portfolio anabel frank contacts

7/31/2019 Portfolio Anabel Frank Contacts

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anabel.fran

My name is Anabel Frank. I am a highly motivated Graphic Designer. I intend to

find a job where I can show off my creative abilities. I may not know everything,

but I can learn fast. I am a curious person that loves to learn new things.

1195 Skylark Ave. Oshawa Cell. 905.925.4466 [email protected]


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Elephant Magazine Spreads

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N a t u r e U p C l o s ei s a l l a b o u t s e e i n g n a t u r e i n a d i f f r e n t v i e w .N o b o d y r e a l l y s t o p e s t o s m e l l t h e r o s e s a n y m o r e .I n t h i s a r t i c l e y o u g e t t o s e e t h i n g s u p c l o s et h a t y o u w o u l d n e v e r r e a l l y s t o p t o l o o k a t .Things that while walking in nature you would never really stop and bend over to look at them.

NATURE UP CLOSE

4 5Nature upCloseElephant

6 7

Nature upClose Elephant


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and

Colour

Ina gritty Montrealneighbourhood, GillesSaucier andAndr Perrotte,

principalso the acclaimedarchitecture rmSaucier +Perrot te, ounda place to call home. Te 1940sbrick-aced clothing actory was halobscuredby oliage andripe or transormation. Inside, the oors, tablesandwalls were bristling withpins andstrewn withbolts o abric likean art installation,recalls Saucier. Supporting the robust structure wasagrid o massive, hal-metre-thickconcrete poststhat alloweda wide-open expanse o space. We just saw that,recallsSaucier, andsaid to eachother, Oh, boy weve oundourplace.

oday, ouryearsaertheirrst walk-througho the oldactory andaerweeksspent removing pinsromt he oorboardcrevices withmagnets

the structure isnow a 1,800-square-metre oce-atelier-gallery-lo. Testreet entrance leadshal a ight down to an elegantly spare space: epoxy-polishedconcrete oor, reception, conerence room, artistsworkshop,gallery space. Te newly installedcentral staircase, whichnecessitated a27-square-metre incision in the oor, ascendsto the second-oor studioandmodel-making area. Sauciersprivate apartment is situatedon thethirdlevel andextendsto aourth-oormezzanine/terrace.Saucierlives literally just stepsaway romthe studio in whichhe spendshal o eachday, rom7a.m. to 7p.m. Dont the two realmseverget hardto separate? No, he insists: Immature enough that I can tell the diferencebetween my lie andmy lie.Fromwhich it might be inerredthat his

proessional andpersonal livesmay well be distinct, but they eed of eachothervoraciously.Perrotte, by contrast, livesacrossthe St. Lawrence Riverwith hisamily, inan oldhouse in the Saint-Lambert district. I like to have acertain distanceromwork, he says. o some extent, the partners living situationsalsoreect theirdesign approach. Saucierdivesright in, like asculptorintoclay Imthe improv guy,ashe putsit. Perrotte isthe detached analyst,more inclinedto view the coarse reality o a situation. Te building itselislocatedon a wide, tree-l inedstreet l ledwitha mix o simple brick

housing stockandvintage industrial buildings. Aew blocksaway isthebusy Jean-alon Market, anda ew stepsrom that isthe citysLittle Italy,on the northern stretcho BoulevardSaint-Laurent. Te neighbourhoodincludesblue-collarworkers, Italian cas, tailorsand grocers, andpocketso working artists attracted to itslow rents, continental characterandusion o culturesandethnicities.

Black

Whitein

Saucier + Perrottes studio in an ex-factory draws energy fromthe creative life, with space for an artist-in-residence on the main

oor and a spectacular loft on the third.

--Article by AdeleWeder--Photography by Oliver Blouin

We just saw that, recalls Saucier,and said to each other, Oh,boy weve found our place.

55 56Azure Magazine 2008 AzureMagazine 2008

Te solid concrete slab-and-beamconstruction and massive columnsgenerate the aurao an over-sizedstage set. Te dominant colourisblack, adarkchiaroscuro ratherthan the slick, starkblacko S + Psearlierwork. InMontreal in general, andat S + Pin particular, blackisalwaysthe new black.Itssubtly textured, not quite pitchor jet black, but some indenite hue thatreectsthe relative purity o aparticularbrando modernism the chalkboardandmatte blackrubberoordemarcating the two principals working quarters,orexample. Te blackwere using now is more chargedwithexperience,saysSaucier. We do colourul black.(In alie-imitates-art moment, Perrottestepsout roman accounting meeting to greet avisitor, hisblackhair artullystreakedwithlineso white.)

Quebec designersin general, andS +P in particular, have alwaysshown moreinuence romcontinental Europe than theircounterpartselsewhere in Canada.

Te European inuence doesnot simply maniest itsel in aparticularormorshade o black, but ratherin a general approachto creation, whichinvolvesdrawing on all the artsto inormit. Te mandate o the S + Parchitecture studioisto be acreative laboratory orthe 20-oddemployees, mostly architects. o thisend, the principalshave establishedan artist-in-residence program, supplyingavisual artist witha temporary atelier/workshop, aswell asa gallery on thegroundoorto exhibit the nishedproject orresearchat the endo his orhersojourn. Te workshopand gallery may occasionally be usedorperormingarts, but, notably, the space isnot earmarkedorvisiting architects. At S + P,these spacesunction aslabs orthe rmsbroaderarchitectural research. Tereal nourishment o architecture is art, not otherarchitecture,insistsSaucier.o be sure, the architectural eldhasnot alwaysbeen kind orairto the rm.In competitions, S +Phas ahistory o being the juryspick, but then seeing thecommissionsevaporate asthose decisionsare overruled. An international juryrecommendedS + Porthe Canadian Embassy in Berlin in acompetition in the

late 1990s, but theirrecommendation wasignoredby the oreign aairsministero the day, to the shock anddismay o many in Canadasdesign community.Later, S +P won the juriedcompetition to design the Institute o Modern andContemporary Art in Calgary, but wasdroppedin avouro an architect chosenby the projectsleaddonor. Te competition processhas helpedestablishthermsreputation andprovidedit withertile groundordeveloping andshowingo itscreativity but hasnot eatheredits bed. Only recently hasit enjoyedbig-league successoutside o itshometown, representing Canadaat the 2004Venice Biennale o Architecture, andwith majorprojectssuchasthe PerimeterInstitute in Waterloo, Ontario, and the $35-million National Mountain Centrein Canmore, Alberta, now under way.

Te raw inspiration or S + Psarchitectural orm ofen derives romtheethereality o the visual arts. Te integration o art is something that comes

naturally to us,saysSaucier. Itsintegral to our work. Te studio residencyhelpsthe artists, but itsalso the perect tool or what we do as architects.ForSaucier, the design teamis inuencedby osmosis. Itsnot azoo, as in Letswatchthe artist at work. Itsmore about the inspiration he provides,he says.Perrotte ismore prosaically specic: the artist hasamorning coee oramiddayencounterwiththe architects, giving thema chance to asksomething aboutcolourororm, oranything else they might want input on.

Te aurao a sculpture gallery persistsin areasoradministration andmeetingson the groundoor. And the dramacreatedby the emphatic charcoal blackdiagonal o the main staircase isreinorcedon the secondoor by the rowso hot-rolledmetal bracketing the studio workstations(like a RichardSerrainstallation, observesSaucier). Tere, the original wide-plank maple oorretainsthe traceso actory workers. S + Pchose not to sand the oors,maintaining the original patinato embody the memory o the workerswho

once animatedthe space. More history iscontainedin the army green metalboxesand long wooden tables, ormerly usedorcutting abric andretainedby S + Pormodel making. Counterbalancedby all those dark, solidelementsisthe heart-stopping backdropon the rearwall: a huge photographic muralcalledKamouraska, by Marc Cramer, lledwith eldso ochre grasses. Wetriedasmuch aspossible to react to what we ound,ratherthan intervene toerase it, saysPerrotte. Like an artistsstudio o the 19th century, itsmore abouthow the creatorsinhabit the space, more about things like indirect lighting thanluxuriousnishes.Upstairson the thirdoor, in the private realmo Sauciersown apartment,aportion o the upperslab was removedto create aourth-oormezzanineand patio. Te apartment unurlsin a linearnarrative, bending around acondominiumsuite in an L-shapedplan that culminatesin the double-heightliving/dining area. Here, astrong, sculptural element wasneededto imbue the

space withintimacy andpersonality. Youcannot just put a couchin the middleo ahuge areaand say, Oh, thisis the living area,saysSaucier. Youneedareerence hence the uniquely shapedRussian birchplywoodstaircase. Closecroppedto the underside o the risersandrunners, it evokesan upside-downM.C. Escherdrawing, orthe menacing edge o aserratedknie.

Tat third-oorenclave, Sauciersown design, transmitsthe rmsesthetic codeandvision or the building: the use o space ratherthan surace to create anaura, anarrow range o colours, andabove all asense o height and opennesson every oor. Te opennessisreinorcedby the huge aperture orthe dramaticcentral staircase, whichbeckonsavisitorupstairsto the main action.Fourours andextracurricularprogramsnotwithstanding, the overall eectisone o unity. Tismay soundstrange, but I see it as ahumble project,saysPerrotte. We have simple goals, andin a way triedto do as little aspossible toit. Itsthe space itsel thatsprecious.

theblackwereusingnowismorechargedwithexperience

Azure Magazine Spreads


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Tank Magazine Spreads

Out in let feld

PHILIPPEFRANKPHOTOGRAPHEDBY ANABELFRANK

Volume13Issue31

Designedby MatthewSwansen

34

Out in let feld

Aprinted exhibition eaturing MatthewSwansensnewline o mensclothing.Philippe Frank isparading the line

threwthe woods.


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not marked water-resistant.

Waranty

COVERAGE:Your new timepiece is warranted to the owner for onefull year from the date of purchase.The warranty covers any and allparts ofthe watch that may need repair due to defects in materials orworkmanship under normal use.Bulovas obligations hereunder arelimited to repair or replacement at its option.The warranty excludesthe battery,strap and excessive wear or damage to the case,crystal orbracelet,and does not protect against water damage ifthe model isnot marked water-resistant.

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1933Fleetwood StBowmanville,OnL1J1H8

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Jason Mark909 Simcoe St. N Unit #3Oshawa, OntarioL1G 4W1

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Oshawa, ON

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