ppt ch03 marien_4_e-205392
TRANSCRIPT
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3.0 Albert Berghaus, M. B. Brady’s New Photographic Gallery, Corner of Broadway and Tenth Street, New York, from Frank Leslie’s Illustrated Newspaper, 1861. Wood engraving. Library of Congress, Washington, D.C.
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3.1 Gabriel Harrison, Past, Present, Future, 1854. George Eastman House, Rochester, New York.
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3.2 Photographer Unknown, The Fresh View Agent Soliciting, from Stereoscopes in Use, c. 1860s. Stereograph. George Eastman House, Rochester, New York.
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3.3 Photographer Unknown, Looking up Broadway from the Corner of Broome Street, 1868. Stereograph. Albumen silver print, 1868-71. Library of Congress, Washington, D.C.
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3.4 André Adolphe Eugène Disdéri, Prince Lobkowitz, 1858. Metropolitan Museum of Art, New York.
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3.5 Jean-François Millet, The Sower, 1862. Cliché verre. Victoria and Albert Museum, London.
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3.6 Étienne Carjat, Charles Baudelaire, c. 1862. Woodburytype. Metropolitan Museum of Art, New York.
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3.7 Nadar, Panthéon Nadar, 1854. Lithographic print. George Eastman House, Rochester, New York.
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3.8 Nadar and Adrien Tournachon, Pierrot the Photographer, 1854-55. Paper print. Musée Carnavalet, Paris.
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3.9 Nadar, Théophile Gautier, 1854-55. Albumen salted paper print, mounted on Bristol board. Musée d’Orsay, Paris.
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3.10 Nadar, The Sewers of Paris, 1864-65. Modern print from a glass negative. Caisse Nationale des Monuments Historiques et des Sites, Paris.
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3.11 William Lake Price, Don Quixote in his study, early 1850s. Albumen print from a wet collodion negative. Victoria and Albert Museum, London.
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3.12 Oscar Rejlander, The Two Ways of Life, 1857. Albumen print. George Eastman House, Rochester, New York.
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3.13 Henry Peach Robinson, Group with Recumbent Figure (Sketch with cut-out), 1860. Albumen print and pastel collage on paper. Gernsheim Collection. Harry Ransom Humanities Research Center, University of Texas at Austin.
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3.14 Henry Peach Robinson, Fading Away, 1858. Albumen composite print. Science Museum, London.
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3.15 Lewis Carroll, Alice Liddell as “The Beggar Maid”, c. 1859. Hand-colored albumen print.
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3.16 Lady Augusta Mostyn, Oak tree in Eridge Park, Sussex, 1856. Albumenized print of collodion negative. George Eastman House, Rochester, New York.
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3.17 Lady Filmer, Untitled leaf from the Filmer Album, c. 1865. Photo and watercolour. Paul F. Walter Collection, New York.
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3.18 Julia Margaret Cameron, Herschel, 1867. Albumen print. Victoria and Albert Museum, London.
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3.19 Julia Margaret Cameron, Ophelia, Study no. 2, 1867. Albumen print . George Eastman House, Rochester, New York.
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3.20 Lady Hawarden, Girl in Fancy Dress, c. 1860. Collodion print. Victoria and Albert Museum, London.