portfolio 2007
DESCRIPTION
ASU College of Architecture and Environmental Design, School of Architecture and Landscape Architecture work from the time period of 2005-2007TRANSCRIPT
R H Y T H M , F LO WF o r m C o m p o s i t i o n
R H Y T H M , F LO WF o r m C o m p o s i t i o n
Project I Mark RoddyFall05 ADE120
Asymmetrical balance and rhythm inform black square
patterns. The composition—a line colliding at its tangent
with a radius—becomes synergistic and magnifying
the frequency. Chaotic elements progressively
gravitate together with escalating momentum
and proximity creating a synergistic trajectory.
Project I Mark RoddyFall05 ADE120
Asymmetrical balance and rhythm inform black square
patterns. The composition—a line colliding at its tangent
with a radius—becomes synergistic and magnifying
the frequency. Chaotic elements progressively
gravitate together with escalating momentum
and proximity creating a synergistic trajectory.
Placed in nature atop a butte overlooking vast valleys and
approached by a steep foot path, when the destination is
achieved and pinnacle is reached, one is facing eastward. At
sunrise a burst of orange light pierces through the horizontal
slit at the far end of the form, compelling humanity to move toward the light. One moves down a long corridor toward
the light, ducking slightly to move past an overhang, and
then receives the full display of vibrant colors from the
mature sunrise. After admiring this scene, one can exit in an
exploratory attitude and finding intimate reflecting spaces.
Passively protected from the elements, one is able to reflect
on the journey and the jewel earned at its culmination.2
1
Volume and space is created by manipulating a three
dimensional square, employing the constraint of twelve
sides and simultaneously considering form and composition
By treating the black square composition as a layout and applying
three dimensional forms, a place with identity is created.1
2
Placed in nature atop a butte overlooking vast valleys and
approached by a steep foot path, when the destination is
achieved and pinnacle is reached, one is facing eastward. At
sunrise a burst of orange light pierces through the horizontal
slit at the far end of the form, compelling humanity to move toward the light. One moves down a long corridor toward
the light, ducking slightly to move past an overhang, and
then receives the full display of vibrant colors from the
mature sunrise. After admiring this scene, one can exit in an
exploratory attitude and finding intimate reflecting spaces.
Passively protected from the elements, one is able to reflect
on the journey and the jewel earned at its culmination.2
1
Volume and space is created by manipulating a three
dimensional square, employing the constraint of twelve
sides and simultaneously considering form and composition
By treating the black square composition as a layout and applying
three dimensional forms, a place with identity is created.1
2
V I E W I N G E X P E R I E N C E SS p a c e a n d e x p e r i a n c e
V I E W I N G E X P E R I E N C E SS p a c e a n d e x p e r i a n c e
Project II Mark RoddyADE120
By analyzing the negative, inverse spatial char-acteristics1 of the cube in the previous proj-
ect, a geometric mimic, an environmentally complementary and inhabitable form is created.
As one walks along a foot path in the woods and
approaches a clearing, one sees an object foreign to
the surrounding natural environment yet intriguing,
igniting curiosity. Continuing toward the formation
on the path, one discovers a small flight of stairs
leading to a platform convenient for rest and enjoy
the sound of trickling water, and a vista overlooking
a striking mountain lake. After relaxing, curiosity is
sparked by a narrow opening. Carefully evading a
small pool of water to the left, suddenly the view
is opened to a panorama of the majestic mountain
peaks. Here one can rest and admire the scene in a
cove with seating. After the natural beauty is admired
one can reclaim the pursuit of a continued journey.2
2
1
Project II Mark RoddyADE120
By analyzing the negative, inverse spatial char-acteristics1 of the cube in the previous proj-
ect, a geometric mimic, an environmentally complementary and inhabitable form is created.
As one walks along a foot path in the woods and
approaches a clearing, one sees an object foreign to
the surrounding natural environment yet intriguing,
igniting curiosity. Continuing toward the formation
on the path, one discovers a small flight of stairs
leading to a platform convenient for rest and enjoy
the sound of trickling water, and a vista overlooking
a striking mountain lake. After relaxing, curiosity is
sparked by a narrow opening. Carefully evading a
small pool of water to the left, suddenly the view
is opened to a panorama of the majestic mountain
peaks. Here one can rest and admire the scene in a
cove with seating. After the natural beauty is admired
one can reclaim the pursuit of a continued journey.2
2
1
To move toward an independent design: a compelling local
space was selected. Spatial characteristics, lighting conditions1, movement of people through the space2 over
time, and material3 were all analyzed and .incorporated.
2
3
Charcoal 22x30
1
To move toward an independent design: a compelling local
space was selected. Spatial characteristics, lighting conditions1, movement of people through the space2 over
time, and material3 were all analyzed and .incorporated.
2
3
Charcoal 22x30
1
Y O G A I N T H E T R E E SP l a c e , H a r m o n y , M a t e r i a l , S p a c e , E x p e r i e n c e
Y O G A I N T H E T R E E SP l a c e , H a r m o n y , M a t e r i a l , S p a c e , E x p e r i e n c e
Project III Mark RoddyADE120
Yoga is inherently characterized by the solitude
associated with it. When this meditative practice
is performed in a site with a contrasting dynamic, a
frenzied university campus core, separation and iso-
lation, must be created. This is accomplished by us-
ing a canopy of trees to distinguish this from its inverse.
Balance is portrayed by a circular platform; this reflects the yoga
principles of wholeness: mental, physical, spiritual and emotional. The
center of the space is occupied by a tree, exemplifying the focus on na-
ture and is cyclical patterns. A wood deck and surrounding poles mimic the
forest environment. As the patrons move deeper and deeper into meditation,
chaos can be transcended moving into the tranquility of the canopy of the trees.
Project III Mark RoddyADE120
Yoga is inherently characterized by the solitude
associated with it. When this meditative practice
is performed in a site with a contrasting dynamic, a
frenzied university campus core, separation and iso-
lation, must be created. This is accomplished by us-
ing a canopy of trees to distinguish this from its inverse.
Balance is portrayed by a circular platform; this reflects the yoga
principles of wholeness: mental, physical, spiritual and emotional. The
center of the space is occupied by a tree, exemplifying the focus on na-
ture and is cyclical patterns. A wood deck and surrounding poles mimic the
forest environment. As the patrons move deeper and deeper into meditation,
chaos can be transcended moving into the tranquility of the canopy of the trees.
Originating with a simple two dimensional design; this
screen has no inherent scale which it is assigned there-
fore it can be universally applied. This grants flex-
ibility of purpose and functionality. Used repeti-
tively in succession, it might be used as a wall
or trellis from which vibrant flora may grow,
or it may be stretched to take on the form
of a steel structural facade to be ap-
plied to a large building. Both shadow
and modeling material usage were
explored as part of this study.
Originating with a simple two dimensional design; this
screen has no inherent scale which it is assigned there-
fore it can be universally applied. This grants flex-
ibility of purpose and functionality. Used repeti-
tively in succession, it might be used as a wall
or trellis from which vibrant flora may grow,
or it may be stretched to take on the form
of a steel structural facade to be ap-
plied to a large building. Both shadow
and modeling material usage were
explored as part of this study.
R I V E R O F C O L L A B O R AT I O NR e a d i n g a n d r e s p o n d i n g t o c o n t e x t
R I V E R O F C O L L A B O R AT I O NR e a d i n g a n d r e s p o n d i n g t o c o n t e x t
Project I & II Aaron HerringFall 06 ALA221
Beginning with simple shapes and progressing to a complex design
involving multiple components, materials and themes, the Core
to Hayden corridor becomes an inviting space for campus confi-
dants. Even before the concept was attached to a physical loca-tion,1 the composition had been the recipient of much inspiration.
Basic two-dimensional elements were used to portray an
ideology—a trajectory. Some of the initial inspiration included
the use of a golden mean based grid, and the understanding
of balance and spatial relationships with certain fundamental
guidelines dictating composition. The exploration matured
from an aimless wander through spaces, to a pointed study of
guided motion through converging contrasting elements.2
With the addition of a physical location, flow of traffic and
use of space became important parameters to consider.3 3
2
1
Project I & II Aaron HerringFall 06 ALA221
Beginning with simple shapes and progressing to a complex design
involving multiple components, materials and themes, the Core
to Hayden corridor becomes an inviting space for campus confi-
dants. Even before the concept was attached to a physical loca-tion,1 the composition had been the recipient of much inspiration.
Basic two-dimensional elements were used to portray an
ideology—a trajectory. Some of the initial inspiration included
the use of a golden mean based grid, and the understanding
of balance and spatial relationships with certain fundamental
guidelines dictating composition. The exploration matured
from an aimless wander through spaces, to a pointed study of
guided motion through converging contrasting elements.2
With the addition of a physical location, flow of traffic and
use of space became important parameters to consider.3 3
2
1
The
s i t e
s p e a k s ,
inspires, and leads
to an intuitive destination
with inherent characteristics.
With this destination in mind, it was
imperative to marry it to the fundamental idea
of guided motion through contrasting elements. The
added element of vegetation was strategically important
for strengthening the desired personality and adding new
dimension of the conceptualized Core to Hayden Corridor.
The
s i t e
s p e a k s ,
inspires, and leads
to an intuitive destination
with inherent characteristics.
With this destination in mind, it was
imperative to marry it to the fundamental idea
of guided motion through contrasting elements. The
added element of vegetation was strategically important
for strengthening the desired personality and adding new
dimension of the conceptualized Core to Hayden Corridor.
A K I N E S T H E T I C A C Q U I S I T I O N O F I N F O R M AT I O N P l a c e a n d P e r c e p t i o n
A K I N E S T H E T I C A C Q U I S I T I O N O F I N F O R M AT I O N P l a c e a n d P e r c e p t i o n
Project III Aaron HerringALA221
The transformation from a flowing river of thought into a
complex, organized structure of information and knowl-edge is the vision.1 Moving through this corridor, an indi-
vidual is presented with many choices. Opportunities for ex-
ploration abound. This network is dictated by the parameters
through which a kinesthetic thinker might explore information.
This design leaves the options open for opportunity and growth, with
exhilarating perspectives2 at destinations throughout the project.
This is a place of exchange, reminiscent of a marketplace of the
past. It was not only a place of trading goods, but a place for
people to catch up on the latest gossip, to trade stories, and to
pass on the latest and greatest of the age. Visually there was
consistency in the chaos: Flags and banners of all shapes, sizes
and colors; a hustle and bustle of people moving in all directions
with different purposes. The picture that has been painted
for you is the site corridor. Cafe, gallery and corresponding
interactions portrayed as an information market place.
1
2
Project III Aaron HerringALA221
The transformation from a flowing river of thought into a
complex, organized structure of information and knowl-edge is the vision.1 Moving through this corridor, an indi-
vidual is presented with many choices. Opportunities for ex-
ploration abound. This network is dictated by the parameters
through which a kinesthetic thinker might explore information.
This design leaves the options open for opportunity and growth, with
exhilarating perspectives2 at destinations throughout the project.
This is a place of exchange, reminiscent of a marketplace of the
past. It was not only a place of trading goods, but a place for
people to catch up on the latest gossip, to trade stories, and to
pass on the latest and greatest of the age. Visually there was
consistency in the chaos: Flags and banners of all shapes, sizes
and colors; a hustle and bustle of people moving in all directions
with different purposes. The picture that has been painted
for you is the site corridor. Cafe, gallery and corresponding
interactions portrayed as an information market place.
1
2
The “market place” presents opportunities
to gather specific pieces of information
within containers. As one explores
the site, access to each segment of
information brings enlightenment procured
by new knowledge and perspectives.
Sociality is an essential element in this spatial experience.
Each container is a fragmented piece of the program, gallery
and cafe. The purpose of these amenities is to facilitate the
collaboration and sharing of information. Different tiers in
the information-sharing-infrastructure facilitate a transition
from public to private exchanges. The basic element is the
ground plane, which is the platform for sharing information
such as casual greetings, light conversation about current
events or friends. As dialogue intensifies with more
specific information, a group may take the conversation
into a secondary information containerA. Containers of
greater focusB exude a similar quality—their accessibility
is based on the distance one is willing to migrate.
Persistence is necessary to reach the tertiary spaces.C
C
B
A
The “market place” presents opportunities
to gather specific pieces of information
within containers. As one explores
the site, access to each segment of
information brings enlightenment procured
by new knowledge and perspectives.
Sociality is an essential element in this spatial experience.
Each container is a fragmented piece of the program, gallery
and cafe. The purpose of these amenities is to facilitate the
collaboration and sharing of information. Different tiers in
the information-sharing-infrastructure facilitate a transition
from public to private exchanges. The basic element is the
ground plane, which is the platform for sharing information
such as casual greetings, light conversation about current
events or friends. As dialogue intensifies with more
specific information, a group may take the conversation
into a secondary information containerA. Containers of
greater focusB exude a similar quality—their accessibility
is based on the distance one is willing to migrate.
Persistence is necessary to reach the tertiary spaces.C
C
B
A
T R A N S F O R M AT I O NM e d i t a t i o n W a l l
T R A N S F O R M AT I O NM e d i t a t i o n W a l l
Project I & II Jeremy ParkerALA222
Death is many things and depicted in innumerable
ways. Here, expression is given to this abstract motion that
simultaneously haunts and intrigues. What are the characteristics
of death and how are they interrelated? How does death affect its
surroundings? Answers to these questions are the foundation for the project..
Project I & II Jeremy ParkerALA222
Death is many things and depicted in innumerable
ways. Here, expression is given to this abstract motion that
simultaneously haunts and intrigues. What are the characteristics
of death and how are they interrelated? How does death affect its
surroundings? Answers to these questions are the foundation for the project..
1
Motion is in inherent when an entity is removed from its environ-
ment. Surrounding objects rush in to fill the void of the extraction and
equalize pressure on the fields dynamics.1 This pressure on the new
model leads to experience, wear, age—and the integrity of the object
is compromised. Resiliency levels vary yet inevitably deterioration su-
percedes and termination occurs. When the entity ceases existence, its
environment is again affected. This continual deterioration of the old,
and influx of new life—one causing the other—is structurally depicted
in a ring of falling dominoes, or a constructed wave. Each is cycli-
cal in pattern, climaxing and abasing to a minimal state. This design
articulates an entities complete experience in this progressive cycle.
1
Motion is in inherent when an entity is removed from its environ-
ment. Surrounding objects rush in to fill the void of the extraction and
equalize pressure on the fields dynamics.1 This pressure on the new
model leads to experience, wear, age—and the integrity of the object
is compromised. Resiliency levels vary yet inevitably deterioration su-
percedes and termination occurs. When the entity ceases existence, its
environment is again affected. This continual deterioration of the old,
and influx of new life—one causing the other—is structurally depicted
in a ring of falling dominoes, or a constructed wave. Each is cycli-
cal in pattern, climaxing and abasing to a minimal state. This design
articulates an entities complete experience in this progressive cycle.
T H E J O U R N E Y F R O M L I F E T O D E AT H C e m e t e r y a n d P a r k
T H E J O U R N E Y F R O M L I F E T O D E AT H C e m e t e r y a n d P a r k
Death’s nature is to promotes new life: growth is a reaction to a change in environment. Flowers go to seed and die in the winter only to be replaced by new growth in the spring. The moon transitions from full to new moon, then back. Considered on the most ba-sic level, this pattern is a transfer of energy—mo-tion through time. The fluidity of this scenario, ob-served over a period, is evident: struggle for life and progression, a climax of strength, then weak-ening and ultimate replacement by the new entity.
5
Death’s nature is to promotes new life: growth is a reaction to a change in environment. Flowers go to seed and die in the winter only to be replaced by new growth in the spring. The moon transitions from full to new moon, then back. Considered on the most ba-sic level, this pattern is a transfer of energy—mo-tion through time. The fluidity of this scenario, ob-served over a period, is evident: struggle for life and progression, a climax of strength, then weak-ening and ultimate replacement by the new entity.
5
E X T R A M U R A L P U R S U I T S I n d e p e n d e n t P r o j e c t s
Wa
terC
olo
r
E X T R A M U R A L P U R S U I T S I n d e p e n d e n t P r o j e c t s
Wa
terC
olo
r
There are many projects that I have involved my self
in that are beyond the instruction given from my
scholastic pursuits. The projects displayed are
a sample of my work including Landscape Design1, Graphics and Print2, Computer Rendering3, and Residential Work4
5
1
2
3
4
There are many projects that I have involved my self
in that are beyond the instruction given from my
scholastic pursuits. The projects displayed are
a sample of my work including Landscape Design1, Graphics and Print2, Computer Rendering3, and Residential Work4
5
1
2
3
4