pr genome series: the case for design thinking in communications

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The Case for DESIGN THINKING IN COMMUNICATIONS Presented by Jason Schlossberg 22 July 2015 @Jschlossberg @KCOP

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Page 1: PR Genome Series: The Case For Design Thinking in Communications

The Case forDESIGNTHINKING INCOMMUNICATIONSPresented by Jason Schlossberg

22 July 2015

@Jschlossberg@KCOPR

Page 2: PR Genome Series: The Case For Design Thinking in Communications

Chief Creative Officer and agency co-founder, Kwittken

2014 In2 Innovator 25 Honoree

Design Dilettante

JASONSCHLOSSBERG

@Jschlossberg

Page 3: PR Genome Series: The Case For Design Thinking in Communications

FLACKYOU

Page 4: PR Genome Series: The Case For Design Thinking in Communications

“Eventually everythingconnects—people, ideas,objects. The quality of the connections is the key toquality per se.” — Charles Eames

Page 5: PR Genome Series: The Case For Design Thinking in Communications

DESIGN IS:1. A method of action, a plan to accomplish a purpose2. The realistic embrace of constraints3. Connected

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DESIGN =CREATIVECHOICES

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18PAGES 14PAGES

20PAGES

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DESIGN =LANGUAGE

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DESIGN =COMMUNICATION

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“Just as a person’s posture can reflecthis or her inner state, so does your product’sdesign reflect the state of your company. This is whyevery CEO is a designer, whether theyrecognize it or not.”—IRENE AU, Kholsa Ventures

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“In essence, we were not building the phone for the customer—we

were building it for Jeff,” says one source.

—Austin Carr, “The Real Story Behind

Jeff Bezo’s Fire Phone Debacle

and What It Means for Amazon’s Future,”

Fast Company, Feb 2015

Page 17: PR Genome Series: The Case For Design Thinking in Communications

* Source: The Design Management Institute and Motiv Strategies

IN THE PAST 10 YEARS, DESIGN-DRIVENCOMPANIESOUTPERFORMEDTHE S&P 500 BY 228%*

Page 18: PR Genome Series: The Case For Design Thinking in Communications

WHAT MAKESGOOD DESIGN?

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DIETER RAMS’ 10PRINCIPLES OF “GOOD DESIGN”GOOD DESIGN Is Innovative

GOOD DESIGN Makes a Product Useful

GOOD DESIGN Is Aesthetic

GOOD DESIGN Makes A Product Understandable

GOOD DESIGN Is Unobtrusive

GOOD DESIGN Is Honest

GOOD DESIGN Is Long-lasting

GOOD DESIGN Is Thorough Down to the Last Detail

GOOD DESIGN Is Environmentally Friendly

GOOD DESIGN Is as Little Design as Possible

Page 20: PR Genome Series: The Case For Design Thinking in Communications

“Indifference towards peopleand the reality in which they live isactually the one and onlycardinal sin in design” — DieterRams, AS LITTLE DESIGN AS POSSIBLE

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GiveLovin

Get Lovin

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EVERYMARKETER IS A

DESIGNER,WHETHER THEYRECOGNIZE IT

OR NOT

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“DESIGN THINKING”ENCOURAGES

NON-DESIGNERS TO‘THINK’ LIKEINDUSTRIAL

DESIGNERS TO IMPROVE PROBLEMSOLVING PRACTICES

AND BE MOREINNOVATIVE

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DESIGN-THINKING:EmpathizeObserveBrainstormPrototypeTest

1 23

4 5

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“Attention isthe newcurrency.” —Modern PR Maverick

“Wemeasure success bythe pound.”—OLD PR DOG

Page 27: PR Genome Series: The Case For Design Thinking in Communications

OURCHALLENGE:TO COMMUNICATEOUR BEST ‘SELVES’.

Page 28: PR Genome Series: The Case For Design Thinking in Communications

HOW DO YOU BUILD ADESIGN THINKINGCOMMUNICATIONS

FUNCTION?

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STEP 1: THINK IN PROJECT TEAMS

Multi-disciplinary and inter-disciplinary teams increase creativity

For Agencies:Imposes discipline

& clear goals from

startFor Brands:Creates a sense

of purpose and fosters a team

dynamic

Modern marketing ideas come from many

places, working in silos breeds

incremental thinking

Page 30: PR Genome Series: The Case For Design Thinking in Communications

ALL PROJECT TEAMSMUST HAVE A

SENIOR DESIGNER +SENIOR ENGINEER

Icons made by Freepik from Flaticon are licensed under Creative Commons BY 3.0

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STEP 2: GROUND ALL THINKING ININSIGHTS AND OBSERVABLE FACTS

“In my experience,about half ofprofessionaldecisions in largecompanies are gutdecisions.”—Gerd Gigerenzer, director of the Max Planck Institute for Human Development

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“How do we generate awareness for ournew 4K technology

among our target consumers?”

“How might we leverage our new 4Ktechnology to

make TV relevant again among our targetconsumers?”

STEP 3: WHAT IS THE DESIGNPROBLEM?

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STEP 4: FROM QUANTITY COMESQUALITY

Divergent thinking is the deliberate attempt to expand the range of options rather than narrow themDesign thinkers embrace a mindset where the default answer is yes (at first)

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STEP 5: CREATE A CULTURE OF “RAPIDPROTOTYPING”

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THE MINIMUMVIABLE PITCH

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Image: Libby Levi for Opensource.com

STEP 6: HONING YOUR SKILLS

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INTUITION PATTERN

RECOGNITIONCONSTRUCTING

EMOTIONAL AND FUNCTIONALIDEAS

••

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THANKS