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Pro Audio Reference BooksLast Updated August 1, 2006

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Acquiring New Books

Amazon.Com, Barnes & Noble or A1Books for new and used books. BooksPrice is tops for comparing prices. InternetBookshop (London) or Amazon.co.uk: Often the best prices on British books are from British sources, although it ishard to find discounted new technical books anywhere. CMP Books (formerly Telecom Books): There is no bettersource for all things telecom. Music Books Plus: Good selection of mainstream audio books. Old Colony Sound Lab:Excellent for most audio books & especially books on loudspeakers and tubes (valves). Opamp Technical Books:Another great source for audio books. ProSoundWeb Bookstore: An excellent source for books on pro audio, live soundand recording. Nice job of presenting and describing each book; the books are actually bought through Amazon.combut ProSoundWeb gets a small commission that helps keep their very useful website afloat, so help them out the nexttime you need a book.

Acquiring Out-of-Print Books

Some books listed are out-of-print and unavailable through normal book sources, however they are among the mostuseful. Try to locate them through your local used bookstores -- absolutely worth the trouble. In addition try any/all ofthe following used and rare book search sites: Advanced Book Exchange, Alibris or Powell's. Also Amazon.comautomatically searches their used book suppliers when you search for new books, and there is a separate Barnes &Noble Out of Print, Used & Rare Book search page. Two websites search multiple sources: BookFinder andUsedBookSearch. Also DirectTextBook.com -- a gem of a search engine for technical books.

Annotated List of Pro Audio Reference BooksAcoustics

Beranek, Leo L. Acoustics (McGraw-Hill, New York, 1954; Reissued 1986 by Acoustical Society ofAmerica ISBN 0-88318-494-X). [The classic text. Long out-of-print, but now available. Difficult, butdefinitive.]

--- Music, Acoustics & Architecture (Wiley , New York, 1962). [Another gem from Dr. Beranek -- thistime in non-technical language -- the essential meaning of acoustics to the performance and appreciation ofmusic.]

--- Noise Reduction (McGraw-Hill, New York, 1960). [Written in 1960, for a special MIT summerprogram, this book went on to become the foundation for modern noise control.]

D'Antonio, Peter and Trevor J. Cox Acoustic Absorbers and Diffusers: Theory, Design, and Application(Spon Press ISBN 0-415-29649-8, London, 2004). [Everything known about diffusers (less aboutabsorbers) by the inventor, along with a professor of acoustics engineering at Salford University. Practicalas well as theoretical; learn how to measure, model, design, optimize and apply diffusers and absorbers.There is no better book on these subjects.]

Olson, Harry F. Acoustical Engineering (Van Nostrand, New York 1957; reissued 1991 by ProfessionalAudio Journals, Inc., Philadelphia, PA Available from Old Colony). [Along with Beranek's Acoustics above,

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these two form the definitive bookends for all later acoustics books.]

--- Musical Engineering (McGraw Hill, New York 1952) Revised and re-named Music, Physics andEngineering, 2nd ed.(Dover, New York 1967) [An audio master presents the first unified engineeringtreatment of all the elements that enter into the production and reproduction of music.]

Biographies and History of Audio

Alexander, Robert The Inventor of Stereo, The Life and Works of Alan Dower Blumlein (Focal Press ISBN0-240-51577-3 Oxford, England, 1999). [At last, a magnificent biography of a man finally restored to hisrightful place in history.]

Brewster, Bill and Frank Broughton Last Night A DJ Saved My Life: The History of the Disc Jockey(Grove Press ISBN 0-8021-3688-5 New York, 2000). [Just about the only but certainly the best source ofthe history of the modern DJ. Very highly recommended.]

Clark, Mark Magnetic Recording: The Ups and Downs of a Pioneer - The Memoirs of Semi JosephBegun. (Audio Engineering Society, New York, 2002). ["The engaging story of one of magnetic recording'smost respected pioneers begins in pre-World War I Germany, moves through the 1930s with the earlydevelopment of the Lorenz steel tape machine, and on to the activities at the United States' BrushDevelopment Company during World War II. A rare personal insight into the emergence of a major audiotechnology by one of its most impressive contributors."]

Holmes, Thom Electronic and Experimental Music, 2nd ed. (Routledge, ISBN 0-415-93644-6, New York,2002) [Wonderful and complete synthesizer history, with great photos, but not nearly enough].

Levey, Jane Freundel NAMM 100th: A Century of Service to the Music Products Industry. (Carlsbad CA:NAMM-International Music Products Association, 2001). [Beautiful coffee-table book capturing the historyof the National Association of Music Merchants. Check www.bookfinder.com to find one.]

Steinweiss, Alex, Jennifer McKnight-Trontz and Steven Heller For the Record: The Life and Work ofAlex Steinweiss, Inventor of the Album Cover (Princeton Architectural Press ISBN 1568982240, Princeton,NJ, 2000). [A great glimpse into one of the America's original art forms and the life of its pioneer. Fun, fun,fun and he designed the book cover - of course.]

Welch, Walter L. and Leah Brodbeck Stenzel Burt, From Tinfoil to Stereo (University Press of FloridaISBN 0-8130-1317-8, Gainesville, FL, 1994). [The most comprehensive history of the phonograph andsound recording, starting with its inception in 1877 to the time of the Great Crash in 1929. Considered thefundamental reference book of sound recording history.]

Dictionaries & References

American Heritage Dictionary of the English Language, 4th ed. (Houghton Mifflin ISBN 0-395-82517-2 ,Boston, 2000). [If you only own one dictionary, make it this one.]

Barber, David W. Better Than It Sounds (Sound And Vision ISBN 0-920151-22-1, Toronto, 1998).[Humorous musical quotations.]

Bartlett's Book of Anecdotes (Little, Brown & Co. ISBN 0-316-08267-8, New York, 2000). [Fun stuff; Idon't know how many are true, but fun anyway.]

Bierce, Ambrose, The Devil's Dictionary (Oxford University Press, ISBN 0-195-12627-0, Oxford, 1998).[Originally published in the late 1890s by "The Wickedest Man in San Francisco" -- this is better thantherapy.]

Bohn, Dennis A., Pro Audio Reference, 2nd Ed. (Rane Corporation, ISBN 978-0-9723607-1-5,Washington, 2006). [This pro audio reference in printed form, plus Rane's most popular RaneNotes, and aCD-ROM with the latest revisions. Great john material.]



Crystal, David & Hilary Crystal, Words on Words (The University of Chicago Press ISBN 0-226-12201-8, Chicago 2000). [Great collection of quotations about language and languages.]

Décharné, Max, Straight From The Fridge, Dad (Broadway Books ISBN 0-7679-0840-6, New York,2001). [Fun dictionary of hipster slang.]

Hale, Constance, Sin and Syntax: How to Craft Wickedly Effective Prose (Broadway Books ISBN 0-7679-0308-0, New York, 1999). [By the author of Wired Style and a former editor of Wired magazine, a must-have guide that goes way beyond the "rules" of modern language and good writing.]

IEEE 100: The Authoritative Dictionary of IEEE Standards Terms, 7th ed. (IEEE ISBN 0-7381-2601-2,New York, 2000). [The answers for electrical & electronic terminology disputes.]

Kacirk, Jeffrey, The Word Museum: The Most Remarkable English Words Ever Forgotten (Simon &Schuster ISBN 0-684-85761-8, New York, 2000). [Fascinating review of English words that quietlydisappeared over time.]

Kamp, David, The Rock Snob's Dictionary : An Essential Lexicon of Rockological Knowledge (BroadwayBooks ISBN 0-7679-1873-8, New York, 2005). [The title says it all -- you have to have this book -- at leastlying around the john.]

Lynch, Jack, ed., Samuel Johnson's Dictionary (Levenger Press ISBN 1-929154-10-0, Delray Beach, FL,2002. [Selections from the 1755 work that defined the English language. Fun stuff.]

McCleary, John Bassett The Hippie Dictionary: A Cultural Encyclopedia (and Phraseicon) of the 1960sand 1970s (Ten Speed Press ISBN 1-58008-355-2, Berkeley, CA 2002). [If you were there this will helpyou remember. Fantastic and valuable compilation.]

McQuain, Jeffrey Never Enough Words (Random House ISBN 0-679-45804-2 New York, 1999).[Wonderful source for Americanisms. Where else are you going to find out that "teetotaciously exflunctified"means "totally worn out." Sports figures are accused of "talking trash," well, this is what is called "talkingtall."]

Morfey, Christopher L. Dictionary of Acoustics. (Academic Press ISBN 0-12-506940-5, San Diego, CA2001). [Wonderful and thorough reference for the many terms unique to the study and practice ofacoustics.]

Oxford English Dictionary (Shorter), 5th ed. (Oxford University Press ISBN 0-19-860457-2, 2002).[Everyone needs at least one OED.]

Pinker, Steven The Language Instinct: How the Mind Creates Language (Perennial Classics ISBN 0-06-095833-2, New York, 2000.) [Language is usually audio and so this book belongs here. The author is THEworld's leading expert on language and he tells the tale with brilliant, witty and refreshing humor. You willlike this book far more than you could ever imagine.]

White, Glenn D. and Gary J. Louie, The Audio Dictionary, 3rd ed., (University of Washington PressISBN 0-295-98498-8, Seattle, 2005). [None better. You need this book, and with this latest edition its evenmore better.]

--- The Audio Dictionary, 2nd ed., CD-ROM Version (University of Washington Press ISBN 0-295-97540-7, Seattle, 1998). [Very useful CD-ROM version of the above, complete with color graphics and sound.There is also a combo book and CD-ROM version ISBN 0-295-97541-5.]

Digital Audio

Pohlmann, Ken, ed. Advanced Digital Audio (Sams ISBN 0-672-22768-1, Carmel, IN, 1991). [Difficultsubjects clearly explained by this acclaimed professor of music engineering at the University of Miami -- anaccurate, authoritative digital audio resource.]



Rumsey, Francis and John Watkinson The Digital Interface Handbook, 3rd edition (Focal Press ISBN0240519094, Oxford, England, 2003). [One of the best references on this complex topic.]

Watkinson, John The Art of Digital Audio, 3rd ed. (Focal Press ISBN 0-240-51587-0, Oxford, England,2001). [The title says it all. One of the best digital audio references you can own.]

--- The Art of Sound Reproduction (Focal Press ISBN 0-240-51512-9, Oxford, England, 1998). [Don't evenask; if John wrote, you need it. Outstanding overview of the entire audio field -- all the theoreticalbackground necessary to understand sound reproduction.]

--- Compression in Video & Audio (Focal Press ISBN 0-240-51394-0, Oxford, England, 1995). [Want toknow all about MUSICAM, Dolby AC, JPEG and MPEG? This is your book.]

--- An Introduction to Digital Audio (Focal Press ISBN 0-240-51378-9, Oxford, England, 1995). [Lessrigorous than the one above, but no less valuable. An excellent first book on digital audio.]

Electronic Engineering, General

Agans, David J. Debugging: The Nine Indispensable Rules for Finding Even the Most Elusive Software andHardware Problems (AMACOM ISBN 0-8144-7168-4, New York, 2002). [The title says it all.]

Billings, Keith Switchmode Power Supply Handbook, 2nd Ed. (McGraw-Hill ISBN 0-07-006719-8, NewYork, 1999). [Becoming an industry standard on all things switched.]

Croft, Terrell, The American Electrician's Handbook, 2nd ed. (McGraw-Hill, New York, 1921). [A gem ofa book: leather bound, all edges gilt, wonderful!]

Feucht, Dennis L. Handbook of Analog Circuit Design (Academic Press ISBN 0-12-254240-1, San Diego,1990). [A rare find: a textbook that is truly useful and practical. Which isn't surprising once you know hewas a real world Tektronix engineer. Particularly good at giving insight into circuits. His book is alsoavailable in CD-ROM format; see his website.]

Frederiksen, Thomas M., Intuitive Analog Electronics (McGraw-Hill ISBN 0-07-021962-1, New York,1989). [Only a very few technical writers have the real gift -- Bob Pease, John Watkinson, Jim Williams,and more recently, Clive Maxfield, all come to mind, but before any of them, came Tom Frederiksen; Tomhas true gift. I was most fortunate to have learned directly from Tom, as were a couple of the otheraforementioned. It simply cannot be written or said clearer or more interestingly than the way Tom does it.(FYI: He has a whole "Intuitive" series -- five titles that I know of. Find them, search them out, you won'tbe disappointed.)]

Kordyban, Tony Hot Air Rises and Heat Sinks: Everything You Know About Cooling Electronics Is Wrong(ASME Press ISBN 0791800741, 1998). [A collection of myths, mistakes, and "lessons learned" frompracticing engineers involved in the field of electronic equipment cooling. In between headaches, TonyKordyban joyfully explains why everything you know about cooling electronics is wrong. A MUST-HAVEbook for anyone involved in cooling electronics.]

Maxfield, Clive. Bebop to the Boolean Boogie (HighText Publications ISBN 1-878707-22-1, Solana Beach,CA, 1995). [Try it; you'll love it.]

Pease, Robert A. Troubleshooting Analog Circuits (Butterworth Heinemann ISBN 0-7506-9184-0, Boston,1991). [Bob Pease is legendary among analog circuit designers, and his monthly column, "What's All This... Stuff, Anyhow?" in Electronic Design magazine is one of the most read and loved columns of all time. Nobetter book on analog troubleshooting than this. "In all my years of designing/building/fixing audio gear,whenever something goes wrong, the right answer is always in this book (virtually no math, either)," writesBill Coe, Sluggo Audio.]

Williams, Jim Analog Circuit Design. (Butterworth Heinemann ISBN 0-7506-9166-2, Boston, 1991). [Amust-have for anyone interested in analog circuit design by one of the analog gurus of all time.]



Williams, Tim, EMC for Product Designers, 3rd Ed. (Newnes ISBN 0-7506-4930-5, Oxford, England,2001). [The best practical book dealing with achieving EMC immunity and emissions for CE marking. Alsocheck out his new book below.]

Williams, Tim and Keith Armstrong, EMC for Systems and Installations (Newnes ISBN 0-7506-4167-3,Oxford, England, 2000). [The best practical book dealing with achieving EMC immunity and emissions forCE marking. Also check out his first book above.]

Film Sound

Holman, Tomlinson, Sound For Film And Television, 2nd ed. (Focal Press ISBN 0240804538 Boston2001) [From the man who invented and developed Lucasfilm's THX® program, and now a professor at theUniversity of Southern California School of Cinema-Television.]

Weis, Elisabeth and John Belton Film Sound: Theory And Practice (Columbia University Press ISBN 0-231-05637-0, New York, 1985). [More historical and theoretical than Holman's book above, thus a nicecomplement.]

Loudspeakers

Colloms, Martin, High Performance Loudspeakers, 5th ed. (Wiley ISBN 0-471-97089-1 Chichester,England 1997). [My favorite of all the books on loudspeakers for theory.]

Mathematics

Beckmann, Petr, A History of Pi (The Golem Press ISBN 0-911762-18-3, Boulder, CO, 1977). [If theorigin of key mathematical symbols interests you, then you'll love this.]

Kaplan, Robert The Nothing That Is: A Natural History of Zero (Oxford University Press ISBN 0-19-512842-7 New York, 2000). [If the origin of key mathematical symbols interests you, then you'll love this.]

Livio, Mario, The Golden Ratio (Broadway Books ISBN 0-7679-0815-5, New York 2002. [Foreverfascinating look at this wonderful number.]

Maor, Eli, e: The Story of a Number (Princeton University Press ISBN 0-691-03390-0, Princeton, NJ,1994). [If the origin of key mathematical symbols interests you, then you'll love this.]

Nahin, Paul J. An Imaginary Tale: The Story of [the square root of minus one] (Princeton University PressISBN 0-691-02795-1, Princeton, NJ, 1998). [If the origin of key mathematical symbols interests you, thenyou'll love this.]

Neugebauer, Otto The Exact Sciences in Antiquity, 2nd. Ed. (Dover Publications ISBN: 0486223329, NY,1969). [Deep investigation of Mesopotamian mathematics and astronomy. Hey! What's not to like; althoughit is dry and you have to read the notes to get some of the best stuff.]

Transnational College of LEX Who Is Fourier? A Mathematical Adventure (Language ResearchFoundation ISBN 0-9643504-0-8, Belmont, MA, Third Printing 1998). [A very different book, deceptivelysimple in style -- almost comic book-like -- but, I believe the best book on Fourier ever. Buy it; give it achance -- don't be put off by the style. I bet you learn something and tell all your friends to get a copy. It'sthat good.]

Power Amplifiers

Self, Douglas Audio Power Amplifier Design Handbook, 3rd edition (Newnes ISBN 0-7506-5636-0,Oxford, England, 2002). [For all the books written on audio, there are surprisingly few on poweramplifiers. Of the few seen, I prefer this one. Written by a real-world, experienced, working, multi-degreed(Cambridge & Sussex) engineer, it is rational, reliable, accurate and truly useful. Highly recommended.Recommended even higher is his website that is just chock-full of wonderful stuff. GO THERE NOW.]



Slone, G. Randy High-Power Audio Amplifier Construction Manual (McGraw-Hill ISBN 0-07-134119-6,New York, 1999). [A very valuable do-it-yourself book; highly recommended.]

Pro Audio, General

AES Shields and Grounds: Safety, Power Mains, Studio, Cable and Equipment(special excerpt), Jour.Audio Eng. Soc., Vol 43, No 5, June 1995. [This reprint forms the foundation of understanding the Pin-1Problem and other nuisance grounding & interconnection issues.]

Ballou, Glen, ed. Handbook For Sound Engineers, Third Edition (Focal Press ISBN 0-240-80454-6,Boston, 2002). [Very uneven reference, but contains good information. The book is divided into chapterswritten by twenty-seven authors, resulting in great differences in treatment, tone and thoroughness ofsubject matter. Some sections are excellent and useful to a sound engineer; some are not. A fully-searchableand hyperlinked CD-ROM would have helped.]

Benson, K. Blair, ed. Audio Engineering Handbook (McGraw-Hill, New York, 1988). [This is a greatcompilation of articles written by some of the best in the business. Too bad it is out of print. A lot of thematerial is done at an advanced level and quite difficult, but valuable. Contains the best article I've foundon audio standards, written by the late Daniel Queen, long-time AES Standards Manager. See Whitaker forrevised edition.]

Blesser, Barry, "An Interdisciplinary Synthesis of Reverberation Viewpoints," J. Audio Eng. Soc., vol. 49,pp. 867-903 (2001 October 2001). [This is the best overview available describing the enormous complexityof reverberation, showing how various disciplines contribute to our understanding.]

Bohn, Dennis A., "Operator Adjustable Equalizers: An Overview," The Proceeding of the AES 6thInternational Conference: Sound Reinforcement (Audio Engineering Society ISBN 0-937803-13-8, NewYork, 1989). [Hey, you have to promote yourself at least once -- that's the rule.]

Davis, Don & Carolyn Davis, Sound System Engineering, 2nd ed. (Sams ISBN 0-672-21857-7,Indianapolis, 1987). [The textbook written by the husband and wife team that founded Synergetic AudioConcepts (Syn-Aud-Con), and pioneered sound system seminars.]

Davis, Gary & Ralph Jones, Yamaha Sound Reinforcement, 2nd ed. (Hal Leonard ISBN 0-88188-900-8,Milwaukee, 1989). [It's hard to find affordable, useful and accurate pro audio references-- this is all three.The best $/page/information-content value around.]

Geddes, Earl and Lidia Lee Audio Transducers (GedLee Associates ISBN 0-9722085-0-X, Novi, MI,2002). [THE definitive book on audio transducer design theory -- graduate level, very mathematical, forserious pursuits. "The emphasis is on the theory, not the practical production of transducers." The twoauthors have between them over 50 years of work in transducers and psychoacoustics. This is not an easybook but if you want to know how a transducer works, how it REALLY works, this is the book.]

Giddings, Philip, Audio System Design and Installation (Howard W. Sams ISBN 0-672-22672-3,Indianapolis, 1990). [Don't let the title fool you, this is the book on interconnection wiring, grounding,shielding and AC power.]

Harada, Kai, Sound Handbook. [This one is different and only available off the Web. Hit the link andenjoy; definitely a great and fun introduction to sound and audio. Highly recommended.]

Lampen, Stephen H. Wire, Cable & Fiber Optics for Video & Audio Engineers, 3rd ed. (McGraw-HillISBN 0-07-038134-8, New York, 1998) [Trust me, you need this book -- there is none better on thissubject.]

Langford-Smith, Fritz. Radiotron Designer's Handbook, 4th ed. (Originally published by the WirelessPress for Amalgamated Wireless Valve Company Pty. Ltd., Sydney, Australia in 1934; revised three timesto produce the 4th (and final) edition in 1952; reproduced and distribute by RCA Electronic Components,Harrison, NJ for the last time in May, 1968; resurrected and reissued as a 1,000 page paperback by Newnes(Butterworth-Heinemann) ISBN 0-7506-3635-1, Oxford, England, 1997) [Along with Tremaine's book



below, this is another of the ancient-audio sacred texts. This tome is a comprehensive reference coveringbasic audio principles and the practical design of all types of classic radio receivers, audio amplifiers andrecord-producing equipment up to the invention of the transistor. This is the book you consult to learn howthey did compressors in the very old days, for instance.]

Metzler, Bob. Audio Measurement Handbook (Audio Precision, Beaverton, OR, 1993; FAX (503) 641-8906). [Just how do you measure transient intermodulation distortion, anyway? Bob explains.]

Moses, Bob. "Asynchronous Serial Communications," The Proceedings of the AES 13th InternationalConference: Computer-Controlled Sound Systems (Audio Engineering Society ISBN 0-937803-25-1, NewYork, 1994). [A great primer on all things asynchronous, from the originator of Rane's website.]

Streicher, Ron & F. Alton Everest The New Stereo Soundbook, 2nd ed. (Audio Engineering AssociatesISBN 0-9665162-0-6, Pasadena, CA, 1998). [The best book so far on mic-ing and recording stereophonicsound.]

Talbot-Smith, Michael Audio Engineer's Reference Book, 2nd ed. (Focal Press ISBN 0-240-51528-5,Oxford, England, 1999). [Perhaps this book is best taken literally, i.e., if you already are an audio engineerthen this your reference book. However, if you are not an audio engineer, then I think this should not beyour only reference book. It covers a lot of ground, from the math and physics of audio, all the way throughdigital audio transmission and standards. Too much, I think, for any one volume. The info is there, but it isquite sparse and difficult in places. This book takes work, but has value.]

Tremaine, Howard M. Audio Cyclopedia, 2nd ed. (Howard W. Sams ISBN 0-672-20675-7, Indianapolis,1973). [One of the ancient-audio wonders. Although terribly outdated, and long out-of-print, this is still thebest all-around pro audio reference for the fundamentals. And, if you dig, you can still find copies in usedbookstores.]

Uzzle, Ted and Robert A. Bushnell and Thomas G. Bouliane Technical Fundamentals of Audio (NSCAISBN 0-87288-701-4, Cedar Rapids, IA, 2000). [The must-know fundamentals by the best audio teacherever, with a little help from his friends.]

Whitaker, Jerry C. and K. Blair Benson, Standard Handbook of Audio and Radio Engineering, 2nd ed.(McGraw-Hill ISBN 0-07-006717-1, New York, 2002) [Updated, revised and expanded edition of Benson'sbook. Whitaker took over responsibility for revising after K. Blair Benson's death in 1990. This edition is sodifferent from the original that it is best treated as a different book complementing rather than replacing theoriginal. A complete audio reference library will contain both. A very useful CD-ROM (including manychapters from the original first edition omitted from the print version of this second edition -- very nice anduseful touch, is included.]

Whitaker, Jerry C., Signal Measurement, Analysis, and Testing (CRC Press ISBN 0-8493-0048-7, BocaRaton, LA, 2000). [Finally a good textbook on these topics. From theory to practical, great book.]

Psychoacoustics -- Hearing: Psychology & Physiology

Blauert, Jens, Spatial Hearing; The Psychophysics of Human Sound Localization; Revised Edition (MITPress ISBN 0-262-02413-6 Cambridge, MA, 1997). [Everything known about human sound localization,between two covers.]

Helmholtz, Hermann, On The Sensations of Tone (Dover ISBN 0-486-60753-4, New York, 1980). [One ofthe world's greatest scientific classics -- a genuine treasure. Written in 1885, and still considered one of thebest sources for physiological acoustics.]

Howard, David M. & James Angus, Acoustics And Psychoacoustics (Focal Press ISBN 0-240-51428-9Oxford, England 1998) [A beautiful blend of acoustics and psychoacoustics from musical and scientificperspectives. Minimal math.]

Moore, Brian C. An Introduction to the Psychology of Hearing, 4th ed. (Academic Press ISBN 0-12-505627-3, San Diego, CA 1997). [Uncommonly clear explanations of the most complex hearing issues,



from the leading researcher in the field.]

Pickles, James O. An Introduction to the Physiology of Hearing, 2nd ed. (Academic Press ISBN 0-12-554754-4, San Diego, CA 1988). [An excellent complement to Moore's book above on the psychology, thiscovers the physiology of hearing.]

Roederer, Juan G. The Physics and Psychophysics of Music, 3rd ed. (Springer-Verlag ISBN 0-387-94366-8, New York, 1995). [Originally written in 1970 and now in its third edition, this is one of the first, and myall-time favorite book on psychoacoustics, or the "music of science," as professor Roederer prefers.]

Zwicker, E & H. Fastl Psychoacoustics: Facts and Models, 2nd ed. (Springer-Verlag ISBN 3-540-65063-6, Berlin, 1999). [Difficult, but thorough; a must-have reference for anyone serious about psychoacoustics.]

Radio

Krauss, Herbert L., Charles W. Bostian & Frederick H. Raab, Solid State Radio Engineering (JohnWiley & Sons ISBN 0-471-03018-X, New York, 1980). [Written in 1980, this is still one of the best booksever penned about classic analog radio.]

Rutledge, David B. The Electronics of Radio (Cambridge University Press ISBN 0-521-64645-6 NewYork, 1999). [From the introduction: "This innovative book provides a stimulating introduction to analogelectronics by analyzing the design and construction of a radio transceiver." Including lab exercises, thisuseful book is clearly written by a Cal Tech professor with wonderful illustrations by Dale Yee and includesa diskette with the microwave circuit simulation program, PUFF.]

Terman, Frederick Emmons Radio Engineering, 3rd Ed. (McGraw-Hill, New York, 1947). [THE classictext on this subject; another volume in the amazing McGraw-Hill Electrical and Electronic EngineeringSeries. Long out of print but well worth finding used.]

Recording

Huber, David Miles, Modern Recording Techniques, 5th ed. (Focal Press ISBN 0-240-80456-2 Boston,2001). [The best book I've found on project studio recording. Get it; you won't be disappointed.]

Morton, David. Off The Record: The Technology and Culture of Sound Recording in America (RutgersUniversity Press ISBN 0-8135-2747-3, New Brunswick, NJ 2000). [Great history full of surprisesespecially regarding dictation and answering machines.]

Read, Oliver, The Recording and Reproduction of Sound (Sams, Indianapolis, 1949; 2nd ed. 1952).[Another of the almost mythical early texts on audio. Illustrated with fantastic photographs. Long out-of-print but available through used book services and stores. ]

Thompson, Daniel M. Understanding Audio: Getting the Most Out of Your Project or ProfessionalRecording Studio ( Berklee Press ISBN 0634009591 Boston, 2005) [Well illustrated, well written and usedas a textbook at Berklee College of Music -- plus it is affordably priced. Thompson teaches audio recordingat Berklee -- you will not be disappointed.]

Woram, John M., Sound Recording Handbook (Howard W. Sams ISBN 0-672-22583-2, Indianapolis,1989). [Among the dozens of recording books this one stands tall, from another of the audio-teachingmasters.]

Telecommunications

Newton, Harry. Newton's Telecom Dictionary, 22nd ed. (CMP Books ISBN 1-57820-319-8, New York,2006). [Telecommunication's magnum opus -- there is nothing else like it.]

Hänsler, Eberhard and Gerhard Schmidt Acoustic Echo and Noise Control: A Practical Approach(Wiley Inter-Science ISBN 0-471-45346-3, New Jersey, 2004). [Essential theory and proven techniques foracoustic echo and noise suppression. The best reference so far on this difficult topic.]



Tubes and Valves

Deketh, J. Fundamentals of Radio-Valve Technique (Philips Technical Library reprinted by Audio AmateurPress ISBN 1-882580-23-0 Peterborough, NH, 1999). [First published in English in 1949, this handy bookhas been newly reprinted by Audio Amateur Press (available from Old Colony). This is one of the classictube texts, and deserves a place on your shelf if you have any vacuum tube, or valve, interest at all.]

Pittman, Aspen The Tube Amp Book: Deluxe Revised Edition (Backbeat Book ISBN 0-87930-767-6, SanFrancisco, 2003). [Complete details and photos of all the great tube guitar amplifiers. Coffee table edition;gorgeous production. This is THE gift for all guitar amp geeks.]

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