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LAW AND ARTS IN CRIME SETTINGS The 19th International Roundtable for the Semiotics of Law (IRSL 2018) 23–25 May, 2018 Hosted by: Örebro University, Sweden PROGRAMME

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Page 1: PROGRAMME LAW AND ARTS IN CRIME SETTINGS · Sarah Marusek Common sense vs. destruction: Lava, law, and culture ... The drift of contemporary criminal law towards a dystopian fiction

FRIDAY 25 MAY10.00–12.00 WORKSHOPS

Group I, Moderator Roberta Tiscini Room F103Yanan Zhang A study of crimes in the art in ChinaRonnie Lippens The Crime of Submission: Notes on Reggio’s Koyaanisqatsi (1982) Jennifer Eagleton From Asia’s Finest to Beijing’s Bobbies Depictions of Hong Kong Police During and after 2014’s “Umbrella Movement”Miklos Könczöl and Bettina Bor Political Crime on Film Strips

Group II, Moderator Andrea Panzarola Room F105James Hardie-Bick Mass violence and the continuum of destruction: A study of C. P. Taylor’s Good Laura Carballo The seventh art and the public discourse on migrationBen Hightower on comics and refugee deterrence in Australia On comics and refugee deterrence in AustraliaScotti Hill An International Legal Analysis of Destroyed and Looted Moveable Cultural Heritage Items

12.00–13.30 Lunch

13.30–15.00 Panel discussion with invited speakers Lecture hall FModerator Assistant Professor Heidi Selenius,Stockholm University, SwedenParticipants: Professor Anne Wagner, Université du Littoral Côte d’Opale, Lille, France Professor Peter Robson, University of Strathclyde, Glasgow, Scotland Assistant Professor Mattias Hjertstedt, Umeå University, SwedenArtist, journalist Peter Ekström, headmaster at the Örebro Art College

15.00–15.30 Closing ceremony Lecture hall FHead of the subject, Professor Eleonor KristofferssonHead of the unit, Dr. Rigmor ArgrenProfessor, Laura ErvoIRSL 2019, Professor, José Manuel Aroso Linhares welcomes us to Coimbra.

19.00 Dinner, Örebro castle Entertainment: Örebro Student Singers

LAW AND ARTSIN CRIME SETTINGSThe 19th International Roundtablefor the Semiotics of Law (IRSL 2018)

23–25 May, 2018Hosted by: Örebro University, Sweden

PROGRAMME

ORU.SE

Page 2: PROGRAMME LAW AND ARTS IN CRIME SETTINGS · Sarah Marusek Common sense vs. destruction: Lava, law, and culture ... The drift of contemporary criminal law towards a dystopian fiction

WEDNESDAY 23 MAY11.00–12.00 Registration Forum Building

12.00–13.00 Lunch Forum Building

13.00 Opening ceremonies with music Lecture hall F, Forum Building

Music by students from the School of Music Professor, Laura Ervo Vice chancellor Johan Schnürer President of the Association of the International Roundtables for the Semiotics of Law, Professor Anne Wagner Head of the Institution, Professor Kerstin Nordlöf

Keynote speech Professor Altti Kuusamo, The University of Turku, Finland

14.30 Coffee break

15.00–17.00 WORKSHOPS

Group I, Moderator Viktória Harsagi Lecture Hall FKerstin Nordlöf and Afrang Nordlöf Malekian Staging of a crime

Michal Dudek and Mateusz Stępień “I (can) see myself... But what for?” On Live Camera Feeds in Courtrooms

Karen Crawley Artist as Witness: The Public Life of the Courtroom

Isobel Williams Drawing in court – the unofficial eye

Group II, Moderator Anna Piszcz Room F105Sarah Marusek Common sense vs. destruction: Lava, law, and culture Nathalie Hauksson-Tresch Semiotics and the narration of a treason: an analysis of the discourse surrounding the Dreyfus affair Ana Margarida Simões Gaudêncio Chaos/cosmos as images in José Saramago’s Blindness: between reality and fiction, a (de)construction of society and of law Chris Eckels Us & Them: Symbols in Violent Identity Conflict

Group III, Moderator Laura Carballo Room F103

Cristina Trenta Tax Havens, Merry-go-rounds, and Dutch Sand-wiches. An analysis of the language used for describing illicit fiscal behaviors

Clara Chan Short Chinese Forensic Linguistics Cases: Some Narrative Techniques to Make the Subject Accessible

Masanori Kawano Art and Crime --Ukiyo-e as an Example from Japanese History—

Kenichiro Kawano Art and obscenity in Japanese criminal justice

19.00 Reception The Local government councilor, Senior Lecture Agneta Blom, hosts the reception at Örebro Town hall.

THURSDAY 24 MAY10.00–12.00 WORKSHOPS

Group I, Moderator Sarah Marusek Room F103Sofia Alexopoulou and Antonia Pavli ‘Beneath this mask there is more than flesh, beneath this mask there is an idea’: Anonymous a new e-Robin Hood?Andera Panzarola and Roberta Tiscini Pinocchio and the nature of the trial Viktória Harsagi What Makes a Good Decision(-maker)? – after Bertold Brecht Hu Lung Lung Truth does not Matter: Legal Storytelling in Japanese drama “Legal High 2”

Group II, Moderator Alberto Alonso Rimo Room F105Brisa Paim Duarte Mirrors of Justice in Crime Narratives: Dystopia, Utopia, and the Portraits of the (Im)Possibility of Law in The Handmaid’s Tale and MineirinhoAniello Merone Leonardo Sciascia: the mistery of iniquityJosé Manuel Aroso Linhares Under the eyes of Agnes (the woman): Tales of crime and punishment told through drama and musicDavid Papke Crime in American Popular Music

12.00–13.30 Lunch

13.30–15.00 WORKSHOPS Group I, Moderator Aniello Merone Room F103Kewin Crow A Genocide in Art if Never in Law: S-21’s Narrative of the Khmer Rouge TrialsAnna Piszcz Blaming Poland for Nazi war crimes criminalized. The context of the freedom of art, research and media Blaming Poland for Nazi war crimes criminalized. The context of the free-dom of art, research and mediaAlberto Alonso Rimo Preparatory acts or pre-crimes? The drift of contemporary criminal law towards a dystopian fiction

Group II, Moderator Clara ChanRoom F105Mark Featherstone Visions of the Law and its Transgression in Nicolas Winding Refn’s CinemaPeter Robson Assessing a modern “lighthearted rape comedy”Katarzyna Struzińska Murderer as a writer, a storyteller and a protagonist: the case of Krystian Bala

15.15 Departure from university for excursion to Ånnaboda Coffee by the lake, go for a walk or just relax before we have

some fun together in an activity before dinner in the restaurant not far from the lake.

Page 3: PROGRAMME LAW AND ARTS IN CRIME SETTINGS · Sarah Marusek Common sense vs. destruction: Lava, law, and culture ... The drift of contemporary criminal law towards a dystopian fiction

WEDNESDAY 23 MAY11.00–12.00 Registration Forum Building

12.00–13.00 Lunch Forum Building

13.00 Opening ceremonies with music Lecture hall F, Forum Building

Music by students from the School of Music Professor, Laura Ervo Vice chancellor Johan Schnürer President of the Association of the International Roundtables for the Semiotics of Law, Professor Anne Wagner Head of the Institution, Professor Kerstin Nordlöf

Keynote speech Professor Altti Kuusamo, The University of Turku, Finland

14.30 Coffee break

15.00–17.00 WORKSHOPS

Group I, Moderator Viktória Harsagi Lecture Hall FKerstin Nordlöf and Afrang Nordlöf Malekian Staging of a crime

Michal Dudek and Mateusz Stępień “I (can) see myself... But what for?” On Live Camera Feeds in Courtrooms

Karen Crawley Artist as Witness: The Public Life of the Courtroom

Isobel Williams Drawing in court – the unofficial eye

Group II, Moderator Anna Piszcz Room F105Sarah Marusek Common sense vs. destruction: Lava, law, and culture Nathalie Hauksson-Tresch Semiotics and the narration of a treason: an analysis of the discourse surrounding the Dreyfus affair Ana Margarida Simões Gaudêncio Chaos/cosmos as images in José Saramago’s Blindness: between reality and fiction, a (de)construction of society and of law Chris Eckels Us & Them: Symbols in Violent Identity Conflict

Group III, Moderator Laura Carballo Room F103

Cristina Trenta Tax Havens, Merry-go-rounds, and Dutch Sand-wiches. An analysis of the language used for describing illicit fiscal behaviors

Clara Chan Short Chinese Forensic Linguistics Cases: Some Narrative Techniques to Make the Subject Accessible

Masanori Kawano Art and Crime --Ukiyo-e as an Example from Japanese History—

Kenichiro Kawano Art and obscenity in Japanese criminal justice

19.00 Reception The Local government councilor, Senior Lecture Agneta Blom, hosts the reception at Örebro Town hall.

THURSDAY 24 MAY10.00–12.00 WORKSHOPS

Group I, Moderator Sarah Marusek Room F103Sofia Alexopoulou and Antonia Pavli ‘Beneath this mask there is more than flesh, beneath this mask there is an idea’: Anonymous a new e-Robin Hood?Andera Panzarola and Roberta Tiscini Pinocchio and the nature of the trial Viktória Harsagi What Makes a Good Decision(-maker)? – after Bertold Brecht Hu Lung Lung Truth does not Matter: Legal Storytelling in Japanese drama “Legal High 2”

Group II, Moderator Alberto Alonso Rimo Room F105Brisa Paim Duarte Mirrors of Justice in Crime Narratives: Dystopia, Utopia, and the Portraits of the (Im)Possibility of Law in The Handmaid’s Tale and MineirinhoAniello Merone Leonardo Sciascia: the mistery of iniquityJosé Manuel Aroso Linhares Under the eyes of Agnes (the woman): Tales of crime and punishment told through drama and musicDavid Papke Crime in American Popular Music

12.00–13.30 Lunch

13.30–15.00 WORKSHOPS Group I, Moderator Aniello Merone Room F103Kewin Crow A Genocide in Art if Never in Law: S-21’s Narrative of the Khmer Rouge TrialsAnna Piszcz Blaming Poland for Nazi war crimes criminalized. The context of the freedom of art, research and media Blaming Poland for Nazi war crimes criminalized. The context of the free-dom of art, research and mediaAlberto Alonso Rimo Preparatory acts or pre-crimes? The drift of contemporary criminal law towards a dystopian fiction

Group II, Moderator Clara ChanRoom F105Mark Featherstone Visions of the Law and its Transgression in Nicolas Winding Refn’s CinemaPeter Robson Assessing a modern “lighthearted rape comedy”Katarzyna Struzińska Murderer as a writer, a storyteller and a protagonist: the case of Krystian Bala

15.15 Departure from university for excursion to Ånnaboda Coffee by the lake, go for a walk or just relax before we have

some fun together in an activity before dinner in the restaurant not far from the lake.

Page 4: PROGRAMME LAW AND ARTS IN CRIME SETTINGS · Sarah Marusek Common sense vs. destruction: Lava, law, and culture ... The drift of contemporary criminal law towards a dystopian fiction

WEDNESDAY 23 MAY11.00–12.00 Registration Forum Building

12.00–13.00 Lunch Forum Building

13.00 Opening ceremonies with music Lecture hall F, Forum Building

Music by students from the School of Music Professor, Laura Ervo Vice chancellor Johan Schnürer President of the Association of the International Roundtables for the Semiotics of Law, Professor Anne Wagner Head of the Institution, Professor Kerstin Nordlöf

Keynote speech Professor Altti Kuusamo, The University of Turku, Finland

14.30 Coffee break

15.00–17.00 WORKSHOPS

Group I, Moderator Viktória Harsagi Lecture Hall FKerstin Nordlöf and Afrang Nordlöf Malekian Staging of a crime

Michal Dudek and Mateusz Stępień “I (can) see myself... But what for?” On Live Camera Feeds in Courtrooms

Karen Crawley Artist as Witness: The Public Life of the Courtroom

Isobel Williams Drawing in court – the unofficial eye

Group II, Moderator Anna Piszcz Room F105Sarah Marusek Common sense vs. destruction: Lava, law, and culture Nathalie Hauksson-Tresch Semiotics and the narration of a treason: an analysis of the discourse surrounding the Dreyfus affair Ana Margarida Simões Gaudêncio Chaos/cosmos as images in José Saramago’s Blindness: between reality and fiction, a (de)construction of society and of law Chris Eckels Us & Them: Symbols in Violent Identity Conflict

Group III, Moderator Laura Carballo Room F103

Cristina Trenta Tax Havens, Merry-go-rounds, and Dutch Sand-wiches. An analysis of the language used for describing illicit fiscal behaviors

Clara Chan Short Chinese Forensic Linguistics Cases: Some Narrative Techniques to Make the Subject Accessible

Masanori Kawano Art and Crime --Ukiyo-e as an Example from Japanese History—

Kenichiro Kawano Art and obscenity in Japanese criminal justice

19.00 Reception The Local government councilor, Senior Lecture Agneta Blom, hosts the reception at Örebro Town hall.

THURSDAY 24 MAY10.00–12.00 WORKSHOPS

Group I, Moderator Sarah Marusek Room F103Sofia Alexopoulou and Antonia Pavli ‘Beneath this mask there is more than flesh, beneath this mask there is an idea’: Anonymous a new e-Robin Hood?Andera Panzarola and Roberta Tiscini Pinocchio and the nature of the trial Viktória Harsagi What Makes a Good Decision(-maker)? – after Bertold Brecht Hu Lung Lung Truth does not Matter: Legal Storytelling in Japanese drama “Legal High 2”

Group II, Moderator Alberto Alonso Rimo Room F105Brisa Paim Duarte Mirrors of Justice in Crime Narratives: Dystopia, Utopia, and the Portraits of the (Im)Possibility of Law in The Handmaid’s Tale and MineirinhoAniello Merone Leonardo Sciascia: the mistery of iniquityJosé Manuel Aroso Linhares Under the eyes of Agnes (the woman): Tales of crime and punishment told through drama and musicDavid Papke Crime in American Popular Music

12.00–13.30 Lunch

13.30–15.00 WORKSHOPS Group I, Moderator Aniello Merone Room F103Kewin Crow A Genocide in Art if Never in Law: S-21’s Narrative of the Khmer Rouge TrialsAnna Piszcz Blaming Poland for Nazi war crimes criminalized. The context of the freedom of art, research and media Blaming Poland for Nazi war crimes criminalized. The context of the free-dom of art, research and mediaAlberto Alonso Rimo Preparatory acts or pre-crimes? The drift of contemporary criminal law towards a dystopian fiction

Group II, Moderator Clara ChanRoom F105Mark Featherstone Visions of the Law and its Transgression in Nicolas Winding Refn’s CinemaPeter Robson Assessing a modern “lighthearted rape comedy”Katarzyna Struzińska Murderer as a writer, a storyteller and a protagonist: the case of Krystian Bala

15.15 Departure from university for excursion to Ånnaboda Coffee by the lake, go for a walk or just relax before we have

some fun together in an activity before dinner in the restaurant not far from the lake.

Page 5: PROGRAMME LAW AND ARTS IN CRIME SETTINGS · Sarah Marusek Common sense vs. destruction: Lava, law, and culture ... The drift of contemporary criminal law towards a dystopian fiction

FRIDAY 25 MAY10.00–12.00 WORKSHOPS

Group I, Moderator Roberta Tiscini Room F103Yanan Zhang A study of crimes in the art in ChinaRonnie Lippens The Crime of Submission: Notes on Reggio’s Koyaanisqatsi (1982) Jennifer Eagleton From Asia’s Finest to Beijing’s Bobbies Depictions of Hong Kong Police During and after 2014’s “Umbrella Movement”Miklos Könczöl and Bettina Bor Political Crime on Film Strips

Group II, Moderator Andrea Panzarola Room F105James Hardie-Bick Mass violence and the continuum of destruction: A study of C. P. Taylor’s Good Laura Carballo The seventh art and the public discourse on migrationBen Hightower on comics and refugee deterrence in Australia On comics and refugee deterrence in AustraliaScotti Hill An International Legal Analysis of Destroyed and Looted Moveable Cultural Heritage Items

12.00–13.30 Lunch

13.30–15.00 Panel discussion with invited speakers Lecture hall FModerator Assistant Professor Heidi Selenius,Stockholm University, SwedenParticipants: Professor Anne Wagner, Université du Littoral Côte d’Opale, Lille, France Professor Peter Robson, University of Strathclyde, Glasgow, Scotland Assistant Professor Mattias Hjertstedt, Umeå University, SwedenArtist, journalist Peter Ekström, headmaster at the Örebro Art College

15.00–15.30 Closing ceremony Lecture hall FHead of the subject, Professor Eleonor KristofferssonHead of the unit, Dr. Rigmor ArgrenProfessor, Laura ErvoIRSL 2019, Professor, José Manuel Aroso Linhares welcomes us to Coimbra.

19.00 Dinner, Örebro castle Entertainment: Örebro Student Singers

LAW AND ARTSIN CRIME SETTINGSThe 19th International Roundtablefor the Semiotics of Law (IRSL 2018)

23–25 May, 2018Hosted by: Örebro University, Sweden

PROGRAMME

ORU.SE