povertywealth art & architecture immigrants i do declare 10 20 30 40 50

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Page 1: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50
Page 2: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Poverty Wealth Art & Architecture Immigrants I Do

Declare

10 10 10 10 10

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Page 3: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 1 - 10

•Crowded, unsafe apartment buildings that began to appear in American cities during the Industrial Revolution

Page 4: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 1 – 10

•Tenements

Page 5: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 1 - 20

• They were preferred by many factory owners because they worked cheaper, left more room for machinery, and were easier to intimidate into obedience with violence

Page 6: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 1 – 20

•Children

Page 7: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 1 - 30

• System of farming which most of the freed slaves were forced to resort to after Reconstruction• Land for farming was rented by

giving the landowner a set percentage of the harvest

Page 8: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 1 – 30

•Sharecropping

Page 9: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 1 - 40

• These were established by upper-middle class families or individuals in poor neighborhoods to help provide services such as meals, education, medical care, and job placement

Page 10: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 1 – 40

•Settlement Houses

Page 11: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 1 - 50

• In order to improve wages and working conditions, many factory workers joined these

Page 12: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 1 – 50

•Unions

Page 13: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 2 - 10

• The richest man in history, created America’s first monopoly, the Standard Oil Company

Page 14: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 2 – 10

•John D. Rockefeller

Page 15: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 2 - 20

• Andrew Carnegie’s idea that the wealthy ought to use their money and power to improve society through the funding of projects that serve the public good, such as hospitals, libraries, and universities

Page 16: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 2 – 20

•The Gospel of Wealth

Page 17: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 2 - 30

•Massive farms in the South that produced “cash crops” such as cotton, sugar, or tobacco, through the use of slave labor

Page 18: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 2 – 30

•Plantations

Page 19: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 2 - 40

• Term used to negatively describe men like Carnegie, Vanderbilt, and Rockefeller; they preferred “captains of industry”

Page 20: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 2 – 40

•Robber Barons

Page 21: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 2 - 50

• Term coined by Mark Twain to describe the false image of American prosperity in the 1880s and 1890s

Page 22: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 2 – 50

•The Gilded Age

Page 23: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 3 - 10

•Group of artists who painted American landscape scenes from the 1820s to the 1850s

Page 24: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 3 – 10

•The Hudson River School

Page 25: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 3 - 20

• Artistic movement of the 1800s which included both literary and visual arts• Purpose of this style of art was to

try to provoke an emotional response, rather than appeal to logic and reason

Page 26: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 3 – 20

•Romanticism

Page 27: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 3 - 30

• Political cartoonist best known for attacking the corruption of New York City’s Tammany Hall, but who also developed the modern images of Santa Claus and Uncle Sam

Page 28: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 3 – 30

•Thomas Nast

Page 29: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 3 - 40

•The White House•The Capitol Building•Monticello (Thomas Jefferson's home)

Page 30: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 3 – 40

•Neoclassical Architecture

Page 31: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 3 - 50

•New style of building made possible by the cheap mass-production of steel and the invention of the elevator

Page 32: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 3 – 50

•Skyscrapers

Page 33: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 4 - 10

•Group first brought to America as cheap labor by the Central Pacific Railroad

Page 34: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 4 – 10

•The Chinese

Page 35: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 4 - 20

• The first thing immigrants arriving in New York City would see is this, although most of them could not read English well enough to understand Emma Lazarus’ poem inscribed on it

Page 36: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 4 – 20

•The Statue of Liberty

Page 37: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 4 - 30

•The West Coast’s equivalent to New York’s Ellis Island

Page 38: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 4 – 30

•Angel Island

Page 39: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 4 - 40

• 1798• Allowed government to arrest

and deport foreigners• Limited free speech by making

it illegal to criticize the government or its officials.

Page 40: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 4 – 40

•Alien & Sedition Acts

Page 41: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 4 - 50

• These were led by “bosses” who did newly arriving immigrants favors (such as finding them jobs and housing) in return for the immigrants agreeing to vote the way they were told, come election day

Page 42: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 4 – 50

•Political Machines

Page 43: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 5 - 10

•Issued by Abraham Lincoln in 1863, it did not actually free a single slave

Page 44: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 5 – 10

•Emancipation Proclamation

Page 45: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 5 - 20

• Statement of US foreign policy issued in 1823• Declared the Americas off-

limits to further European colonization

Page 46: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 5 – 20

•Monroe Doctrine

Page 47: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 5 - 30

• Issued in 1899, declared that the US would not recognize European spheres of influence in China

Page 48: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 5 – 30

•The Open Door Note

Page 49: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 5 - 40

• Issued in 1904, expanded the Monroe Doctrine to include prohibitions on European economic interference in the Americas

Page 50: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 5 – 40

•Roosevelt Corollary

Page 51: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Question 5 - 50

• Issued in 1793, declared that the US would not get involved in the war between France and England, despite the fact that the US was obligated by treaty to assist the French

Page 52: PovertyWealth Art & Architecture Immigrants I Do Declare 10 20 30 40 50

Answer 5 – 50

•Proclamation of Neutrality