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26!,. R d x c n S a . J ~ r . ~ J . 2 0 1 0 , woodcut011 mrinolrop ; o p c r , : J O O X : J O O m m ( P h o < o ~ ' X I ' I ' b o o o g r a p h y , L o n don,counesytheani>l).

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i u t h e b o o k { f l ~ .Sal1n's an, I"'O!ed in the ph)'llical enactmenuci m:u-kmakingandlcftopentolhechauccfluxofmalerials,C\i d e n c C I I t h e J a p a n e s e i d e ; ~ o f ' w a b i ' - " - i h i ! S a s s o c i a t i o r no f t m n s i c n c e , i m p c r f c c l i o n ~ n d l o n g i n g . \ \ 1 t h o u t a l l m ~ - dcompositionalccnt,...lhe\'icwerisimitedto""'"derin"PI);lrentlylimitlessspacc,)'t:t:oll!he"hika"''""of!hesnhtletia of the "'Orked turf:1ce. As Bon:hard1-Hnmepoin!Soutitisthroughthcoperienceof,...,racingthep i i ) ' S i c a l p r o c r : o s o f m a k i n g ! h . l ! p < > i n t i n g c a n ~ t i m ol ) f" ' \uke 'a rappon ci profound oommuna.li1y" ;md is wh)inthe hamh of an ani-nlike Salter it comino., to llf'O'Iideotoch a rich tcrrain for thought. t ~ \ 1 . \ L \ HIIJ.

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7/30/2019 Print Quarterly. Pizzi Cannella.

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