1

PLAYLIST January, 18th 2015

This edition of BWTB remembering Deirdre O'Donoghue who started this here show 32 years ago on KMET

…we unfortunately lost Deirdre this week….in 2001

2

So throughout today’s show we’ll be playing some of her favorite tracks as well as a few sets of Beatles music put together by

Deirdre herself back when she was hosting the show…

9AM

George Harrison – If Not For You (Dylan) – ATMP Dylan's song from his "New Morning" album.

A debut big hit in the U.K. for Olivia Newton-John, March 1971.

The Beatles – Across The Universe - Let It Be Recorded 4th February 1968 - 8 takes

Overdubs 8th February 1968 onto take 8 Overdubs 1st April 1970 onto take 8 creating take 9

“Across the Universe" was originally donated to a charity album for the World Wildlife Fund. That original song was a faster, higher version than the Let It Be version, which was the original track slowed down and combined

with an orchestra by producer Phil Spector.

9.10 BREAK

We lost Deirdre O'Donoghue this week in 2001… Deirdre started at KKGO in 1979 and went on to work for KCRW, KMET, KNX/FM and KLSX.    And  here  is  a  set  of  music  she’s  put  together  just  for  us  

3

 The Beatles - The Fool On The Hill - Magical Mystery Tour (EP)

(Lennon-McCartney) Lead vocal: Paul

Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded,

including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them. In the “Magical Mystery Tour” film you can see Paul (by himself) standing atop a hill near Nice,

France, during sunrise. The scene also includes ad-libs of Paul spinning, running and dancing, and close-ups of Paul’s moving eyes. It was an interesting trip for Paul as he forgot his wallet, passport and his money! They also didn’t have the correct camera

lenses. It ended up costing over 4,000 pounds to film the scene. Paul’s September 6 live piano/vocal solo demo can be found on the “Anthology 2” album.

On U.S. album: Magical Mystery Tour - Capitol LP

The Beatles - This Boy – Meet The Beatles US EP Four By The Beatles /Past Masters I

flip of I Want To Hold You Hand in UK

The Beatles - It’s Only Love- Help! (Lennon-McCartney)

4

Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being

written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called

“It’s Only Love” “the one song I really hate of mine.” On U.S. album:

Rubber Soul - Capitol LP

I Call Your Name - Long Tall Sally EP

(Lennon-McCartney) Lead vocal: John

Composed by John Lennon and originally given to Billy J. Kramer with the Dakotas to use as the b-side of another Lennon song (credited to Lennon-McCartney), “Bad to Me.” Both songs had been recorded at Abbey Road by Kramer and band on June 27, 1963,

with Paul McCartney in attendance. The Beatles’ version was recorded in seven takes on March 1, 1964. On U.S. album:

The Beatles’ Second Album - Capitol LP

The Beatles – Chains – Please Please Me (Goffin-King)

Lead vocal: George Recorded in four takes on February 11, 1963. Legendary Brill Building tunesmiths Gerry

Goffin and Carole King were very inspirational to the budding songwriters from Liverpool. This was a Top 20 hit for The Cookies in 1962. “Chains” was the first of two

songs featuring a lead vocal by George Harrison on the first Beatles album. On U.S. albums:

Introducing… The Beatles - Vee-Jay LP

5

The Early Beatles - Capitol LP

Deirdre O'Donoghue voice track

The Beatles - I’ve Just Seen A Face - Help! (Lennon-McCartney)

Lead vocal: Paul Written by Paul at the Asher family home on Wimpole Street. Paul had the tune prior to coming up with the lyrics and originally named the song “Auntie Gin’s Theme” because his aunt liked it. George Martin’s instrumental “Help!” album includes an orchestrated version of “I’ve Just Seen A Face” using the title “Auntie Gin’s Theme.” Recorded in six

takes at the same June 14, 1965 McCartney-dominated session that produced “Yesterday” and “I’m Down.” One of only five Beatles songs Paul chose to perform live

on his Wings Over America tour in 1976. On U.S. album:

Rubber Soul - Capitol LP

 The Beatles - I’ll Be Back - A Hard Day’s Night

(Lennon-McCartney) Lead vocal: John

Recorded in 16 takes on June 1, 1964. “I'll Be Back” was written mostly by John Lennon, and was a reworking of the chords to Del Shannon's 1961 hit “Runaway.” Beatles fans in

America would have to wait five months to hear this exquisite Beatles song, one of

6

Lennon finest compositions, because Capitol Records held it off their “Something New” album and released it on “Beatles ‘65” in December 1964.

On U.S. album: Beatles ‘65 - Capitol LP

ADD LONG QUIZ TONES HERE

Who’s singing that Beatles song? 800-955-KLOS

9.42 BREAK

Geoff Emerick says “Take 2″,

The Beatles - Revolution 1 (full) - The Beatles sessions (Lennon-McCartney)

Lead vocal: John The first song recorded during the sessions for the “White Album.” At the time of its

recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968,

and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and

John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become

naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears

in the released version of “Revolution 9” at 7:53.

7

Paul & Linda McCartney – Too Many People – Ram ‘71 A song pointed directly at John Lennon and Yoko Ono, with the famous line of

Paul’s, “You took your lucky break and broke it in two.” The song is what prompted John to write, “How do you Sleep?” Hugh McCracken provides lead

guitar.  

NEWS  HERE/      

10.12 BREAK

8

 KMET BUMPER HERE/

The Beatles - Octopus’s Garden - Abbey Road (Starkey)

Lead vocal: Ringo “Octopus’s Garden” is Ringo Starr’s second solo composition in the Beatles catalog,

credited to his real name, Richard Starkey. He got the idea for the song after he abruptly “quit” the group for one week during the making of the “White Album, in

August 1968. He traveled to Sardinia on the Mediterranean and spent time on actor Peter Seller’s yacht. On board, Ringo was told that octopus go around the ocean bed

and pick up stones and shiny objects and build gardens in front of their caves. The still unfinished song was played for George on January 26, 1969. This segment was shown

in the “Let It Be” film. A proper rerecording of the song took place on April 26. The group went through 32 takes with Ringo on drums and guide vocal, George on his

Stratocaster through a Leslie speaker, John on Epiphone casino electric guitar and Paul on Rickenbacker bass guitar. Overdubs were recorded on July 17 and 18 with Ringo’s

lead vocal with ADT (artificial double tracking), Paul adding piano and more drums, and backing vocals from Paul, George and Ringo. During the instrumental break Ringo can

be heard blowing through a straw into a glass of water for bubbling sounds.

9

The Beatles - Blackbird - The Beatles (Lennon-McCartney)

Lead vocal: Paul Another Paul McCartney solo performance for the “White Album.” Paul wrote “Blackbird” at his Scottish farm house and the song was started and finished in 32 takes, 11 being

complete run-throughs of the song, on June 10, 1968. Paul has said the music was inspired by Bach’s “Bourree in E Minor,” which he learned to play at a young age. The

tapping sound on the recording is not a metronome. The percussion-like sound keeping the beat is actually Paul tapping his foot on the studio floor, which was separately miked

onto one of the tracks. Paul has since revealed that the song was a message of solidarity to black people living in the U.S.

“Blackbird” is one of only five Beatles songs Paul chose to perform live during his “Wings

Over America” concert tour in 1976.

Blackbird on this long Martin Luther King weekend

BREAK…set up DEIRDE SET

The Beatles- Tomorrow Never Knows – Revolver

Recorded April 6th 1966 Originally titles “Mark I” . Was based on Timothy Leary and Richard

Alperts’s The Psychedelic Experience, which was THEIR interpretation of the Tibetan Book of the Dead. Each Beatle worked at home on

creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards…Paul got “arranging” credit.

Lead vocal John

10

Lennon 1.00 Rare mix on 1st pressing UK

John Lennon - #9 Dream - Walls And Bridges ‘74

This track had started out with the title of “Walls and Bridges.” It was later renamed as it is much more fitting, and continues John’s fascination with the

number nine. May Pang provide backing vocals (“John’s”) – while a message to George Harrison can be heard (as the two men had been arguing).

The Beatles – In My Life - Rubber Soul

Recorded Oct.18th 1965 Of all the Lennon/McCartney collaborations only 2 songs have really been disputed by John & Paul themselves one being “Eleanor Rigby” and the other is “In My Life”. John saying that Paul only wrote the middle eight melody and Mr. McCartney saying that he created the entire melody and intro of the song. He adds that John had all the lyrics

already down but needed a melody and that he (Paul) has vivid memories of composing it on John’s mellotron while Lennon had a cup of tea in another room.

Lennon? / McCartney?

Paul McCartney – Calico Skies – Flaming Pie ‘97 Written in America during the McCartney’s annual family holiday in the Hamptons

in August 1991. This is the earliest recording on the album.

Deirdre O'Donoghue voice track w/ Rolling Stone Bowl 66 Spot

11

QUIZ #2 Call Billy J. Kramer

10.42 BREAK  

Bumper/song  and  quiz  The Beatles - Any Time At All - A Hard Day’s Night

(Lennon-McCartney) Lead vocal: John

Recorded June 2, 1964, the last day of recording for the “A Hard Day’s Night” album. John Lennon: “An effort at writing ‘It Won't Be Long’ - same ilk. C to A minor, C to A

minor with me shouting.” The song was in an unfinished state when Lennon brought it to the band to record on June 2. The group worked out the arrangement throughout the day and night. Up against the wall on a deadline to submit the album, the piano section in the middle eight was left without lyrics. They had run out of time. On April 8, 1988,

Lennon's handwritten lyrics for “Any Time At All” were sold for £6,000 at an auction held at Sotheby's in London.

On U.S. album: Something New - Capitol LP

12

The Beatles - Dig A Pony - Let It Be

(Lennon-McCartney) Lead vocal: John

Recorded live on the rooftop of the Apple headquarters building, 3 Savile Row, on January 30, 1969. In re-producing the tapes for the “Let It Be” album, Phil Spector edited out the opening and closing line of the song (“All I want is …”) which can be heard on the “Anthology 3” album and in the film “Let It Be.” The idea to go on the rooftop and play live in front of a few people was conceived by Paul on January 26. From a technical standpoint, this simple request to perform on the rooftop was a

gigantic headache for the film crew and the Apple/EMI sound engineers. In addition to accommodating the space required for five film cameras, and various sound equipment which needed electricity to run, there was also the issue of the cold temperature – the temperature would be in the mid-40s and windy when the beatles performed. In a few cases, sound engineers wrapped ladies’ stockings around microphones to camouflage

the sound of the wind blowing against them. J  

BREAK HERE

QUIZ #3 Who’s singing that Beatles song?

800-955-KLOS

Here’s another set put together by the late Deirdre

13

The Beatles – Love You To (Harrison) – Revolver

Recorded April 11th 1966 ’”Love You To“ was the first song George wrote for the sitar, as “Norwegian

Wood“ was more an accident as far as the sitar part was concerned. Lead vocal George

The Beatles – Getting Better - Sgt. Pepper’s Lonely Hearts Club

Band

14

Recorded March 9th 1967 in a somewhat classic evening of recording. John Lennon while doing back up vocals began to feel very ill, but more nervous than actually ill. They took him to the roof to get some air, (as they couldn’t go out the front doors of the studio as a ton of Apple Scuffs were their) and when he got to the roof John realized he must have taken some acid (forgot John?)…He watched the rest of the session and afterwards Paul took John home and took

acid for the first time to comfort his pal. Lead vocal Paul

McCartney .65 / Lennon .35

The Beatles - Day Tripper – Past Masters Recorded: 16 October 1965

Rubber Soul sessions Oct. `65 – Yesterday & Today LP here in the US… The eleventh official EMI release.

The first official double "A" side release of “We Can Work It Out” Inspired in part by John and George's first experience with acid, "Day Tripper" was written under pressure for use as a single for the Christmas season. John

wrote most of the song, with Paul contributing to each of the verses b/w

The Beatles - We Can Work It Out – Past Masters Recorded: 20/29 October 1965

RELEASED AS A CHRISTMAS SINGLE ON DEC. 3RD 1965 AND IT KICKED OFF THE RUBBER SOUL SESSIONS IN OCT. 1965

Yesterday & Today in US / Collection of Oldies in UK Written by Paul as a pleading song to Jane Asher, who had just moved away

from London to join the theatre. It was the first such instance in their relationship, and one that contributed to their eventual breakup

Deirdre O'Donoghue voice track – go to spots

11.12 BREAK

15

The Beatles - Savoy Truffle - The Beatles

(Harrison) Lead vocal: George

16

George took his inspiration for his fourth song on the “White Album” from a box of chocolates, specifically a Mackintosh’s Good News double centre chocolate assortment box, said by George to be Eric Clapton’s favorite brand. Most of the candies mentioned

by George in the song came from the specific candies found in the box. Confections such as Creme Tangerine, Montelimart, Ginger Sling, Coffee Dessert and Savoy Truffle

were part of the assortment. Cool Cherry Cream and Coconut Fudge were Harrison creations. When George sings “But you’ll have to have them all pulled out after the Savoy Truffle,” it is a warning to his friend Eric Clapton that he will have to have his

decaying teeth pulled out. After some rehearsal, the backing track was recorded in one take on October 3, 1968, at Trident Studios. With George playing electric piano, Paul on Rickenbacker bass, and Ringo on drums. Harrison’s lead vocal was recorded at Trident

Studios on October 5. Chris Thomas’ score for saxophones (distorted at Harrison’s request) was recorded at Abbey Road on October 11. The final overdubs for “Savoy Truffle” on October 14 were also the last instruments recorded during the “White

Album” sessions: organ, tambourine, bongos, and George playing a lead guitar part on his Fender Telecaster. This is the third of four Harrison songs on the “White Album” that

John Lennon does not appear on. Deirdre O'Donoghue voice track

Paul McCartney & Wings – Nineteen Hundred And Eighty-Five – Band on the Run ‘73

A fantastic ending to a flawless album, the hook had been floating around Paul’s head for months prior to the composition. There was a mastering error on the

song (and CD versions) that remained for many, many years where the beginning was affected by a “quick fade up.”

BREAK HERE

Yer switched ON…Yer Tuned in…America’s longest running Beatles radio show 95.5 KLOS

Here’s half the Beatles

17

18

The Beatles - The Ballad Of John And Yoko - Non-LP track (Lennon-McCartney)

Lead vocal: John The Beatles’ twentieth single release for EMI, and third on the Apple Records

label. The first Beatles single issued in stereo in the UK, it is also the very first stereo single

issued by EMI. The “Get Back” single had been released in stereo in America by Capitol. Recorded on April 14, 1969, by just John and Paul, the song was completed that day.

George was on vacation and Ringo was still filming the Peter Sellers’ comedy “The Magic Christian.” Producer George Martin and engineer Geoff Emerick, who had distanced themselves from the group because of the constant bickering amongst the group

members, were back on board behind the recording console. The single was a complete surprise to Beatles fans. They had waited a long seven months for the group to follow-up “Hey Jude” with “Get Back” and now just over a month came another new Beatles record. The rhythm track was perfected in 11 takes (four complete) with Paul playing

drums while John played acoustic guitar and sang the lead vocal. The duo was in good spirits during the day-long session. Prior to take four John said to drummer Paul “Go a

bit faster, Ringo!” and Paul replied “OK, George!” Overdubs featured Paul on bass guitar, piano, backing vocal and maracas, and John on two lead guitar parts and

percussive thumping on the back of an acoustic guitar. The song recounts the chaos surrounding John and Yoko’s getting married. Lennon had encountered visa problems because of his November 1968 drug conviction which made his movement from one

country to another very difficult. As an example, he was not allowed to enter the United States at this time so the couple’s second “Bed-In” was staged in Montreal, about an

hour north of the U.S. border in Canada.

The Beatles - A Hard Day’s Night - A Hard Day’s Night (Lennon-McCartney)

Lead vocal: John with Paul The Beatles’ seventh single release for EMI’s Parlophone label.

The title is a Ringoism, coined by the drummer sometime in 1963 and used by John in his book “In His Own Write.” With the film nearly completed the last bit of business was

to give the film a name. The project was being filmed with the working title “Beatlemania.” On April 13, 1964 The Beatles met with key personnel from the studio and bounced title ideas. It was felt they’d find no better suggestion than Ringo’s off-

hand remark “it’s been a hard day’s night” and John volunteered to write the title song that evening. The next morning he brought the song in and taught it to Paul. Paul

cleaned up the middle section and the two played it for producer Walter Shenson. Two days later The Beatles would formally record the song. It was a rarity for an outsider to be allowed in the studio or control booth while The Beatles rehearsed and recorded. An exception was made for the director of the “A Hard Day’s Night” film, Richard Lester.

Lester was in the control booth and offered many suggestions during the morning while this key song was worked out, much to the dismay of producer George Martin. It was

Lester’s suggestion that the song open dramatically (as it would open the film), and fade out at the end in a cinematic way. He got his wish. George’s striking a G suspended 4th

chord on his 12-string Rickenbacker make this record instantly recognizable in its opening two seconds. Released as a single in the UK on July 10, 1964, it went straight

to #1.

19

On U.S. album: A Hard Day’s Night - United Artists LP

The Beatles - Birthday - The Beatles

(Lennon-McCartney) Lead vocal: Paul with John

“Birthday” is a song written entirely by Paul McCartney in the studio on September 18, 1968, while he waited for the other Beatles to arrive. The session that afternoon was purposely scheduled to start two hours earlier than usual so the Beatles could take a

break and walk to Paul’s home and watch “The Girl Can’t Help It,” the 1956 rock and roll film starring Jayne Mansfield and featuring the likes of Little Richard, Fats Domino, the Platters, Gene Vincent, and Eddie Cochran. The movie was having its British television premiere on the BBC that evening, and Paul lived around the corner from Abbey Road

Studios, on Cavendish Avenue. The instrumental backing track included Paul on Epiphone Casino electric guitar, George Harrison on Fender Bass VI (a six-string bass guitar), John on Epiphone Casino electric guitar and Ringo on drums. By the 20th take

the backing track was complete and the Beatles headed out to Paul’s house to watch the movie. When they returned to the studio they worked on overdubs. In addition to Paul’s

scorching lead vocal, overdubs included piano, drums, lead guitar, bass guitar, tambourine (played by George with gloves on so he wouldn’t get blisters), handclaps,

and backing vocals. While Paul is predominantly the lead vocalist, he is joined on occasion by John. The female voices heard on the “birthday” refrain in the middle eight

belong to Pattie Harrison and Yoko Ono.

Deirdre O'Donoghue voice track – go to spots

11.42 BREAK Bumper/Paul Stanley

The Beatles - I Want To Tell You - Revolver

(Harrison) Lead vocal: George

20

The backing track was recorded in five takes on June 2, 1966. George Harrison's third song on “Revolver,” was, he later said, "about the avalanche of thoughts that are so

hard to write down or say or transmit." Once again Harrison had no idea what to call his composition. The band briefly kicked around random ideas, and the song was recorded under the working title “Laxton's Superb,” a type of apple. It later became known as “I Don't Know,” which was George’s answer when producer George Martin asked whether Harrison had come up with a title. By the day of the final mix (June 6, 1966), Harrison

had settled on the title “I Want To Tell You.” Contains the first bass overdub on a Beatles record. Paul had his bass recorded on a different track really allowed for more

options when it came time to mix the song. On U.S. album:

Revolver - Capitol LP

John Lennon – Bless You - Walls And Bridges ‘74 This track was an ode to Yoko during the “Lost Weekend” phase. It is considered

one of John’s most tender solo compositions.

BREAK

Paul McCartney – Heaven On A Sunday – Flaming Pie ‘97 Written in August 1996 while in the US, it featured Linda and son, James

McCartney who contributed the lead guitar.

The Beach Boys – Deirdre - Sunflower