presenting: new york philomusica the complete mozart

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Label New York Philomusica Cat. # NYPm30009 Barcode and UPC# Title Historic First Recorded Edition, CD 3 The Complete Mozart Divertimentos Price $14.98 Inv. Ord. CD3 Track List: March & Divertimento No. 11 in D K. 251 for oboe, strings & horns 1. Marcia alla francese 2. Allegro molto 3. Menuetto 4. Andantino—Allegretto 5. Menuetto-Tema con variazioni 6. Rondo: Allegro assai; Marcia alla Francese Divertimento No. 9 in B-flat K. 240 for six winds 7. Allegro 8. Andante grazioso 9. Menuetto 10. Allegro Divertimento No. 6 in C, K. 188/240b for 2 flutes, 5 trumpets and tympani 11. Andante 12. Allegro 13. Menuetto 14. Andante 15. Menuetto 16. Gavotte March & Divertimento Il Re Pastore K. 214 for winds & strings 17. Marcia 18. Molto Allegro 19. Andantino 20. Presto assai 21. Marcia Like many composers of his time, Mozart often rearranged his works to suit occasions other than those prompting the original compositions. One of his favorite procedures was to create symphonies out of opera overtures and multi-movement serenades. Such transcriptions represented nothing more than a selection of movements in the case of the serenades; but for the opera transcriptions, new music was often required. Mozart’s overtures for his early operas followed the fast-slow-fast model shared by the Italian overture and symphony, but the curtain often went up after the second section of the overture, or even the first. The reworking of such a piece required the elimination of the vocal or choral parts, or the composition of one or more new movements. As Mozart's version of the Il Re Pastore March and Divertimento no longer survives in his own hand, this reconstruction of the aria transcription enables us to make acquaintance with a “new” divertimento by Mozart, in addition to the other unique and original divertimentos also included on this recording. © 2002 Robert Levin New York Philomusica Records A. Robert Johnson, Artistic Director Program content is from the concerts. Known for exceptional musicianship and superb engineering/production values, the label, introduced in 2002, has been around since 1971 under other names. Target Markets: Major metro markets, culturally- oriented cities and college towns. Sales Points: * Only recording of an opera reconstructed as a divertimento accomplished by Robert Levin. * Equestrian dances for trumpets/ flutes, brilliant 6-wind showcase & the famed "French" Divertimento (No. 11), with Ronald Roseman * Led by Isidore Cohen Configuration: 1CD Released: October 2002 Recorded: 1974 Booklet: by Robert Levin, with incipits (themes). Latest scholarship. Promo: Major media exposure via launch lunch, radio pitch, concerts by NY Philomusica. Additional Information and Sample: www.nyphilomusica.org Catalog No: NYPm30009 Records Presenting: The Complete Mozart Divertimentos Historic First Recorded Edition The New Records says... “The playing is consistently first rate, with crisp attacks, aware phrasing, and clean intonation” CD 3 For further information and samples: www.nyphilomusica.org Tel: (212) 580-9933 Email: [email protected]

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Label

New York Philomusica

Cat. #

NYPm30009

Barcode and UPC# Title

Historic First Recorded Edition, CD 3The Complete Mozart Divertimentos

Price

$14.98

Inv. Ord.

CD3 Track List:

March & Divertimento No. 11 in DK. 251 for oboe, strings & horns1. Marcia alla francese2. Allegro molto3. Menuetto 4. Andantino—Allegretto 5. Menuetto-Tema con variazioni 6. Rondo: Allegro assai; Marcia alla Francese Divertimento No. 9 in B-flatK. 240 for six winds7. Allegro 8. Andante grazioso 9. Menuetto 10. Allegro Divertimento No. 6 in C, K. 188/240bfor 2 flutes, 5 trumpets and tympani11. Andante 12. Allegro13. Menuetto 14. Andante 15. Menuetto 16. GavotteMarch & Divertimento Il Re PastoreK. 214 for winds & strings17. Marcia18. Molto Allegro 19. Andantino 20. Presto assai 21. Marcia

Like many composers of his time, Mozart often rearranged his works to suit occasions other than those prompting the original compositions. One of his favorite procedures was to create symphonies out of operaovertures and multi-movement serenades.Such transcriptions represented nothing more than a selection of movements in the case of the serenades; but for the opera transcriptions, new music was often required. Mozart’s overtures for his early operas followed the fast-slow-fast model shared by the Italian overture and symphony, but the curtain often went up after the second section of the overture, or even the first. The reworking of such a piece required the elimination of the vocal or choral parts, or the composition of one or more new movements. As Mozart's version of the Il Re Pastore March and Divertimento no longer survives in his own hand, this reconstruction of the aria transcription enables us to make acquaintance with a “new” divertimento byMozart, in addition to the other unique and original divertimentos also included on thisrecording. © 2002 Robert Levin

New York PhilomusicaRecords

A. Robert Johnson, Artistic Director

Program content is from the concerts. Known for exceptional musicianship and

superb engineering/production values, the label, introduced in 2002, has been around since 1971 under other names.

Target Markets:Major metro markets, culturally-oriented cities and college towns.Sales Points: * Only recording of an opera reconstructed as a divertimento accomplished by Robert Levin. * Equestrian dances for trumpets/ flutes, brilliant 6-wind showcase & the famed "French" Divertimento (No. 11), with Ronald Roseman* Led by Isidore Cohen

Configuration: 1CD

Released: October 2002Recorded: 1974Booklet: by Robert Levin, withincipits (themes). Latest scholarship.Promo: Major media exposure via launch lunch, radio pitch, concerts by NY Philomusica.Additional Information and Sample: www.nyphilomusica.org

Catalog No: NYPm30009

Records

Presenting:The Complete Mozart Divertimentos Historic First Recorded Edition

The New Records says...“The playing is consistently first rate, with crisp attacks, aware phrasing, and clean intonation”

CD 3

For further information and samples: � www.nyphilomusica.org

Tel: (212) 580-9933Email: [email protected]