portfolio marina 2015

MARINABOARETTO

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As an architect I consider that the renovation and expansion of my knowledge and experience is essential for my professional career.

Being graduated in Federal University of Rio de Janeiro, academic institu-tion strongly connected with the modernist school, I feel the necessity to expand my intellectual and practical horizons, searching for the detachment of the rational and purist modernist logic, looking through a widely architecture comprehension, more dynamic, engaged and feasible.

Regarding Marina, I could say that I’m an outgoing person that likes to be outside the walls taking full advantage of body and mind experiences. Making new friends and interact with different people and culture is a joy for me. My dad, being a craftsman, influenced me a lot and gave me the opportunity to spend some time in his woodshop learning a few cool technics. After my graduation, I’ve went through some practices that made me rethink my professional position and search for other ways of thinking architecture.

Nowadays, I’m a member of a group called Estúdio Guanabara, created in 2009. Basically, the studio is the union of people that before being architects and urbanists, are individuals with different interests sharing experiences to operate with enthusiasm.

We are involved with different scales of projects and expertise such as ur-ban planning of favela, corporative offices, museums, social housing, product design and others. We believe that users, makers, clients and all collaborators are agents in the same process and work together to materialize ideas and spaces in an open process. In that fashion, never neglecting the cultural, social, ambiental and eco-nomic dimensions seeking for consistent and realizable projects that dialog with the surrounding and it’s users. Lately I’ve been involved in the adaptation of wikihouse to a tropical output, as well as a museum of fashion in Rio and a coworking space using participative design methodologies.

My academic formation, my professional experiences, my passion for architecture and the wish for learning, made me look for new challenges abroad. As a Brazilian I feel like we are surrounded by a plural and rich culture where ordinary people are not welcome in the process and architecture is seen as a privilege of a few. I’m interested in learning other ways of doing architecture, thinking solutions that empower the community members and where my hands touch more than a keyboard. I see this as a chance of sharing knowledge and establishing a bridge with Brazil for future opportunities. I hope you’ll have some time to go through my papers and engage in a skype call.

Marina Boaretto Ferreira

PERSON STATEMENT

_Date of birth07-11-1987

_Place of birthRio de Janeiro, Brazil

_HomeRua Cardoso Júnior, 63 Laranjeiras - 22205060

_Registration Council n° 143907 3

_Phone mob. +55 21 987516403home. +55 21 26108900

_Skypemarina.boaretto

[email protected]

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_Operating SystemMac OS XWindows

_AutodeskAutoCAD 2DAutocad 3D3D Max

_AdobePhotoshopInDesignIllustrator

_OfficeWordExcelPower Point

_OthersSketch UpRhinoceros

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_PortugueseNative

_EnglishWritingSpeaking

_FrenchWritingSpeaking

_SpanishWritingSpeaking

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Hand Drafting Sketching Model Building Communication Teamwork Craftsmanship

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uage

sTe

chno

logy

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an

Education

_January 2014 - Februrary 2014Bioconstruction Course

SustentarteLessons and handmade construction

_August 2006 - July 20135 years Bachelor Degree in Architecture and Urban planning

Federal University of Rio de JaneiroThesis: Natural Chieldbirth Center

Work

_March 2014 - presentArchitect at Estúdio Guanabara

Interior architecture

_August 2013 - Februrary 2014Architect at Nolasco woodshop

Interior architecture and furniture design

_August 2011 - Februrary 2012Intern at Fábrica de Arquitetura


_November 2009 - March 2011Intern at Santa Irreverência Architecture Studio


Personal Skills

ESTÚDIO GUANABARA TEAM WORK

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ACADEMIC WORKS

NON ACADEMIC WORKS

CONNECTING SIDESEngenho de Dentro, Rio de Janeiro

BIRTH HOUSE MICHEL ODENTNiterói, Rio de Janeiro

ORANGE HOUSELaranjeiras, Rio de Janeiro

COMPETITION MIS PROCenter, Rio de Janeiro

COWORKING SPACEBotafogo, Rio de Janeiro

WIKIHOUSE - RIO

BIOCONSTRUCTION WORKSHOPCatete, Rio de Janeiro

LIVE MODEL BELA MARÉMaré, Rio de Janeiro

BRAQUET CHAIR

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University project [Academic year 2011 - 2012]

Location [Engenho de Dentro, Rio de Janeiro]

Professors [Margareth Pereira & Sergio Magalhães]

CONNECTING SIDES RETHINKING THE AREA OF THE TRAIN STATION

SKETCH OF THE STATION



TRANSVERSAL SECTION

CURRENT SITUATION

The train line prevents the passage of pedestrians on the ground level requir-ing them to go through a walkway

INTENTION

The project involves the lowering of the railway line

RESULTS

Free movement of people on the ground level

The project came from a recognition of the main problems facing the district and that are generated by deficiencies in urban infrastructure. The diagnosis came the impact that such issues have on the day-to-day local population, estimated at 50,000 people by the last census conducted by the IBGE (Brazilian Institute of Geography and Statistics).

The lowering of the rail line in a 900 meters stretch with an inclination of about 2 %, covering Engenho de Dentro station, will allow the boarding platform and landing clearance to operate about 8 meters below ground level allowing free pedestrian movement and enable the direct interconnection and clear on both sides of the neighborhood. Along with this change comes the revitalization of the area, the appreciation of built ele-ments of cultural value and the upgrading of the routes.

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100

50

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GROUND FLOOR PLAN

The idea of connecting sides at the ground did not arise only from the intention to resume old links or promote accessibility, after all this superficial result could be achieved by less complex interventions. Other solutions have been studied and discussed, but mostly the result was the same: functionalist act and prioritization of the road system.

Cars and pedestrians, with all its varientes, are the main actors of the contemporary city. A simpler way would be to propose bridges, subways, or any other paths in order to separate the paths of the crossings for pedestrians to cars by means of different levels . This results in a segregation in other views.

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UNDERGROUND FLOOR PLAN

GROUND FLOOR PLAN

LONGITUDINAL SECTION

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University project [Academic year 2012 - 2013]

Location [Centro, Niterói]

Professors [Mauro Santos]

BIRTH HOUSE

“TO CHANGE THE WORLD, WE MUST FIRSTCHANGE THE WAY WE GIVE BIRTH “.MICHEL ODENT

The Brazilian model of childbirth care relies on the phy-sician-patient relationship, level of technology utilization and cesarean delivery, which translate the alarming rate of 50% cesarean sections found today in the country.

The humanization of the delivery shows the importance of women in taking care and giving birth of their own child and using the assistence of others only when

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GROUND FLOOR PLAN

A

A

BB

C

C

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W

SECTION A

SECTION B

SECTION C

Potential justifying the selection of the land :

Easy and broad access by various means of transport, both of south neighborhoods like the north of the city;

Exists in the region a network of hospital equip-ment. In its near surroundings are located 3 general hospitals , two of them that can function as public support for maternity;

The land is public and belongs to the hospital Carlos Tortelly.

It is currently empty and unused by locals;

The land is large (3700 square meter) flat and easy drainage to be above street level;

Being located at the end of a side street, the area is quiet and does not receive direct noise from the main road;

ANTONIO PEDRO HOSPITAL

CARLOS TORTELLY HOSPITAL

SOCIAL PREVIDENCE

SITE SELECTION

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Location [Laranjeiras, Rio de Janeiro]

Author [Marina Boaretto]

Year [2014]

ORANGE HOUSE INTERVENTION AND RESTORATION PROJECT - PRESERVED BY THE IRPH (institut of heritage of humanity)

FRONTAL FACADE LATERAL FACADE

PROPOSAL :

The project proposes intervention of the building lacated in Cardoso Júnior nº. 19, and their adaptation for a residence unifamiliar.

Despite of the bad conditions, the property maintains it’s architectural aspects and it’s importance on the landscape of the neibourhood.

The proposed adaptationof use is essencial to ensure the maintenance and conservation of the building, racalling it’s use, avoiding future raids, allowing your reappropriation, and ensuing your transmission for future generations.

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PLANS

GROUND FLOOR PLAN

MEZZANINE FLOOR PLAN

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GROUND FLOOR PLAN

MEZZANINE FLOOR PLAN

MEZANINE FLOOR PLAN

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SECTIONS



TRANSVERSAL SECTION TRANSVERSAL SECTION

National Competition

Location [Centro, Rio de Janeiro]

Team [Thiago José Barros, Luisa Bogossian, Danilo Figueiras, André

Daemon, Marina Boaretto, Sara Jacinto & Valentina Davila]

Year [2014]

MIS-PRO COMPETITION MUSEUM OF IMAGE AND SOUNDE REESTRUTURAÇÃO URBANA

PERSPECTIVE OF THE ENTRANCE - GROUND FLOOR

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EXISTENT INTENTION CONCEPT PROPOSAL IMAGINATION


SUPPLY SYSTEMS

The purpose of this project was developed for the competition of the new headquarters of MIS PRO to be deployed in Lapa, Rio de Janeiro. As part of their program, the institution has decent guard, research and working areas as well as public use activities as exposure, library, café and auditorium.

Starting from the existing building analysis was adopted as principle projetual the maintance of all the historical facade and structural system which currently runs the program.

This attitude aimed to cause minimal impact on surrounding buildings and reduce the generation of solid waste from the demolition, in addition to establishing a dialogue with the historic surroundings of downtown Rio.

Besides the maintenance of the existing historic building, the project has the distinction of thinking of a ventilation system and exhaust from wooden structures in the form of hyperboloids of revolution, creating chambers of the exhaust air, avoiding the constant use of mechanical ventilation and bringing natural lighting to the building.

The distribution of the program is made in order to create a common use of pavement that comes to a plaza surrounded by the multi uses and research around it, allowing users to observe the technical operation of the building.

The backbone of the proposal is environmental consciousness, and the resulting formalism of the measures adopted to preserve the existing building only building you need for continuity, using also light wooden structures as space organizers elements and support of ventilation and passive principles of lighting.

THE PROJECT


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SUPPLY SYSTEMS

INTERIOR OFFICE VIEW

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GROUND FLOOR [0.00m]

01 RECEPTION 107.30m ²02 STORE/CAFFE 204.60m²03STORAGE RECEPTION 13.10m²04 TOILLETS 19.90.m²05 AUDITORIUM 126.60m²06 PROJECTION CABINE 8.29m²07 AUDITORIUM SUPPORT 27.51m²

MEZZANINE FLOOR [+2.60m]

01 TEMPORARY EXPOSITION 115.10m²02 RESEARCH CENTER 149.30m²03 EDITION ROOM 47.00m²04 STUDIO 34.25m²05 LIBRARY 70.80m²

1º PAVIMENT (+5.23]

01 MEETING ROOM 28.04m²02 ADMINISTRATION ROOM 28.51m²03 LAB TRIDIMENSIONAL 57.21m²04 IT SUPPORT 40.70m²05 IT TRIDIMENSIONAL 28.10m²06 TOILLETS 8.34m²07 COPA 7.30m² 08 TRIAGEM 56.93m²09 ANTECHAMBER 10.00m²10 RT ESPECIAL 25.05m²11 RT TRIDIMENSIONAL 183.18m²12 RT INDUMENTÁRIA 61.29m²13 MEZZANINE LIBRARY 45.54m²

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02

03

04

05

07

06

11.27

3.41

7.42

3.41

7.42

3.35

9.13

5.54

45.40

6.95

6.95

6.95

5.25

31.63

8.93

6.807.257.70

21.75

03 03

02

01

03

05

0404 04

11.27

3.41

7.42

3.41

7.42

3.35

9.13

5.54

45.40

6.95

6.95

6.95

5.25

31.63

8.93

6.807.257.70

21.75

0102

03

04

05

06 07

08

09

09

09

10

11

12

13

PLANS

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2² PAVIMENT [+8.80/8.17m]

01 ADMINISTRATION 55.10m²02 TOILETS 7.86m²03 LAB DISCOS 31.37m²04 LAB AUDIOVISUAL 19.91m²05 TTI DISCOS 40.18m²06 TTI AUDIOVISUAL 27.95m²07 TOILETS 5.90m²08 COPA 7.30m²08 LAB DIG AUDIOVISUAL 35.55m² 09 ANTECHAMBER 10.00m²10 RT AUDIOVISUAL 140.51m²11 RT DISCOTEC 253.66m²

3º PAVIMENT [+10.87/11.93m]

01 REHEARSE 60.00m²02 TOILLETS 7.86m²03 LAB PAPER 57.06m²04 TTI LIBRARY 41.20m²05 STORAGE 27.90m²06 TOILLETS 5.90m²07 COPA 7.30m²08 LAB DIGITALIZATION 35.55m²10 STORAGE 7.36m²11 ANTECHAMBER 10.00m²12 RT PARTITURA 167.10m²12 RT TEXTUAL 103.50m²13 RT ICONOGRAPHY 107.84m²

4º PAVIMENT [+15.06m]

01 HABITATION 31.00m²02 REHEARSEL 30.00m²03 TTI PARTITURA 55.25m²04 TTI TEXTUAL 41.20.m²05 TTI ICONOGRAPHY 27.90m²06 DRESSING ROOMS 18.85m²07 COPA 12.00m²08 SUPPORT 14.45m²09 COBERTURA 680.00m²

5º PAVIMENTO [+18.19m]

01 HABITATION 37.54m²02 HABITATION 34.70m²

11.27

3.41

7.42

3.41

7.42

3.35

9.13

5.54

45.40

6.95

6.95

6.95

5.25

31.63

8.93

6.807.257.70

21.75

01

02

03

04

05

06

0807

0809

09

10

TTI B

IBLI

OTEC

A41

.20

m²

LAB

PAPE

L57

.06

m²

11.27

3.41

7.42

3.41

7.42

3.35

9.13

5.54

45.40

6.95

6.95

6.95

5.25

31.63

8.93

6.807.257.70

21.75

01

02

03

04

05

06 07

08

10

11

1213

01

11.27

3.41

7.42

3.41

7.42

3.35

9.13

5.54

45.40

6.95

6.95

6.95

5.25

31.63

6.807.257.70

21.75

02

03

04

08

07

06

05

09

01

11.27

3.41

7.42

3.41

7.42

3.35

9.13

5.54

45.40

6.95

6.95

6.95

5.25

31.63

6.807.257.70

21.75

0201

Location [Botafogo, Rio de Janeiro]

Team [André Daemon, Marina Boaretto & Thiago José Barros]

Year [2014]

URBAN ARK COWORKING SPACE

GROUND FLOOR PLAN

IMAGE OF THE ENTRANCE - GROUND FLOOR PLAN

The Arca project is a coworking where different companies divide work areas in the same property.

The project seeks solutions low costs that allow the space to evolve as users appropriate the ambeintes.

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IMAGE OF THE WORKING STATION - 2º PAVIMENT

GROUND FLOOR PLAN

1º PAVIMENT

2º PAVIMENT

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LONGITUDINAL SECTION 2

LONGITUDINAL SECTION 1

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TRANSVERSAL SECTION 5



FACADE

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Team [Thiago José Barros, Luisa Bogossian, Marina Boaretto, André Daemon & Danilo Figueiras]

Year [2014]

WIKIHOUSE - RIO DESIGN, DOWNLOAD AND “PRINT”

The wikihouse allows anyone to design, down-load and “print” houses and components that can be assembled with minimal formal skills or training, using plywood and a CNC machine. The project is the result of Alastair Parvin and Nick Ierodiaconou and its employees in 00: / (“ zero zero “), a studio based in London. Articulating a global community, today there are several wikihouses around the world, empowering individuals, strengthening communities and stimulating innovation and entrepreneurship.

The Wikihouse Rio is born of the partnership between Dinho and Jimmy who together won the TED Prize City to take the Wikihouse techniques to Rio de Janeiro. As part of the chapter Rio, our proposal was to adapt the system to a tropical reality, more consistent with the climate and the availability of materials, leaving the system that can be customizadode according to the location that will be deployed. The structural principle follows the developed by the global community, with parallel structures of plywood cut on CNC, but his profile was changed to include three major changes: adding balcony, roof of a water and recesses for receiving different types of materials for its closure.

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ROOF

RAFTER

FACADE CUSTOMIZABLE

STRUCTURE IN COMPENSATED NAVAL CUT WITH CNC

DECK

STRUCTURE DIAGRAM

WOOD WOOD METAL SHINGLE BAMBOO THATCH THATCH

FACADE CUSTOMIZABLE

STUDY WITH DIFFERENT MATERIALS AND APPLICATIONS

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CABIN12M²

STUDIO18M²

HOUSE27M²

STRUCTURAL COMPOSITION

GROWING POSSIBILITIES

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DIFFERENT MATERIALS AND APPLICATIONS

Location [Catete, Rio de Janeiro]

Team [15 friends]

Year [2013]

BIOCONSTRUCTION WORKSHOP

This project was born in a collaborative workshop in which we design and build a bamboo structure sup-porting a green roof. This structure was set in a high school where children can interact between classes.

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SECTION

IMAGE OF THE ROOF

SEQUENCE OF THE CONSTRUCTION OF THE GREENROOF STRUCTURE

VEGETATION

DRAIN ROCK

DEEP SOIL

WATERPROOF MEMBRANE

WATERPROOF MEMBRANE

BAMBOO

WOOD

BAMBOO

WOOD

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SKECTHES OF THE BAMBOO STRUCTURE

IMAGES OF THE BAMBOO STRUCTURE

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Team [RUA architects, Marina Boaretto, Mariana Meneguetti and more 14 colaborators]

Year [2013]

LIVE MODEL BELA MARÉ EXHIBITION DESIGN AND ASSEBLY

Travessias proposes the incorporation of the Maré favela and its inhabitants on the map of the visual arts, emphasizing the role of the artist and Brazilian contemporary art in a process of integration and urban aesthetics.

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X BIENNIAL OF SAO PAULO - CULTURAL CENTER SÃO PAULO, 2013

The Maré’s Model is a great ‘process model’, designed to progressively represent the 16 districts that make up the 427Ha the territory of Maré, in Rio de Janeiro.Conducted through workshops with residents and students of archi-tecture, the model is a representation tool, approach and learning about the city, and support for proposals, studies and interactions.

ARCHITECTURE WORKSHOP - CROSSINGS EXHIBITION 2014

From the development of a mapping and research in the master’s program PROURB-UFRJ, the model was first made in 2013 in part Exposure time Crossings 2 - Contemporary Art in Maré. In Architecture Workshop held during the months of exposure Crossings 2, was built the New Holland neighborhood area, measuring 4.5m x 2m, in the scale of 1: 200 - representing approx-imately 20% of the Maré.

MODEL LIVE MARÉ - X BIENNIAL OF SAO PAULO ARCHITECTURE

For the X Architecture Biennial of São Paulo, was built a new part of the territory extending the model to the north, including the neighbor-hoods Rubem Vaz Park and Union Park.The model exhibited at the Centro Cultural São Paulo, is a new stretch of approximately 15% more area of Maré, expanding the other 20% initial displayed at the Arts Centre Bela Maré.The public is invited to interact and design with the exposed parts of the model.

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2014 CROSSINGS EXHIBITION 2

Continuing the editions of 2013, in 2014, there was an extension of the model Modelo Vivo, which now covers about 40% the territory of Maré and is being developed through on-site workshops.

Author [Marina Boaretto]

Year [2014]

BRAQUET CHAIR DESIGN AND FABRICATION

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portfolio marina 2015

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