© 2 0 1 9 Co u n t r y A i rc h e c k ™ — A l l r i g ht s re s e r ve d. S i gn u p f re e at w w w. co u nt r ya i rc h e c k . co m . S e n d n e ws to n e ws @ co u nt r ya i rc h e c k . co m(continued on page 10)

Q&A: CMA Awards’ Robert Deaton 53rd CMA Awards Exec. Producer Robert Deaton shares inside stories from country music’s biggest night. CA: Celebrating the women of country isn’t the only time you’ve had a theme – the 50th anniversary comes

to mind – but is this the biggest concept approach you’ve undertaken? RD: This show is the biggest ever, from honoring women to new hosts and a new set. We overhauled the whole look, the pacing – everything changed. It was important to put one foot forward into the future. What is this show going to be for the next 10 years? We had 53 artists – 48 of them in the genre – onstage, which is the most talent on a CMA show ever.

Personally, I’d always thought the most pressure would be the 50th, but this was more important. That open with Reba, Dolly, Carrie, Sara Evans, Martina McBride, Terri Clark, Gretchen Wilson, Karen Fairchild and Kimberly Schlapman – the greatest moments of my career were spent with those women. My first CMA Award was with Martina. Jennifer Nettles was the first host of the Christmas show. I did almost all of Gretchen’s videos and had a long run with Terri. The first song after the open was Loretta Lynn, and my first job at 18 was as a PA on a Crisco commercial in Hurricane Mills with her. I was so anxious going into that rehearsal, not only because of what I knew the performance was going to be, but just seeing them all again. And it was important to present these awesome women in the best way possible. Putting that together had to be an enormous amount of work. Particularly deciding who to put in it and who was even available. Can you walk me through it? We could do that open with entirely different women three more times. Having done this once before for the 50th, I knew it would be an uphill climb and the medley could change 10 times. And it did. Originally the very first song was “I Was Country When Country Wasn’t Cool,” but after living with it we liked having the three hosts together as the first thing you see and hear.

November 25, 2019, Issue 681

Museum Of Nine Arts: Macon Music/Broken Bow’s Jason Aldean celebrates the release of 9 with WNSH/New York staffers. Pictured (back, l-r) are the station’s Jesse Addy and Katie Neal, the label’s JoJamie Hahr, Aldean and the station’s Kelly Ford; (front) the station’s John Foxx and the label’s Lee Adams.

Pub Scrawl: One Week With Tom Luteran What started as a conversation among colleagues and a gentle ribbing from one PD bluntly stating, “Honestly, I don’t know what half of you guys actually do” has turned into a Country Aircheck mission to define and explain key industry roles. After spending one week with a program director, record rep and booking agent, it’s time to level up by spending a week with one of the most mysterious of categories – publishing. Specifically, Sony/ATV Music Publishing VP/A&R Tom Luteran. “I’m not sure my family can even explain what I do,” jokes Luteran, affectionately known as “Big Tom.”

Tom Luteran

Robert Deaton

Page 3November 25, 2019

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Warner/WAR’s Chris Janson puts an industry spin on the artist interview: I grew up listening to Country KEZS/Cape Girardeau, MO and KTJJ/Farmington, MO, Alternative KPNT/St. Louis and Classic Rock KGMO/Cape Girardeau. It’s always an honor to hear myself on the radio, whether it was the first time or currently. I honestly can’t remember the first time, but I do know that I was young and not a professional yet. I believe it was in middle or high school.

I was making music, mostly covers, recording them myself with my buddies in our garages, and they’d get played every now and again on the small market stations around home. I have been making music most of my life – it’s just what I do. My family is most important. My wife and kids are my life. Having Kelly by my side is the only way I travel... and usually all the kids, too! I fly everywhere I can; however, I stock the plane with Love’s Travel Stops brand canister beef jerky. If I could have dinner with anyone, and I’m being honest, I’d always rather just have dinner alone with my wife and kids! Personally, I order dry aged steak, yellowtail shashimi or Prince’s hot chicken. My new album Real Friends is my best yet. I really believe that. The songs are better, more mature and I truly believe they all could be singles. My latest single, “Done,” is not only my favorite song on the album, but also my favorite song I’ve ever written. It is a true to life love story of Kelly and me. The first time I saw her, I said, “Done and done, I’m marrying that girl.” I have to really love something to own it, so I don’t impulse buy very often. I’ve already got too much stuff as it is, but I constantly look for a reason to buy something nice for my wife. All that said, if I see something I’ve got to have for me, I’ll throw down quick. I work hard, and I am not afraid to play hard! The most redneck thing I’ve done lately? Probably driving around scouting deer in a Bentley. I wish I had written,“I Saw God Today,” “Don’t Blink” and “She Thinks We’re Just Fishin.” As a dad, I relate to them big time. Probably three of my favorite songs right there. If I had to be stuck somewhere, I reckon it would be New York City. You can pretty much eat anything you want at any hour. I’m a Netflix king. I have two favorites: The Office and The Civil War by Ken Burns.

OFF THE RECORD: CHRis JansOn

Chris Janson

“Publishers are the agents for artists, songwriters and songs. I am selling my songwriters to other songwriters, their songs to A&R representatives and artists, and my artists to songwriters. For every 99 pitches, 98 might break my heart. But when I hit send on an email to Keith Urban with ‘Break On Me’ and, after he says yes, he takes it to a two-week No. 1, the heartbreak disappears. It’s one of the most challenging jobs to explain and define, but also one of the most rewarding.” Since starting with Sony/ATV in 2002, Luteran has settled into a routine that begins most mornings with a breakfast meeting. “I try to eat with other people as often as possible, because it’s the place where we can let our guard down, enjoy each other’s company, and speak on real terms about both life and business,” he explains. He then heads to the office and spends his 9am hour listening to songs that have come in over the past 24 hours. “Phones are a blessing and a curse, because we are constantly connected and can listen to music at any time,” notes Luteran. “But, I try to wait until I get to the office. Unless, of course, I get that email in the middle of the night from a writer who says they’ve written ‘the one.’ Those are fun emails to get, and that’s when I’m most thankful to be able

Pardi On: Luteran with songwriter Bart Butler and Capitol’s Jon Pardi (l-r).

Page 6November 25, 2019

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Valory’s Tyler Rich on his most influential music: I was eight years old when my cousin took me to my first concert, the King, George Strait. I was obsessed with the movie Pure Country when I was a kid, so this was the equivalent of going and seeing Disney On Ice for me. My uncle taught me how to play guitar growing up, and some of the first songs I ever learned how to play were from Garth Brooks.

There isn’t a single Christmas that goes by, when guitars come out, that we don’t all at some point sing Garth Brooks’ “The Dance.” I would say it is probably our family’s all time favorite. When I was in high school, Blink-182 introduced me to a new sound and completely different genre of music. Which led down a rabbit hole of so many favorite bands, genres and shows I’ve ever played or been to. Creedence Clearwater Revival are from close to where I grew up. Their songs have substance and value to real world issues. And, all of their songs collectively feel like the greatest hits of all time. I know it literally just came out a of couple weeks ago, but I still haven’t heard the new Luke Combs album. The hype has been real, all day, every day on social media. I’m a big fan of his work, and I know it’ll be great. I’m just a litttttle behind, I guess. Opera is something I deeply respect. The amount of talent that goes into that is substantial. But, I think until I go and see it in person, I’m not sure what it will be for me. I listened to James Bay’s Chaos And The Calm incessantly. When this album came out, I was in the middle of uprooting my whole life to Nashville. I was lost, excited, scared, thriving and every emotion in between. I had just turned 30 and took a solo vacation to Europe to spend some time alone and find myself. I listened so many times on that trip, from long walks to flights, etc. So, anytime I listen back now, I am flooded with many incredible memories. An obscure or non-country song everyone should listen to right now is Dermot Kennedy’s “Outnumbered.” His voice and lyrics are simply incredible. I really love terrible hip-hop. I love the good stuff as well, of course. But, I mean like… terrible hip hop. Stuff that doesn’t really even tell a story. But has a beat that makes me want to lift heavier weights, dance harder, rage, etc. Haha some call it Trap? Yeah that kinda stuff.

MY TUnEs: TYlER RiCH

Tyler Rich

to work anywhere and at any time.” Morning meetings follow, and business lunches come next. Luteran spends most afternoons in various pitch meetings or at industry events, and the goal is always to get home in time for dinner with the family. “I wish I could say I hit that goal regularly, but...” Monday: The week begins with an extended music listening session. “One of the most exciting parts of a publisher’s day is to hear ‘the song’ – one that you love, that makes you move or makes you feel something,” says Luteran. He finds just such a song and begins shopping it to label A&R reps. A meeting with an aspiring female artist is next, and Luteran assists in scheduling two co-writes with SATV writers. Lunch and studio time with newest signing Patrick Murphy follow. “We go through 10 or 11 songs, and after some back and forth banter regarding the merits of each, we pick five for Patrick to record.” SATV is also celebrating a No. 1 with one of their writers, so Luteran searches for a high res image for the congratulations banner before leaving for the day. He hits his goal of being home in time for dinner, but instead of sitting down at the table, scoops up his son and heads to football practice. Tuesday: An abbreviated team music meeting is punctuated by the re-signing of writer James McNair and a publicity photo op. Following a litany of additional meetings with writers and artists to discuss new music, Luteran lunches at his desk before heading to play songs written by SATV writers for UMG/Nashville SVP/A&R Stephanie Wright. “She’s the consummate music person, and her passion for songs and songwriters is off the chart,” Luteran says. Of the seven songs he plays for Wright, two are put on hold. “A hold is a way to keep a song for a period of time in order to play it for an artist,” explains Luteran. “If an

Sound Garden: Luteran (r) visits artist Patrick Murphy in the studio.

Page 8November 25, 2019

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artist loves it, too, the hold continues until the ultimate goal of cutting it for their project is reached. If the artists pass, the holds are removed and we pitch it to another label or artist.” Luteran returns to his office for additional emails, demo sessions and co-write setups before wrapping the day listening to a handful of new songs he received after lunch. Wednesday: A meeting with SATV

writers and Lanco members Tripp Howell and Chandler Baldwin leads to Luteran setting up a bus run for mid-January. “Lanco is on tour with Miranda [Lambert] next year, so I will schedule co-writers to join them on the road to work on writing songs,” explains Luteran. “Bus runs also allow me and the co-writers to see Lanco’s show in order to get a feel for what types of songs get the biggest reaction from their fans.” The day moves along as normal, including the staff’s regularly scheduled Wednesday afternoon meeting. “I’m heading to 3rd and Lindsley tonight to see Robert Counts and hear a few new songs and gauge live audience reaction,” says Luteran. Dinnertime goals will not be made.

Thursday: Luteran grabs lunch with Frankie Ballard and hears a selection of his new music. The afternoon includes a trip to Sound Stage to drop in on Murphy’s recording session featuring the five songs that Luteran helped select earlier in the week. “Nashville musicians are amazing and can take these iPhone demo recordings and turn them into the work of art you eventually hear on the radio.” It’s an early day, and Luteran has more than enough time to make it for family dinner. Friday: After finding two gems in the stack of morning music, Luteran puts together several song links to send out to A&R teams and artists. Nashville is heading into awards week – ASCAP, SESAC, BMI and CMA Awards will all be held in short order – so planning for the events and after parties is in full swing. After more than 24 years in the business, he still remains passionate about the artists, writers and songs he represents and the business as a whole. “I may not write the songs, but I champion the men and women who do,” says Luteran. “It doesn’t get much better than that.” He’s also happy to answer questions about publishing and A&R or chat about football; reach Luteran here.

–Monta Vaden

Chart Chat Congratulations to Luke Combs, Steve Hodges, Shane Allen and the Columbia promotion team on landing a second consecutive week at No. 1 with “Even Though I’m Leaving.” The song is his seventh chart-topper and the second single from What You See Is What You Get. Songwriters are Wyatt Durrette, Ray Fulcher and Combs. And kudos to James Marsh and the Warner/WAR reps on notching 46 adds for Chris Janson’s “Done,” topping this week’s board.

Luke Combs

Jake And Bake: Luteran (l)helps Big Loud’s Jake Owen celebrate a recent No. 1.

Page 10November 25, 2019

Those three voices together was a hot start, so I changed the song [to “Those Memories Of You”]. How did you build out the celebration of women aspect? Early on, we knew Dolly’s performance would be that gospel medley and Reba would do “Fancy.” Then we started filling slots with presenters, looking back at who had won. I had to make sure Deana Carter had a place, as the image of her accepting from Ricky Skaggs will last forever in the history of the CMAs. Jennifer Nettles having won for “Stay” made her a great fit to present Song. We had Pam Tillis, Janie Fricke, Martina and Kathy Mattea as former Female Vocalist winners. It was a puzzle that took a month-and-a-half to two months. We knew we wanted to come out of Kelsea Ballerini into that “Girl Crush” moment, but we went through three different songs and incarnations getting there. I’m quite proud of that moment; we had 13 people onstage by the end of it, but it never felt rushed. There are always the questions of, is it enough? Too much? What am I lacking? Meanwhile, you still have an awards show to do with nine awards and have to get the Entertainer, Male and Female performances, and a lot of other things you have to do. There’s probably somebody I left out, and that was the overriding fear on the 50th, as well. A lot of people just couldn’t do it for timing or scheduling – Shania, Faith, Anne Murray. Mary Chapin Carpenter was performing that night at the Ryman. There are so many deserving artists we’d love to have had. Which came first, the concept or the hosts? How did you make those asks, and how did you break it to [former co-host] Brad Paisley?

©2019 Countr y Aircheck™ — Al l r ights reser ved. S ign up f ree at w w w.countr yaircheck .com. Send news to news@countr yaircheck .com

News & Notes Florida Georgia Line has teamed with Habitat for Humanity of Greater Nashville on a toy drive running Dec. 3-18. New unwrapped toys and art supplies can be donated at Nashville’s Meet + Greet (1910 21st Avenue South). More here. Grammy Museum Mississippi’s latest exhibit, Strong Together: The Power of Women in Country Music, is open through Aug. 23, 2020. Details here. Pearl’s Garth Brooks has partnered with interactive entertainment company Zynga for in-game and real-world giveaways via the Words With Friends app. More here.

The Week’s Top Stories Full coverage at countryaircheck.com.• Read radio reactions and what went down in the press room at this year’s CMA Awards in last week’s (11/18) Country Aircheck Weekly.• Chris Pickett was named OM for Townsquare/Boise. (CAT 11/22)• Nick Fox was named Westwood One 24/7 Country Formats PD. (CAT 11/21)• Rachel Williamson was named Entercom/Milwaukee-MadisonRegion Pres. and Chicago MM. (CAT 11/20)• Entercom/Los Angeles’ Jeff Federman was elevated to Regional Pres. for the Los Angeles, San Diego and Riverside markets. (CAT 11/20)• WNWN/Battle Creek, MI’s PJ Lacey is retiring; the search is on for a successor. (CAT 11/19)• Entercom/Chicago’s Jimmy de Castro is retiring from radio Dec. 13. (CAT 11/18)• KCYY/San Antonio’s J.R. Jaus exited; Jeff Garrison is searching for his successor. (CAT 11/18)

(continued from page 1)Q&A: CMA Awards’ Robert Deaton

November 25, 2019Page 11

I can’t exactly remember, but I think we talked about the through-line first, how incredible it would be to have three women hosting on a year we would honor women. It was a dream ask and, in the back of my mind, I know I’m never going to pull off that miracle. Two of them are in the Hall of Fame and the other will be. My strategy for asking Dolly was bringing Carrie with me. For her to come in off the road and be there showed the weight of this and how important it was to us. So Dolly was in. I’ve done so many videos with Reba – she was my host for the Christmas special – so I was able to tell her what the through-line was, that Carrie and Dolly were in and she said, “That sounds great. I’m in.” We had 11 great years with Brad and Carrie, but it wasn’t pressurized because we weren’t trying to emulate that. On the first script I told [head writer] David Wild to write it pretty straight. We had an arsenal of jokes in our back pocket, but they are consummate performers who know who they are and can make those decisions. Once they got the script, they made a few adjustments, added a few lines and we asked if they wanted to run through it again. They said, “No, we think we’ve got it.” We let them drive it and, in that way, it came across as real and conversational. The new set looked great, and also got some online chatter for the resemblance to female anatomy at its center. How did the new look come together, and was that particular evocation intentional? We did three years on the last set and it was time for a change. We wanted to make a statement this year of being modern and forward-thinking, not just with the set but with all the show’s imaging. I put together a brand new team led by German set designer Florian Wieder. We wanted it to have energy and, with two stages, it was important that the header made it feel like one unit, brought in the audience and had energy. The center piece or awards area not only provided a place to give awards out, but doubled as a performance location. It was our church steeple and the shape of the award. Whether people get that or not, that was the overall approach. Were you surprised people saw it as something else? I’m never surprised by anything people think they see.

Workin’ Man: Average Joes’ Colt Ford receives an RIAA gold certified plaque for “Workin’ On.” Pictured (top, l-r) are fiddle player Justin Bertoldie and guitar player Cole Phillips; (bottom, l-r) guitar player Spencer Bassett, the label’s Doug Kaye, Ford, Mission 22’s Jerry Strickland, drummer Tim Haines and bass player Paul Chapman.

Viewers grew by a million and the ratings held fairly steady. That said, is the continual erosion we’ve seen more about measurement methodology on an aging platform than it is about the actual impact a show like this has culturally? Even if I wasn’t involved with this show, I’d view it as a remarkable year. The demo was flat, but will go up when +3 and +7 comes in. Viewers will go up, too. We also know we have record numbers of people finding the show on video clips. Impressions and reach are in the billions. Sales and streaming are up across the board. We were the talk of social media, trending worldwide, No. 1 in all six half hours and beat the closest competition by 40%. It was the biggest Wednesday in two years on the network. We really focused on hits – familiar music – and that was successful. The audience has changed so much and will continue to, but they always want to hear the hits. Once they came, they didn’t leave because we didn’t give them a reason to. Anything else stand out on performances? We’ve been known for these pop-country collaborations with Justin Timberlake, Beyonce and Ariana Grande. This year, Lady A and Halsey were right there with those historic moments. It was just amazing. Halsey would be great in that group – the harmonies were incredible. I’m also proud of all the new female artists on “Girl Crush.” They had about 20 seconds each to make an impact, and all of them did. Final thoughts? One of the reasons we’re squeezed on time relative to other shows is it takes our artists longer to get to the stage to accept awards because they want to stop and hug everybody. But that’s who we are. We’re family. –Chuck Aly

Lon Helton, lon@countryaircheck.comChuck Aly, chuck@countryaircheck.com

Caitlin DeForest, caitlin@countryaircheck.comMonta Vaden, monta@countryaircheck.com

(615) 320-1450

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November 25, 2019 SEEK & EMPLOY

MIDWESTMidwest/Fargo, ND VP/MM Dan Cash

is searching for a Brand Mgr. for Country KVOX & Classic Country KMJO. Interested applicants can view the full job posting here; submit résumés, airchecks and links to social media content to Cash here.Midwest WNCY/Appleton-Green Bay, WI

Brand Mgr. Dan Stone is seeking a night jock. Send résumés and airchecks to him here.Iowa City Broadcasting Classic Country KDMA-

AM/FM & Classic Rock KMGM/Montevideo, MN is seeking a PD/on-air talent. Send résumés, airchecks and a cover letter explaining why you should be selected to Rob Siems here.Cumulus WFMS/Indianapolis OM/PD

Christopher “Boomer” Layfield is seeking an MD/on-air talent. See the complete job posting and apply here; no calls or emails.Midwest WNWN/Battle Creek, MI PD Miggy

Santos is seeking a morning co-host. Send résumés and airchecks here.

NORTHEASTSeven Mountains WIFT (Bigfoot Country)/

Dubois, PA VP/Programming JC Burton is on the prowl for a Production Dir./midday. Send résumés, airchecks and production samples to Burton here.Pamal/Albany COO Steve Borneman is

seeking a GM for the cluster, which includes Country WKLI. Send résumés and references to him here.Townsquare/Augusta, ME OM Cooper Fox

is looking for a morning host to join Country WEBB. Send résumés and airchecks to him here.

SOUTHEASTGulf South WTVY/Dothan, AL PD John

Garrett is on the hunt for a morning co-host. Send

résumés, airchecks and references to him here.Summit VP/Programming Beverlee

Brannigan is on the hunt for a PD to join WCYQ/Knoxville. Send résumés and airchecks to her here.Summit WQNU/Louisville OM/PD Cagle is

searching for an afternoon personality. Résumés and airchecks to him here.Beasley WQYK/Tampa OM/PD Travis Daily

is seeking a night host. Interested parties can send résumés and airchecks to him here.

SOUTHWESTCumulus KSCS/Dallas is searching for a

morning co-host for Hawkeye In The Morning. Airchecks and résumés to PD Mac Daniels here.Cumulus KPLX/Dallas PD Mac Daniels is

looking for a morning co-host for The Wake Up With The Wolf Show. Apply here.Cox KCYY/San Antonio OM/PD Jeff Garrison

is seeking a new morning sidekick to join Beth Chandler. Send résumés and airchecks to him here.Adams/Las Cruces, NM OM Ernesto

Garcia is looking for a full-time Prod. Asst. and on-air talent for the cluster that includes Country KGRT. Résumés and airchecks to Garcia here.

WEST COASTTownsquare KAWO/Boise is on the hunt for a

morning team. Interested candidates should send résumés and airchecks to SVP/Programming Kurt Johnson here.Momentum KJUG/Visalia, CA PD Rik

McNeil is looking for a morning co-host. See the complete job posting here; résumés and airchecks to McNeil here.Buck Owens KUZZ/Bakersfield PD Brent

Michaels is searching for a morning personality.

Interested candidates may send résumés and airchecks here.RMG KOLC/Reno, NV VP/GM Tricia

Gallenbeck is searching for a PD/on-air talent. Send résumés and airchecks to her here.Entercom KWJJ/Portland OM/PD Scott

Roddy is looking for a morning team. Candidate can view the full job description and apply here; send résumés, airchecks, digital/social links and three references to Roddy here.Townsquare/Grand Junction, CO is looking

for an OM & Country KEKB Brand Mgr. to succeed Ray Michaels. Apply here.Alpha/Portland SVP/MM Lisa Decker is

seeking a Dir./Marketing for the cluster, which includes Country KUPL. See the complete job posting and apply here.

OTHERConsultant Joel Raab is looking an on-air PD

for a reporting station in a Top 100 market. Send materials here.Music Choice Head/Country Music

Programming Jim Murphy is seeking a Sr. Programmer to join his growing team. Interested candidates may apply here.RWPC Co-President and consultant Scott

Huskey is on the hunt for a Country morning co-host for a No. 1 rated station in the Southeast. Send résumés and airchecks to him here.Warner Music Nashville VP/Radio & Streaming

Tom Martens is seeking a Dir./National Radio & Streaming for a newly created position within the team. Send résumés to him here.

©2019 Countr y Aircheck™ — Al l r ights reser ved. S ign up f ree at w w w.countr yaircheck .com. Send news to news@countr yaircheck .com

SEARCHING

AVAILABLE JOBS Here’s a list of job seekers and open gigs. Not listed? Send info here and we’ll include you in a future update.

•Steve AlbertsenFormer NRG/Lincoln, NE OMSAlbertsen@Neb.RR.com402-672-8684

•Cactus JackFormer Entercom/Phoenix Dir./ProductionGoGoJack@msn.com602-430-5908

•Heather StevensFormer WQXK/Youngstown, OH middaysHeather.Stevens2019@gmail.com

•Tosh JacksonFormer KNTY/Sacramento PDDeeJayTosh@gmail.com

•Alex GuerraFormer Entervision/Sacramento MD/Promo Dir.AlexGuerra.5750@gmail.com916-397-9353

•Kimmy KayFormer KNTY/Sacramento middaysAKeek1994@yahoo.com916-879-9213

•Tracy LeighannFormer KNTY/Sacramento nightsTracyBrimmer@yahoo.com

•Kimmie CarubaFormer WUSN/Chicago nightsKimberlyCaruba@gmail.com630-335-3838

•Tony KellyFormer WUSN/Chicago morning producerKellyT_60468@yahoo.com708-642-8518

•Kevin BarrettFormer Mt. Rushmore Broadcasting/Wyoming-South Dakota GM/PDBarrettKevin41@gmail.com 307-920-0107

•Greg ColeFormer WKCQ/Saginaw, MI OM/PDGCole27000@gmail.com916-502-4734

•Paul HelingFormer Midwest/Green Bay Digital Brand Mgr.Heling.Paul@gmail.com720-320-2266

•Doug DoddsFormer ZFKY/Grand Cayman PD/morning hostDougDoddsEmail@gmail.com

•Marc Lavik (aka Dave Marcus)Former on-air talentZimaGuy@gmail.com401-467-6737

•Denis “Catfish” MillerFormer KSNI/Santa Maria, CA afternoon hostDenisMil@hotmail.com

•TaylorFormer WCYQ/Knoxville weekend personalityDJTay757@gmail.com

•Loyd FordFormer WCYQ/Knoxville PDFord@RainMakerPathway.com864-448-4169

•Hank AaronFormer KIZN/Boise PD/morning hostHank.Aaron206@gmail.com

•Cory MikhalsFormer KIZN/Boise morning co-hostCoryProductions@icloud.com

•Katie CarmichaelFormer WTVY/Dothan, AL morning co-hostKatieOnTheRadio@outlook.com

•”Big” John HortonFormer KFSA/Ft. Smith, AR afternoonsBigJohn@TheBigJohnShow.com

•Mark LindowFormer WSJR/Wilkes-Barre, PA PD/midday hostLindowMS@gmail.com

•Bob ReevesFormer Reviver SVP/PromotionBReeves780@gmail.com615-347-9499

•Marissa LanchakFormer WKLB/Boston night hostMarissaLanchak@yahoo.com518-527-5133

•Charles “Chachi” AngeloFormer WZCY/Harrisburg, PA PD/morningsChachiAngelo@gmail.com

•Bill HeltemesFormer Cold River Dir./Midwest PromotionIndyBillH@gmail.com859-653-1345

•Isaac WenzelFormer WMAD/Madison, WI middays/promotionsIsaacGWenzel@gmail.com763-516-6327

•Kris RichardsFormer WKJO/Smithfield, NC afternoonsFireCop947@yahoo.com

•Nathan FastFormer KPLX/Dallas morningsNathan@nathanfast.com

•Jack ShellFormer WFMS/Indianapolis afternoonsJackShell@gmail.com954-551-7676

•Anthony “Keebler” CapraFormer WQYK/Tampa nightsCapra002@yahoo.com785-917-0840

•Dale DesmondFormer Cherry Creek/St. George, UT OMBrotherDaleD@gmail.com

•Jim AllgeierFormer Federated/Fort Wayne, IN MMJGAllgeier13@gmail.com260-385-2588

•”Super” Dave OgdenFormer WWQM/Madison, WI APD/Promo Dir./middaysSuperDaveOgden@yahoo.com

•Jason RyanFormer WWQM/Madison, WI nightsJROnTheAir@gmail.com

•Todd DurkinFormer WKIS/Miami morning co-hostToddAllenDurkin@yahoo.com

•JR JausFormer KCYY/San Antonio morning co-hostJRJaus85@gmail.com949-533-0349

congratulates

SHANE ALLENLYNDSAY CHURCH

ADAM DAVISPAIGE ELLIOTT

CHRISTY GARBINSKI

MARK GRAYSTEVE HODGESMARK JANESEOLIVIA LASTER

LAUREN LONGBINELAUREN THOMAS

on the two-week #1 single, “Even Though I’m Leaving”

A R T I S T S

November 25, 2019

Chart Page 1

1 LUKE COMBSEven Though I’m Leaving (River House/Columbia) 28287 1054 8908 267 52.747 1.578 157 0

2 2 OLD DOMINION/One Man Band (RCA) 26666 1006 8472 335 50.859 1.606 157 0

3 3 THOMAS RHETT/Remember You Young (Valory) 22767 685 7175 295 43.296 1.682 157 0

4 4 KEITH URBAN/We Were (Capitol) 20769 530 6588 235 37.186 0.818 157 0

8 5 LADY ANTEBELLUM/What If I Never Get Over You (BMLGR) ✔ 19603 1723 6062 537 36.665 2.497 157 0

6 6 JON PARDI/Heartache Medication (Capitol) 19491 1226 6118 486 34.797 2.071 157 0

9 7 DUSTIN LYNCH/Ridin' Roads (Broken Bow) ✔ 18698 1785 6017 592 33.834 3.341 155 2

7 8 KENNY CHESNEY/Tip Of My Tongue (Blue Chair/Warner/WEA) 18166 202 5688 69 33.353 1.617 157 0

13 9 DAN + SHAY & JUSTIN BIEBER/10,000 Hours (Warner/WAR) ✔ 15364 1941 4719 593 28.121 3.139 155 1

11 10 SAM HUNT/Kinfolks (MCA) 14867 1358 4689 460 26.663 2.659 154 0

14 11 JASON ALDEAN/We Back (Macon Music/Broken Bow) 13090 500 4171 155 23.84 1.455 157 0

15 12 JIMMIE ALLEN/Make Me Want To (Stoney Creek) 12815 686 3946 217 23.219 1.857 156 0

16 13 GARTH BROOKS & BLAKE SHELTON/Dive Bar (Pearl) 12064 454 3694 95 21.139 0.693 157 0

17 14 KANE BROWN/Homesick (RCA) 11288 1162 3466 420 20.044 1.453 154 4

19 15 BLAKE SHELTON f/T. ADKINS/Hell Right (Warner/WMN) 10713 799 3408 227 17.943 1.326 154 0

18 16 JORDAN DAVIS/Slow Dance In A Parking Lot (MCA) 10559 643 3309 202 17.819 1.458 156 0

23 17 LUKE BRYAN/What She Wants Tonight (Capitol) ✔ 10415 1508 3138 443 19.241 2.324 154 3

20 18 INGRID ANDRESS/More Hearts Than Mine (Warner/WEA) 9835 351 3198 125 16.288 0.524 149 5

26 19 MAREN MORRIS/The Bones (Columbia) ✔ 9602 1753 2860 582 17.094 3.03 131 12

22 20 KELSEA BALLERINI/Homecoming Queen? (Black River) 9488 423 3091 176 15.077 1.081 156 0

25 21 BRETT YOUNG/Catch (BMLGR) 9102 1132 2603 311 17.226 2.27 143 6

10 22 B. GILBERT & L. ELL/What Happens... (Valory/Stoney Creek) 8911 -4866 3022 -1348 17.819 -12.002 157 0

24 23 RYAN HURD/To A T (RCA) 8235 205 2424 96 13.575 0.02 137 1

12 24 MIRANDA LAMBERT/It All Comes Out In The Wash (RCA) 7689 -5818 2401 -1845 14.759 -7.951 157 0

27 25 RILEY GREEN/I Wish Grandpas Never Died (BMLGR) 7419 769 2379 253 11.307 1.25 144 4

LW TW Artist/Title (Label) Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS

1

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2nd Week at No. 1

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November 25, 2019

Chart Page 2

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28 26 JAKE OWEN/Homemade (Big Loud) 7037 860 2141 284 14.156 1.306 133 7

21 27 MIDLAND/Mr. Lonely (Big Machine) 6879 -2452 2155 -804 11.402 -3.422 156 0

31 28 TRAVIS DENNING/After A Few (Mercury) 5957 466 1807 127 9.639 1.103 145 5

29 29 TRISHA YEARWOOD/Every Girl In This Town (Gwendolyn/Pearl) 5847 -171 1839 -50 8.257 0.149 145 0

32 30 SCOTTY MCCREERY/In Between (Triple Tigers) 5445 328 1625 75 8.581 0.831 138 1

33 31 CAYLEE HAMMACK/Family Tree (Capitol) 4816 120 1623 52 6.768 0.324 125 3

34 32 LOCASH/One Big Country Song (Wheelhouse) 4565 357 1393 107 7.328 0.336 124 3

36 33 C. PEARCE & L. BRICE/I Hope You're Happy Now (Big Machine/Curb) 4428 584 1305 176 6.963 1.095 141 7

37 34 ERIC CHURCH/Monsters (EMI Nashville) 4368 579 1406 199 6.421 0.636 134 6

35 35 MICHAEL RAY/Her World Or Mine (Warner/WEA) 4354 264 1278 83 7.089 0.848 120 2

GABBY BARRETT/I Hope (Warner/WAR) 3627 523 1108 118 5.434 0.829 99 6

38 37 GONE WEST/What Could've Been (Triple Tigers) 3612 257 976 23 5.877 0.46 112 5

39 38 CHASE RICE/Lonely If You Are (Dack Janiels/Broken Bow) 3335 188 1005 50 4.714 -0.089 111 2

41 39 FLORIDA GEORGIA LINE/Blessings (BMLGR) 3229 129 976 71 5.108 0.242 105 3

42 40 MORGAN WALLEN/Chasin' You (Big Loud) 3207 250 962 77 5.172 0.739 107 3

43 41 MADDIE & TAE/Die From A Broken Heart (Mercury) 2796 136 849 8 3.943 1.009 108 2

30 42 DYLAN SCOTT/Nothing To Do Town (Curb) 2726 -2921 856 -1017 5.357 -3.298 136 0

46 43 CARRIE UNDERWOOD/Drinking Alone (Capitol) 2517 315 750 88 2.923 0.246 89 9

44 44 BILLY CURRINGTON/Details (Mercury) 2406 77 632 14 4.017 -0.134 84 3

45 45 CHRIS YOUNG/Drowning (RCA) 2393 122 680 25 3.138 0.412 85 6

48 46 HOOTIE & THE BLOWFISH/Hold On (Capitol) 2222 100 653 18 4.244 0.861 84 4

47 47 JUSTIN MOORE/Why We Drink (Valory) 2165 -24 688 3 3.735 0.171 86 4

49 48 CAROLINE JONES/Chasin' Me (Mailboat/New Revolution) 1946 33 701 17 1.555 0.083 79 0

50 49 RODNEY ATKINS/Thank God For You (Curb) 1902 93 600 37 2.911 0.231 74 1

50 ELI YOUNG BAND/Break It In (Valory) 1874 296 567 71 2.268 0.671 80 2

LW TW Artist/Title (Label) Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS

Debut

November 25, 2019

Country Aircheck Top Spin GainersDAN + SHAY & J. BIEBER/10,000 Hours (Warner/WAR) 593

DUSTIN LYNCH/Ridin' Roads (Broken Bow) 592

MAREN MORRIS/The Bones (Columbia) 582

LADY ANTEBELLUM/What If I Never Get Over You (BMLGR) 537

JON PARDI/Heartache Medication (Capitol) 486

SAM HUNT/Kinfolks (MCA) 460

LUKE BRYAN/What She Wants Tonight (Capitol) 443

KANE BROWN/Homesick (RCA) 420

OLD DOMINION/One Man Band (RCA) 335

BRETT YOUNG/Catch (BMLGR) 311

Country Aircheck Top Point GainersDAN + SHAY & J. BIEBER/10,000 Hours (Warner/WAR) 1941 ✔DUSTIN LYNCH/Ridin' Roads (Broken Bow) 1785 ✔MAREN MORRIS/The Bones (Columbia) 1753 ✔LADY ANTEBELLUM/What If I Never Get Over You (BMLGR) 1723 ✔LUKE BRYAN/What She Wants Tonight (Capitol) 1508 ✔SAM HUNT/Kinfolks (MCA) 1358

JON PARDI/Heartache Medication (Capitol) 1226

KANE BROWN/Homesick (RCA) 1162

BRETT YOUNG/Catch (BMLGR) 1132

LUKE COMBS/Even Though I'm Leaving (River House/Columbia) 1054

Activator Top Spin GainersJON PARDI/Heartache Medication (Capitol) 213

RILEY GREEN/I Wish Grandpas Never Died (BMLGR) 169

LADY ANTEBELLUM/What If I Never Get Over You (BMLGR) 159

LUKE BRYAN/What She Wants Tonight (Capitol) 159

DUSTIN LYNCH/Ridin' Roads (Broken Bow) 153

MAREN MORRIS/The Bones (Columbia) 143

BRETT YOUNG/Catch (BMLGR) 128

JAKE OWEN/Homemade (Big Loud) 126

KEITH URBAN/We Were (Capitol) 102

DAN + SHAY & J. BIEBER/10,000 Hours (Warner/WAR) 97

Activator Top Point GainersJON PARDI/Heartache Medication (Capitol) 942 ✔

DUSTIN LYNCH/Ridin' Roads (Broken Bow) 941 ✔

LUKE BRYAN/What She Wants Tonight (Capitol) 837 ✔

RILEY GREEN/I Wish Grandpas Never Died (BMLGR) 799 ✔

MAREN MORRIS/The Bones (Columbia) 772 ✔

LADY ANTEBELLUM/What If I Never Get Over You (BMLGR) 656

BRETT YOUNG/Catch (BMLGR) 638

JAKE OWEN/Homemade (Big Loud) 569

DAN + SHAY & J. BIEBER/10,000 Hours (Warner/WAR) 563

SAM HUNT/Kinfolks (MCA) 546

Country Aircheck Top Recurrents Points

MATT STELL/Prayed For You (Wide Open/Records/GCE/Arista) 18435

CHRIS JANSON/Good Vibes (Warner/WAR) 16666

RUSSELL DICKERSON/Every Little Thing (Triple Tigers) 15346

DIERKS BENTLEY/Living (Capitol) 12310

MORGAN WALLEN/Whiskey Glasses (Big Loud) 12273

CHRIS LANE/I Don't Know About You (Big Loud) 11033

JUSTIN MOORE/The Ones That Didn't Make It... (Valory) 10381

COLE SWINDELL/Love You Too Late (Warner/WMN) 9162

LUKE BRYAN/Knockin' Boots (Capitol) 7738

LUKE COMBS/Beer Never... (River House/Columbia) 7725

Country Aircheck Add Leaders AddsCHRIS JANSON/Done (Warner/WAR) 46MAREN MORRIS/The Bones (Columbia) 12CARRIE UNDERWOOD/Drinking Alone (Capitol) 9M. TENPENNY f/SEAFORTH/Anything... (Riser House/Columbia) 9C. PEARCE & L. BRICE/I Hope You're... (Big Machine/Curb) 7JAKE OWEN/Homemade (Big Loud) 7BRETT YOUNG/Catch (BMLGR) 6CHRIS YOUNG/Drowning (RCA) 6ERIC CHURCH/Monsters (EMI Nashville) 6GABBY BARRETT/I Hope (Warner/WAR) 6MATT STELL/Everywhere But On (Wide Open/Records/GCE/Arista) 6RUNAWAY JUNE/Head Over Heels (Wheelhouse) 6

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November 25, 2019

Chart Page 4

Dec. 6Walker Hayes 8Tracks Vol. 3 — Black Sheep (Monument)

Dec. 13Blake Shelton Fully Loaded: God’s Country (Warner/WMN)

Jan. 17Little Big Town Nightfall (Capitol)Dustin Lynch Tullahoma (Broken Bow)

Jan. 24Kree Harrison Chosen Family Tree (One Vision)

Feb. 7The Cadillac Three Country Fuzz (Big Machine)Aubrie Sellers Far From Home (Soundly Music)

Feb. 14Carly Pearce Carly Pearce (Big Machine)

CHRIS YOUNG/Drowning (RCA) Remains at 45* 2,393 points, 680 spins 6 adds: KJKE, KMLE, *W1HC, WBEE, *WPCV, WXCY

HOOTIE & THE BLOWFISH/Hold On (Capitol) Moves 48-46* 2,222 points, 653 spins 4 adds: KUZZ, *W1MC, WBEE, WDSY

JUSTIN MOORE/Why We Drink (Valory) Remains at 47* 2,165 points, 688 spins 4 adds: *KWEN, WRBT, WWQM, WXTU

CAROLINE JONES/Chasin’ Me (Mailboat/New Revolution) Moves 49-48* 1,946 points, 701 spins; no adds

RODNEY ATKINS/Thank God For You (Curb) Moves 50-49* 1,902 points, 600 spins 1 add: KBQI

ELI YOUNG BAND/Break It In (Valory) Debuts at 50* 1,874 points, 567 spins 2 adds: *W1HC, WAVW

JON LANGSTON/Now You Know (32 Bridge/EMI Nashville) 1,822 points, 628 spins 2 adds: *WKHX, WUSJ

KIP MOORE/She’s Mine (MCA) 1,741 points, 613 spins 3 adds: WCTK, WEZL, WRNS

DILLON CARMICHAEL/I Do For You (Riser House) 1,700 points, 566 spins 1 add: WSOC

RAYNE JOHNSON/Front Seat (Studio2Bee/Legend) 1,663 points, 369 spins; no adds

COUNTRY AIRCHECK ACTIVITY

C H E C K O U T 1 2 / 6

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A D D DAT E S

December 2MATT STELL/Everywhere But On (Wide Open/Records/GCE/Arista) BRANTLEY GILBERT/Fire’t Up (Valory)GRACE ASBURY/Pour Me (Star Farm)

December 9MORGAN EVANS/Diamonds (Warner/WEA)JACKSON MICHELSON/Stay Over (Curb)LINDSAY ELL/I Don’t Love You (Stoney Creek)MIRANDA LAMBERT/Bluebird (RCA)

December 16None Listed

November 25, 2019

Chart Page 5

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LW TW Artist/Title (Label) Points +/- Points Plays +/- Plays Stations ADDS

1 1 LUKE COMBSEven Though I’m Leaving (River House/Columbia)

13172 280 2558 73 50 0

2 2 OLD DOMINION/One Man Band (RCA) 13017 356 2530 84 50 0

3 3 THOMAS RHETT/Remember You Young (Valory) 11376 -19 2166 9 50 0

4 4 KEITH URBAN/We Were (Capitol) 10395 440 2050 102 48 0

5 5 JON PARDI/Heartache Medication (Capitol) ✔ 10244 942 1958 213 49 0

7 6 LADY ANTEBELLUM/What If I Never Get Over You (BMLGR) 9763 656 1869 159 50 0

6 7 KENNY CHESNEY/Tip Of My Tongue (Blue Chair/Warner/WEA) 9110 0 1734 13 48 0

9 8 DUSTIN LYNCH/Ridin' Roads (Broken Bow) ✔ 8715 941 1681 153 49 1

11 9 SAM HUNT/Kinfolks (MCA) 7550 546 1400 95 50 0

10 10 JASON ALDEAN/We Back (Macon Music/Broken Bow) 7286 26 1322 3 50 0

12 11 DAN + SHAY & JUSTIN BIEBER/10,000 Hours (Warner/WAR) 6995 563 1271 97 49 0

13 12 BLAKE SHELTON f/T. ADKINS/Hell Right (Warner/WMN) 6133 126 1154 35 50 0

14 13 GARTH BROOKS & BLAKE SHELTON/Dive Bar (Pearl) 6031 144 1123 35 47 0

15 14 KELSEA BALLERINI/Homecoming Queen? (Black River) 5693 142 1034 19 50 0

18 15 JORDAN DAVIS/Slow Dance In A Parking Lot (MCA) 5377 454 954 85 50 2

17 16 INGRID ANDRESS/More Hearts Than Mine (Warner/WEA) 5309 298 1050 62 49 0

22 17 LUKE BRYAN/What She Wants Tonight (Capitol) ✔ 5166 837 953 159 50 0

23 18 RILEY GREEN/I Wish Grandpas Never Died (BMLGR) ✔ 4978 799 950 169 50 2

20 19 JIMMIE ALLEN/Make Me Want To (Stoney Creek) 4972 490 949 93 45 1

21 20 KANE BROWN/Homesick (RCA) 4724 369 875 81 47 3

19 21 MIDLAND/Mr. Lonely (Big Machine) 3747 -805 723 -126 39 0

25 22 MAREN MORRIS/The Bones (Columbia) ✔ 3389 772 641 143 46 3

26 23 BRETT YOUNG/Catch (BMLGR) 3248 638 583 128 49 7

24 24 RYAN HURD/To A T (RCA) 2809 166 529 30 48 1

28 25 ERIC CHURCH/Monsters (EMI Nashville) 2578 400 419 60 41 3

31 26 JAKE OWEN/Homemade (Big Loud) 2363 569 448 126 43 7

27 27 TRISHA YEARWOOD/Every Girl In This Town (Gwendolyn/Pearl) 2262 -138 455 -23 39 0

29 28 CAYLEE HAMMACK/Family Tree (Capitol) 2080 98 421 20 38 4

30 29 CARLY PEARCE & LEE BRICE/I Hope You're Happy Now (Big Machine/Curb) 1945 84 329 11 36 2

32 30 TRAVIS DENNING/After A Few (Mercury) 1821 200 353 35 39 1

4th Week at No. 1

November 25, 2019

Chart Page 6

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LW TW Artist/Title (Label) Points +/- Points Plays +/- Plays Stations Adds

33 31 SCOTTY MCCREERY/In Between (Triple Tigers) 1567 140 298 29 33 2

35 32 CODY JOHNSON/Nothin' On You (Warner/CoJo/WMN) 1465 63 225 8 17 0

36 33 JUSTIN MOORE/Why We Drink (Valory) 1350 38 257 4 17 0

37 34 CARRIE UNDERWOOD/Drinking Alone (Capitol) 1125 -72 198 -19 18 2

38 35 LOCASH/One Big Country Song (Wheelhouse) 1059 -103 193 -17 32 0

39 36 BILLY CURRINGTON/Details (Mercury) 986 -110 146 -12 10 0

40 37 FLORIDA GEORGIA LINE/Blessings (BMLGR) 986 -14 157 -5 11 0

45 38 CHRIS YOUNG/Drowning (RCA) 936 162 115 21 7 2

34 39 DYLAN SCOTT/Nothing To Do Town (Curb) 912 -509 205 -124 28 1

42 40 CHASE RICE/Lonely If You Are (Dack Janiels/Broken Bow) 886 -17 156 2 16 0

43 41 AARON WATSON/Country Radio (Big Label) 863 12 152 2 16 1

44 42 MICHAEL RAY/Her World Or Mine (Warner/WEA) 830 -6 170 1 31 0

48 43 ASHLEY MCBRYDE/One Night Standards (Warner/WAR) 817 190 100 31 5 0

46 44 GONE WEST/What Could've Been (Triple Tigers) 732 -18 135 -12 23 0

47 45 MADDIE & TAE/Die From A Broken Heart (Mercury) 675 -18 156 -6 18 0

49 46 ELI YOUNG BAND/Break It In (Valory) 638 36 108 7 11 1

53 47 ROSS ELLIS/Buy And Buy (Big Deal) 600 110 60 11 1 0

51 48 MITCHELL TENPENNY f/SEAFORTH/Anything She Says (Riser House/Columbia) 570 -10 57 -1 1 0

50 49 MORGAN WALLEN/Chasin' You (Big Loud) 506 -86 77 -7 7 0

52 50 LITTLE BIG TOWN/Over Drinking (Capitol) 484 -18 74 -10 12 0

54 51 LADY ANTEBELLUM/Ocean (BMLGR) 480 3 48 -3 1 0

52 GABBY BARRETT/I Hope (Warner/WAR) 473 105 106 28 19 2

55 53 RODNEY ATKINS/Thank God For You (Curb) 462 -11 96 0 12 0

59 54 NIKO MOON/Good Time (RCA) 460 30 46 3 1 0

55 RUNAWAY JUNE/Head Over Heels (Wheelhouse) 447 99 95 14 13 2

56 MAREN MORRIS/The Feels (Columbia) 440 40 44 4 1 0

57 DIPLO & MORGAN WALLEN/Heartless (Columbia) 414 100 42 10 2 0

57 58 GEORGE STRAIT/The Weight Of The Badge (MCA) 414 -30 68 -5 7 0

59 TIFFANY WOYS/Hostage (—) 403 54 67 11 9 0

60 HOOTIE & THE BLOWFISH/Hold On (Capitol) 364 -27 68 -5 10 0

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