pocosin arts school of fine craft · student should be able to complete one, possibly two lanterns....

Pocosin Arts School of Fine Craft Four Seasons of Craft 2019

Table of Contents

About Pocosin Arts

Workshop Calendar Summary

Session One

Session Two

Session Three

Session Four

Session Five

Session Six

Session Seven

Session Eight

Session Nine

Session Ten

Session Eleven

Session Twelve

Session Thirteen

Session Fourteen

General Information

Cancellation Policy

Lodging

Resident Artist Program

Scholarships

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Catalog Credits:Editor & Designer: Michelle ClowerEditors: Marlene True & Derence FivehousePrinting : Theo Davis PrintingCover (Front): Marlene TrueCover (Back): Jean Olecki

As Pocosin Arts School of Fine Craft begins its 25th year, we have a lot to celebrate! First, it’s our year-round schedule of great workshops with an incredible roster of in-structors. Immersive workshops include; ceramics, jewelry and metalsmithing, fibers, mixed media, wood, painting, photography and digital design/fabrication in our new “Smith Lab.” Second, our location on Water and Main Streets in the Town of Columbia,

NC, provides an exceptional combination of studio, lodging, and dining choices alongside the natural beauty of the Scuppernong River. Third, our great people; staff, resident artists and volunteers who work hard to make your time with us the very best possible craft school experience.

We invite you to come to take a workshop and join us in our celebration of 25 years of craft!

Marlene TrueExecutive Director

A FEW WORDS FROM MARLENE

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Pocosin Arts School of Fine Craft

Founded by Feather Phillips as Pocosin Arts Folk School in 1994, Pocosin’s original

mission was to connect culture to the environment through the arts. Pocosin Arts’

mission has since evolved to include lifelong learning through the arts. The name,

“Pocosin” (pe-ko-sen) comes from an Eastern Algonquian word meaning “Swamp on a

hill,” a prominent feature of the beautiful environment that surrounds our community.

In addition to our workshop programs, Pocosin Arts offers year-round youth programs

and collaborations with local public schools, adult community classes in studio arts and

artist residencies. This year marks Pocosin Arts’ 25th Anniversary, and we are excited

to show you all we have to offer in 2019.

Workshops

Craft education is at the heart of Pocosin Arts’ programs. Workshops range from two

to seven days in ceramics, metals, mixed media, painting, photography, textiles, wood,

digital design/fabrication, and other special topics

Who are our students?

Pocosin Arts welcomes anyone 18 years and beyond that enjoys making and the cre-

ative experience; from beginners to advanced.

What makes Pocosin Arts an exceptional craft destination?

Pocosin offers a personal, friendly experience where participants enjoy the close prox-

imity of well-equipped studios, comfortable lodging, the charm of Main Street and

inspiration along the Scuppernong River boardwalk.

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2019 Workshop Calendar | At a Glance

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Wanz’apun’atime (The Art & Craft of Play)BIRD ROSS

Using narrative as our lead, we will explore performance, illustration, wandering, alighting and making (things up) to see where it propels us. Working collaboratively, we will investigate methods of creating and presenting stories using: props, puppets, sounds, words, dress-up, perfor-mance, crankies, and a multitude of other visual constructions. We will explore: drawing, painting, collaging, fabricating, writing, sewing, adhering, piecing and unearthing creative impulses. Don’t forget your lab coats. I’ll bring the capes. ALL LEVELS$440.00 (includes materials fee)

Japanese Lamp MakingANTHONY UNLINSKI

In this class we will learn to make Japanese style paper lanterns using a collapsible interior arma-ture, cane and reed and fine kozo paper. We will learn the basics of concrete casting for our lamp bases and rudimentary electrical wiring. The advent of LED lamps allows us to make not just mood lighting but some task lighting as well. Each student should be able to complete one, possibly two lanterns.

ALL LEVELS$485.00 (includes materials fee)

Session 1 | February 21-24, 2019 | Cabin Fever Reliever XIX

Head & SurfaceTOM BARTELThis course will focus on the human head through hollow, hand-forming construction methods. A va-riety of slip application and surface development techniques will be demonstrated. Participants may take their finished greenware home or have it fired post-workshop.

HAND BUILDING EXPERIENCE NECESSARY$514.00 (includes materials fee)

Pattern on Pattern: Collage with Decals and EnamelKATHLEEN BROWNEIn this workshop, students will experiment with enamel decals of abstract patterns, textures and images made/provided by the instructor. Working with opaque and transparent enamels, partici-pants will cut and collage decals to create com-positions that express each individual’s design aesthetic. Color and enamel applications are an integral part of this process. The decal making process will be demonstrated and sources sup-plied. Settings for enamels will be discussed and demonstrated. ALL LEVELS$492.00 (includes materials fee)

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This immersive workshop will combine 4 class-room sessions and 4 fieldtrips on the Columbia boardwalk, Somerset Place/ Lake Phelps (for sun-set) and Lak Mattamuskeet. Classroom sessions include an introduction to technical choices, as well as hands-on instruction in Photoshop pro-cessing along with gentle image critiques. Stu-dents must provide their own camera, laptop with editing software and means of travels to and from shoot locations.


Mindful Nature PhotographyEVE TUREK

Basic BatikROBIN YORK

Batik is a wax resist dyeing process applied to cloth. This workshop will explore the basic pro-cess of batik including wax outlining and dye application techniques. Students will have the opportunity to create two unique batiks and will be able to take home a dying frame for future use.


Session 2 | March 22-23, 2019

In this workshop, participants will design and construct wheel-thrown teaware and ewers with emphasis on the functionality of brewing and pouring. We will explore the relationship between the components of a pouring vessel (body, spout, strainer, lid and handle) and how they contribute to the design and the utility as individual parts in a package. Wheel-throwing skill required.

WHEEL THROWING SKILL REQUIRED$324.00 (includes materials fee)

Want to learn basic metalworking skills? If you are a beginner, this is your class! Students will spend two days learning how to texture, shape, cut, and solder metal by making simple band rings. The skills learned will be very basic/ beginning skills for working in non-ferrous metals. We will work in copper and bronze, but 18 ga sterling will be available for purchase. We will use the roll mill, stamps, hammers and our imaginations for a weekend of creative fun!


Good PourSEO EO

Band RingsMELISSA MANLEY

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In this workshop students will explore the pro-cesses of conceptualizing designs, prototyping and usability through the medium of board games. Students will have access to computers, a laser cutter, three 3d printers, and basic hand and power tools. Experience with design software is of great benefit, but is not required. This workshop includes the basic materials needed. Additional materials will be available for purchase.


Design & Prototype through Board GamesJONATHAN SEETHALER

From top to bottom: Gabrielle Graber, Talya Kantro, Jonathan Seethaler. View full biographies at www. pocosinarts.org/2019-workshop-instructor-bios

Session 3 | April 5-6, 2019

The focus of this workshop is to create expressive sculptures in clay. Each student will learn how to hollow build a figurative form using a variety of hand building techniques. Students should plan to bring a sketchbook and any desired images for inspiration. Students may take their finished piece home or leave it to be fired. If left for firing, stu-dents will be notified when their piece is ready for pick up or shipping (shipping fee not included).


This workshop aims to provide students with the fundamental techniques used in the ancient art of cloisonné enamel. Learn to draw with silver and glass. Precision and attention to detail are stressed in cloisonné. Previous enameling expe-rience is encouraged, but not essential. Topics covered include: washing transparent enamels, forming and adhesion of cloisonné wire, wet pack-ing and stoning enamels, and the polishing and finishing of enameled surfaces.


Critters in ClayGABRIELLE GRABER

Introduction to CloisonnéTALYA KANTRO

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In Rustic Casting, shape, form, and temperature determine the final outcome. Experiment with alternative, free form, organic casting techniques that can be done in almost any environment. This workshop will begin with exploring the instant grat-ification of casting silver components and objects using water and organic materials (frozen peas, coffee beans, rock salt, and spaghetti) followed by the basics of charcoal casting as well as learning and practicing flat-sided casting.


Rustic CastingSARAH TECTOR

Session 5 | June 10-14, 2019

Narrative Self PortraitsAMY GARDNER DEANJoin Resident Artist of Jerry’s Artarama and host of Jerry’s LIVE for a mixed media narra-tive self-portrait workshop with a different twist! Students will explore the concepts of narrative self-portraiture to create mixed media and col-lage-based artworks in a creatively fun and enter-taining group setting. All materials will be provided by our workshop sponsor, Jerry’s Artarama! We may do some landscape/plein air sketching, group still life, art journaling, or even just a fun social outing. ALL LEVELS$425.00 (includes materials fee)

Session 4 | May 3-4, 2019

Students will learn new techniques and improve their existing skills in this throwing intensive work-shop. We’ll explore processes to make larger ves-sels, altering techniques like handles and spouts and general working habits that will make you a more proficient thrower. This class is intended for those who need a wheel throwing refresher, as well as those who use the wheel often and want to improve their practice. While throwing will be our main topic, glazing and firing techniques will also be covered.ALL LEVELS- wheel throwing experience handy$297.00 (includes materials fee)

Discover the ancient technique of feltmaking, where only wool and hot water are needed to make a colorful and highly textured piece of felt. Students will first make felt “geodes” to see how easily pattern pieces can be created and then use these pattern pieces to make a flat piece of felt. Students will comb dyed wools together to create a personal color palette and then create a “paint-erly” composition using wool, yarns, fleece curls, etc.


Improving Your Throwing SkillsANDREW DUTCHER

FeltmakingSHARRON PARKER

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Students will create interactive wearable objects as they learn the basics of electronics, programmable micro-controllers, assembling circuits, and sewing soft circuits. We’ll build basic circuits, program sensors, and fabricate enclosures, making multiple pieces and leav-ing with a broad understanding of embedding electronics into wearable work.

ALL LEVELS$1,050.00 (includes materials fee)

Wearable Electronics & Soft CircuitsARTHUR HASH & ELLIOT CLAPP

Session 7 | June 23- July 3, 2019

From top to bottom: Blaire Clemo, Margaret Couch Cogswell and work by Elliot Clapp. View full biogra-phies at www. pocosinarts.org/2019-workshop-in-structor-bios

Session 6 | June 21-25, 2019

In this workshop, students will explore combining basic techniques into anything but basic pottery. Throughout the week, Blair will demonstrate his unique approach for combining wheel throwing, handbuilding and press molding to make utilitar-ian pottery. Instruction will also cover beginning mold-making techniques resulting in a variety of one-part press molds. With an emphasis on ex-perimentation, expect a workshop that will encour-age innovation and exploration.


Paper mache isn’t just for the kindergarten class-room. It’s a dynamic and adaptable media that can transform a personal narrative into a playful sculpture. Come join us as we explore accessi-ble and basic techniques of paper mache on the way to creating animals, rascals, and objects from your world of imagination. This workshop will include step-by-step instructions on the process as well as discussions on how to combine paper mache with other media.


Anything Goes: Creating Content through Layering TechniquesBLAIR CLEMO

Paper Mache Comes Alive!MARGARET COUCH COGSWELL

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Transform a flat 2-dimensional sheet of copper into a closed 3-dimensional form in this ancient and dynamic process of raising metal. Using metal hammers and stakes, students will learn the process of Western and Eastern concentric raising. Design possibilities, surface treatments and patinas will be explored. Geared for both be-ginners and more experienced students, Greg will take a personal approach to closely monitor your technique development and efficiency.

ALL LEVELS - some hand strength necessary$553.00 (includes materials fee)

Moving Metal: The Art of Raising MetalGREG WILBUR

From top to bottom: John Donovan, Andrew Kue-beck, Greg Wilbur. View full biographies at www. pocosinarts.org/2019-workshop-instructor-bios

Session 8 | July 12-16, 2019

Figurative Myth(ology) will be an exploration of hand building techniques in clay with the intent of creating abstracted or fragmented figurative forms imbued with personal narrative content.The core concepts at play will be combining slab and coil building processes and working on multiple forms simultaneously to gain and maintain creative inertia. A working knowledge of basic/introductory building techniques (wedging, coil & slab building, pinch and modeling of clay) is useful, but ad-vanced clay experience is not.ALL LEVELS- introductory hand-building skills handy$606.50 (includes materials fee)

Students will be introduced to the multitude of possibilities while using laser cutting in their studio practice. From reproducing a design for a modular piece to creating one of a kind objects; this class will demonstrate ways of creating and importing imagery for cutting and engraving, how to correct-ly use the laser cutter and how to cut multiples & post production work on your piece. Each student will create final objects or jewelry pieces.


Figurative Myth(ology)JOHN DONOVAN

Introduction to Laser CuttingANDREW KUEBECK

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DULCIMER GUITAR WEEKENDBeth IrelandWhether you are a musician who wants to learn woodworking techniques, a woodworker who would like to learn the elements necessary to create stringed musical instruments, or if you’re just looking for a fun weekend, this is the class for you! Learn the safe use of tools including the bandsaw, router and drill press. Students will learn to shape wood with a variety of hand tools, lay out scale lengths, fret, string and then strum the dulcimer guitar you create!


From top to bottom: work by Eleanor Anderson, work by Dan DiCaprio and additional guitars by Beth Ireland. View full biographies at www. pocosinarts.org/2019-workshop-instructor-bios

Session 9 | July 26-30, 2019

In this workshop, students will learn how to take pottery to the next level by focusing on surface design. We will learn how to carve, etch and stencil patterns, images and textures onto your pottery. Participants will learn sgraffito, mishima, stamping, monoprinting as well as water etching. We will do daily drawing exercises to come up with solutions for original and personal surfaces. Students may take home bisque wear or leave their peice to be fired and shipped (shipping fee not included).ALL LEVELS - some clay experience handy$614.00 (includes materials fee)

WOOD JEWELRYDan DiCaprioWood is an incredible material for making ornate and lightweight wearable objects. In this workshop students will explore small scale woodcarving techniques with an emphasis on jewelry applica-tions. Basic soldering and metal fabrication will be demonstrated to complete a variety of jewelry applications like rings, earrings, brooches and pendants. No previous experience with woodcarv-ing or metalsmithing is required, although previ-ous knowledge in either can be explored further throughout this workshop.ALL LEVELS$556.00 (includes materials fee)

Sketching Your Way into ClayELEANOR ANDERSON

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Explore the use of pattern, texture and color on both flat and three-dimensional surfaces. In-vestigate different approaches and forms that a box and vessel can take on by using hand tools and machines. Emphasis will be on shaping and sculpting pieces to create pleasing curves, un-usual shapes and just about anything that falls into the category of fun and zany. A primary focus will be on carving pattern and applying color in a myriad of ways to interior and exterior surfaces of boxes. ALL LEVELS584.00 (includes materials fee)

Making BoxesMICHAEL CULLEN

From top to bottom: Nancy Gardner, Jeanie Pratt, Michael Cullen. View full biographies at www. pocos-inarts.org/2019-workshop-instructor-bios

Session 10 | August 9-13, 2019

This workshop will cover all hand building tech-niques including pinch, coil and slab. Students will work intuitively with the clay to express their own ideas and identity. Many surface decoration techniques will be shown in order to develop each student’s individual vision.


In this workshop students will learn how to weave small sheets of metal from flattened wire to incor-porate into your jewelry. Students will be intro-duced to a variety of different patterns that can be achieved with weave structures by forming in the hydraulic press and soldering edges.There will be discussions and samples on how to set and utilize your ‘woven sheet’ into brooches, pendants, beads, and earrings.

BASIC METALSMITHING SKILLS REQUIRED$575.00 (includes materials fee)

Handbuilding & Surface DecorationNANCY GARDNER

Designs in Woven MetalJEANIE PRATT

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Explore vibrant illustrative surface techniques for your ceramics! Focusing on image and sten-cil development through doodling, drawing and screen-printing processes. Demonstrations will cover traditional and non-traditional techniques that embellish ceramic surfaces. Wheel thrown and hand built techniques will be covered. Hands on activities will cover image development, sur-face embellishing and decal manipulation.


Graphic Pots: Screen Printed Sur-facesJASON BURNETT

From top to bottom: Susan Fecho, Ashley Gilreath, Jason Burnett. View full biographies at www. pocos-inarts.org/2019-workshop-instructor-bios

Session 11 | August 23-27, 2019

Utilizing the environment, this course will explore the interpretation of observed and collected forms to develop designs connected to “Place.” Found patterning and textures will inspire imagery and designs on paper and fabric. Students will ex-plore various surface-design techniques including eco-dying, takbon printing and monotype printing. Students will also experiment with 3d-printing and dye-cutting as a means to develop low to medium reliefs that can be repeatable within the design.


Your journey into the tools and processes of met-alsmithing begins here! This workshop for new-comers will open up a wealth of knowledge for anyone interested in learning how to bend, ham-mer and heat metal into wearable and sculptural artwork. Demonstrations will include how to sol-der, saw, sand, polish, emboss, texture, and form objects with precious metals. In addition, students will learn basic stone setting and cold-connection techniques.


Mixed Media Design Inspired by Nature: From Mono-printing, Eco Dying to 3-D PrintingSUSAN FECHO

First Time MetalsmithingASHLEY GILREATH

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Take a dip in the digital waters. Brent (the co-founder of UNC Asheville’s STEAM Studio) will introduce you to the many possibilities with the available equipment such as basic woodworking equipment, the Shopbot, and the Trotec Speedy 100 laser cutter. Students will work on simple, en-try level applications, taking the first steps in the software waters and physical spaces with these complex CNC machines. Projects will include small furniture or functional objects mostly made of wood, plywood, cardboard and paper. ALL LEVELS$685.00 (includes materials fee)

New Tricks with an Old DogBRENT SKIDMORE

Words & ImagesSusan Webster & Stuart KestenbaumWe will make images that inspire writing, writing that inspires images, and create work that can combine the two. Activities will include daily writ-ing and visual prompts as ways to generate work. Students will learn various printmaking techniques including gelatin-plate process, direct stencil, and monotype drawing and use a variety of tools and techniques—drawing, painting, and collage–to make image and text components. Formats may include simple book structures and one-of-a-kind pieces. The emphasis is on experimentation. ALL LEVELS$585.00 (includes materials fee)

Session 12 | September 6-10, 2019

The creative opportunity cracks wide open with just a few basic techniques. This workshop will fo-cus on exploring those techniques with an empha-sis on creative problem solving and incorporating found objects. Students will develop their met-alsmithing skills, including but most certainly not limited to, sawing, soldering, and setting. Discus-sions around professional practice, design, and studio setup will also take place during this work-shop. Come with interesting objects that could be incorporated into jewelry and a playful attitude.ALL LEVELS$576.00 (includes materials fee)

In this workshop, students will create molds to be used in combination with wheel thrown and hand built forms made out of clay. By using press molds made of wood and plaster, the wheel will then be used as a tool to assemble the pieces. A variety of utilitarian forms will be explored, from cups to vases. This workshop will also discuss how to use carving and inlay as surface decoration to make each piece unique to the maker.


Saw Solder SetANNA JOHNSON

Working with Press MoldsMARK ARNOLD

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In this workshop, students experience the limitless possibilities available with white liquid enamel to create colorful and brilliant graphic imagery for brooch, earring, and small vessel forms. We’ll learn how to dip, brush, pour, paint, draw with, and torch fire this versatile form of enamel on copper. We’ll also explore additional techniques of over-firing and sgraffito to get intense color effects along with an assortment of bench tricks and ma-terial applications.


Drip, Dry, Draw & FireKEN BOVA

From top to bottom: work by Beth Burns, Anne Pärt-na, Ken Bova. View full biographies at www. pocos-inarts.org/2019-workshop-instructor-bios

Session 13 | October 4-5, 2019

In this workshop, students will be transferring de-tailed botanical prints of leaves onto silk scarves. This “ Medium Print” method combines botanical printing and resist dyeing by adding the use of acid dyes to create beautiful background color with the detailed print of the plant. The completed scarves will be the student’s very own unique and organic piece of wearable art. Students must feel comfortable standing for several hours at a time in order to collect the leaves and complete the plant/silk bundle. ALL LEVELS$285.00 (includes materials fee)

During this workshop, we will stretch clay to its limits while maintaining integrity by using a pinched slab/coil technique to form larger sculp-tural and vessel forms. Our focus is on abstrac-tion. Slip inlay and sgraffito techniques will also be explored to help bring the surfaces alive. Partici-pants will gain the confidence needed to grow in clay.


Botanical PrintsBETH BURNS

Hollow Form/ Full SurfaceANNE PÄRTNA

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Session 14 | October 6-11, 2019

Puppetry is an ancient form of artistic expression used in storytelling, theatrical productions and for our purpose, parades! In this workshop, we will explore the captivating magic of puppets and su-persize them for the street and parade use. From the beginning through the final surface painting, demonstrations will include simple puppet and costume making techniques. At the conclusion of the workshop, we will join the merriments of the annual Scuppernong River Festival Parade,and dance down Main Street in downtown Columbia! ALL LEVELS$560.00 (includes materials fee)

Giant Street PuppetsJANE FILER

General Information | Cancellation Policy

Workshop CancellationPlease understand that enrollments help cover the investment made in planning and running workshops. Therefore, there is no refund for cancellations made within 45 days of the work-shop session and registration fees are non-refundable. However, cancellations received 45 days before a workshop session will receive a full refund minus a $75 cancellation fee. If Po-cosin Arts cancels a workshop for any reason, students will receive a full refund, including the registration fee, or students may transfer their enrollment to any workshop with an opening. Students tranferring to another workshop are responsible to pay the difference of the work-shop price. Pocosin Arts is not responsible for nonrefundable transportation costs.

Lodge CancellationsIf Pocosin Arts cancels a workshop for any reason, students will be refunded the full price of lodging for that workshop session.

Waiting ListBy providing contact information, an applicant may be placed on a wait list for a workshop, no payments or deposits are necessary. Once notified, applicants have 24 hours to complete their registration. To be placed on a waiting list, please email [email protected].

Enrollment TransfersIf at anytime you wish to transfer your enrollment to another workshop, please call to inquire about availability. Participants may also transfer enrollment to another student. Such requests must be in writing (email), and the new student must pay a registration fee.

The Scuppernong River Festival in Columbia, NC.

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General Information | Lodging

Riverside LodgeOur Riverside Lodge is a comfortable place to hang your hat during your workshop. In addition to individual rooms, the lodge has an upstairs lounge, front porch, a shared kitchen and upper deck for relaxation.

SINGLE ______________________________$165/ night per person (private room/bath) DOUBLE_______________________________ $75/ night per person (shared room/bath)QUAD__________________________________$38/ night per person (share room/bath)

Please note: a single room may have a queen bed OR 2 bunk-beds. Rooms are subject to availability. If you choose a quad room you must be able to reach a top bunk bed via use of the ladder.

Each room has the following amenities:Individual control heating/air conditioning

in room bath/shower/toiletopen closet with shelf and hangers

free WiFi accessbed linens

towels/soap

General Information | Lodging

Lodge Arrival & DeparturePocosin Arts Riverside Lodge is located at 202 Main St. Columbia, North Carolina 27925. Park-ing is available in the lot behind the lodge and on adjacent streets. Once a room is booked, staff will email instruction a week ahead of time for check in. If you need assistance, staff is on hand from 8:30 a.m. to 5:00 p.m.

Meals/ DiningStudents staying in our Riverside Lodge have 24/7 shared access to our shared kitchen for meal preparation. There is a Food Lion grocery store about a mile away. Students with dietary restrictions should bring specialty items. In addition, there are several dining options within a short walk of the lodge.

Our kitchen has the following amenities:gas/stove oven

refrigeratorcoffee brewer

Kureg coffee machinemicrowave

electric tea kettlecookwarecutlerydishes

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General Information | Resident Artist Program

DetailsPocosin’s Resident Artists are full time artists who spend one to two years living, working and teaching at Pocosin Arts. Pocosin Arts provides residents with housing, studio space and a stipend. Resident Artists have full access to Pocosin Art’s studios, and are selected through a competitive application process.

General Information | Scholarships

Pocosin Arts’ mission to provide opportunities for discovery, creativity, and lifelong learning through the arts is served through our craft-based workshops. Scholarships help make op-portunities available to a diverse audience and are made possible through the generosity of instructors and students who donate their work to our annual fund-raiser, individuals, and private foundations. We offer scholarships year round, and they are intended to assist where financial limitations would otherwise prevent attendance. Scholarships can be partial or com-plete waivers of registration fees, tuition and housing. Applications are reviewed on an ongo-ing basis, however, applications must be received a minimum of one month before the first day of the chosen workshop. Applicants will be notified approximately one week after applica-tion submission.

Scholarship applications are submitted online through SlideRoom. Please visit www.pocos-inarts.org/scholarships to apply.Short Term Residency

Applications Due April 1, 2019

Visit www. pocosinarts.org/resident-artist to apply.

Long Term Residency

Applications Due April 8, 2019

Visit www. pocosinarts.org/resident-artist to apply.

P. O. Box 690201 Main St. Columbia, NC 27925

252. 796. 2787 | [email protected]

pocosin arts school of fine craft · student should be able to complete one, possibly two lanterns....

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