predavanje 7/1 avant-garde u holandiji 1917-1932 · walter gropius, 1919 lyonel feininger,...
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Avant-garde u Holandiji 1917-1932Predavanje 7/1
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Pablo PICASSO, Bottle, Glass and Fork 1911-12.
Georges Braque, The Portuguese 1911.
KUBIZAM 1907-1912
Picasso
Baraque
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HOLLAND
De Stijl 1917-1931
Piet MondrianNeoplasticism:
‘prava plasticna umetnost’
Postoji stara i nova svest
vremena. Stara svest je
usmerena ka
pojedinacnom. Nova je
usmerene ka univerzalnom.
There is an old and a new consciousness of the age. The
old one is directed towards the individual. The new one is
directed towards universal.’
Theo van Doesburg
Gerrit Rietveld
Piet Mondrian, Composition with
Yellow, Blue, and Red, 1921, oil on
canvas, 72.5 x 69 cm, Tate Gallery.
London.
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Jacobus Johannes Pieter Oud, Strandboulevard, seaside housing project,
Scheveningen, 1917
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Theo van Doesburg, Construction de L'Espace-Temps
II, detail 1924. Canvas, Oil.
Theo van Doesburg (R) with Cornelis van Eesteren
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Gerrit Rietveld, Red and Blue Chair, 1917.
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Cornelis van Eesteren, Maison Particuliere, Axonometric
projection and color scheme by Theo Van Doesburg 1923
Cornelis van Eesteren, Maison Particuliere,
Counter-construction, drawing and color scheme by Theo
Van Doesburg 1923.
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Cornelis van Eesteren, Maison Particuliere,
Counter-construction, drawing and color scheme by Theo Van Doesburg 1923.
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Theo Van Doesburg, Aubette (remodeling), Strasbourg,
Cinema and dance hall (destroyed) 1926-1928.
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Theo Van Doesburg, Aubette (remodeling), Strasbourg,
Cinema and dance hall (destroyed, recently reconstructed) ), 1926-1928.
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Theo van Doesburg, Design for interior decoration
of the main hall of a university 1923.
Theo van Doesburg, Counter-Composition XVI, 1925.
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Gerrit Rietveld, Mrs. Truus Schroder House, Utrecht, 1924.
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Gerrit Rietveld, Mrs. Truus Schroder
House, Utrecht, Plan of upper floor,
open plan, 1924.
Gerrit Rietveld, Mrs. Truus Schroder
House, Utrecht, Plan of upper floor,
closed plan, 1924.
Gerrit Rietveld, Mrs. Truus Schroder House,
Utrecht, Plan of ground floor 1924.
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Gerrit Rietveld, Schroder-Schrader House, Front Facade, Utrecht, 1924
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Truus Schroder & her sister An,
1925.
Gerrit Rietveld, Schroder-Schrader House, Entrance,
Utrecht, 1924
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Gerrit Rietveld, Schroder-Schrader House, Utrecht, 1924
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Gerrit Rietveld, Schroder-Schrader House, Detail of upper level with screens removed, Utrecht, 1924
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Gerrit Rietveld, Schroder-Schrader House, Detail of upper level with screens removed, Utrecht, 1924
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BAUHAUSWeimar 1919 - 1925 Dessau 1925 - 1932
Berlin 1932 - 1933
Walter Gropius, 1919 - 1927
Hannes Meyer, 1927 - 1930 Ludwig Mies van der Rohe, 1930 - 1933
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Konacni zadatak svake kreativne delatnosti je
izgradnja!
Dekoracija zgrada je nekad bila najplemenitija
svrha lepih umetnosti i lepe umetnosti su bile
neophodne velikoj arhitekturi. Danas su one
neoprezno izolovane i jedino mogu biti
spasene svesnom saradnjom svih stvaralaca.
Arhitekte, slikari i skulptori moraju ponovo da
nauce i razumeju kompleksnu prirodu
gradjevine i kao celine i u smislu njenih
pojedinih delova. Tada ce njihov rad biti
ispunjen pravim duhom arhitekture, koji je
buduci ‘salonska umetnost’ ona izgubila.
Walter Gropius, 1919
Lyonel Feininger, Cathedral,
wood-cut for the
Bauhaus Manifesto, 1919
MANIFEST BAUHAUSA
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Walter Gropius, Weimar Bauhaus, Director's office,
View in photograph by Lucia Moholy (1924) 1923.Weimar 1919 - 1925
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Theo van Doesburg's 'de Stijl-ed'
Bauhaus Weimar
Walter Gropius, Bauhaus, Dessau, 1925-26.
De Stijl 1917-1931
Piet Mondrian
Theo van Doesburg
Gerrit Rietveld
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Walter Gropius, Bauhaus, Dessau, 1925-1926
Dessau 1925 - 1932
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The Bauhaus masters on the roof of the Bauhaus building in Dessau.
Left to right:
Josef Albers, Hinnerk Scheper, Georg Muche, László Moholy-Nagy,
Herbert Bayer, Joost Schmidt, Walter Gropius, Marcel Breuer, Vassily Kandinsky,
Paul Klee, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer.
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Paul Klee, Southern (Tunisian) Gardens, 1919. Wassily Kandinsky, Composition 1923, 1923
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László Moholy-Nagy, Light Space Modulator, 1922-30.
Herbert Bayer, Four commercial print designs.
Typography.
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Oskar Schlemmer, Triadic Ballet : Dancer in costume 1920
Marianne Brandt, Teapot, 1924
Marcel Breuer, Chair B3, 1925
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DESSAU, Walter Gropius
The Bauhaus, 1925
WOKSHOP BUILDING
TECHNICAL SCHOOLOFFICES
AUDITORIUM
STUDENT WING
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Walter Gropius, Bauhaus, Dessau, 1925-1926
El Lisitzki, Proun 1D, 1919,
Kunstmuseum, Basel.
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Walter Gropius, Bauhaus, Workshop Building, Dessau, 1925-1926
Dessau 1925 - 1932
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Walter Gropius, Bauhaus, Administrative Bridge (left) and the Workshop Building (right), Dessau, 1925-1926
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Walter Gropius, Bauhaus, Workshop Building with Auditorium to the right, Dessau, 1925-1926
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Walter Gropius, Bauhaus, Dormitory, Dessau, 1925-1926
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Walter Gropius, Bauhaus, Dormitory, Dessau, 1925-1926
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Walter Gropius, Bauhaus,
Entrance to the Auditorium, 1925-26.
Walter Gropius, Bauhaus, Auditorium
with Breuer’s Furniture, 1925-26.
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Walter Gropius, Bauhaus, Refectory, 1925-26.
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Walter Gropius, Bauhaus Masters' Houses,
Dessau, Isometric color schemes of
exteriors (Alfred Arndt), 1925-26.
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1933• 11. aprila, na pocetku letnjeg semestra 11, policija je pretresla i zapecatila
zgradu Bauhausa; 32 studenta su privremeno uhapsena.
• Pismo iz Drzavne tajne policije, datirano 21. jula, nabraja nekoliko uslova za
ponovno otvaranje skole; od Kandinskog i Hilberseimera se trazi da napuste
svoja radna mesta i da ih predaju osoblju koje ‘stoji na tlu ideologije Nacional
Socijalista’ , kao i da novi program studija zadovolji ‘zahteve nove drzave I
njene unutrasnje organizacije.’
• U toku sledecih nekoliko godina najistaknutiji profesori Bauhausa emigriraju,
medju njima:
Josef Albers (1933/USA),
Vassily Kandinsky (1933/France),
Paul Klee (1933/Switzerland),
Walter Gropius (1934/Great Britain, 1937/USA),
László Moholy-Nagy (1934/Netherlands, 1935/Great Britain, 1937/USA),
Marcel Breuer (1935/Great Britain, 1937/USA),
Ludwig Mies van der Rohe (1937/USA),
Herbert Bayer (1938/USA),
Walter Peterhans (1938/USA).
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RUSKA AVANT-GARDE
1918-1932
El Lisitzki, design for a Lenin Tribune, 1924.
Predavanje 7/3
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El Lisitzki, Proun 1D
(Project for the Affirmation of the New), 1919,
Kunstmuseum, Basel.
Kasimir Malevich, Suprematist Composition: Aeroplane
Flying 1914-1915.
Museum of Modern Art, NEW YORK
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El Lisitzky, Cloud Hanger, Project, 1925.
Kasimir Malevich, Architectonics, 1924. Plaster.
RATIONALISTS – Essence of modern art is FORM /
exploration of the psychological, formal lows
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Vladimir Tatlin, The Monument to the
Third International, 1919-20.
400m high
KONSTRIKTIVISTI–
Srz moderne umetnosti je
KONSTRUKCIJA.
(pravi objekti (predmeti), medju pravim
objektima, ne KOMPOZICIJA
predstavljenih objekata.
Essence of modern art is CONSTRUCTION
(real objects among real objects, not COMPOSITION of represented objects)
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Alexander and Victor Vesnin,
Competition Project for
Leninagrad Parvda Building,
Moscow 1924.
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Alexander and Victor Vesnin,
Competition Project for
Leninagrad Parvda Building,
Moscow 1924.
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Konstantin Melnikov, Exposition des Arts
Decoratifs, USSR Pavilion, Paris 1925.
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Konstantin Melnikov,
Exposition des Arts
Decoratifs, USSR
Pavilion, Paris 1925.
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Konstantin Melnikov, Exposition des Arts Decoratifs,
Paris 1925, project , Garage for 1000 cars.
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Konstantin Melnikov House, Moscow, 1927-29
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Konstantin Melnikov, House, Interior, Moscow, 1927-29
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Ilya Golosov, Zuev Worker’s Club, 1929.
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Moisei Ginzburg, I. Milinis, Narkomfin (Ministry of Finance) Collective Housing, Moscow, 1928
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Moisei Ginzburg, I. Milinis, Narkomfin Collective Housing, Moscow, 1928
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Moisei Ginzburg, I. Milinis, Narkomfin Collective Housing,
Moscow, 1928
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Ivan Leonidov, The Lenin Institute of Librarianship, project, 1927.
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Ivan Leonidov, The Lenin Institute of Librarianship, project, 1927.
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M. Ginzberg, Competition project:
Palace of the Soviets, Moscow, 1934.
Hennes Meyer, Competition project:
Palace of the Soviets, Moscow, 1934.
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O. Iofan, O. Gelfreikh, V. Schuko. Sculptor S. Merkulov,
Palace of the Soviets. A Version of the approved project. 1934
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Ivan Leonidov, Competition project: Narkomtiazhprom (People's
Commissariat of Heavy Industry), Moscow : Perspective looking up toward
rectangular tower
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Ivan Leonidov, Competition project: Narkomtiazhprom (People's
Commissariat of Heavy Industry), Moscow : Perspective looking up toward
rectangular tower
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Ivan Leonidov, Competition project: Narkomtiazhprom (People's
Commissariat of Heavy Industry), Moscow
Ivan Ilich Léonidov(1902, TverOblast -1959, Moscow)