:

1) Colles’ fracture2) scaphoid fracture3) Bennett’s fracture

Unpadded Plaster

Page 21: Plaster of Paris

Padded plaster cast

A layer of cotton-wool is interposed between the skin and plaster, which is firmly compressed against the limb by applying wet plaster bandage under tension.

The elastic pressure of the cotton enhances the fixation of limb by compensating for shrinkage in tissues .

Page 22: Plaster of Paris

When expertly applied, these plasters grip the limb more firmly and keep this grip for longer time than unpadded one.

The care with which cotton is applied is essential for success. It must not obscure the shape of limb by being put on in careless and ugly lumps.

The cotton if not rolled already, should be carefully prepared in rolls before application.

Padded plaster cast

Page 23: Plaster of Paris

The roll of bandage remains in contact with surface of limb almost continuously.

Bandage is pressed and pushed round the limb by the pressure of thenar eminence under a strong pushing force directed in length of surgeon’s forearm.

Pressure is applied at the middle of width of bandage so that no excess of pressure can fall on either edge .

Padded plaster cast

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Each turn is applied slowly and is settled carefully in position.

At tapering parts of the limb, the turns are made to lie evenly by small tucks which are made with quick movement of index finger of left hand.

The durability of the cast depend on welding together of individual turns by smoothing movements of left hand.

Each layer must be applied with equal deliberation.

Padded plaster cast

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The hall-mark of good plaster is that it should be of even thickness from end to end.

Never apply two turns in the same place except at the ends.

Have a progressive ‘backward and forward rhythm’ from top to bottom.

Padded plaster cast

Page 27: Plaster of Paris

Triple sequence in Plaster Application Phase 1: examination and

rehearsal Phase 2: plastering Phase 3: reduction and holding

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Examination and rehearsal Examination of the displacement

and assessment of the forces required to reduce and hold the reduction.

Need to assess• Effect of gravity on the displacement• Amount of force needed to correct the

displacement• Range of excursion from the position of greatest

deformity to the position of apparent reduction

Page 29: Plaster of Paris

Plastering

Limb held by assistant in position of approximate reduction

Surgeon himself should apply Quick application more

important than holding precise reduction

Plaster should still be completely soft after application to allow final touches

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Reduction and holding After applying sufficient plaster,

surgeon prepares to apply the rehearsed movement of reduction.

Should be able to clearly recognise sensation of reduction.

After applying rehearsed reduction, surgeon holds on, without further movement to allow the cast to set.

In the last few minutes, he should obliterate any abrupt impression that might invite pressure sore.

Page 32: Plaster of Paris

Not to forget!!!

Check X Ray should be done after application of each cast to confirm the

acceptability of reduction.

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Errors in applying Padded Plasters

1. Attempting to plaster at the same time as attempting to hold a precise reduction.

2. Applying wool carelessly in shapeless lumps

3. Loose bandaging4. Wellington boot effect5. Failing to recognise sensation of

reduction through the plaster

Page 34: Plaster of Paris

Windowed Plasters

Not usually encouragedDanger of edematous tissue

herniating through the windowIndicated in- Compound fractures discharging

copious pusCompound fractures grafted

with pinch graft or Thiersch graft

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After care of POP

Instructions to be given after applying POP:1. Come immediately if any of following symptoms

develops: A) Exessive pain, B) Exessive swelling, C) Bluish or white discolouration of fingers or

toes 2. Keep the plaster cast dry.3. Mobilize all the joints which are not

incorporated in the plaster to their full range of motion once plaster becomes dry.

Page 37: Plaster of Paris

After care of POP

4. Notice any cracks in the plaster.

5. Graduated weight bearing for lower limb fractures.

6. Physiotherapy of muscles within the plaster and joints outside the plaster is necessary to ensure early rehabilitation.

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Complications of POP Due to tight cast -pain

-pressure sores

-compartment syndromes

-peripheral nerve injuries

c/o unrelenting pain,stretch pain, swelling over fingers, inability to move fingers, hypoaesthesia and bluish discolouration of the digits.

Page 39: Plaster of Paris

Complications of POP Due to improper applications -joint stiffness -plaster blisters and sores -breakage

Due to plaster allergy -allergic dermatitis

Page 40: Plaster of Paris

Removing Plaster Cast

Plaster shears Electric saw

Page 41: Plaster of Paris

Thank You

Page 42: Plaster of Paris

References The Closed Treatment of

Common Fractures by Sir John Charnley.

Chapman’s orthopaedis surgery 3rd edition.

Rockwood and Green’s Fracture in adults.

Traction and Orthopaedic Appliances by Stewart.

Essential orthopaedics by J. Maheshwari.