R A I N E B E D S O L E

r e c e p t i o n a u g u s t 4 t h 6 – 9 p m

DREAM DOCUMENTS

Raine Bedsole continues her career-long celebration of nature in a new body of work inspired by her recent travels to

Greece and Cuba. The intense hues of the Adriatic and Aegean Seas, as well as the “Havana Blue” found in Cuban

architecture, have found their way into the artist’s serenely minimal color palette. Highly regarded for her sculptures,

mixed-media paintings, and works on paper, Bedsole has created a compositionally and thematically nuanced suite of

works that reference the branching of trees and corals, incorporating materials that allude to the personal narratives that

shape our lives.

Growing up in the pine-covered landscape of coastal south Alabama, where her family has lived for generations, Bedsole

found a deep and lasting appreciation for nature. Today, that sense of reverence is evident across the gamut of her

artistic output. In works based in sculpture, collage, and watercolor, she often employs maps, letters, books, and antique

fabrics, interweaving layers of meaning and turning each piece into a tapestry of old and new, individual and universal.

The undersea imagery in her coral-based pieces, for example, began as a response to the historic 2010 oil spill in the Gulf

of Mexico. These forms superimpose sheer visual beauty atop deeper reminders of the Gulf’s unseen but vitally important

ecosystems.

The recipient of a prestigious grant from the Joan Mitchell Foundation and significant public art commissions, Bedsole

has exhibited her work to popular and critical acclaim throughout Europe, Asia, the Middle East, and the Americas.

In addition to the coral-based pieces and her familiar boat and oar sculptures, this exhibition debuts a new series of

ephemeral sculptures based on the form of a “floating house.” In these sculptures—and throughout this hauntingly

beautiful, emotionally affecting body of work—Bedsole marries material virtuosity with an uncommon sensitivity to

symbolism and the power of natural form. Richard Speer

Front Cover: Just Long Boat, vellum, wire and wood on a steel structure, 16" x 163" x 24", 2012

AUGUST 1ST - SEPTEMBER 28TH, 2012

RECEPTION AUGUST 4TH 6–9 PM WHITE LINEN NIGHT

Bird Tree, 65" x 40", 2012plaster, found papers, clay paint and graphite

Blue Coral, antique papers, maps, clay paint, 37" x 116", 2012

Floating House II, 30" x 8" x 7", 2012found metal and wood, wire and paper

assorted oars, mixed media, sizes vary (70-85 inches high)

ARTWORK © RAINE BEDSOLE 2012PHOTOGRAPHY © WILL CROCKER 2012CATALOG © CALLAN CONTEMPORARY 2012

504.525.0518 www.callancontemporary.com

Floating House Vfound metal and wood, wire and paper, 16" x 9" x 8", 2012

518 JULIA STREET, NEW ORLEANS, LA 70130

FORMERLY

C A L L A N C O N T E M P O RA R Y